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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABFC1 it is the complementary color #25403E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABFC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABFC1 shade: #DFBFBC, #F0D1CF, #FFE3E2 and #FFF5F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABFC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABFC1 shade: #DABFC1, #C9ADAE, #B89B9B, #A78988 and #967775

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABFC1 shade: #D9BEC0 and #D9BEBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABFC1 shade: #D9BEC0, #D9BEC7, #D9BECF, #D9BED6 and #D5BED9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABFC1 shade matches the following richer shades: #D9BEC0, #E2B5B9, #EAADB2, #F2A5AB and #FA9DA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABFC1 shade: #D9BEC0, #D1C6C7, #C9CECE, #C1D6D5 and #B8DFDC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABFC1 shade: #D9BECF, #D9BEC7, #D9BEC0, #D9C3BE and #D9CABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABFC1 shade: #BB898D, #CAA4A6, #D9BEC0, #E8D8D9 and #F7F2F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABFC1 shade: #DABFC1, #D6D9BE and #BECBD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABFC1 shade: #DABFC1, #C0D9BE and #BEC0D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABFC1 shade: #DABFC1, #D6D9BE, #BED9D7 and #C1BED9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABFC1 shade: #DABFC1, #CED9BE, #BED9D7 and #C9BED9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 11 / 15

HEX #DABFC1

RGB 218 191 193

HSL 355.56, 0.27%, 0.8%

LAB 79.62, 9.89, 2.51

 

Complementary color

CMYK 42 / 0 / 3 / 75

HEX #25403E

RGB 37 64 62

HSL 175.56, 0.27%, 0.2%

LAB 24.98, -10.82, -2.03

 

CMYK 0 / 14 / 16 / 13

HEX #DFBFBC

RGB 223 191 188

HSL 5.14, 0.35%, 0.81%

LAB 79.94, 10.89, 5.72

 

CMYK 0 / 13 / 14 / 6

HEX #F0D1CF

RGB 240 209 207

HSL 3.64, 0.52%, 0.88%

LAB 86.32, 10.49, 4.97

 

CMYK 0 / 11 / 11 / 0

HEX #FFE3E2

RGB 255 227 226

HSL 2.07, 1%, 0.94%

LAB 92.44, 9.43, 3.99

 

CMYK 0 / 4 / 4 / 0

HEX #FFF5F5

RGB 255 245 245

HSL 0, 1%, 0.98%

LAB 97.29, 3.34, 1.18

 

CMYK 0 / 12 / 11 / 15

HEX #DABFC1

RGB 218 191 193

HSL 355.56, 0.27%, 0.8%

LAB 79.62, 9.89, 2.51

 

CMYK 0 / 14 / 13 / 21

HEX #C9ADAE

RGB 201 173 174

HSL 357.86, 0.21%, 0.73%

LAB 73.13, 10.29, 3.23

 

CMYK 0 / 16 / 16 / 28

HEX #B89B9B

RGB 184 155 155

HSL 0, 0.17%, 0.66%

LAB 66.52, 10.72, 3.99

 

CMYK 0 / 18 / 19 / 35

HEX #A78988

RGB 167 137 136

HSL 1.94, 0.15%, 0.59%

LAB 59.78, 11.21, 4.81

 

CMYK 0 / 21 / 22 / 41

HEX #967775

RGB 150 119 117

HSL 3.64, 0.14%, 0.52%

LAB 52.91, 11.76, 5.7

 

CMYK 0 / 12 / 12 / 15

HEX #D9BEC0

RGB 217 190 192

HSL 355.56, 0.26%, 0.8%

LAB 79.26, 9.9, 2.51

 

CMYK 0 / 12 / 12 / 15

HEX #D9BEBE

RGB 217 190 190

HSL 0, 0.26%, 0.8%

LAB 79.21, 9.58, 3.52

 

