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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB05D it is the complementary color #254FA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB05D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB05D shade: #DFB058, #F0C26B, #FFD47E, #FFE691 and #FFF8A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB05D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB05D shade: #DAB05D, #C99E4A, #B88C37, #A77A24 and #966811

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB05D shade: #DAB05C, #DA8E5C, #DA6C5C and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB05D shade: #DAB05C, #DAD15C, #C0DA5C, #9EDA5C and #7DDA5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB05D shade matches the following richer shades: #DAB05C, #EAB54C and #FABA3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB05D shade: #DAB05C, #CAAA6C, #BAA57D, #A9A08D and #999A9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB05D shade: #DA6B5C, #DA8C5C, #DAAE5C, #DACF5C and #C3DA5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB05D shade: #BA892A, #D29F3B, #DAB05C, #E1C07E and #E9D0A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB05D shade: #DAB05D, #6FDA5C and #7C5CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB05D shade: #DAB05D, #5CDAAE and #AE5CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB05D shade: #DAB05D, #6FDA5C, #5C88DA and #C75CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB05D shade: #DAB05D, #5CDA6F, #5C88DA and #DA5CC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 57 / 15

HEX #DAB05D

RGB 218 176 93

HSL 39.84, 0.63%, 0.61%

LAB 74.03, 5.69, 47.67

 

Complementary color

CMYK 77 / 51 / 0 / 36

HEX #254FA2

RGB 37 79 162

HSL 219.84, 0.63%, 0.39%

LAB 35.19, 16.03, -49.15

 

CMYK 0 / 21 / 61 / 13

HEX #DFB058

RGB 223 176 88

HSL 39.11, 0.68%, 0.61%

LAB 74.47, 7.42, 50.72

 

CMYK 0 / 19 / 55 / 6

HEX #F0C26B

RGB 240 194 107

HSL 39.25, 0.82%, 0.68%

LAB 80.83, 6.42, 49.44

 

CMYK 0 / 17 / 51 / 0

HEX #FFD47E

RGB 255 212 126

HSL 40, 1%, 0.75%

LAB 86.92, 4.75, 47.88

 

CMYK 0 / 10 / 43 / 0

HEX #FFE691

RGB 255 230 145

HSL 46.36, 1%, 0.78%

LAB 91.64, -2.65, 44.43

 

CMYK 0 / 3 / 36 / 0

HEX #FFF8A4

RGB 255 248 164

HSL 55.38, 1%, 0.82%

LAB 96.44, -9.63, 41.22

 

CMYK 0 / 19 / 57 / 15

HEX #DAB05D

RGB 218 176 93

HSL 39.84, 0.63%, 0.61%

LAB 74.03, 5.69, 47.67

 

CMYK 0 / 21 / 63 / 21

HEX #C99E4A

RGB 201 158 74

HSL 39.69, 0.54%, 0.54%

LAB 67.55, 6.75, 48.94

 

CMYK 0 / 24 / 70 / 28

HEX #B88C37

RGB 184 140 55

HSL 39.53, 0.54%, 0.47%

LAB 60.98, 8.01, 50.08

 

CMYK 0 / 27 / 78 / 35

HEX #A77A24

RGB 167 122 36

HSL 39.39, 0.65%, 0.4%

LAB 54.3, 9.51, 50.84

 

CMYK 0 / 31 / 89 / 41

HEX #966811

RGB 150 104 17

HSL 39.25, 0.8%, 0.33%

LAB 47.53, 11.32, 50.7

 

CMYK 0 / 19 / 58 / 15

HEX #DAB05C

RGB 218 176 92

HSL 40, 0.63%, 0.61%

LAB 74.02, 5.61, 48.14

 

CMYK 0 / 35 / 58 / 15

HEX #DA8E5C

RGB 218 142 92

HSL 23.81, 0.63%, 0.61%

LAB 65.77, 23.86, 38.26

 

