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Color name
HEX #DAB367

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB367 it is the complementary color #254C98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB367 shade: #DFB362, #F0C575, #FFD788, #FFE99B and #FFFBAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB367 shade: #DAB367, #C9A154, #B88F41, #A77D2E and #966B1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB367 shade: #DAB367, #DA9467, #DA7567 and #DA6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB367 shade: #DAB367, #DAD267, #C3DA67, #A4DA67 and #85DA67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB367 shade matches the following richer shades: #DAB367, #E9B857 and #F8BC48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB367 shade: #DAB367, #CAAE76, #BBA985, #ACA494 and #9D9FA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB367 shade: #DA7467, #DA9367, #DAB167, #DAD067 and #C5DA67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB367 shade: #C08E2E, #D2A245, #DAB367, #E2C388 and #EAD4A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB367 shade: #DAB367, #78DA67 and #8367DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB367 shade: #DAB367, #67DAB1 and #B167DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB367 shade: #DAB367, #78DA67, #678FDA and #C867DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB367 shade: #DAB367, #67DA78, #678FDA and #DA67C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 53 / 15

HEX #DAB367

RGB 218 179 103

HSL 39.65, 0.61%, 0.63%

LAB 74.9, 4.91, 43.77

 

Complementary color

CMYK 76 / 50 / 0 / 40

HEX #254C98

RGB 37 76 152

HSL 219.65, 0.61%, 0.37%

LAB 33.62, 14.12, -45.65

 

CMYK 0 / 20 / 56 / 13

HEX #DFB362

RGB 223 179 98

HSL 38.88, 0.66%, 0.63%

LAB 75.33, 6.58, 46.88

 

CMYK 0 / 18 / 51 / 6

HEX #F0C575

RGB 240 197 117

HSL 39.02, 0.8%, 0.7%

LAB 81.7, 5.68, 45.58

 

CMYK 0 / 16 / 47 / 0

HEX #FFD788

RGB 255 215 136

HSL 39.83, 1%, 0.77%

LAB 87.79, 4.11, 44.03

 

CMYK 0 / 9 / 39 / 0

HEX #FFE99B

RGB 255 233 155

HSL 46.8, 1%, 0.8%

LAB 92.53, -3.13, 40.62

 

CMYK 0 / 2 / 32 / 0

HEX #FFFBAE

RGB 255 251 174

HSL 57.04, 1%, 0.84%

LAB 97.35, -9.96, 37.46

 

CMYK 0 / 18 / 53 / 15

HEX #DAB367

RGB 218 179 103

HSL 39.65, 0.61%, 0.63%

LAB 74.9, 4.91, 43.77

 

CMYK 0 / 20 / 58 / 21

HEX #C9A154

RGB 201 161 84

HSL 39.49, 0.52%, 0.56%

LAB 68.42, 5.85, 45.09

 

CMYK 0 / 22 / 65 / 28

HEX #B88F41

RGB 184 143 65

HSL 39.33, 0.48%, 0.49%

LAB 61.84, 6.96, 46.37

 

CMYK 0 / 25 / 72 / 35

HEX #A77D2E

RGB 167 125 46

HSL 39.17, 0.57%, 0.42%

LAB 55.15, 8.29, 47.48

 

CMYK 0 / 29 / 82 / 41

HEX #966B1B

RGB 150 107 27

HSL 39.02, 0.69%, 0.35%

LAB 48.36, 9.9, 48.09

 

CMYK 0 / 18 / 53 / 15

HEX #DAB367

RGB 218 179 103

HSL 39.65, 0.61%, 0.63%

LAB 74.9, 4.91, 43.77

 

CMYK 0 / 32 / 53 / 15

HEX #DA9467

RGB 218 148 103

HSL 23.48, 0.61%, 0.63%

LAB 67.33, 21.53, 34.36

 

CMYK 0 / 46 / 53 / 15

HEX #DA7567

RGB 218 117 103

HSL 7.3, 0.61%, 0.63%

LAB 60.43, 37.99, 25.44

 

CMYK 0 / 53 / 53 / 15

HEX #DA6767

RGB 218 103 103

HSL 0, 0.61%, 0.63%

LAB 57.64, 45.05, 21.73

 

CMYK 0 / 18 / 53 / 15

HEX #DAB367

RGB 218 179 103

HSL 39.65, 0.61%, 0.63%

LAB 74.9, 4.91, 43.77

 

CMYK 0 / 4 / 53 / 15

HEX #DAD267

RGB 218 210 103

HSL 55.83, 0.61%, 0.63%

LAB 82.9, -11.14, 53.29

 

CMYK 11 / 0 / 53 / 15

HEX #C3DA67

RGB 195 218 103

HSL 72, 0.61%, 0.63%

LAB 83.3, -24.31, 53.31

 

CMYK 25 / 0 / 53 / 15

HEX #A4DA67

RGB 164 218 103

HSL 88.17, 0.61%, 0.63%

LAB 81.3, -36.07, 50.46

 

CMYK 39 / 0 / 53 / 15

HEX #85DA67

RGB 133 218 103

HSL 104.35, 0.61%, 0.63%

LAB 79.68, -46.68, 48.13

 

CMYK 0 / 18 / 53 / 15

HEX #DAB367

RGB 218 179 103

HSL 39.65, 0.61%, 0.63%

LAB 74.9, 4.91, 43.77

 

CMYK 0 / 21 / 63 / 9

HEX #E9B857

RGB 233 184 87

HSL 39.86, 0.77%, 0.63%

LAB 77.46, 7.33, 54.84

 

CMYK 0 / 24 / 71 / 3

HEX #F8BC48

RGB 248 188 72

HSL 39.55, 0.93%, 0.63%

LAB 79.84, 10.68, 64.37

 

