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Color name
HEX #DA6319

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA6319 it is the complementary color #259CE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA6319. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA6319 shade: #DF6314, #F07527, #FF873A, #FF994D and #FFAB60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA6319. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA6319 shade: #DA6319, #C95106, #B83F00, #A72D00 and #961B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA6319 shade: #DB6319, #DB2F19 and #DB1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA6319 shade: #DB6319, #DB9819, #DBCC19, #B5DB19 and #81DB19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA6319 shade matches the following richer shades: #DB6319 and #EE5F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA6319 shade: #DB6319, #C7682D, #B36D41, #9F7155 and #8B7668

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA6319 shade: #DB1936, #DB3019, #DB6319, #DB9719 and #DBCA19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA6319 shade: #914211, #B65315, #DB6319, #E77A36 and #EB925B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA6319 shade: #DA6319, #6ADB19 and #191CDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA6319 shade: #DA6319, #19DB63 and #6319DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA6319 shade: #DA6319, #6ADB19, #1990DB and #8A19DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA6319 shade: #DA6319, #30DB19, #1990DB and #C419DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 89 / 15

HEX #DA6319

RGB 218 99 25

HSL 23.01, 0.79%, 0.48%

LAB 55.99, 43.08, 58.96

 

Complementary color

CMYK 84 / 32 / 0 / 10

HEX #259CE6

RGB 37 156 230

HSL 203.01, 0.79%, 0.52%

LAB 61.55, -5.87, -46.16

 

CMYK 0 / 56 / 91 / 13

HEX #DF6314

RGB 223 99 20

HSL 23.35, 0.84%, 0.48%

LAB 56.74, 44.89, 61.37

 

CMYK 0 / 51 / 84 / 6

HEX #F07527

RGB 240 117 39

HSL 23.28, 0.87%, 0.55%

LAB 62.84, 43.01, 60.98

 

CMYK 0 / 47 / 77 / 0

HEX #FF873A

RGB 255 135 58

HSL 23.45, 1%, 0.61%

LAB 68.67, 40.44, 59.39

 

CMYK 0 / 40 / 70 / 0

HEX #FF994D

RGB 255 153 77

HSL 25.62, 1%, 0.65%

LAB 72.61, 32.09, 54.86

 

CMYK 0 / 33 / 62 / 0

HEX #FFAB60

RGB 255 171 96

HSL 28.3, 1%, 0.69%

LAB 76.82, 23.81, 50.46

 

CMYK 0 / 55 / 89 / 15

HEX #DA6319

RGB 218 99 25

HSL 23.01, 0.79%, 0.48%

LAB 55.99, 43.08, 58.96

 

CMYK 0 / 60 / 97 / 21

HEX #C95106

RGB 201 81 6

HSL 23.08, 0.94%, 0.41%

LAB 49.88, 44.99, 58.44

 

CMYK 0 / 66 / 100 / 28

HEX #B83F00

RGB 184 63 0

HSL 20.54, 1%, 0.36%

LAB 43.87, 46.82, 55.09

 

CMYK 0 / 73 / 100 / 35

HEX #A72D00

RGB 167 45 0

HSL 16.17, 1%, 0.33%

LAB 38.01, 48.23, 50.43

 

CMYK 0 / 82 / 100 / 41

HEX #961B00

RGB 150 27 0

HSL 10.8, 1%, 0.29%

LAB 32.41, 48.75, 45.59

 

CMYK 0 / 55 / 89 / 14

HEX #DB6319

RGB 219 99 25

HSL 22.89, 0.8%, 0.48%

LAB 56.14, 43.46, 59.15

 

CMYK 0 / 79 / 89 / 14

HEX #DB2F19

RGB 219 47 25

HSL 6.8, 0.8%, 0.48%

LAB 48.47, 64.09, 53.33

 

CMYK 0 / 89 / 89 / 14

HEX #DB1919

RGB 219 25 25

HSL 0, 0.8%, 0.48%

LAB 46.74, 68.98, 52.05

 

CMYK 0 / 55 / 89 / 14

HEX #DB6319

RGB 219 99 25

HSL 22.89, 0.8%, 0.48%

LAB 56.14, 43.46, 59.15

 

CMYK 0 / 31 / 89 / 14

HEX #DB9819

RGB 219 152 25

HSL 39.28, 0.8%, 0.48%

LAB 67.71, 15.77, 68.09

 

CMYK 0 / 7 / 89 / 14

HEX #DBCC19

RGB 219 204 25

HSL 55.36, 0.8%, 0.48%

LAB 80.91, -11.48, 78.42

 

CMYK 17 / 0 / 89 / 14

HEX #B5DB19

RGB 181 219 25

HSL 71.75, 0.8%, 0.48%

LAB 82.14, -34.58, 78.2

 

CMYK 41 / 0 / 89 / 14

HEX #81DB19

RGB 129 219 25

HSL 87.84, 0.8%, 0.48%

LAB 79.27, -53.78, 74.66

 

CMYK 0 / 55 / 89 / 14

HEX #DB6319

RGB 219 99 25

HSL 22.89, 0.8%, 0.48%

LAB 56.14, 43.46, 59.15

 

CMYK 0 / 60 / 98 / 7

HEX #EE5F05

RGB 238 95 5

HSL 23.18, 0.96%, 0.48%

LAB 58.39, 52.1, 66.8

 

CMYK 0 / 55 / 89 / 14

HEX #DB6319

RGB 219 99 25

HSL 22.89, 0.8%, 0.48%

LAB 56.14, 43.46, 59.15

 

