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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA68F7 it is the complementary color #259708. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA68F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA68F7 shade: #DF68F2, #F07AFF, #FF8CFF, #FF9EFF and #FFB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA68F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA68F7 shade: #DA68F7, #C956E4, #B844D1, #A732BE and #9620AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA68F7 shade: #DA68F7, #F768ED, #F768C7, #F768A0 and #F7687A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA68F7 shade: #DA68F7, #B368F7, #8D68F7 and #6868F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA68F7 shade matches the following richer shades: #DA68F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA68F7 shade: #DA68F7, #D275EA, #CB82DD, #C38FD0 and #BB9BC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA68F7 shade: #8C68F7, #B268F7, #D868F7, #F768EF and #F768CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA68F7 shade: #C71AF2, #D041F5, #DA68F7, #E390F9 and #EDB7FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA68F7 shade: #DA68F7, #F7686B and #68F79F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA68F7 shade: #DA68F7, #F7D868 and #68F7D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA68F7 shade: #DA68F7, #F7686B, #87F768 and #68F7F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA68F7 shade: #DA68F7, #F79168, #87F768 and #68CEF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 58 / 0 / 3

HEX #DA68F7

RGB 218 104 247

HSL 287.83, 0.9%, 0.69%

LAB 62.95, 65.09, -52.56

 

Complementary color

CMYK 75 / 0 / 95 / 41

HEX #259708

RGB 37 151 8

HSL 107.83, 0.9%, 0.31%

LAB 54.6, -54.36, 55.49

 

CMYK 8 / 57 / 0 / 5

HEX #DF68F2

RGB 223 104 242

HSL 291.74, 0.84%, 0.68%

LAB 63.34, 65.39, -49.13

 

CMYK 6 / 52 / 0 / 0

HEX #F07AFF

RGB 240 122 255

HSL 293.23, 1%, 0.74%

LAB 69.23, 63.79, -46.84

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 12 / 58 / 0 / 3

HEX #DA68F7

RGB 218 104 247

HSL 287.83, 0.9%, 0.69%

LAB 62.95, 65.09, -52.56

 

CMYK 12 / 62 / 0 / 11

HEX #C956E4

RGB 201 86 228

HSL 288.59, 0.72%, 0.62%

LAB 56.76, 65.47, -51.95

 

CMYK 12 / 67 / 0 / 18

HEX #B844D1

RGB 184 68 209

HSL 289.36, 0.61%, 0.54%

LAB 50.6, 65.55, -51.13

 

CMYK 12 / 74 / 0 / 25

HEX #A732BE

RGB 167 50 190

HSL 290.14, 0.58%, 0.47%

LAB 44.54, 65.17, -49.99

 

CMYK 12 / 81 / 0 / 33

HEX #9620AB

RGB 150 32 171

HSL 290.94, 0.68%, 0.4%

LAB 38.65, 64.02, -48.38

 

CMYK 12 / 58 / 0 / 3

HEX #DA68F7

RGB 218 104 247

HSL 287.83, 0.9%, 0.69%

LAB 62.95, 65.09, -52.56

 

CMYK 0 / 58 / 4 / 3

HEX #F768ED

RGB 247 104 237

HSL 304.2, 0.9%, 0.69%

LAB 66.36, 70.55, -41.39

 

CMYK 0 / 58 / 19 / 3

HEX #F768C7

RGB 247 104 199

HSL 320.14, 0.9%, 0.69%

LAB 64.8, 64.85, -22.56

 

CMYK 0 / 58 / 35 / 3

HEX #F768A0

RGB 247 104 160

HSL 336.5, 0.9%, 0.69%

LAB 63.52, 59.94, -2.29

 

CMYK 0 / 58 / 51 / 3

HEX #F7687A

RGB 247 104 122

HSL 352.45, 0.9%, 0.69%

LAB 62.58, 56.2, 18.22

 

CMYK 12 / 58 / 0 / 3

HEX #DA68F7

RGB 218 104 247

HSL 287.83, 0.9%, 0.69%

LAB 62.95, 65.09, -52.56

 

CMYK 28 / 58 / 0 / 3

HEX #B368F7

RGB 179 104 247

HSL 271.47, 0.9%, 0.69%

LAB 58.23, 55.78, -60.36

 

CMYK 43 / 58 / 0 / 3

HEX #8D68F7

RGB 141 104 247

HSL 255.52, 0.9%, 0.69%

LAB 54.32, 47.33, -66.85

 

CMYK 58 / 58 / 0 / 3

HEX #6868F7

RGB 104 104 247

HSL 240, 0.9%, 0.69%

LAB 51.33, 40.25, -71.83

 

CMYK 12 / 58 / 0 / 3

HEX #DA68F7

RGB 218 104 247

HSL 287.83, 0.9%, 0.69%

LAB 62.95, 65.09, -52.56

 

CMYK 12 / 58 / 0 / 3

HEX #DA68F7

RGB 218 104 247

HSL 287.83, 0.9%, 0.69%

LAB 62.95, 65.09, -52.56

 

CMYK 10 / 50 / 0 / 8

HEX #D275EA

RGB 210 117 234

HSL 287.69, 0.74%, 0.69%

LAB 63.64, 54.3, -44.33

 

CMYK 8 / 41 / 0 / 13

HEX #CB82DD

RGB 203 130 221

HSL 288.13, 0.57%, 0.69%

LAB 64.87, 43.03, -35.25

 