CMYK 0 / 50 / 58 / 15

HEX #DA6C5C

RGB 218 108 92

HSL 7.62, 0.63%, 0.61%

LAB 58.42, 41.69, 29.04

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 19 / 58 / 15

HEX #DAB05C

RGB 218 176 92

HSL 40, 0.63%, 0.61%

LAB 74.02, 5.61, 48.14

 

CMYK 0 / 4 / 58 / 15

HEX #DAD15C

RGB 218 209 92

HSL 55.71, 0.63%, 0.61%

LAB 82.53, -11.48, 57.87

 

CMYK 12 / 0 / 58 / 15

HEX #C0DA5C

RGB 192 218 92

HSL 72.38, 0.63%, 0.61%

LAB 82.98, -26.42, 57.83

 

CMYK 28 / 0 / 58 / 15

HEX #9EDA5C

RGB 158 218 92

HSL 88.57, 0.63%, 0.61%

LAB 80.84, -39.31, 54.84

 

CMYK 43 / 0 / 58 / 15

HEX #7DDA5C

RGB 125 218 92

HSL 104.29, 0.63%, 0.61%

LAB 79.2, -50.4, 52.52

 

CMYK 0 / 19 / 58 / 15

HEX #DAB05C

RGB 218 176 92

HSL 40, 0.63%, 0.61%

LAB 74.02, 5.61, 48.14

 

CMYK 0 / 23 / 68 / 8

HEX #EAB54C

RGB 234 181 76

HSL 39.87, 0.79%, 0.61%

LAB 76.72, 8.67, 58.99

 

CMYK 0 / 26 / 76 / 2

HEX #FABA3C

RGB 250 186 60

HSL 39.79, 0.95%, 0.61%

LAB 79.48, 12.05, 68.75

 

CMYK 0 / 19 / 58 / 15

HEX #DAB05C

RGB 218 176 92

HSL 40, 0.63%, 0.61%

LAB 74.02, 5.61, 48.14

 

CMYK 0 / 16 / 47 / 21

HEX #CAAA6C

RGB 202 170 108

HSL 39.57, 0.47%, 0.61%

LAB 71.14, 3.54, 36.2

 

CMYK 0 / 11 / 33 / 27

HEX #BAA57D

RGB 186 165 125

HSL 39.34, 0.31%, 0.61%

LAB 68.63, 1.64, 23.56

 

CMYK 0 / 5 / 17 / 34

HEX #A9A08D

RGB 169 160 141

HSL 40.71, 0.14%, 0.61%

LAB 66.14, -0, 11.08

 

CMYK 3 / 2 / 0 / 38

HEX #999A9D

RGB 153 154 157

HSL 225, 0.02%, 0.61%

LAB 63.6, 0.23, -1.7

 

CMYK 0 / 51 / 58 / 15

HEX #DA6B5C

RGB 218 107 92

HSL 7.14, 0.63%, 0.61%

LAB 58.22, 42.19, 28.79

 

CMYK 0 / 36 / 58 / 15

HEX #DA8C5C

RGB 218 140 92

HSL 22.86, 0.63%, 0.61%

LAB 65.31, 24.93, 37.69

 

CMYK 0 / 20 / 58 / 15

HEX #DAAE5C

RGB 218 174 92

HSL 39.05, 0.63%, 0.61%

LAB 73.51, 6.68, 47.55

 

CMYK 0 / 5 / 58 / 15

HEX #DACF5C

RGB 218 207 92

HSL 54.76, 0.63%, 0.61%

LAB 82, -10.47, 57.28

 

CMYK 11 / 0 / 58 / 15

HEX #C3DA5C

RGB 195 218 92

HSL 70.95, 0.63%, 0.61%

LAB 83.19, -25.23, 58.12

 

CMYK 0 / 26 / 77 / 27

HEX #BA892A

RGB 186 137 42

HSL 39.58, 0.63%, 0.45%

LAB 60.34, 9.93, 54.96

 

