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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABA14 it is the complementary color #2545EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABA14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABA14 shade: #DFBA0F, #F0CC22, #FFDE35, #FFF048 and #FFFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABA14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABA14 shade: #DABA14, #C9A801, #B89600, #A78400 and #967200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABA14 shade: #DBBB14, #DB8514, #DB4F14, #DB1A14 and #DB1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABA14 shade: #DBBB14, #C5DB14, #90DB14, #5ADB14 and #24DB14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABA14 shade matches the following richer shades: #DBBB14 and #EEC800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABA14 shade: #DBBB14, #C7AE27, #B4A03B, #A1934E and #8D8661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABA14 shade: #DB5014, #DB8514, #DBBA14, #C7DB14 and #92DB14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABA14 shade: #8F7A0D, #B59A10, #DBBB14, #EBCC2D and #EFD553

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABA14 shade: #DABA14, #14DB1B and #6A14DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABA14 shade: #DABA14, #14DBBA and #BA14DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABA14 shade: #DABA14, #14DB1B, #1435DB and #DB14D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABA14 shade: #DABA14, #14DB56, #1435DB and #DB1499

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 91 / 15

HEX #DABA14

RGB 218 186 20

HSL 50.3, 0.83%, 0.47%

LAB 76.11, -2.79, 75.5

 

Complementary color

CMYK 84 / 71 / 0 / 8

HEX #2545EB

RGB 37 69 235

HSL 230.3, 0.83%, 0.53%

LAB 38.98, 49.54, -85.46

 

CMYK 0 / 17 / 93 / 13

HEX #DFBA0F

RGB 223 186 15

HSL 49.33, 0.87%, 0.47%

LAB 76.58, -0.68, 76.81

 

CMYK 0 / 15 / 86 / 6

HEX #F0CC22

RGB 240 204 34

HSL 49.51, 0.87%, 0.54%

LAB 82.82, -2.3, 78.96

 

CMYK 0 / 13 / 79 / 0

HEX #FFDE35

RGB 255 222 53

HSL 50.2, 1%, 0.6%

LAB 88.81, -4.56, 79.71

 

CMYK 0 / 6 / 72 / 0

HEX #FFF048

RGB 255 240 72

HSL 55.08, 1%, 0.64%

LAB 93.47, -12.78, 78.02

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 0 / 15 / 91 / 15

HEX #DABA14

RGB 218 186 20

HSL 50.3, 0.83%, 0.47%

LAB 76.11, -2.79, 75.5

 

CMYK 0 / 16 / 100 / 21

HEX #C9A801

RGB 201 168 1

HSL 50.1, 0.99%, 0.4%

LAB 69.77, -1.05, 72.53

 

CMYK 0 / 18 / 100 / 28

HEX #B89600

RGB 184 150 0

HSL 48.91, 1%, 0.36%

LAB 63.35, 0.96, 67.35

 

CMYK 0 / 21 / 100 / 35

HEX #A78400

RGB 167 132 0

HSL 47.43, 1%, 0.33%

LAB 56.8, 3.06, 61.95

 

CMYK 0 / 24 / 100 / 41

HEX #967200

RGB 150 114 0

HSL 45.6, 1%, 0.29%

LAB 50.12, 5.26, 56.45

 

CMYK 0 / 15 / 91 / 14

HEX #DBBB14

RGB 219 187 20

HSL 50.35, 0.83%, 0.47%

LAB 76.47, -2.87, 75.81

 

CMYK 0 / 39 / 91 / 14

HEX #DB8514

RGB 219 133 20

HSL 34.07, 0.83%, 0.47%

LAB 63.25, 25.87, 65.85

 

CMYK 0 / 64 / 91 / 14

HEX #DB4F14

RGB 219 79 20

HSL 17.79, 0.83%, 0.47%

LAB 52.62, 52.54, 58.15

 

CMYK 0 / 88 / 91 / 14

HEX #DB1A14

RGB 219 26 20

HSL 1.81, 0.83%, 0.47%

LAB 46.78, 68.74, 54.13

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 15 / 91 / 14

HEX #DBBB14

RGB 219 187 20

HSL 50.35, 0.83%, 0.47%

LAB 76.47, -2.87, 75.81

 

CMYK 10 / 0 / 91 / 14

HEX #C5DB14

RGB 197 219 20

HSL 66.63, 0.83%, 0.47%

LAB 83.22, -28.18, 80.28

 

CMYK 34 / 0 / 91 / 14

HEX #90DB14

RGB 144 219 20

HSL 82.61, 0.83%, 0.47%

LAB 79.98, -48.75, 76.32

 

CMYK 59 / 0 / 91 / 14

HEX #5ADB14

RGB 90 219 20

HSL 98.89, 0.83%, 0.47%

LAB 77.81, -65.15, 73.64

 

CMYK 84 / 0 / 91 / 14

HEX #24DB14

RGB 36 219 20

HSL 115.18, 0.83%, 0.47%

LAB 76.73, -74.37, 72.3

 

CMYK 0 / 15 / 91 / 14

HEX #DBBB14

RGB 219 187 20

HSL 50.35, 0.83%, 0.47%

LAB 76.47, -2.87, 75.81

 

CMYK 0 / 16 / 100 / 7

HEX #EEC800

RGB 238 200 0

HSL 50.42, 1%, 0.47%

LAB 81.56, -1.56, 82.61

 

CMYK 0 / 15 / 91 / 14

HEX #DBBB14

RGB 219 187 20

HSL 50.35, 0.83%, 0.47%

LAB 76.47, -2.87, 75.81

 

