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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5DD1 it is the complementary color #25A22E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5DD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5DD1 shade: #DF5DCC, #F06FDF, #FF81F2, #FF93FF and #FFA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5DD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5DD1 shade: #DA5DD1, #C94BBE, #B839AB, #A72798 and #961585

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5DD1 shade: #DA5CD1, #DA5CAF, #DA5C8D, #DA5C6B and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5DD1 shade: #DA5CD1, #C15CDA, #9F5CDA, #7D5CDA and #5C5CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5DD1 shade matches the following richer shades: #DA5CD1, #EA4CDE and #FA3CEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5DD1 shade: #DA5CD1, #CA6CC3, #BA7DB5, #A98DA7 and #999D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5DD1 shade: #9F5CDA, #C15CDA, #DA5CD1, #DA5CB0 and #DA5C8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5DD1 shade: #BA2AAF, #D23BC7, #DA5CD1, #E17EDA and #E9A0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5DD1 shade: #DA5DD1, #DA7E5C and #5CDAB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5DD1 shade: #DA5DD1, #D1DA5C and #5CD1DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5DD1 shade: #DA5DD1, #DA7E5C, #5CDA65 and #5CB8DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5DD1 shade: #DA5DD1, #DAA35C, #5CDA65 and #5C93DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 4 / 15

HEX #DA5DD1

RGB 218 93 209

HSL 304.32, 0.63%, 0.61%

LAB 59.29, 63.27, -37.08

 

Complementary color

CMYK 77 / 0 / 72 / 36

HEX #25A22E

RGB 37 162 46

HSL 124.32, 0.63%, 0.39%

LAB 58.44, -55.72, 48.46

 

CMYK 0 / 58 / 9 / 13

HEX #DF5DCC

RGB 223 93 204

HSL 308.77, 0.67%, 0.62%

LAB 59.78, 63.78, -33.43

 

CMYK 0 / 54 / 7 / 6

HEX #F06FDF

RGB 240 111 223

HSL 307.91, 0.81%, 0.69%

LAB 65.92, 63.39, -34.37

 

CMYK 0 / 49 / 5 / 0

HEX #FF81F2

RGB 255 129 242

HSL 306.19, 1%, 0.75%

LAB 71.81, 62.31, -35.57

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 57 / 4 / 15

HEX #DA5DD1

RGB 218 93 209

HSL 304.32, 0.63%, 0.61%

LAB 59.29, 63.27, -37.08

 

CMYK 0 / 63 / 5 / 21

HEX #C94BBE

RGB 201 75 190

HSL 305.24, 0.54%, 0.54%

LAB 53.13, 63.44, -36.04

 

CMYK 0 / 69 / 7 / 28

HEX #B839AB

RGB 184 57 171

HSL 306.14, 0.53%, 0.47%

LAB 47.05, 63.21, -34.68

 

CMYK 0 / 77 / 9 / 35

HEX #A72798

RGB 167 39 152

HSL 307.03, 0.62%, 0.4%

LAB 41.11, 62.35, -32.87

 

CMYK 0 / 86 / 11 / 41

HEX #961585

RGB 150 21 133

HSL 307.91, 0.75%, 0.34%

LAB 35.43, 60.48, -30.4

 

CMYK 0 / 58 / 4 / 15

HEX #DA5CD1

RGB 218 92 209

HSL 304.29, 0.63%, 0.61%

LAB 59.13, 63.7, -37.34

 

CMYK 0 / 58 / 20 / 15

HEX #DA5CAF

RGB 218 92 175

HSL 320.48, 0.63%, 0.61%

LAB 57.71, 58.48, -20.08

 

CMYK 0 / 58 / 35 / 15

HEX #DA5C8D

RGB 218 92 141

HSL 336.67, 0.63%, 0.61%

LAB 56.57, 54.08, -1.98

 

CMYK 0 / 58 / 51 / 15

HEX #DA5C6B

RGB 218 92 107

HSL 352.86, 0.63%, 0.61%

LAB 55.71, 50.64, 16.78

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 58 / 4 / 15

HEX #DA5CD1

RGB 218 92 209

HSL 304.29, 0.63%, 0.61%

LAB 59.13, 63.7, -37.34

 

CMYK 11 / 58 / 0 / 15

HEX #C15CDA

RGB 193 92 218

HSL 288.1, 0.63%, 0.61%

LAB 56.14, 58.91, -47.36

 

CMYK 27 / 58 / 0 / 15

HEX #9F5CDA

RGB 159 92 218

HSL 271.9, 0.63%, 0.61%

LAB 51.94, 50.53, -54.31

 

CMYK 43 / 58 / 0 / 15

HEX #7D5CDA

RGB 125 92 218

HSL 255.71, 0.63%, 0.61%

LAB 48.36, 42.7, -60.26

 

CMYK 58 / 58 / 0 / 15

HEX #5C5CDA

RGB 92 92 218

HSL 240, 0.63%, 0.61%

LAB 45.62, 36.16, -64.81

 

CMYK 0 / 58 / 4 / 15

HEX #DA5CD1

RGB 218 92 209

HSL 304.29, 0.63%, 0.61%

LAB 59.13, 63.7, -37.34

 

CMYK 0 / 68 / 5 / 8

HEX #EA4CDE

RGB 234 76 222

HSL 304.56, 0.79%, 0.61%

LAB 59.83, 75.97, -43.4

 

CMYK 0 / 76 / 6 / 2

HEX #FA3CEC

RGB 250 60 236

HSL 304.42, 0.95%, 0.61%

LAB 61.32, 86.35, -48.74

 

CMYK 0 / 58 / 4 / 15

HEX #DA5CD1

RGB 218 92 209

HSL 304.29, 0.63%, 0.61%

LAB 59.13, 63.7, -37.34

 

