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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB514 it is the complementary color #254AEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB514. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB514 shade: #DFB50F, #F0C722, #FFD935, #FFEB48 and #FFFD5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB514. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB514 shade: #DAB514, #C9A301, #B89100, #A77F00 and #966D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB514 shade: #DBB614, #DB8014, #DB4A14, #DB1514 and #DB1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB514 shade: #DBB614, #CADB14, #95DB14, #5FDB14 and #29DB14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB514 shade matches the following richer shades: #DBB614 and #EEC200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB514 shade: #DBB614, #C7AA27, #B49D3B, #A1914E and #8D8561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB514 shade: #DB4914, #DB7E14, #DBB314, #CEDB14 and #99DB14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB514 shade: #8F770D, #B59610, #DBB614, #EBC82D and #EFD153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB514 shade: #DAB514, #14DB14 and #6314DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB514 shade: #DAB514, #14DBB3 and #B314DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB514 shade: #DAB514, #14DB14, #143CDB and #DB14DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB514 shade: #DAB514, #14DB50, #143CDB and #DB149F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 91 / 15

HEX #DAB514

RGB 218 181 20

HSL 48.79, 0.83%, 0.47%

LAB 74.83, -0.18, 74.52

 

Complementary color

CMYK 84 / 69 / 0 / 8

HEX #254AEB

RGB 37 74 235

HSL 228.79, 0.83%, 0.53%

LAB 40.06, 46.58, -83.67

 

CMYK 0 / 19 / 93 / 13

HEX #DFB50F

RGB 223 181 15

HSL 47.88, 0.87%, 0.47%

LAB 75.31, 1.93, 75.86

 

CMYK 0 / 17 / 86 / 6

HEX #F0C722

RGB 240 199 34

HSL 48.06, 0.87%, 0.54%

LAB 81.56, 0.26, 77.94

 

CMYK 0 / 15 / 79 / 0

HEX #FFD935

RGB 255 217 53

HSL 48.71, 1%, 0.6%

LAB 87.55, -2.04, 78.6

 

CMYK 0 / 8 / 72 / 0

HEX #FFEB48

RGB 255 235 72

HSL 53.44, 1%, 0.64%

LAB 92.2, -10.32, 76.79

 

CMYK 0 / 1 / 64 / 0

HEX #FFFD5B

RGB 255 253 91

HSL 59.27, 1%, 0.68%

LAB 96.93, -18.14, 74.6

 

CMYK 0 / 17 / 91 / 15

HEX #DAB514

RGB 218 181 20

HSL 48.79, 0.83%, 0.47%

LAB 74.83, -0.18, 74.52

 

CMYK 0 / 19 / 100 / 21

HEX #C9A301

RGB 201 163 1

HSL 48.6, 0.99%, 0.4%

LAB 68.47, 1.61, 71.61

 

CMYK 0 / 21 / 100 / 28

HEX #B89100

RGB 184 145 0

HSL 47.28, 1%, 0.36%

LAB 62.03, 3.68, 66.43

 

CMYK 0 / 24 / 100 / 35

HEX #A77F00

RGB 167 127 0

HSL 45.63, 1%, 0.33%

LAB 55.48, 5.85, 61.03

 

CMYK 0 / 27 / 100 / 41

HEX #966D00

RGB 150 109 0

HSL 43.6, 1%, 0.29%

LAB 48.79, 8.13, 55.54

 

CMYK 0 / 17 / 91 / 14

HEX #DBB614

RGB 219 182 20

HSL 48.84, 0.83%, 0.47%

LAB 75.18, -0.27, 74.83

 

CMYK 0 / 42 / 91 / 14

HEX #DB8014

RGB 219 128 20

HSL 32.56, 0.83%, 0.47%

LAB 62.12, 28.53, 65.02

 

CMYK 0 / 66 / 91 / 14

HEX #DB4A14

RGB 219 74 20

HSL 16.28, 0.83%, 0.47%

LAB 51.85, 54.63, 57.61

 

CMYK 0 / 90 / 91 / 14

HEX #DB1514

RGB 219 21 20

HSL 0.3, 0.83%, 0.47%

LAB 46.51, 69.51, 53.95

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 17 / 91 / 14

HEX #DBB614

RGB 219 182 20

HSL 48.84, 0.83%, 0.47%

LAB 75.18, -0.27, 74.83

 

CMYK 8 / 0 / 91 / 14

HEX #CADB14

RGB 202 219 20

HSL 65.13, 0.83%, 0.47%

LAB 83.58, -26.11, 80.72

 

CMYK 32 / 0 / 91 / 14

HEX #95DB14

RGB 149 219 20

HSL 81.11, 0.83%, 0.47%

LAB 80.24, -46.95, 76.64

 

CMYK 57 / 0 / 91 / 14

HEX #5FDB14

RGB 95 219 20

HSL 97.39, 0.83%, 0.47%

LAB 77.96, -63.9, 73.83

 

CMYK 81 / 0 / 91 / 14

HEX #29DB14

RGB 41 219 20

HSL 113.67, 0.83%, 0.47%

LAB 76.79, -73.84, 72.38

 

CMYK 0 / 17 / 91 / 14

HEX #DBB614

RGB 219 182 20

HSL 48.84, 0.83%, 0.47%

LAB 75.18, -0.27, 74.83

 

CMYK 0 / 18 / 100 / 7

HEX #EEC200

RGB 238 194 0

HSL 48.91, 1%, 0.47%

LAB 80.04, 1.53, 81.55

 

CMYK 0 / 17 / 91 / 14

HEX #DBB614

RGB 219 182 20

HSL 48.84, 0.83%, 0.47%

LAB 75.18, -0.27, 74.83

 