CMYK 0 / 48 / 77 / 22

HEX #C7682D

RGB 199 104 45

HSL 22.99, 0.63%, 0.48%

LAB 54.27, 33.62, 48.38

 

CMYK 0 / 39 / 64 / 30

HEX #B36D41

RGB 179 109 65

HSL 23.16, 0.47%, 0.48%

LAB 52.84, 23.68, 35.93

 

CMYK 0 / 29 / 47 / 38

HEX #9F7155

RGB 159 113 85

HSL 22.7, 0.3%, 0.48%

LAB 51.65, 14.66, 22.73

 

CMYK 0 / 15 / 25 / 45

HEX #8B7668

RGB 139 118 104

HSL 24, 0.14%, 0.48%

LAB 51.2, 5.85, 10.74

 

CMYK 0 / 89 / 75 / 14

HEX #DB1936

RGB 219 25 54

HSL 351.03, 0.8%, 0.48%

LAB 47, 69.72, 37.06

 

CMYK 0 / 78 / 89 / 14

HEX #DB3019

RGB 219 48 25

HSL 7.11, 0.8%, 0.48%

LAB 48.57, 63.81, 53.41

 

CMYK 0 / 55 / 89 / 14

HEX #DB6319

RGB 219 99 25

HSL 22.89, 0.8%, 0.48%

LAB 56.14, 43.46, 59.15

 

CMYK 0 / 31 / 89 / 14

HEX #DB9719

RGB 219 151 25

HSL 38.97, 0.8%, 0.48%

LAB 67.47, 16.31, 67.9

 

CMYK 0 / 8 / 89 / 14

HEX #DBCA19

RGB 219 202 25

HSL 54.74, 0.8%, 0.48%

LAB 80.39, -10.47, 78.01

 

CMYK 0 / 54 / 88 / 43

HEX #914211

RGB 145 66 17

HSL 22.97, 0.79%, 0.32%

LAB 37.76, 30.58, 42.43

 

CMYK 0 / 54 / 88 / 29

HEX #B65315

RGB 182 83 21

HSL 23.11, 0.79%, 0.4%

LAB 47.22, 36.91, 51.06

 

CMYK 0 / 55 / 89 / 14

HEX #DB6319

RGB 219 99 25

HSL 22.89, 0.8%, 0.48%

LAB 56.14, 43.46, 59.15

 

CMYK 0 / 47 / 77 / 9

HEX #E77A36

RGB 231 122 54

HSL 23.05, 0.79%, 0.56%

LAB 62.65, 37.47, 54.11

 

CMYK 0 / 38 / 61 / 8

HEX #EB925B

RGB 235 146 91

HSL 22.92, 0.78%, 0.64%

LAB 68.73, 28.55, 42.86

 

CMYK 0 / 55 / 89 / 15

HEX #DA6319

RGB 218 99 25

HSL 23.01, 0.79%, 0.48%

LAB 55.99, 43.08, 58.96

 

CMYK 52 / 0 / 89 / 14

HEX #6ADB19

RGB 106 219 25

HSL 94.95, 0.8%, 0.48%

LAB 78.34, -60.82, 73.5

 

CMYK 89 / 87 / 0 / 14

HEX #191CDB

RGB 25 28 219

HSL 239.07, 0.8%, 0.48%

LAB 29.79, 64.16, -91.57

 

CMYK 0 / 55 / 89 / 15

HEX #DA6319

RGB 218 99 25

HSL 23.01, 0.79%, 0.48%

LAB 55.99, 43.08, 58.96

 

CMYK 89 / 0 / 55 / 14

HEX #19DB63

RGB 25 219 99

HSL 142.89, 0.8%, 0.48%

LAB 77.14, -68.85, 46.3

 

CMYK 55 / 89 / 0 / 14

HEX #6319DB

RGB 99 25 219

HSL 262.89, 0.8%, 0.48%

LAB 34.93, 69.09, -82.89

 

CMYK 0 / 55 / 89 / 15

HEX #DA6319

RGB 218 99 25

HSL 23.01, 0.79%, 0.48%

LAB 55.99, 43.08, 58.96

 

CMYK 52 / 0 / 89 / 14

HEX #6ADB19

RGB 106 219 25

HSL 94.95, 0.8%, 0.48%

LAB 78.34, -60.82, 73.5

 

CMYK 89 / 34 / 0 / 14

HEX #1990DB

RGB 25 144 219

HSL 203.2, 0.8%, 0.48%

LAB 57.34, -3.8, -46.73

 

CMYK 37 / 89 / 0 / 14

HEX #8A19DB

RGB 138 25 219

HSL 274.95, 0.8%, 0.48%

LAB 39.94, 73.22, -74.46

 

CMYK 0 / 55 / 89 / 15

HEX #DA6319

RGB 218 99 25

HSL 23.01, 0.79%, 0.48%

LAB 55.99, 43.08, 58.96

 

CMYK 78 / 0 / 89 / 14

HEX #30DB19

RGB 48 219 25

HSL 112.89, 0.8%, 0.48%

LAB 76.9, -72.85, 71.7

 

CMYK 89 / 34 / 0 / 14

HEX #1990DB

RGB 25 144 219

HSL 203.2, 0.8%, 0.48%

LAB 57.34, -3.8, -46.73

 

CMYK 11 / 89 / 0 / 14

HEX #C419DB

RGB 196 25 219

HSL 292.89, 0.8%, 0.48%

LAB 48.94, 81.51, -59.42

 

Description

Color code: HEX #DA6319 | qconv.com Color code: HEX #DA6319 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 99 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 99 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 89 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 89% 15% C M Y K

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Provide designers and agencies with accurate color values.

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