CMYK 0 / 13 / 80 / 22

HEX #C7AE27

RGB 199 174 39

HSL 50.63, 0.67%, 0.47%

LAB 71.26, -4.38, 66.41

 

CMYK 0 / 11 / 67 / 29

HEX #B4A03B

RGB 180 160 59

HSL 50.08, 0.51%, 0.47%

LAB 65.87, -4.41, 53.31

 

CMYK 0 / 9 / 52 / 37

HEX #A1934E

RGB 161 147 78

HSL 49.88, 0.35%, 0.47%

LAB 60.78, -4.26, 38.09

 

CMYK 0 / 5 / 31 / 45

HEX #8D8661

RGB 141 134 97

HSL 50.45, 0.18%, 0.47%

LAB 55.66, -3.44, 20.91

 

CMYK 0 / 63 / 91 / 14

HEX #DB5014

RGB 219 80 20

HSL 18.09, 0.83%, 0.47%

LAB 52.78, 52.11, 58.26

 

CMYK 0 / 39 / 91 / 14

HEX #DB8514

RGB 219 133 20

HSL 34.07, 0.83%, 0.47%

LAB 63.25, 25.87, 65.85

 

CMYK 0 / 15 / 91 / 14

HEX #DBBA14

RGB 219 186 20

HSL 50.05, 0.83%, 0.47%

LAB 76.21, -2.35, 75.62

 

CMYK 9 / 0 / 91 / 14

HEX #C7DB14

RGB 199 219 20

HSL 66.03, 0.83%, 0.47%

LAB 83.37, -27.36, 80.46

 

CMYK 33 / 0 / 91 / 14

HEX #92DB14

RGB 146 219 20

HSL 82.01, 0.83%, 0.47%

LAB 80.08, -48.04, 76.44

 

CMYK 0 / 15 / 91 / 44

HEX #8F7A0D

RGB 143 122 13

HSL 50.31, 0.83%, 0.31%

LAB 51.6, -2.33, 54.62

 

CMYK 0 / 15 / 91 / 29

HEX #B59A10

RGB 181 154 16

HSL 50.18, 0.84%, 0.39%

LAB 64.14, -2.35, 65.44

 

CMYK 0 / 15 / 91 / 14

HEX #DBBB14

RGB 219 187 20

HSL 50.35, 0.83%, 0.47%

LAB 76.47, -2.87, 75.81

 

CMYK 0 / 13 / 81 / 8

HEX #EBCC2D

RGB 235 204 45

HSL 50.21, 0.83%, 0.55%

LAB 82.4, -4.15, 75.68

 

CMYK 0 / 11 / 65 / 6

HEX #EFD553

RGB 239 213 83

HSL 50, 0.83%, 0.63%

LAB 85.28, -5.39, 65.23

 

CMYK 0 / 15 / 91 / 15

HEX #DABA14

RGB 218 186 20

HSL 50.3, 0.83%, 0.47%

LAB 76.11, -2.79, 75.5

 

CMYK 91 / 0 / 88 / 14

HEX #14DB1B

RGB 20 219 27

HSL 122.11, 0.83%, 0.47%

LAB 76.61, -75.38, 70.97

 

CMYK 52 / 91 / 0 / 14

HEX #6A14DB

RGB 106 20 219

HSL 265.93, 0.83%, 0.47%

LAB 35.36, 70.88, -82.15

 

CMYK 0 / 15 / 91 / 15

HEX #DABA14

RGB 218 186 20

HSL 50.3, 0.83%, 0.47%

LAB 76.11, -2.79, 75.5

 

CMYK 91 / 0 / 15 / 14

HEX #14DBBA

RGB 20 219 186

HSL 170.05, 0.83%, 0.47%

LAB 78.67, -51.45, 3.82

 

CMYK 15 / 91 / 0 / 14

HEX #BA14DB

RGB 186 20 219

HSL 290.05, 0.83%, 0.47%

LAB 47.05, 80.69, -62.56

 

CMYK 0 / 15 / 91 / 15

HEX #DABA14

RGB 218 186 20

HSL 50.3, 0.83%, 0.47%

LAB 76.11, -2.79, 75.5

 

CMYK 91 / 0 / 88 / 14

HEX #14DB1B

RGB 20 219 27

HSL 122.11, 0.83%, 0.47%

LAB 76.61, -75.38, 70.97

 

CMYK 91 / 76 / 0 / 14

HEX #1435DB

RGB 20 53 219

HSL 230.05, 0.83%, 0.47%

LAB 33.58, 52.51, -85.27

 

CMYK 0 / 91 / 3 / 14

HEX #DB14D4

RGB 219 20 212

HSL 302.11, 0.83%, 0.47%

LAB 52.19, 84.93, -49.99

 

CMYK 0 / 15 / 91 / 15

HEX #DABA14

RGB 218 186 20

HSL 50.3, 0.83%, 0.47%

LAB 76.11, -2.79, 75.5

 

CMYK 91 / 0 / 61 / 14

HEX #14DB56

RGB 20 219 86

HSL 139.9, 0.83%, 0.47%

LAB 76.97, -70.84, 51.97

 

CMYK 91 / 76 / 0 / 14

HEX #1435DB

RGB 20 53 219

HSL 230.05, 0.83%, 0.47%

LAB 33.58, 52.51, -85.27

 

CMYK 0 / 91 / 30 / 14

HEX #DB1499

RGB 219 20 153

HSL 319.9, 0.83%, 0.47%

LAB 49.33, 77.53, -19.96

 

Description

Color code: HEX #DABA14 | qconv.com Color code: HEX #DABA14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 186 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 186 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 91 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 91% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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