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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA985D it is the complementary color #2567A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA985D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA985D shade: #DF9858, #F0AA6B, #FFBC7E, #FFCE91 and #FFE0A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA985D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA985D shade: #DA985D, #C9864A, #B87437, #A76224 and #965011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA985D shade: #DA985C, #DA765C and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA985D shade: #DA985C, #DAB95C, #D8DA5C, #B6DA5C and #95DA5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA985D shade matches the following richer shades: #DA985C, #EA974C and #FA963C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA985D shade: #DA985C, #CA986C, #BA997D, #A99A8D and #999B9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA985D shade: #DA5C65, #DA755C, #DA975C, #DAB85C and #DADA5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA985D shade: #BA6E2A, #D2823B, #DA985C, #E1AD7E and #E9C2A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA985D shade: #DA985D, #86DA5C and #655CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA985D shade: #DA985D, #5CDA97 and #975CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA985D shade: #DA985D, #86DA5C, #5C9FDA and #B05CDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA985D shade: #DA985D, #61DA5C, #5C9FDA and #D65CDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 57 / 15

HEX #DA985D

RGB 218 152 93

HSL 28.32, 0.63%, 0.61%

LAB 68.13, 18.55, 40.63

 

Complementary color

CMYK 77 / 36 / 0 / 36

HEX #2567A2

RGB 37 103 162

HSL 208.32, 0.63%, 0.39%

LAB 42.31, 0.43, -37.75

 

CMYK 0 / 32 / 61 / 13

HEX #DF9858

RGB 223 152 88

HSL 28.44, 0.68%, 0.61%

LAB 68.64, 20.25, 43.94

 

CMYK 0 / 29 / 55 / 6

HEX #F0AA6B

RGB 240 170 107

HSL 28.42, 0.82%, 0.68%

LAB 75.04, 19.05, 42.43

 

CMYK 0 / 26 / 51 / 0

HEX #FFBC7E

RGB 255 188 126

HSL 28.84, 1%, 0.75%

LAB 81.14, 17.2, 40.68

 

CMYK 0 / 19 / 43 / 0

HEX #FFCE91

RGB 255 206 145

HSL 33.27, 1%, 0.78%

LAB 85.73, 9.63, 36.84

 

CMYK 0 / 12 / 36 / 0

HEX #FFE0A4

RGB 255 224 164

HSL 39.56, 1%, 0.82%

LAB 90.44, 2.43, 33.33

 

CMYK 0 / 30 / 57 / 15

HEX #DA985D

RGB 218 152 93

HSL 28.32, 0.63%, 0.61%

LAB 68.13, 18.55, 40.63

 

CMYK 0 / 33 / 63 / 21

HEX #C9864A

RGB 201 134 74

HSL 28.35, 0.54%, 0.54%

LAB 61.62, 19.83, 42.18

 

CMYK 0 / 37 / 70 / 28

HEX #B87437

RGB 184 116 55

HSL 28.37, 0.54%, 0.47%

LAB 55.03, 21.32, 43.75

 

CMYK 0 / 41 / 78 / 35

HEX #A76224

RGB 167 98 36

HSL 28.4, 0.65%, 0.4%

LAB 48.36, 23.04, 45.16

 

CMYK 0 / 47 / 89 / 41

HEX #965011

RGB 150 80 17

HSL 28.42, 0.8%, 0.33%

LAB 41.63, 25.05, 45.92

 

CMYK 0 / 30 / 58 / 15

HEX #DA985C

RGB 218 152 92

HSL 28.57, 0.63%, 0.61%

LAB 68.12, 18.47, 41.13

 

CMYK 0 / 46 / 58 / 15

HEX #DA765C

RGB 218 118 92

HSL 12.38, 0.63%, 0.61%

LAB 60.46, 36.58, 31.64

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 30 / 58 / 15

HEX #DA985C

RGB 218 152 92

HSL 28.57, 0.63%, 0.61%

LAB 68.12, 18.47, 41.13

 

CMYK 0 / 15 / 58 / 15

HEX #DAB95C

RGB 218 185 92

HSL 44.29, 0.63%, 0.61%

LAB 76.3, 0.87, 50.79

 

CMYK 1 / 0 / 58 / 15

HEX #D8DA5C

RGB 216 218 92

HSL 60.95, 0.63%, 0.61%

LAB 84.75, -16.79, 60.29

 

CMYK 17 / 0 / 58 / 15

HEX #B6DA5C

RGB 182 218 92

HSL 77.14, 0.63%, 0.61%

LAB 82.3, -30.32, 56.89

 

CMYK 32 / 0 / 58 / 15

HEX #95DA5C

RGB 149 218 92

HSL 92.86, 0.63%, 0.61%

LAB 80.35, -42.5, 54.15

 

CMYK 0 / 30 / 58 / 15

HEX #DA985C

RGB 218 152 92

HSL 28.57, 0.63%, 0.61%

LAB 68.12, 18.47, 41.13

 

CMYK 0 / 35 / 68 / 8

HEX #EA974C

RGB 234 151 76

HSL 28.48, 0.79%, 0.61%

LAB 69.57, 24.57, 51.26

 

CMYK 0 / 40 / 76 / 2

HEX #FA963C

RGB 250 150 60

HSL 28.42, 0.95%, 0.61%

LAB 71.19, 30.87, 60.77

 

CMYK 0 / 30 / 58 / 15

HEX #DA985C

RGB 218 152 92

HSL 28.57, 0.63%, 0.61%

LAB 68.12, 18.47, 41.13

 