CMYK 0 / 12 / 12 / 15

HEX #D9BEC0

RGB 217 190 192

HSL 355.56, 0.26%, 0.8%

LAB 79.26, 9.9, 2.51

 

CMYK 0 / 12 / 8 / 15

HEX #D9BEC7

RGB 217 190 199

HSL 340, 0.26%, 0.8%

LAB 79.44, 11.08, -1

 

CMYK 0 / 12 / 5 / 15

HEX #D9BECF

RGB 217 190 207

HSL 322.22, 0.26%, 0.8%

LAB 79.66, 12.47, -5

 

CMYK 0 / 12 / 1 / 15

HEX #D9BED6

RGB 217 190 214

HSL 306.67, 0.26%, 0.8%

LAB 79.86, 13.73, -8.48

 

CMYK 2 / 12 / 0 / 15

HEX #D5BED9

RGB 213 190 217

HSL 291.11, 0.26%, 0.8%

LAB 79.6, 12.93, -10.51

 

CMYK 0 / 12 / 12 / 15

HEX #D9BEC0

RGB 217 190 192

HSL 355.56, 0.26%, 0.8%

LAB 79.26, 9.9, 2.51

 

CMYK 0 / 20 / 18 / 11

HEX #E2B5B9

RGB 226 181 185

HSL 354.67, 0.44%, 0.8%

LAB 77.71, 16.85, 4.15

 

CMYK 0 / 26 / 24 / 8

HEX #EAADB2

RGB 234 173 178

HSL 355.08, 0.59%, 0.8%

LAB 76.43, 23.01, 6.22

 

CMYK 0 / 32 / 29 / 5

HEX #F2A5AB

RGB 242 165 171

HSL 355.32, 0.75%, 0.8%

LAB 75.28, 29.23, 8.51

 

CMYK 0 / 37 / 34 / 2

HEX #FA9DA4

RGB 250 157 164

HSL 355.48, 0.9%, 0.8%

LAB 74.27, 35.47, 11.03

 

CMYK 0 / 12 / 12 / 15

HEX #D9BEC0

RGB 217 190 192

HSL 355.56, 0.26%, 0.8%

LAB 79.26, 9.9, 2.51

 

CMYK 0 / 5 / 5 / 18

HEX #D1C6C7

RGB 209 198 199

HSL 354.55, 0.11%, 0.8%

LAB 80.78, 4.01, 0.86

 

CMYK 2 / 0 / 0 / 19

HEX #C9CECE

RGB 201 206 206

HSL 180, 0.05%, 0.8%

LAB 82.39, -1.7, -0.61

 

CMYK 10 / 0 / 0 / 16

HEX #C1D6D5

RGB 193 214 213

HSL 177.14, 0.2%, 0.8%

LAB 84.09, -7.19, -1.91

 

CMYK 17 / 0 / 1 / 13

HEX #B8DFDC

RGB 184 223 220

HSL 175.38, 0.38%, 0.8%

LAB 86.07, -13.27, -2.77

 

CMYK 0 / 12 / 5 / 15

HEX #D9BECF

RGB 217 190 207

HSL 322.22, 0.26%, 0.8%

LAB 79.66, 12.47, -5

 

CMYK 0 / 12 / 8 / 15

HEX #D9BEC7

RGB 217 190 199

HSL 340, 0.26%, 0.8%

LAB 79.44, 11.08, -1

 

CMYK 0 / 12 / 12 / 15

HEX #D9BEC0

RGB 217 190 192

HSL 355.56, 0.26%, 0.8%

LAB 79.26, 9.9, 2.51

 

CMYK 0 / 10 / 12 / 15

HEX #D9C3BE

RGB 217 195 190

HSL 11.11, 0.26%, 0.8%

LAB 80.46, 6.92, 5.32

 

CMYK 0 / 7 / 12 / 15

HEX #D9CABE

RGB 217 202 190

HSL 26.67, 0.26%, 0.8%

LAB 82.22, 3.22, 7.86

 

