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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA66E7 it is the complementary color #259918. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA66E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA66E7 shade: #DF66E2, #F078F5, #FF8AFF, #FF9CFF and #FFAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA66E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA66E7 shade: #DA66E7, #C954D4, #B842C1, #A730AE and #961E9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA66E7 shade: #D964E6, #E664D0, #E664AD, #E6648A and #E66467

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA66E7 shade: #D964E6, #B664E6, #9364E6, #7064E6 and #6464E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA66E7 shade matches the following richer shades: #D964E6 and #E556F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA66E7 shade: #D964E6, #CE73D8, #C281CA, #B78FBB and #AB9EAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA66E7 shade: #9264E6, #B464E6, #D764E6, #E664D3 and #E664B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA66E7 shade: #C521D7, #D140E1, #D964E6, #E288EC and #EAABF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA66E7 shade: #DA66E7, #E66F64 and #64E6A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA66E7 shade: #DA66E7, #E6D764 and #64E6D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA66E7 shade: #DA66E7, #E66F64, #73E664 and #64DCE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA66E7 shade: #DA66E7, #E69664, #73E664 and #64B4E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 56 / 0 / 9

HEX #DA66E7

RGB 218 102 231

HSL 293.95, 0.73%, 0.65%

LAB 61.81, 63.04, -45.48

 

Complementary color

CMYK 76 / 0 / 84 / 40

HEX #259918

RGB 37 153 24

HSL 113.95, 0.73%, 0.35%

LAB 55.32, -54.38, 52.8

 

CMYK 1 / 55 / 0 / 11

HEX #DF66E2

RGB 223 102 226

HSL 298.55, 0.68%, 0.64%

LAB 62.24, 63.44, -41.97

 

CMYK 2 / 51 / 0 / 4

HEX #F078F5

RGB 240 120 245

HSL 297.6, 0.86%, 0.72%

LAB 68.42, 62.94, -42.63

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 6 / 56 / 0 / 9

HEX #DA66E7

RGB 218 102 231

HSL 293.95, 0.73%, 0.65%

LAB 61.81, 63.04, -45.48

 

CMYK 5 / 60 / 0 / 17

HEX #C954D4

RGB 201 84 212

HSL 294.84, 0.6%, 0.58%

LAB 55.6, 63.39, -44.76

 

CMYK 5 / 66 / 0 / 24

HEX #B842C1

RGB 184 66 193

HSL 295.75, 0.51%, 0.51%

LAB 49.42, 63.45, -43.8

 

CMYK 4 / 72 / 0 / 32

HEX #A730AE

RGB 167 48 174

HSL 296.67, 0.57%, 0.44%

LAB 43.34, 63.02, -42.5

 

CMYK 3 / 81 / 0 / 39

HEX #961E9B

RGB 150 30 155

HSL 297.6, 0.68%, 0.36%

LAB 37.44, 61.78, -40.69

 

CMYK 6 / 57 / 0 / 10

HEX #D964E6

RGB 217 100 230

HSL 294, 0.72%, 0.65%

LAB 61.29, 63.52, -45.75

 

CMYK 0 / 57 / 10 / 10

HEX #E664D0

RGB 230 100 208

HSL 310.15, 0.72%, 0.65%

LAB 62.08, 63.22, -32.04

 

CMYK 0 / 57 / 25 / 10

HEX #E664AD

RGB 230 100 173

HSL 326.31, 0.72%, 0.65%

LAB 60.74, 58.14, -14.16

 

CMYK 0 / 57 / 40 / 10

HEX #E6648A

RGB 230 100 138

HSL 342.46, 0.72%, 0.65%

LAB 59.68, 53.95, 4.52

 

CMYK 0 / 57 / 55 / 10

HEX #E66467

RGB 230 100 103

HSL 358.62, 0.72%, 0.65%

LAB 58.9, 50.73, 23.73

 

CMYK 6 / 57 / 0 / 10

HEX #D964E6

RGB 217 100 230

HSL 294, 0.72%, 0.65%

LAB 61.29, 63.52, -45.75

 

CMYK 21 / 57 / 0 / 10

HEX #B664E6

RGB 182 100 230

HSL 277.85, 0.72%, 0.65%

LAB 56.85, 54.74, -53.07

 

CMYK 36 / 57 / 0 / 10

HEX #9364E6

RGB 147 100 230

HSL 261.69, 0.72%, 0.65%

LAB 52.98, 46.36, -59.48

 

CMYK 51 / 57 / 0 / 10

HEX #7064E6

RGB 112 100 230

HSL 245.54, 0.72%, 0.65%

LAB 49.82, 38.85, -64.73

 

CMYK 57 / 57 / 0 / 10

HEX #6464E6

RGB 100 100 230

HSL 240, 0.72%, 0.65%

LAB 48.93, 36.58, -66.22

 

CMYK 6 / 57 / 0 / 10

HEX #D964E6

RGB 217 100 230

HSL 294, 0.72%, 0.65%

LAB 61.29, 63.52, -45.75

 

CMYK 7 / 65 / 0 / 4

HEX #E556F5

RGB 229 86 245

HSL 293.96, 0.89%, 0.65%

LAB 61.57, 74.89, -53.54

 

CMYK 6 / 57 / 0 / 10

HEX #D964E6

RGB 217 100 230

HSL 294, 0.72%, 0.65%

LAB 61.29, 63.52, -45.75

 

CMYK 5 / 47 / 0 / 15

HEX #CE73D8

RGB 206 115 216

HSL 294.06, 0.56%, 0.65%

LAB 61.95, 50.75, -36.98

 