CMYK 0 / 18 / 53 / 15

HEX #DAB367

RGB 218 179 103

HSL 39.65, 0.61%, 0.63%

LAB 74.9, 4.91, 43.77

 

CMYK 0 / 14 / 42 / 21

HEX #CAAE76

RGB 202 174 118

HSL 40, 0.44%, 0.63%

LAB 72.32, 2.44, 32.47

 

CMYK 0 / 10 / 29 / 27

HEX #BBA985

RGB 187 169 133

HSL 40, 0.28%, 0.63%

LAB 69.92, 0.94, 20.98

 

CMYK 0 / 5 / 14 / 33

HEX #ACA494

RGB 172 164 148

HSL 40, 0.13%, 0.63%

LAB 67.62, 0.1, 9.33

 

CMYK 4 / 3 / 0 / 36

HEX #9D9FA4

RGB 157 159 164

HSL 222.86, 0.04%, 0.63%

LAB 65.47, 0.27, -2.86

 

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

CMYK 0 / 33 / 53 / 15

HEX #DA9367

RGB 218 147 103

HSL 22.96, 0.61%, 0.63%

LAB 67.09, 22.07, 34.06

 

CMYK 0 / 19 / 53 / 15

HEX #DAB167

RGB 218 177 103

HSL 38.61, 0.61%, 0.63%

LAB 74.4, 5.97, 43.15

 

CMYK 0 / 5 / 53 / 15

HEX #DAD067

RGB 218 208 103

HSL 54.78, 0.61%, 0.63%

LAB 82.38, -10.13, 52.68

 

CMYK 10 / 0 / 53 / 15

HEX #C5DA67

RGB 197 218 103

HSL 70.96, 0.61%, 0.63%

LAB 83.44, -23.52, 53.51

 

CMYK 0 / 26 / 76 / 25

HEX #C08E2E

RGB 192 142 46

HSL 39.45, 0.61%, 0.47%

LAB 62.3, 10.01, 55.49

 

CMYK 0 / 23 / 67 / 18

HEX #D2A245

RGB 210 162 69

HSL 39.57, 0.61%, 0.55%

LAB 69.45, 8.16, 53.6

 

CMYK 0 / 18 / 53 / 15

HEX #DAB367

RGB 218 179 103

HSL 39.65, 0.61%, 0.63%

LAB 74.9, 4.91, 43.77

 

CMYK 0 / 14 / 40 / 11

HEX #E2C388

RGB 226 195 136

HSL 39.33, 0.61%, 0.71%

LAB 80.17, 2.96, 33.7

 

CMYK 0 / 9 / 28 / 8

HEX #EAD4A9

RGB 234 212 169

HSL 39.69, 0.61%, 0.79%

LAB 85.73, 1.21, 24.08

 

CMYK 0 / 18 / 53 / 15

HEX #DAB367

RGB 218 179 103

HSL 39.65, 0.61%, 0.63%

LAB 74.9, 4.91, 43.77

 

CMYK 45 / 0 / 53 / 15

HEX #78DA67

RGB 120 218 103

HSL 111.13, 0.61%, 0.63%

LAB 79.11, -50.66, 47.31

 

CMYK 40 / 53 / 0 / 15

HEX #8367DA

RGB 131 103 218

HSL 254.61, 0.61%, 0.63%

LAB 51.37, 37.76, -55.38

 

CMYK 0 / 18 / 53 / 15

HEX #DAB367

RGB 218 179 103

HSL 39.65, 0.61%, 0.63%

LAB 74.9, 4.91, 43.77

 

CMYK 53 / 0 / 19 / 15

HEX #67DAB1

RGB 103 218 177

HSL 158.61, 0.61%, 0.63%

LAB 79.73, -42.35, 10.33

 

CMYK 19 / 53 / 0 / 15

HEX #B167DA

RGB 177 103 218

HSL 278.61, 0.61%, 0.63%

LAB 56.2, 49.35, -47.4

 

CMYK 0 / 18 / 53 / 15

HEX #DAB367

RGB 218 179 103

HSL 39.65, 0.61%, 0.63%

LAB 74.9, 4.91, 43.77

 

CMYK 45 / 0 / 53 / 15

HEX #78DA67

RGB 120 218 103

HSL 111.13, 0.61%, 0.63%

LAB 79.11, -50.66, 47.31

 

CMYK 53 / 34 / 0 / 15

HEX #678FDA

RGB 103 143 218

HSL 219.13, 0.61%, 0.63%

LAB 59.52, 7.47, -42.56

 

CMYK 8 / 53 / 0 / 15

HEX #C867DA

RGB 200 103 218

HSL 290.61, 0.61%, 0.63%

LAB 59.01, 55.45, -42.76

 

CMYK 0 / 18 / 53 / 15

HEX #DAB367

RGB 218 179 103

HSL 39.65, 0.61%, 0.63%

LAB 74.9, 4.91, 43.77

 

CMYK 53 / 0 / 45 / 15

HEX #67DA78

RGB 103 218 120

HSL 128.87, 0.61%, 0.63%

LAB 78.68, -52.99, 38.42

 

CMYK 53 / 34 / 0 / 15

HEX #678FDA

RGB 103 143 218

HSL 219.13, 0.61%, 0.63%

LAB 59.52, 7.47, -42.56

 

CMYK 0 / 53 / 8 / 15

HEX #DA67C8

RGB 218 103 200

HSL 309.39, 0.61%, 0.63%

LAB 60.58, 57.24, -29.96

 

Description

Color code: HEX #DAB367 | qconv.com Color code: HEX #DAB367 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 179 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 179 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 53 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 53% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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