CMYK 0 / 25 / 47 / 21

HEX #CA986C

RGB 202 152 108

HSL 28.09, 0.47%, 0.61%

LAB 66.59, 13.28, 30.37

 

CMYK 0 / 18 / 33 / 27

HEX #BA997D

RGB 186 153 125

HSL 27.54, 0.31%, 0.61%

LAB 65.52, 8.19, 19.33

 

CMYK 0 / 9 / 17 / 34

HEX #A99A8D

RGB 169 154 141

HSL 27.86, 0.14%, 0.61%

LAB 64.54, 3.29, 8.81

 

CMYK 3 / 1 / 0 / 38

HEX #999B9D

RGB 153 155 157

HSL 210, 0.02%, 0.61%

LAB 63.88, -0.33, -1.3

 

CMYK 0 / 58 / 54 / 15

HEX #DA5C65

RGB 218 92 101

HSL 355.71, 0.63%, 0.61%

LAB 55.58, 50.14, 20.13

 

CMYK 0 / 46 / 58 / 15

HEX #DA755C

RGB 218 117 92

HSL 11.9, 0.63%, 0.61%

LAB 60.25, 37.1, 31.38

 

CMYK 0 / 31 / 58 / 15

HEX #DA975C

RGB 218 151 92

HSL 28.1, 0.63%, 0.61%

LAB 67.88, 19.01, 40.84

 

CMYK 0 / 16 / 58 / 15

HEX #DAB85C

RGB 218 184 92

HSL 43.81, 0.63%, 0.61%

LAB 76.04, 1.39, 50.5

 

CMYK 0 / 0 / 58 / 15

HEX #DADA5C

RGB 218 218 92

HSL 60, 0.63%, 0.61%

LAB 84.9, -15.98, 60.51

 

CMYK 0 / 41 / 77 / 27

HEX #BA6E2A

RGB 186 110 42

HSL 28.33, 0.63%, 0.45%

LAB 53.77, 24.85, 48.64

 

CMYK 0 / 38 / 72 / 18

HEX #D2823B

RGB 210 130 59

HSL 28.21, 0.63%, 0.53%

LAB 61.64, 24.92, 49.88

 

CMYK 0 / 30 / 58 / 15

HEX #DA985C

RGB 218 152 92

HSL 28.57, 0.63%, 0.61%

LAB 68.12, 18.47, 41.13

 

CMYK 0 / 23 / 44 / 12

HEX #E1AD7E

RGB 225 173 126

HSL 28.48, 0.62%, 0.69%

LAB 74.45, 13.13, 31.44

 

CMYK 0 / 17 / 31 / 9

HEX #E9C2A0

RGB 233 194 160

HSL 27.95, 0.62%, 0.77%

LAB 80.99, 9.06, 22.31

 

CMYK 0 / 30 / 57 / 15

HEX #DA985D

RGB 218 152 93

HSL 28.32, 0.63%, 0.61%

LAB 68.13, 18.55, 40.63

 

CMYK 39 / 0 / 58 / 15

HEX #86DA5C

RGB 134 218 92

HSL 100, 0.63%, 0.61%

LAB 79.6, -47.55, 53.09

 

CMYK 54 / 58 / 0 / 15

HEX #655CDA

RGB 101 92 218

HSL 244.29, 0.63%, 0.61%

LAB 46.29, 37.8, -63.7

 

CMYK 0 / 30 / 57 / 15

HEX #DA985D

RGB 218 152 93

HSL 28.32, 0.63%, 0.61%

LAB 68.13, 18.55, 40.63

 

CMYK 58 / 0 / 31 / 15

HEX #5CDA97

RGB 92 218 151

HSL 148.1, 0.63%, 0.61%

LAB 78.84, -50.17, 22.73

 

CMYK 31 / 58 / 0 / 15

HEX #975CDA

RGB 151 92 218

HSL 268.1, 0.63%, 0.61%

LAB 51.03, 48.62, -55.81

 

CMYK 0 / 30 / 57 / 15

HEX #DA985D

RGB 218 152 93

HSL 28.32, 0.63%, 0.61%

LAB 68.13, 18.55, 40.63

 

CMYK 39 / 0 / 58 / 15

HEX #86DA5C

RGB 134 218 92

HSL 100, 0.63%, 0.61%

LAB 79.6, -47.55, 53.09

 

CMYK 58 / 27 / 0 / 15

HEX #5C9FDA

RGB 92 159 218

HSL 208.1, 0.63%, 0.61%

LAB 63.45, -4.07, -36.43

 

CMYK 19 / 58 / 0 / 15

HEX #B05CDA

RGB 176 92 218

HSL 280, 0.63%, 0.61%

LAB 53.97, 54.68, -50.95

 

CMYK 0 / 30 / 57 / 15

HEX #DA985D

RGB 218 152 93

HSL 28.32, 0.63%, 0.61%

LAB 68.13, 18.55, 40.63

 

CMYK 56 / 0 / 58 / 15

HEX #61DA5C

RGB 97 218 92

HSL 117.62, 0.63%, 0.61%

LAB 78.14, -58.2, 51.03

 

CMYK 58 / 27 / 0 / 15

HEX #5C9FDA

RGB 92 159 218

HSL 208.1, 0.63%, 0.61%

LAB 63.45, -4.07, -36.43

 

CMYK 2 / 58 / 0 / 15

HEX #D65CDA

RGB 214 92 218

HSL 298.1, 0.63%, 0.61%

LAB 58.99, 64.2, -42.68

 

Description

Color code: HEX #DA985D | qconv.com Color code: HEX #DA985D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 152 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 152 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 57% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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