CMYK 4 / 36 / 0 / 21

HEX #C281CA

RGB 194 129 202

HSL 293.42, 0.41%, 0.65%

LAB 62.87, 37.08, -27.8

 

CMYK 2 / 24 / 0 / 27

HEX #B78FBB

RGB 183 143 187

HSL 294.55, 0.24%, 0.65%

LAB 64.4, 22.81, -17.12

 

CMYK 1 / 9 / 0 / 32

HEX #AB9EAD

RGB 171 158 173

HSL 292, 0.08%, 0.65%

LAB 66.62, 7.53, -6.07

 

CMYK 37 / 57 / 0 / 10

HEX #9264E6

RGB 146 100 230

HSL 261.23, 0.72%, 0.65%

LAB 52.88, 46.13, -59.64

 

CMYK 22 / 57 / 0 / 10

HEX #B464E6

RGB 180 100 230

HSL 276.92, 0.72%, 0.65%

LAB 56.62, 54.25, -53.46

 

CMYK 7 / 57 / 0 / 10

HEX #D764E6

RGB 215 100 230

HSL 293.08, 0.72%, 0.65%

LAB 61.02, 63.01, -46.19

 

CMYK 0 / 57 / 8 / 10

HEX #E664D3

RGB 230 100 211

HSL 308.77, 0.72%, 0.65%

LAB 62.2, 63.7, -33.54

 

CMYK 0 / 57 / 23 / 10

HEX #E664B0

RGB 230 100 176

HSL 324.92, 0.72%, 0.65%

LAB 60.85, 58.55, -15.72

 

CMYK 8 / 85 / 0 / 16

HEX #C521D7

RGB 197 33 215

HSL 294.07, 0.73%, 0.49%

LAB 49.33, 79.61, -56.49

 

CMYK 7 / 72 / 0 / 12

HEX #D140E1

RGB 209 64 225

HSL 294.04, 0.73%, 0.57%

LAB 54.72, 75.16, -53.44

 

CMYK 6 / 57 / 0 / 10

HEX #D964E6

RGB 217 100 230

HSL 294, 0.72%, 0.65%

LAB 61.29, 63.52, -45.75

 

CMYK 4 / 42 / 0 / 7

HEX #E288EC

RGB 226 136 236

HSL 294, 0.72%, 0.73%

LAB 69.35, 49.54, -36.37

 

CMYK 3 / 29 / 0 / 5

HEX #EAABF2

RGB 234 171 242

HSL 293.24, 0.73%, 0.81%

LAB 77.89, 34.73, -26.4

 

CMYK 6 / 56 / 0 / 9

HEX #DA66E7

RGB 218 102 231

HSL 293.95, 0.73%, 0.65%

LAB 61.81, 63.04, -45.48

 

CMYK 0 / 52 / 57 / 10

HEX #E66F64

RGB 230 111 100

HSL 5.08, 0.72%, 0.65%

LAB 60.88, 45.23, 28.04

 

CMYK 57 / 0 / 29 / 10

HEX #64E6A3

RGB 100 230 163

HSL 149.08, 0.72%, 0.65%

LAB 82.89, -51.03, 22.08

 

CMYK 6 / 56 / 0 / 9

HEX #DA66E7

RGB 218 102 231

HSL 293.95, 0.73%, 0.65%

LAB 61.81, 63.04, -45.48

 

CMYK 0 / 7 / 57 / 10

HEX #E6D764

RGB 230 215 100

HSL 53.08, 0.72%, 0.65%

LAB 85.17, -9, 57.54

 

CMYK 57 / 0 / 7 / 10

HEX #64E6D7

RGB 100 230 215

HSL 173.08, 0.72%, 0.65%

LAB 84.07, -39.31, -3.51

 

CMYK 6 / 56 / 0 / 9

HEX #DA66E7

RGB 218 102 231

HSL 293.95, 0.73%, 0.65%

LAB 61.81, 63.04, -45.48

 

CMYK 0 / 52 / 57 / 10

HEX #E66F64

RGB 230 111 100

HSL 5.08, 0.72%, 0.65%

LAB 60.88, 45.23, 28.04

 

CMYK 50 / 0 / 57 / 10

HEX #73E664

RGB 115 230 100

HSL 113.08, 0.72%, 0.65%

LAB 82.46, -57.15, 52.63

 

CMYK 57 / 4 / 0 / 10

HEX #64DCE6

RGB 100 220 230

HSL 184.62, 0.72%, 0.65%

LAB 81.63, -30.72, -15.1

 

CMYK 6 / 56 / 0 / 9

HEX #DA66E7

RGB 218 102 231

HSL 293.95, 0.73%, 0.65%

LAB 61.81, 63.04, -45.48

 

CMYK 0 / 35 / 57 / 10

HEX #E69664

RGB 230 150 100

HSL 23.08, 0.72%, 0.65%

LAB 69.15, 25.07, 38.54

 

CMYK 50 / 0 / 57 / 10

HEX #73E664

RGB 115 230 100

HSL 113.08, 0.72%, 0.65%

LAB 82.46, -57.15, 52.63

 

CMYK 57 / 22 / 0 / 10

HEX #64B4E6

RGB 100 180 230

HSL 203.08, 0.72%, 0.65%

LAB 70.22, -10.35, -32.49

 

Description

Color code: HEX #DA66E7 | qconv.com Color code: HEX #DA66E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 102 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 102 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 56 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 56% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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