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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB090 it is the complementary color #254F6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB090. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB090 shade: #DFB08B, #F0C29E, #FFD4B1, #FFE6C4 and #FFF8D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB090. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB090 shade: #DAB090, #C99E7D, #B88C6A, #A77A57 and #966844

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB090 shade: #DAB090, #DA9C90 and #DA9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB090 shade: #DAB090, #DAC490, #DAD790, #C8DA90 and #B4DA90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB090 shade matches the following richer shades: #DAB090, #E5AE84, #F1AC78 and #FDAB6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB090 shade: #DAB090, #CEB19C, #C2B3A8, #B6B4B3 and #AAB6BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB090 shade: #DA9098, #DA9B90, #DAAE90, #DAC290 and #DAD690

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB090 shade: #C58452, #CF9A71, #DAB090, #E4C6AF and #EEDCCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB090 shade: #DAB090, #ACDA90 and #9190DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB090 shade: #DAB090, #90DAAE and #AE90DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB090 shade: #DAB090, #ACDA90, #90BBDA and #BD90DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB090 shade: #DAB090, #96DA90, #90BBDA and #D390DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 34 / 15

HEX #DAB090

RGB 218 176 144

HSL 25.95, 0.5%, 0.71%

LAB 74.81, 10.8, 22.17

 

Complementary color

CMYK 67 / 29 / 0 / 56

HEX #254F6F

RGB 37 79 111

HSL 205.95, 0.5%, 0.29%

LAB 32.11, -3.65, -22.76

 

CMYK 0 / 21 / 38 / 13

HEX #DFB08B

RGB 223 176 139

HSL 26.43, 0.57%, 0.71%

LAB 75.2, 12.16, 25.48

 

CMYK 0 / 19 / 34 / 6

HEX #F0C29E

RGB 240 194 158

HSL 26.34, 0.73%, 0.78%

LAB 81.61, 11.5, 24.32

 

CMYK 0 / 17 / 31 / 0

HEX #FFD4B1

RGB 255 212 177

HSL 26.92, 1%, 0.85%

LAB 87.74, 10.16, 22.96

 

CMYK 0 / 10 / 23 / 0

HEX #FFE6C4

RGB 255 230 196

HSL 34.58, 1%, 0.88%

LAB 92.5, 3.41, 19.69

 

CMYK 0 / 3 / 16 / 0

HEX #FFF8D7

RGB 255 248 215

HSL 49.5, 1%, 0.92%

LAB 97.35, -2.97, 16.7

 

CMYK 0 / 19 / 34 / 15

HEX #DAB090

RGB 218 176 144

HSL 25.95, 0.5%, 0.71%

LAB 74.81, 10.8, 22.17

 

CMYK 0 / 21 / 38 / 21

HEX #C99E7D

RGB 201 158 125

HSL 26.05, 0.41%, 0.64%

LAB 68.28, 11.47, 23.34

 

CMYK 0 / 24 / 42 / 28

HEX #B88C6A

RGB 184 140 106

HSL 26.15, 0.35%, 0.57%

LAB 61.64, 12.25, 24.61

 

CMYK 0 / 27 / 48 / 35

HEX #A77A57

RGB 167 122 87

HSL 26.25, 0.31%, 0.5%

LAB 54.89, 13.15, 26

 

CMYK 0 / 31 / 55 / 41

HEX #966844

RGB 150 104 68

HSL 26.34, 0.38%, 0.43%

LAB 48.01, 14.23, 27.54

 

CMYK 0 / 19 / 34 / 15

HEX #DAB090

RGB 218 176 144

HSL 25.95, 0.5%, 0.71%

LAB 74.81, 10.8, 22.17

 

CMYK 0 / 28 / 34 / 15

HEX #DA9C90

RGB 218 156 144

HSL 9.73, 0.5%, 0.71%

LAB 69.96, 21.57, 15.48

 