CMYK 0 / 27 / 25 / 27

HEX #BB898D

RGB 187 137 141

HSL 355.2, 0.27%, 0.64%

LAB 61.98, 19.67, 5.39

 

CMYK 0 / 19 / 18 / 21

HEX #CAA4A6

RGB 202 164 166

HSL 356.84, 0.26%, 0.72%

LAB 70.77, 14.27, 4.24

 

CMYK 0 / 12 / 12 / 15

HEX #D9BEC0

RGB 217 190 192

HSL 355.56, 0.26%, 0.8%

LAB 79.26, 9.9, 2.51

 

CMYK 0 / 7 / 6 / 9

HEX #E8D8D9

RGB 232 216 217

HSL 356.25, 0.26%, 0.88%

LAB 87.62, 5.67, 1.48

 

CMYK 0 / 2 / 2 / 3

HEX #F7F2F3

RGB 247 242 243

HSL 348, 0.24%, 0.96%

LAB 95.89, 1.85, 0.1

 

CMYK 0 / 12 / 11 / 15

HEX #DABFC1

RGB 218 191 193

HSL 355.56, 0.27%, 0.8%

LAB 79.62, 9.89, 2.51

 

CMYK 1 / 0 / 12 / 15

HEX #D6D9BE

RGB 214 217 190

HSL 66.67, 0.26%, 0.8%

LAB 85.83, -5.65, 12.96

 

CMYK 12 / 6 / 0 / 15

HEX #BECBD9

RGB 190 203 217

HSL 211.11, 0.26%, 0.8%

LAB 81.11, -1.63, -8.46

 

CMYK 0 / 12 / 11 / 15

HEX #DABFC1

RGB 218 191 193

HSL 355.56, 0.27%, 0.8%

LAB 79.62, 9.89, 2.51

 

CMYK 12 / 0 / 12 / 15

HEX #C0D9BE

RGB 192 217 190

HSL 115.56, 0.26%, 0.8%

LAB 84.25, -13.34, 10.51

 

CMYK 12 / 12 / 0 / 15

HEX #BEC0D9

RGB 190 192 217

HSL 235.56, 0.26%, 0.8%

LAB 78.26, 4.23, -12.71

 

CMYK 0 / 12 / 11 / 15

HEX #DABFC1

RGB 218 191 193

HSL 355.56, 0.27%, 0.8%

LAB 79.62, 9.89, 2.51

 

CMYK 1 / 0 / 12 / 15

HEX #D6D9BE

RGB 214 217 190

HSL 66.67, 0.26%, 0.8%

LAB 85.83, -5.65, 12.96

 

CMYK 12 / 0 / 1 / 15

HEX #BED9D7

RGB 190 217 215

HSL 175.56, 0.26%, 0.8%

LAB 84.73, -9.32, -2.05

 

CMYK 11 / 12 / 0 / 15

HEX #C1BED9

RGB 193 190 217

HSL 246.67, 0.26%, 0.8%

LAB 77.98, 6.29, -13.11

 

CMYK 0 / 12 / 11 / 15

HEX #DABFC1

RGB 218 191 193

HSL 355.56, 0.27%, 0.8%

LAB 79.62, 9.89, 2.51

 

CMYK 5 / 0 / 12 / 15

HEX #CED9BE

RGB 206 217 190

HSL 84.44, 0.26%, 0.8%

LAB 85.23, -8.48, 12.04

 

CMYK 12 / 0 / 1 / 15

HEX #BED9D7

RGB 190 217 215

HSL 175.56, 0.26%, 0.8%

LAB 84.73, -9.32, -2.05

 

CMYK 7 / 12 / 0 / 15

HEX #C9BED9

RGB 201 190 217

HSL 264.44, 0.26%, 0.8%

LAB 78.61, 8.92, -12.1

 

Description

Color code: HEX #DABFC1 | qconv.com Color code: HEX #DABFC1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 191 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 191 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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