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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABB34 it is the complementary color #2544CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABB34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABB34 shade: #DFBB2F, #F0CD42, #FFDF55, #FFF168 and #FFFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABB34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABB34 shade: #DABB34, #C9A921, #B8970E, #A78500 and #967300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABB34 shade: #D9BA34, #D98E34, #D96134, #D93534 and #D93434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABB34 shade: #D9BA34, #CCD934, #9FD934, #72D934 and #46D934

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABB34 shade matches the following richer shades: #D9BA34 and #EDC721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABB34 shade: #D9BA34, #C6AE47, #B3A25B, #9F966E and #8C8A82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABB34 shade: #D96034, #D98C34, #D9B834, #CED934 and #A2D934

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABB34 shade: #9E861D, #C1A423, #D9BA34, #E0C657 and #E6D27A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABB34 shade: #DABB34, #34D934 and #7634D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABB34 shade: #DABB34, #34D9B8 and #B834D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABB34 shade: #DABB34, #34D934, #3455D9 and #D934D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABB34 shade: #DABB34, #34D966, #3455D9 and #D934A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 76 / 15

HEX #DABB34

RGB 218 187 52

HSL 48.8, 0.69%, 0.53%

LAB 76.49, -2.44, 67.64

 

Complementary color

CMYK 82 / 67 / 0 / 20

HEX #2544CB

RGB 37 68 203

HSL 228.8, 0.69%, 0.47%

LAB 35.67, 38.85, -72.56

 

CMYK 0 / 16 / 79 / 13

HEX #DFBB2F

RGB 223 187 47

HSL 47.73, 0.73%, 0.53%

LAB 76.94, -0.47, 69.86

 

CMYK 0 / 15 / 73 / 6

HEX #F0CD42

RGB 240 205 66

HSL 47.93, 0.85%, 0.6%

LAB 83.22, -1.76, 69.8

 

CMYK 0 / 13 / 67 / 0

HEX #FFDF55

RGB 255 223 85

HSL 48.71, 1%, 0.67%

LAB 89.25, -3.7, 69

 

CMYK 0 / 5 / 59 / 0

HEX #FFF168

RGB 255 241 104

HSL 54.44, 1%, 0.7%

LAB 93.96, -11.51, 66.18

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 14 / 76 / 15

HEX #DABB34

RGB 218 187 52

HSL 48.8, 0.69%, 0.53%

LAB 76.49, -2.44, 67.64

 

CMYK 0 / 16 / 84 / 21

HEX #C9A921

RGB 201 169 33

HSL 48.57, 0.72%, 0.46%

LAB 70.11, -1.04, 67.21

 

CMYK 0 / 18 / 92 / 28

HEX #B8970E

RGB 184 151 14

HSL 48.35, 0.86%, 0.39%

LAB 63.64, 0.6, 65.53

 

CMYK 0 / 20 / 100 / 35

HEX #A78500

RGB 167 133 0

HSL 47.78, 1%, 0.33%

LAB 57.07, 2.5, 62.13

 

CMYK 0 / 23 / 100 / 41

HEX #967300

RGB 150 115 0

HSL 46, 1%, 0.29%

LAB 50.39, 4.69, 56.63

 

CMYK 0 / 14 / 76 / 15

HEX #D9BA34

RGB 217 186 52

HSL 48.73, 0.68%, 0.53%

LAB 76.14, -2.35, 67.28

 

CMYK 0 / 35 / 76 / 15

HEX #D98E34

RGB 217 142 52

HSL 32.73, 0.68%, 0.53%

LAB 65.24, 21.1, 56.9

 

CMYK 0 / 55 / 76 / 15

HEX #D96134

RGB 217 97 52

HSL 16.36, 0.68%, 0.53%

LAB 55.63, 44.46, 47.28

 

CMYK 0 / 76 / 76 / 15

HEX #D93534

RGB 217 53 52

HSL 0.36, 0.68%, 0.53%

LAB 48.94, 62.43, 40.22

 

CMYK 0 / 76 / 76 / 15

HEX #D93434

RGB 217 52 52

HSL 0, 0.68%, 0.53%

LAB 48.83, 62.74, 40.09

 

CMYK 0 / 14 / 76 / 15

HEX #D9BA34

RGB 217 186 52

HSL 48.73, 0.68%, 0.53%

LAB 76.14, -2.35, 67.28

 

CMYK 6 / 0 / 76 / 15

HEX #CCD934

RGB 204 217 52

HSL 64.73, 0.68%, 0.53%

LAB 83.29, -23.45, 73.47

 

CMYK 27 / 0 / 76 / 15

HEX #9FD934

RGB 159 217 52

HSL 81.09, 0.68%, 0.53%

LAB 80.32, -41.31, 69.63

 

CMYK 47 / 0 / 76 / 15

HEX #72D934

RGB 114 217 52

HSL 97.45, 0.68%, 0.53%

LAB 78.14, -56.6, 66.8

 

CMYK 68 / 0 / 76 / 15

HEX #46D934

RGB 70 217 52

HSL 113.45, 0.68%, 0.53%

LAB 76.79, -67.41, 65.02

 

CMYK 0 / 14 / 76 / 15

HEX #D9BA34

RGB 217 186 52

HSL 48.73, 0.68%, 0.53%

LAB 76.14, -2.35, 67.28

 

CMYK 0 / 16 / 86 / 7

HEX #EDC721

RGB 237 199 33

HSL 48.82, 0.85%, 0.53%

LAB 81.27, -1.04, 77.81

 