CMYK 0 / 34 / 34 / 15

HEX #DA9090

RGB 218 144 144

HSL 0, 0.5%, 0.71%

LAB 67.18, 28.04, 11.57

 

CMYK 0 / 19 / 34 / 15

HEX #DAB090

RGB 218 176 144

HSL 25.95, 0.5%, 0.71%

LAB 74.81, 10.8, 22.17

 

CMYK 0 / 10 / 34 / 15

HEX #DAC490

RGB 218 196 144

HSL 42.16, 0.5%, 0.71%

LAB 79.84, 0.21, 28.97

 

CMYK 0 / 1 / 34 / 15

HEX #DAD790

RGB 218 215 144

HSL 57.57, 0.5%, 0.71%

LAB 84.75, -9.57, 35.46

HEX #DAD790

CMYK 8 / 0 / 34 / 15

HEX #C8DA90

RGB 200 218 144

HSL 74.59, 0.5%, 0.71%

LAB 84.19, -17.94, 34.47

HEX #C8DA90

CMYK 17 / 0 / 34 / 15

HEX #B4DA90

RGB 180 218 144

HSL 90.81, 0.5%, 0.71%

LAB 82.84, -25.31, 32.44

HEX #B4DA90

CMYK 0 / 19 / 34 / 15

HEX #DAB090

RGB 218 176 144

HSL 25.95, 0.5%, 0.71%

LAB 74.81, 10.8, 22.17

 

CMYK 0 / 24 / 42 / 10

HEX #E5AE84

RGB 229 174 132

HSL 25.98, 0.65%, 0.71%

LAB 75.2, 14.82, 29.32

 

CMYK 0 / 29 / 50 / 5

HEX #F1AC78

RGB 241 172 120

HSL 25.79, 0.81%, 0.71%

LAB 75.8, 19.49, 36.68

 

CMYK 0 / 32 / 57 / 1

HEX #FDAB6C

RGB 253 171 108

HSL 26.07, 0.97%, 0.71%

LAB 76.73, 23.84, 44.33

 

CMYK 0 / 19 / 34 / 15

HEX #DAB090

RGB 218 176 144

HSL 25.95, 0.5%, 0.71%

LAB 74.81, 10.8, 22.17

 

CMYK 0 / 14 / 24 / 19

HEX #CEB19C

RGB 206 177 156

HSL 25.2, 0.34%, 0.71%

LAB 74.17, 7.23, 14.61

 

CMYK 0 / 8 / 13 / 24

HEX #C2B3A8

RGB 194 179 168

HSL 25.38, 0.18%, 0.71%

LAB 73.89, 3.49, 7.54

 

CMYK 0 / 1 / 2 / 29

HEX #B6B4B3

RGB 182 180 179

HSL 20, 0.02%, 0.71%

LAB 73.44, 0.52, 0.75

 

CMYK 11 / 5 / 0 / 25

HEX #AAB6BF

RGB 170 182 191

HSL 205.71, 0.14%, 0.71%

LAB 73.39, -2.34, -6

 

CMYK 0 / 34 / 30 / 15

HEX #DA9098

RGB 218 144 152

HSL 353.51, 0.5%, 0.71%

LAB 67.37, 29.07, 7.36

 

CMYK 0 / 29 / 34 / 15

HEX #DA9B90

RGB 218 155 144

HSL 8.92, 0.5%, 0.71%

LAB 69.73, 22.11, 15.15

 

CMYK 0 / 20 / 34 / 15

HEX #DAAE90

RGB 218 174 144

HSL 24.32, 0.5%, 0.71%

LAB 74.31, 11.87, 21.49

 

CMYK 0 / 11 / 34 / 15

HEX #DAC290

RGB 218 194 144

HSL 40.54, 0.5%, 0.71%

LAB 79.33, 1.26, 28.29

 

CMYK 0 / 2 / 34 / 15

HEX #DAD690

RGB 218 214 144

HSL 56.76, 0.5%, 0.71%

LAB 84.49, -9.06, 35.12

 

