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Color name
HEX #DAC092

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC092 it is the complementary color #253F6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC092 shade: #DFC08D, #F0D2A0, #FFE4B3, #FFF6C6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC092 shade: #DAC092, #C9AE7F, #B89C6C, #A78A59 and #967846

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC092 shade: #D9BF90, #D9AB90, #D99890 and #D99090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC092 shade: #D9BF90, #D9D290, #CCD990, #B8D990 and #A5D990

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC092 shade matches the following richer shades: #D9BF90, #E5C284, #F1C578 and #FDC96C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC092 shade: #D9BF90, #CDBB9C, #C1B8A8, #B5B5B4 and #A9B1C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC092 shade: #D99890, #D9AB90, #D9BE90, #D9D290 and #CDD990

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC092 shade: #C49B53, #CEAD72, #D9BF90, #E3D0AF and #EEE2CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC092 shade: #DAC092, #9CD990 and #A190D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC092 shade: #DAC092, #90D9BE and #BE90D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC092 shade: #DAC092, #9CD990, #90ABD9 and #CD90D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC092 shade: #DAC092, #90D99A, #90ABD9 and #D990CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 33 / 15

HEX #DAC092

RGB 218 192 146

HSL 38.33, 0.49%, 0.71%

LAB 78.86, 2.55, 26.6

 

Complementary color

CMYK 66 / 42 / 0 / 57

HEX #253F6D

RGB 37 63 109

HSL 218.33, 0.49%, 0.29%

LAB 26.88, 6.19, -29.73

 

CMYK 0 / 14 / 37 / 13

HEX #DFC08D

RGB 223 192 141

HSL 37.32, 0.56%, 0.71%

LAB 79.22, 3.91, 29.8

 

CMYK 0 / 13 / 33 / 6

HEX #F0D2A0

RGB 240 210 160

HSL 37.5, 0.73%, 0.78%

LAB 85.58, 3.4, 28.66

 

CMYK 0 / 11 / 30 / 0

HEX #FFE4B3

RGB 255 228 179

HSL 38.68, 1%, 0.85%

LAB 91.69, 2.19, 27.33

 

CMYK 0 / 4 / 22 / 0

HEX #FFF6C6

RGB 255 246 198

HSL 50.53, 1%, 0.89%

LAB 96.51, -4.4, 24.22

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 12 / 33 / 15

HEX #DAC092

RGB 218 192 146

HSL 38.33, 0.49%, 0.71%

LAB 78.86, 2.55, 26.6

 

CMYK 0 / 13 / 37 / 21

HEX #C9AE7F

RGB 201 174 127

HSL 38.11, 0.41%, 0.64%

LAB 72.38, 3.06, 27.75

 

CMYK 0 / 15 / 41 / 28

HEX #B89C6C

RGB 184 156 108

HSL 37.89, 0.35%, 0.57%

LAB 65.79, 3.66, 28.97

 

CMYK 0 / 17 / 47 / 35

HEX #A78A59

RGB 167 138 89

HSL 37.69, 0.31%, 0.5%

LAB 59.08, 4.37, 30.29

 

CMYK 0 / 20 / 53 / 41

HEX #967846

RGB 150 120 70

HSL 37.5, 0.36%, 0.43%

LAB 52.24, 5.22, 31.68

 

CMYK 0 / 12 / 34 / 15

HEX #D9BF90

RGB 217 191 144

HSL 38.63, 0.49%, 0.71%

LAB 78.48, 2.44, 27.13

 

CMYK 0 / 21 / 34 / 15

HEX #D9AB90

RGB 217 171 144

HSL 22.19, 0.49%, 0.71%

LAB 73.47, 13.09, 20.33

 

CMYK 0 / 30 / 34 / 15

HEX #D99890

RGB 217 152 144

HSL 6.58, 0.49%, 0.71%

LAB 68.91, 23.35, 14

 