CMYK 0 / 14 / 76 / 15

HEX #D9BA34

RGB 217 186 52

HSL 48.73, 0.68%, 0.53%

LAB 76.14, -2.35, 67.28

 

CMYK 0 / 12 / 64 / 22

HEX #C6AE47

RGB 198 174 71

HSL 48.66, 0.53%, 0.53%

LAB 71.37, -3.29, 54.42

 

CMYK 0 / 9 / 49 / 30

HEX #B3A25B

RGB 179 162 91

HSL 48.41, 0.37%, 0.53%

LAB 66.66, -3.45, 38.94

 

CMYK 0 / 6 / 31 / 38

HEX #9F966E

RGB 159 150 110

HSL 48.98, 0.2%, 0.53%

LAB 61.92, -3.1, 22.34

 

CMYK 0 / 1 / 7 / 45

HEX #8C8A82

RGB 140 138 130

HSL 48, 0.04%, 0.53%

LAB 57.43, -0.77, 4.54

 

CMYK 0 / 56 / 76 / 15

HEX #D96034

RGB 217 96 52

HSL 16, 0.68%, 0.53%

LAB 55.45, 44.94, 47.09

 

CMYK 0 / 35 / 76 / 15

HEX #D98C34

RGB 217 140 52

HSL 32, 0.68%, 0.53%

LAB 64.77, 22.17, 56.44

 

CMYK 0 / 15 / 76 / 15

HEX #D9B834

RGB 217 184 52

HSL 48, 0.68%, 0.53%

LAB 75.63, -1.31, 66.8

 

CMYK 5 / 0 / 76 / 15

HEX #CED934

RGB 206 217 52

HSL 64, 0.68%, 0.53%

LAB 83.44, -22.62, 73.66

 

CMYK 25 / 0 / 76 / 15

HEX #A2D934

RGB 162 217 52

HSL 80, 0.68%, 0.53%

LAB 80.49, -40.18, 69.86

 

CMYK 0 / 15 / 82 / 38

HEX #9E861D

RGB 158 134 29

HSL 48.84, 0.69%, 0.37%

LAB 56.49, -1.59, 54.98

 

CMYK 0 / 15 / 82 / 24

HEX #C1A423

RGB 193 164 35

HSL 48.99, 0.69%, 0.45%

LAB 68.03, -1.87, 64.56

 

CMYK 0 / 14 / 76 / 15

HEX #D9BA34

RGB 217 186 52

HSL 48.73, 0.68%, 0.53%

LAB 76.14, -2.35, 67.28

 

CMYK 0 / 12 / 61 / 12

HEX #E0C657

RGB 224 198 87

HSL 48.61, 0.69%, 0.61%

LAB 80.14, -3.73, 57.58

 

CMYK 0 / 9 / 47 / 10

HEX #E6D27A

RGB 230 210 122

HSL 48.89, 0.68%, 0.69%

LAB 84.13, -4.62, 45.9

 

CMYK 0 / 14 / 76 / 15

HEX #DABB34

RGB 218 187 52

HSL 48.8, 0.69%, 0.53%

LAB 76.49, -2.44, 67.64

 

CMYK 76 / 0 / 76 / 15

HEX #34D934

RGB 52 217 52

HSL 120, 0.68%, 0.53%

LAB 76.44, -70.37, 64.56

 

CMYK 46 / 76 / 0 / 15

HEX #7634D9

RGB 118 52 217

HSL 264, 0.68%, 0.53%

LAB 40.11, 61.49, -73.13

 

CMYK 0 / 14 / 76 / 15

HEX #DABB34

RGB 218 187 52

HSL 48.8, 0.69%, 0.53%

LAB 76.49, -2.44, 67.64

 

CMYK 76 / 0 / 15 / 15

HEX #34D9B8

RGB 52 217 184

HSL 168, 0.68%, 0.53%

LAB 78.35, -48.73, 4.47

 

CMYK 15 / 76 / 0 / 15

HEX #B834D9

RGB 184 52 217

HSL 288, 0.68%, 0.53%

LAB 49.08, 72.76, -58.15

 

CMYK 0 / 14 / 76 / 15

HEX #DABB34

RGB 218 187 52

HSL 48.8, 0.69%, 0.53%

LAB 76.49, -2.44, 67.64

 

CMYK 76 / 0 / 76 / 15

HEX #34D934

RGB 52 217 52

HSL 120, 0.68%, 0.53%

LAB 76.44, -70.37, 64.56

 

CMYK 76 / 61 / 0 / 15

HEX #3455D9

RGB 52 85 217

HSL 228, 0.68%, 0.53%

LAB 41.59, 34.52, -70.9

 

CMYK 0 / 76 / 0 / 15

HEX #D934D9

RGB 217 52 217

HSL 300, 0.68%, 0.53%

LAB 54.26, 79.11, -49.57

 

CMYK 0 / 14 / 76 / 15

HEX #DABB34

RGB 218 187 52

HSL 48.8, 0.69%, 0.53%

LAB 76.49, -2.44, 67.64

 

CMYK 76 / 0 / 53 / 15

HEX #34D966

RGB 52 217 102

HSL 138.18, 0.68%, 0.53%

LAB 76.87, -65.14, 44.63

 

CMYK 76 / 61 / 0 / 15

HEX #3455D9

RGB 52 85 217

HSL 228, 0.68%, 0.53%

LAB 41.59, 34.52, -70.9

 

CMYK 0 / 76 / 23 / 15

HEX #D934A8

RGB 217 52 168

HSL 317.82, 0.68%, 0.53%

LAB 51.88, 72.22, -24.97

 

Description

Color code: HEX #DABB34 | qconv.com Color code: HEX #DABB34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 187 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 187 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 76 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 76% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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