CMYK 0 / 24 / 72 / 18

HEX #D29F3B

RGB 210 159 59

HSL 39.74, 0.63%, 0.53%

LAB 68.62, 9.24, 57.08

 

CMYK 0 / 19 / 58 / 15

HEX #DAB05C

RGB 218 176 92

HSL 40, 0.63%, 0.61%

LAB 74.02, 5.61, 48.14

 

CMYK 0 / 15 / 44 / 12

HEX #E1C07E

RGB 225 192 126

HSL 40, 0.62%, 0.69%

LAB 79.16, 3.07, 37.55

 

CMYK 0 / 11 / 31 / 9

HEX #E9D0A0

RGB 233 208 160

HSL 39.45, 0.62%, 0.77%

LAB 84.47, 1.75, 27.06

 

CMYK 0 / 19 / 57 / 15

HEX #DAB05D

RGB 218 176 93

HSL 39.84, 0.63%, 0.61%

LAB 74.03, 5.69, 47.67

 

CMYK 49 / 0 / 58 / 15

HEX #6FDA5C

RGB 111 218 92

HSL 110.95, 0.63%, 0.61%

LAB 78.63, -54.51, 51.72

 

CMYK 43 / 58 / 0 / 15

HEX #7C5CDA

RGB 124 92 218

HSL 255.24, 0.63%, 0.61%

LAB 48.26, 42.49, -60.41

 

CMYK 0 / 19 / 57 / 15

HEX #DAB05D

RGB 218 176 93

HSL 39.84, 0.63%, 0.61%

LAB 74.03, 5.69, 47.67

 

CMYK 58 / 0 / 20 / 15

HEX #5CDAAE

RGB 92 218 174

HSL 159.05, 0.63%, 0.61%

LAB 79.31, -45.34, 11.28

 

CMYK 20 / 58 / 0 / 15

HEX #AE5CDA

RGB 174 92 218

HSL 279.05, 0.63%, 0.61%

LAB 53.72, 54.19, -51.35

 

CMYK 0 / 19 / 57 / 15

HEX #DAB05D

RGB 218 176 93

HSL 39.84, 0.63%, 0.61%

LAB 74.03, 5.69, 47.67

 

CMYK 49 / 0 / 58 / 15

HEX #6FDA5C

RGB 111 218 92

HSL 110.95, 0.63%, 0.61%

LAB 78.63, -54.51, 51.72

 

CMYK 58 / 38 / 0 / 15

HEX #5C88DA

RGB 92 136 218

HSL 219.05, 0.63%, 0.61%

LAB 57.02, 9.29, -46.53

HEX #5C88DA

CMYK 9 / 58 / 0 / 15

HEX #C75CDA

RGB 199 92 218

HSL 290.95, 0.63%, 0.61%

LAB 56.94, 60.42, -46.05

HEX #C75CDA

CMYK 0 / 19 / 57 / 15

HEX #DAB05D

RGB 218 176 93

HSL 39.84, 0.63%, 0.61%

LAB 74.03, 5.69, 47.67

 

CMYK 58 / 0 / 49 / 15

HEX #5CDA6F

RGB 92 218 111

HSL 129.05, 0.63%, 0.61%

LAB 78.21, -56.95, 42.17

 

CMYK 58 / 38 / 0 / 15

HEX #5C88DA

RGB 92 136 218

HSL 219.05, 0.63%, 0.61%

LAB 57.02, 9.29, -46.53

HEX #5C88DA

CMYK 0 / 58 / 9 / 15

HEX #DA5CC7

RGB 218 92 199

HSL 309.05, 0.63%, 0.61%

LAB 58.68, 62.09, -32.35

HEX #DA5CC7

Description

Color code: HEX #DAB05D | qconv.com Color code: HEX #DAB05D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 176 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 176 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 57% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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