CMYK 0 / 34 / 34 / 15

HEX #D99090

RGB 217 144 144

HSL 0, 0.49%, 0.71%

LAB 67.06, 27.66, 11.39

 

CMYK 0 / 12 / 34 / 15

HEX #D9BF90

RGB 217 191 144

HSL 38.63, 0.49%, 0.71%

LAB 78.48, 2.44, 27.13

 

CMYK 0 / 3 / 34 / 15

HEX #D9D290

RGB 217 210 144

HSL 54.25, 0.49%, 0.71%

LAB 83.37, -7.41, 33.63

 

CMYK 6 / 0 / 34 / 15

HEX #CCD990

RGB 204 217 144

HSL 70.68, 0.49%, 0.71%

LAB 84.21, -15.93, 34.56

 

CMYK 15 / 0 / 34 / 15

HEX #B8D990

RGB 184 217 144

HSL 87.12, 0.49%, 0.71%

LAB 82.82, -23.37, 32.47

 

CMYK 24 / 0 / 34 / 15

HEX #A5D990

RGB 165 217 144

HSL 102.74, 0.49%, 0.71%

LAB 81.64, -30.12, 30.69

 

CMYK 0 / 12 / 34 / 15

HEX #D9BF90

RGB 217 191 144

HSL 38.63, 0.49%, 0.71%

LAB 78.48, 2.44, 27.13

 

CMYK 0 / 15 / 42 / 10

HEX #E5C284

RGB 229 194 132

HSL 38.35, 0.65%, 0.71%

LAB 80.13, 4.25, 35.78

 

CMYK 0 / 18 / 50 / 5

HEX #F1C578

RGB 241 197 120

HSL 38.18, 0.81%, 0.71%

LAB 81.83, 6.35, 44.27

 

CMYK 0 / 21 / 57 / 1

HEX #FDC96C

RGB 253 201 108

HSL 38.48, 0.97%, 0.71%

LAB 83.83, 8.18, 52.82

 

CMYK 0 / 12 / 34 / 15

HEX #D9BF90

RGB 217 191 144

HSL 38.63, 0.49%, 0.71%

LAB 78.48, 2.44, 27.13

 

CMYK 0 / 9 / 24 / 20

HEX #CDBB9C

RGB 205 187 156

HSL 37.96, 0.33%, 0.71%

LAB 76.63, 1.51, 18.04

HEX #CDBB9C

CMYK 0 / 5 / 13 / 24

HEX #C1B8A8

RGB 193 184 168

HSL 38.4, 0.17%, 0.71%

LAB 75.11, 0.44, 9.26

HEX #C1B8A8

CMYK 0 / 0 / 1 / 29

HEX #B5B5B4

RGB 181 181 180

HSL 60, 0.01%, 0.71%

LAB 73.65, -0.18, 0.5

HEX #B5B5B4

CMYK 12 / 8 / 0 / 25

HEX #A9B1C0

RGB 169 177 192

HSL 219.13, 0.15%, 0.71%

LAB 72.02, 0.24, -8.59

HEX #A9B1C0

CMYK 0 / 30 / 34 / 15

HEX #D99890

RGB 217 152 144

HSL 6.58, 0.49%, 0.71%

LAB 68.91, 23.35, 14

 

CMYK 0 / 21 / 34 / 15

HEX #D9AB90

RGB 217 171 144

HSL 22.19, 0.49%, 0.71%

LAB 73.47, 13.09, 20.33

 

CMYK 0 / 12 / 34 / 15

HEX #D9BE90

RGB 217 190 144

HSL 37.81, 0.49%, 0.71%

LAB 78.22, 2.97, 26.79

 

CMYK 0 / 3 / 34 / 15

HEX #D9D290

RGB 217 210 144

HSL 54.25, 0.49%, 0.71%

LAB 83.37, -7.41, 33.63

 

CMYK 6 / 0 / 34 / 15

HEX #CDD990

RGB 205 217 144

HSL 69.86, 0.49%, 0.71%

LAB 84.29, -15.55, 34.67

 