CMYK 0 / 47 / 3 / 21

HEX #CA6CC3

RGB 202 108 195

HSL 304.47, 0.47%, 0.61%

LAB 59.18, 49.3, -29.47

 

CMYK 0 / 33 / 3 / 27

HEX #BA7DB5

RGB 186 125 181

HSL 304.92, 0.31%, 0.61%

LAB 60.29, 32.69, -19.96

 

CMYK 0 / 17 / 1 / 34

HEX #A98DA7

RGB 169 141 167

HSL 304.29, 0.14%, 0.61%

LAB 61.89, 15.2, -9.74

 

CMYK 3 / 0 / 2 / 38

HEX #999D9A

RGB 153 157 154

HSL 135, 0.02%, 0.61%

LAB 64.34, -2.01, 1.06

 

CMYK 27 / 58 / 0 / 15

HEX #9F5CDA

RGB 159 92 218

HSL 271.9, 0.63%, 0.61%

LAB 51.94, 50.53, -54.31

 

CMYK 11 / 58 / 0 / 15

HEX #C15CDA

RGB 193 92 218

HSL 288.1, 0.63%, 0.61%

LAB 56.14, 58.91, -47.36

 

CMYK 0 / 58 / 4 / 15

HEX #DA5CD1

RGB 218 92 209

HSL 304.29, 0.63%, 0.61%

LAB 59.13, 63.7, -37.34

 

CMYK 0 / 58 / 19 / 15

HEX #DA5CB0

RGB 218 92 176

HSL 320, 0.63%, 0.61%

LAB 57.75, 58.62, -20.6

 

CMYK 0 / 58 / 34 / 15

HEX #DA5C8F

RGB 218 92 143

HSL 335.71, 0.63%, 0.61%

LAB 56.63, 54.32, -3.07

 

CMYK 0 / 77 / 6 / 27

HEX #BA2AAF

RGB 186 42 175

HSL 304.58, 0.63%, 0.45%

LAB 45.89, 69.11, -38.84

 

CMYK 0 / 72 / 5 / 18

HEX #D23BC7

RGB 210 59 199

HSL 304.37, 0.63%, 0.53%

LAB 52.9, 72.82, -41.5

 

CMYK 0 / 58 / 4 / 15

HEX #DA5CD1

RGB 218 92 209

HSL 304.29, 0.63%, 0.61%

LAB 59.13, 63.7, -37.34

 

CMYK 0 / 44 / 3 / 12

HEX #E17EDA

RGB 225 126 218

HSL 304.24, 0.62%, 0.69%

LAB 66.51, 51.08, -30.83

 

CMYK 0 / 31 / 2 / 9

HEX #E9A0E4

RGB 233 160 228

HSL 304.11, 0.62%, 0.77%

LAB 74.87, 37.68, -23.43

 

CMYK 0 / 57 / 4 / 15

HEX #DA5DD1

RGB 218 93 209

HSL 304.32, 0.63%, 0.61%

LAB 59.29, 63.27, -37.08

 

CMYK 0 / 42 / 58 / 15

HEX #DA7E5C

RGB 218 126 92

HSL 16.19, 0.63%, 0.61%

LAB 62.17, 32.4, 33.8

 

CMYK 58 / 0 / 19 / 15

HEX #5CDAB0

RGB 92 218 176

HSL 160, 0.63%, 0.61%

LAB 79.36, -44.89, 10.29

 

CMYK 0 / 57 / 4 / 15

HEX #DA5DD1

RGB 218 93 209

HSL 304.32, 0.63%, 0.61%

LAB 59.29, 63.27, -37.08

 

CMYK 4 / 0 / 58 / 15

HEX #D1DA5C

RGB 209 218 92

HSL 64.29, 0.63%, 0.61%

LAB 84.21, -19.63, 59.54

 

CMYK 58 / 4 / 0 / 15

HEX #5CD1DA

RGB 92 209 218

HSL 184.29, 0.63%, 0.61%

LAB 77.84, -30.19, -14.4

 

CMYK 0 / 57 / 4 / 15

HEX #DA5DD1

RGB 218 93 209

HSL 304.32, 0.63%, 0.61%

LAB 59.29, 63.27, -37.08

 

CMYK 0 / 42 / 58 / 15

HEX #DA7E5C

RGB 218 126 92

HSL 16.19, 0.63%, 0.61%

LAB 62.17, 32.4, 33.8

 

CMYK 58 / 0 / 54 / 15

HEX #5CDA65

RGB 92 218 101

HSL 124.29, 0.63%, 0.61%

LAB 78.09, -58.31, 46.79

 

CMYK 58 / 16 / 0 / 15

HEX #5CB8DA

RGB 92 184 218

HSL 196.19, 0.63%, 0.61%

LAB 70.61, -17.64, -25.37

 

CMYK 0 / 57 / 4 / 15

HEX #DA5DD1

RGB 218 93 209

HSL 304.32, 0.63%, 0.61%

LAB 59.29, 63.27, -37.08

 

CMYK 0 / 25 / 58 / 15

HEX #DAA35C

RGB 218 163 92

HSL 33.81, 0.63%, 0.61%

LAB 70.78, 12.56, 44.33

 

CMYK 58 / 0 / 54 / 15

HEX #5CDA65

RGB 92 218 101

HSL 124.29, 0.63%, 0.61%

LAB 78.09, -58.31, 46.79

 

CMYK 58 / 33 / 0 / 15

HEX #5C93DA

RGB 92 147 218

HSL 213.81, 0.63%, 0.61%

LAB 60.07, 2.81, -41.72

 

Description

Color code: HEX #DA5DD1 | qconv.com Color code: HEX #DA5DD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 93 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 93 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 4 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 4% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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