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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA47D9 it is the complementary color #25B826. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA47D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA47D9 shade: #DF47D4, #F059E7, #FF6BFA, #FF7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA47D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA47D9 shade: #DA47D9, #C935C6, #B823B3, #A711A0 and #96008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA47D9 shade: #DA47D9, #DA47B2, #DA478A, #DA4762 and #DA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA47D9 shade: #DA47D9, #B447DA, #8C47DA, #6447DA and #4747DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA47D9 shade matches the following richer shades: #DA47D9, #EC36EB and #FE24FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA47D9 shade: #DA47D9, #C959C8, #B76BB6, #A57DA5 and #938E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA47D9 shade: #8C47DA, #B347DA, #DA47DA, #DA47B3 and #DA478C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA47D9 shade: #AD22AC, #D029CF, #DA47D9, #E16AE0 and #E88CE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA47D9 shade: #DA47D9, #DA6547 and #47DAA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA47D9 shade: #DA47D9, #DADA47 and #47DADA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA47D9 shade: #DA47D9, #DA6547, #47DA47 and #47BDDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA47D9 shade: #DA47D9, #DA9147, #47DA47 and #4791DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 0 / 15

HEX #DA47D9

RGB 218 71 217

HSL 300.41, 0.67%, 0.57%

LAB 56.51, 73.35, -45.99

 

Complementary color

CMYK 80 / 0 / 79 / 28

HEX #25B826

RGB 37 184 38

HSL 120.41, 0.67%, 0.43%

LAB 65.6, -63.27, 58.38

 

CMYK 0 / 68 / 5 / 13

HEX #DF47D4

RGB 223 71 212

HSL 304.34, 0.7%, 0.58%

LAB 57.02, 73.69, -42.28

 

CMYK 0 / 63 / 4 / 6

HEX #F059E7

RGB 240 89 231

HSL 303.58, 0.83%, 0.65%

LAB 62.88, 73.95, -43.59

 

CMYK 0 / 58 / 2 / 0

HEX #FF6BFA

RGB 255 107 250

HSL 302.03, 1%, 0.71%

LAB 68.52, 73.38, -45.09

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 67 / 0 / 15

HEX #DA47D9

RGB 218 71 217

HSL 300.41, 0.67%, 0.57%

LAB 56.51, 73.35, -45.99

 

CMYK 0 / 74 / 1 / 21

HEX #C935C6

RGB 201 53 198

HSL 301.22, 0.58%, 0.5%

LAB 50.74, 72.61, -44.44

 

CMYK 0 / 81 / 3 / 28

HEX #B823B3

RGB 184 35 179

HSL 302.01, 0.68%, 0.43%

LAB 45.15, 71.12, -42.41

 

CMYK 0 / 90 / 4 / 35

HEX #A711A0

RGB 167 17 160

HSL 302.8, 0.82%, 0.36%

LAB 39.84, 68.53, -39.71

 

CMYK 0 / 100 / 6 / 41

HEX #96008D

RGB 150 0 141

HSL 303.6, 1%, 0.29%

LAB 34.82, 64.79, -36.31

 

CMYK 0 / 67 / 0 / 15

HEX #DA47D9

RGB 218 71 217

HSL 300.41, 0.67%, 0.57%

LAB 56.51, 73.35, -45.99

 

CMYK 0 / 67 / 18 / 15

HEX #DA47B2

RGB 218 71 178

HSL 316.33, 0.67%, 0.57%

LAB 54.69, 67.51, -26.46

 

CMYK 0 / 67 / 37 / 15

HEX #DA478A

RGB 218 71 138

HSL 332.65, 0.67%, 0.57%

LAB 53.22, 62.58, -5.15

 

CMYK 0 / 67 / 55 / 15

HEX #DA4762

RGB 218 71 98

HSL 348.98, 0.67%, 0.57%

LAB 52.17, 58.91, 17.28

 

CMYK 0 / 67 / 67 / 15

HEX #DA4747

RGB 218 71 71

HSL 0, 0.67%, 0.57%

LAB 51.69, 57.18, 32.61

 

CMYK 0 / 67 / 0 / 15

HEX #DA47D9

RGB 218 71 217

HSL 300.41, 0.67%, 0.57%

LAB 56.51, 73.35, -45.99

 

CMYK 17 / 67 / 0 / 15

HEX #B447DA

RGB 180 71 218

HSL 284.49, 0.67%, 0.57%

LAB 51, 65.19, -55.66

 

CMYK 36 / 67 / 0 / 15

HEX #8C47DA

RGB 140 71 218

HSL 268.16, 0.67%, 0.57%

LAB 45.83, 56.91, -64.26

 