CMYK 0 / 33 / 58 / 23

HEX #C58452

RGB 197 132 82

HSL 26.09, 0.5%, 0.55%

LAB 60.77, 19.82, 36.87

 

CMYK 0 / 26 / 45 / 19

HEX #CF9A71

RGB 207 154 113

HSL 26.17, 0.49%, 0.63%

LAB 67.7, 14.75, 29.22

 

CMYK 0 / 19 / 34 / 15

HEX #DAB090

RGB 218 176 144

HSL 25.95, 0.5%, 0.71%

LAB 74.81, 10.8, 22.17

 

CMYK 0 / 13 / 23 / 11

HEX #E4C6AF

RGB 228 198 175

HSL 26.04, 0.5%, 0.79%

LAB 81.83, 7.08, 15.43

 

CMYK 0 / 8 / 14 / 7

HEX #EEDCCD

RGB 238 220 205

HSL 27.27, 0.49%, 0.87%

LAB 88.81, 3.74, 9.59

 

CMYK 0 / 19 / 34 / 15

HEX #DAB090

RGB 218 176 144

HSL 25.95, 0.5%, 0.71%

LAB 74.81, 10.8, 22.17

 

CMYK 21 / 0 / 34 / 15

HEX #ACDA90

RGB 172 218 144

HSL 97.3, 0.5%, 0.71%

LAB 82.34, -28.16, 31.69

 

CMYK 33 / 34 / 0 / 15

HEX #9190DA

RGB 145 144 218

HSL 240.81, 0.5%, 0.71%

LAB 62.53, 17.5, -37.63

 

CMYK 0 / 19 / 34 / 15

HEX #DAB090

RGB 218 176 144

HSL 25.95, 0.5%, 0.71%

LAB 74.81, 10.8, 22.17

 

CMYK 34 / 0 / 20 / 15

HEX #90DAAE

RGB 144 218 174

HSL 144.32, 0.5%, 0.71%

LAB 81.36, -32.25, 14.47

 

CMYK 20 / 34 / 0 / 15

HEX #AE90DA

RGB 174 144 218

HSL 264.32, 0.5%, 0.71%

LAB 64.97, 25.95, -33.65

 

CMYK 0 / 19 / 34 / 15

HEX #DAB090

RGB 218 176 144

HSL 25.95, 0.5%, 0.71%

LAB 74.81, 10.8, 22.17

 

CMYK 21 / 0 / 34 / 15

HEX #ACDA90

RGB 172 218 144

HSL 97.3, 0.5%, 0.71%

LAB 82.34, -28.16, 31.69

 

CMYK 34 / 14 / 0 / 15

HEX #90BBDA

RGB 144 187 218

HSL 205.14, 0.5%, 0.71%

LAB 73.89, -6.84, -20.14

 

CMYK 13 / 34 / 0 / 15

HEX #BD90DA

RGB 189 144 218

HSL 276.49, 0.5%, 0.71%

LAB 66.39, 30.54, -31.34

 

CMYK 0 / 19 / 34 / 15

HEX #DAB090

RGB 218 176 144

HSL 25.95, 0.5%, 0.71%

LAB 74.81, 10.8, 22.17

 

CMYK 31 / 0 / 34 / 15

HEX #96DA90

RGB 150 218 144

HSL 115.14, 0.5%, 0.71%

LAB 81.09, -35.62, 29.81

 

CMYK 34 / 14 / 0 / 15

HEX #90BBDA

RGB 144 187 218

HSL 205.14, 0.5%, 0.71%

LAB 73.89, -6.84, -20.14

 

CMYK 3 / 34 / 0 / 15

HEX #D390DA

RGB 211 144 218

HSL 294.32, 0.5%, 0.71%

LAB 68.65, 37.39, -27.67

 

Description

Color code: HEX #DAB090 | qconv.com Color code: HEX #DAB090 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 176 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 176 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 34 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 34% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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