CMYK 0 / 15 / 80 / 22

HEX #C7AA27

RGB 199 170 39

HSL 49.13, 0.67%, 0.47%

LAB 70.2, -2.27, 65.48

 

CMYK 0 / 13 / 67 / 29

HEX #B49D3B

RGB 180 157 59

HSL 48.6, 0.51%, 0.47%

LAB 65.07, -2.8, 52.47

 

CMYK 0 / 10 / 52 / 37

HEX #A1914E

RGB 161 145 78

HSL 48.43, 0.35%, 0.47%

LAB 60.23, -3.17, 37.43

 

CMYK 0 / 6 / 31 / 45

HEX #8D8561

RGB 141 133 97

HSL 49.09, 0.18%, 0.47%

LAB 55.38, -2.88, 20.54

 

CMYK 0 / 67 / 91 / 14

HEX #DB4914

RGB 219 73 20

HSL 15.98, 0.83%, 0.47%

LAB 51.7, 55.03, 57.5

 

CMYK 0 / 42 / 91 / 14

HEX #DB7E14

RGB 219 126 20

HSL 31.96, 0.83%, 0.47%

LAB 61.68, 29.59, 64.69

 

CMYK 0 / 18 / 91 / 14

HEX #DBB314

RGB 219 179 20

HSL 47.94, 0.83%, 0.47%

LAB 74.41, 1.31, 74.25

 

CMYK 6 / 0 / 91 / 14

HEX #CEDB14

RGB 206 219 20

HSL 63.92, 0.83%, 0.47%

LAB 83.88, -24.45, 81.08

 

CMYK 30 / 0 / 91 / 14

HEX #99DB14

RGB 153 219 20

HSL 79.9, 0.83%, 0.47%

LAB 80.45, -45.49, 76.9

 

CMYK 0 / 17 / 91 / 44

HEX #8F770D

RGB 143 119 13

HSL 48.92, 0.83%, 0.31%

LAB 50.76, -0.64, 53.96

 

CMYK 0 / 17 / 91 / 29

HEX #B59610

RGB 181 150 16

HSL 48.73, 0.84%, 0.39%

LAB 63.07, -0.19, 64.62

 

CMYK 0 / 17 / 91 / 14

HEX #DBB614

RGB 219 182 20

HSL 48.84, 0.83%, 0.47%

LAB 75.18, -0.27, 74.83

 

CMYK 0 / 15 / 81 / 8

HEX #EBC82D

RGB 235 200 45

HSL 48.95, 0.83%, 0.55%

LAB 81.38, -2.1, 74.8

 

CMYK 0 / 13 / 65 / 6

HEX #EFD153

RGB 239 209 83

HSL 48.46, 0.83%, 0.63%

LAB 84.26, -3.36, 64.16

 

CMYK 0 / 17 / 91 / 15

HEX #DAB514

RGB 218 181 20

HSL 48.79, 0.83%, 0.47%

LAB 74.83, -0.18, 74.52

 

CMYK 91 / 0 / 91 / 14

HEX #14DB14

RGB 20 219 20

HSL 120, 0.83%, 0.47%

LAB 76.6, -75.6, 72.13

 

CMYK 55 / 91 / 0 / 14

HEX #6314DB

RGB 99 20 219

HSL 263.82, 0.83%, 0.47%

LAB 34.53, 70.28, -83.54

 

CMYK 0 / 17 / 91 / 15

HEX #DAB514

RGB 218 181 20

HSL 48.79, 0.83%, 0.47%

LAB 74.83, -0.18, 74.52

 

CMYK 91 / 0 / 18 / 14

HEX #14DBB3

RGB 20 219 179

HSL 167.94, 0.83%, 0.47%

LAB 78.5, -53.24, 7.3

 

CMYK 18 / 91 / 0 / 14

HEX #B314DB

RGB 179 20 219

HSL 287.94, 0.83%, 0.47%

LAB 45.9, 79.65, -64.46

 

CMYK 0 / 17 / 91 / 15

HEX #DAB514

RGB 218 181 20

HSL 48.79, 0.83%, 0.47%

LAB 74.83, -0.18, 74.52

 

CMYK 91 / 0 / 91 / 14

HEX #14DB14

RGB 20 219 20

HSL 120, 0.83%, 0.47%

LAB 76.6, -75.6, 72.13

 

CMYK 91 / 73 / 0 / 14

HEX #143CDB

RGB 20 60 219

HSL 227.94, 0.83%, 0.47%

LAB 34.99, 48.53, -82.94

 

CMYK 0 / 91 / 0 / 14

HEX #DB14DB

RGB 219 20 219

HSL 300, 0.83%, 0.47%

LAB 52.59, 85.94, -53.34

 

CMYK 0 / 17 / 91 / 15

HEX #DAB514

RGB 218 181 20

HSL 48.79, 0.83%, 0.47%

LAB 74.83, -0.18, 74.52

 

CMYK 91 / 0 / 63 / 14

HEX #14DB50

RGB 20 219 80

HSL 138.09, 0.83%, 0.47%

LAB 76.92, -71.54, 54.48

 

CMYK 91 / 73 / 0 / 14

HEX #143CDB

RGB 20 60 219

HSL 227.94, 0.83%, 0.47%

LAB 34.99, 48.53, -82.94

 

CMYK 0 / 91 / 27 / 14

HEX #DB149F

RGB 219 20 159

HSL 318.09, 0.83%, 0.47%

LAB 49.57, 78.19, -23.17

 

Description

Color code: HEX #DAB514 | qconv.com Color code: HEX #DAB514 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 181 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 181 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 91 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 91% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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