CMYK 0 / 21 / 58 / 23

HEX #C49B53

RGB 196 155 83

HSL 38.23, 0.49%, 0.55%

LAB 66.37, 6.88, 43.05

 

CMYK 0 / 16 / 45 / 19

HEX #CEAD72

RGB 206 173 114

HSL 38.48, 0.48%, 0.63%

LAB 72.38, 4.19, 34.72

 

CMYK 0 / 12 / 34 / 15

HEX #D9BF90

RGB 217 191 144

HSL 38.63, 0.49%, 0.71%

LAB 78.48, 2.44, 27.13

 

CMYK 0 / 8 / 23 / 11

HEX #E3D0AF

RGB 227 208 175

HSL 38.08, 0.48%, 0.79%

LAB 84.24, 1.48, 18.8

 

CMYK 0 / 5 / 13 / 7

HEX #EEE2CE

RGB 238 226 206

HSL 37.5, 0.48%, 0.87%

LAB 90.33, 0.8, 11.23

 

CMYK 0 / 12 / 33 / 15

HEX #DAC092

RGB 218 192 146

HSL 38.33, 0.49%, 0.71%

LAB 78.86, 2.55, 26.6

 

CMYK 28 / 0 / 34 / 15

HEX #9CD990

RGB 156 217 144

HSL 110.14, 0.49%, 0.71%

LAB 81.13, -33.18, 29.91

 

CMYK 26 / 34 / 0 / 15

HEX #A190D9

RGB 161 144 217

HSL 253.97, 0.49%, 0.71%

LAB 63.78, 21.84, -35.03

 

CMYK 0 / 12 / 33 / 15

HEX #DAC092

RGB 218 192 146

HSL 38.33, 0.49%, 0.71%

LAB 78.86, 2.55, 26.6

 

CMYK 34 / 0 / 12 / 15

HEX #90D9BE

RGB 144 217 190

HSL 157.81, 0.49%, 0.71%

LAB 81.44, -28.56, 6.11

 

CMYK 12 / 34 / 0 / 15

HEX #BE90D9

RGB 190 144 217

HSL 277.81, 0.49%, 0.71%

LAB 66.45, 30.63, -30.69

 

CMYK 0 / 12 / 33 / 15

HEX #DAC092

RGB 218 192 146

HSL 38.33, 0.49%, 0.71%

LAB 78.86, 2.55, 26.6

 

CMYK 28 / 0 / 34 / 15

HEX #9CD990

RGB 156 217 144

HSL 110.14, 0.49%, 0.71%

LAB 81.13, -33.18, 29.91

 

CMYK 34 / 21 / 0 / 15

HEX #90ABD9

RGB 144 171 217

HSL 217.81, 0.49%, 0.71%

LAB 69.52, 1.63, -26.27

 

CMYK 6 / 34 / 0 / 15

HEX #CD90D9

RGB 205 144 217

HSL 290.14, 0.49%, 0.71%

LAB 67.97, 35.32, -28.21

 

CMYK 0 / 12 / 33 / 15

HEX #DAC092

RGB 218 192 146

HSL 38.33, 0.49%, 0.71%

LAB 78.86, 2.55, 26.6

 

CMYK 34 / 0 / 29 / 15

HEX #90D99A

RGB 144 217 154

HSL 128.22, 0.49%, 0.71%

LAB 80.68, -35.43, 24.01

 

CMYK 34 / 21 / 0 / 15

HEX #90ABD9

RGB 144 171 217

HSL 217.81, 0.49%, 0.71%

LAB 69.52, 1.63, -26.27

 

CMYK 0 / 34 / 5 / 15

HEX #D990CF

RGB 217 144 207

HSL 308.22, 0.49%, 0.71%

LAB 68.9, 37.29, -21.13

 

Description

Color code: HEX #DAC092 | qconv.com Color code: HEX #DAC092 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 192 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 192 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 33 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 33% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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