CMYK 6 / 31 / 0 / 18

HEX #C38FD0

RGB 195 143 208

HSL 288, 0.41%, 0.69%

LAB 66.37, 30.91, -25.77

 

CMYK 4 / 21 / 0 / 24

HEX #BB9BC3

RGB 187 155 195

HSL 288, 0.25%, 0.69%

LAB 67.98, 19.04, -16.14

 

CMYK 43 / 58 / 0 / 3

HEX #8C68F7

RGB 140 104 247

HSL 255.1, 0.9%, 0.69%

LAB 54.23, 47.12, -67

 

CMYK 28 / 58 / 0 / 3

HEX #B268F7

RGB 178 104 247

HSL 271.05, 0.9%, 0.69%

LAB 58.11, 55.55, -60.55

 

CMYK 13 / 58 / 0 / 3

HEX #D868F7

RGB 216 104 247

HSL 286.99, 0.9%, 0.69%

LAB 62.69, 64.61, -52.98

 

CMYK 0 / 58 / 3 / 3

HEX #F768EF

RGB 247 104 239

HSL 303.36, 0.9%, 0.69%

LAB 66.45, 70.87, -42.35

 

CMYK 0 / 58 / 18 / 3

HEX #F768CA

RGB 247 104 202

HSL 318.88, 0.9%, 0.69%

LAB 64.91, 65.27, -24.08

 

CMYK 18 / 89 / 0 / 5

HEX #C71AF2

RGB 199 26 242

HSL 288.06, 0.89%, 0.53%

LAB 51.03, 85.63, -69.04

 

CMYK 15 / 73 / 0 / 4

HEX #D041F5

RGB 208 65 245

HSL 287.67, 0.9%, 0.61%

LAB 55.87, 78.13, -62.83

 

CMYK 12 / 58 / 0 / 3

HEX #DA68F7

RGB 218 104 247

HSL 287.83, 0.9%, 0.69%

LAB 62.95, 65.09, -52.56

 

CMYK 9 / 42 / 0 / 2

HEX #E390F9

RGB 227 144 249

HSL 287.43, 0.9%, 0.77%

LAB 71.63, 48.19, -39.92

 

CMYK 6 / 27 / 0 / 2

HEX #EDB7FB

RGB 237 183 251

HSL 287.65, 0.89%, 0.85%

LAB 81.2, 30.99, -26.15

 

CMYK 12 / 58 / 0 / 3

HEX #DA68F7

RGB 218 104 247

HSL 287.83, 0.9%, 0.69%

LAB 62.95, 65.09, -52.56

 

CMYK 0 / 58 / 57 / 3

HEX #F7686B

RGB 247 104 107

HSL 358.74, 0.9%, 0.69%

LAB 62.28, 55.02, 26.4

 

CMYK 58 / 0 / 36 / 3

HEX #68F79F

RGB 104 247 159

HSL 143.08, 0.9%, 0.69%

LAB 87.95, -57.72, 31.02

 

CMYK 12 / 58 / 0 / 3

HEX #DA68F7

RGB 218 104 247

HSL 287.83, 0.9%, 0.69%

LAB 62.95, 65.09, -52.56

 

CMYK 0 / 13 / 58 / 3

HEX #F7D868

RGB 247 216 104

HSL 46.99, 0.9%, 0.69%

LAB 86.94, -2.26, 58.13

 

CMYK 58 / 0 / 13 / 3

HEX #68F7D8

RGB 104 247 216

HSL 166.99, 0.9%, 0.69%

LAB 89.12, -45.85, 3.35

 

CMYK 12 / 58 / 0 / 3

HEX #DA68F7

RGB 218 104 247

HSL 287.83, 0.9%, 0.69%

LAB 62.95, 65.09, -52.56

 

CMYK 0 / 58 / 57 / 3

HEX #F7686B

RGB 247 104 107

HSL 358.74, 0.9%, 0.69%

LAB 62.28, 55.02, 26.4

 

CMYK 45 / 0 / 58 / 3

HEX #87F768

RGB 135 247 104

HSL 106.99, 0.9%, 0.69%

LAB 88.29, -57.68, 57.82

 

CMYK 58 / 0 / 1 / 3

HEX #68F7F4

RGB 104 247 244

HSL 178.74, 0.9%, 0.69%

LAB 89.86, -38.87, -10.16

 

CMYK 12 / 58 / 0 / 3

HEX #DA68F7

RGB 218 104 247

HSL 287.83, 0.9%, 0.69%

LAB 62.95, 65.09, -52.56

 

CMYK 0 / 41 / 58 / 3

HEX #F79168

RGB 247 145 104

HSL 17.2, 0.9%, 0.69%

LAB 70.19, 34.73, 38.18

 

CMYK 45 / 0 / 58 / 3

HEX #87F768

RGB 135 247 104

HSL 106.99, 0.9%, 0.69%

LAB 88.29, -57.68, 57.82

 

CMYK 58 / 17 / 0 / 3

HEX #68CEF7

RGB 104 206 247

HSL 197.2, 0.9%, 0.69%

LAB 78.35, -18.21, -29.13

 

Description

Color code: HEX #DA68F7 | qconv.com Color code: HEX #DA68F7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 104 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 104 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 58 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 58% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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