CMYK 54 / 67 / 0 / 15

HEX #6447DA

RGB 100 71 218

HSL 251.84, 0.67%, 0.57%

LAB 41.65, 49.69, -71.25

 

CMYK 67 / 67 / 0 / 15

HEX #4747DA

RGB 71 71 218

HSL 240, 0.67%, 0.57%

LAB 39.43, 45.58, -74.98

 

CMYK 0 / 67 / 0 / 15

HEX #DA47D9

RGB 218 71 217

HSL 300.41, 0.67%, 0.57%

LAB 56.51, 73.35, -45.99

 

CMYK 0 / 77 / 0 / 7

HEX #EC36EB

RGB 236 54 235

HSL 300.33, 0.83%, 0.57%

LAB 58.48, 85.02, -52.82

 

CMYK 0 / 86 / 1 / 0

HEX #FE24FC

RGB 254 36 252

HSL 300.55, 0.99%, 0.57%

LAB 61.1, 94.38, -57.95

 

CMYK 0 / 67 / 0 / 15

HEX #DA47D9

RGB 218 71 217

HSL 300.41, 0.67%, 0.57%

LAB 56.51, 73.35, -45.99

 

CMYK 0 / 56 / 0 / 21

HEX #C959C8

RGB 201 89 200

HSL 300.54, 0.51%, 0.57%

LAB 55.82, 59.05, -37.57

 

CMYK 0 / 42 / 1 / 28

HEX #B76BB6

RGB 183 107 182

HSL 300.79, 0.35%, 0.57%

LAB 56.05, 41.68, -27.07

 

CMYK 0 / 24 / 0 / 35

HEX #A57DA5

RGB 165 125 165

HSL 300, 0.18%, 0.57%

LAB 57.45, 22.49, -15.32

 

CMYK 0 / 3 / 0 / 42

HEX #938E93

RGB 147 142 147

HSL 300, 0.02%, 0.57%

LAB 59.58, 2.81, -2

 

CMYK 36 / 67 / 0 / 15

HEX #8C47DA

RGB 140 71 218

HSL 268.16, 0.67%, 0.57%

LAB 45.83, 56.91, -64.26

 

CMYK 18 / 67 / 0 / 15

HEX #B347DA

RGB 179 71 218

HSL 284.08, 0.67%, 0.57%

LAB 50.86, 64.97, -55.89

 

CMYK 0 / 67 / 0 / 15

HEX #DA47DA

RGB 218 71 218

HSL 300, 0.67%, 0.57%

LAB 56.56, 73.51, -46.47

 

CMYK 0 / 67 / 18 / 15

HEX #DA47B3

RGB 218 71 179

HSL 315.92, 0.67%, 0.57%

LAB 54.73, 67.65, -26.98

 

CMYK 0 / 67 / 36 / 15

HEX #DA478C

RGB 218 71 140

HSL 331.84, 0.67%, 0.57%

LAB 53.28, 62.8, -6.25

 

CMYK 0 / 80 / 1 / 32

HEX #AD22AC

RGB 173 34 172

HSL 300.43, 0.67%, 0.41%

LAB 42.77, 68.1, -42.16

 

CMYK 0 / 80 / 0 / 18

HEX #D029CF

RGB 208 41 207

HSL 300.36, 0.67%, 0.49%

LAB 51.27, 78.61, -48.7

 

CMYK 0 / 67 / 0 / 15

HEX #DA47D9

RGB 218 71 217

HSL 300.41, 0.67%, 0.57%

LAB 56.51, 73.35, -45.99

 

CMYK 0 / 53 / 0 / 12

HEX #E16AE0

RGB 225 106 224

HSL 300.5, 0.66%, 0.65%

LAB 63.09, 61.8, -39.49

 

CMYK 0 / 40 / 0 / 9

HEX #E88CE7

RGB 232 140 231

HSL 300.65, 0.67%, 0.73%

LAB 70.65, 48.35, -31.55

 

CMYK 0 / 67 / 0 / 15

HEX #DA47D9

RGB 218 71 217

HSL 300.41, 0.67%, 0.57%

LAB 56.51, 73.35, -45.99

 

CMYK 0 / 54 / 67 / 15

HEX #DA6547

RGB 218 101 71

HSL 12.24, 0.67%, 0.57%

LAB 56.75, 43.79, 38.66

 

CMYK 67 / 0 / 27 / 15

HEX #47DAA0

RGB 71 218 160

HSL 156.33, 0.67%, 0.57%

LAB 78.47, -52.23, 17.42

 

CMYK 0 / 67 / 0 / 15

HEX #DA47D9

RGB 218 71 217

HSL 300.41, 0.67%, 0.57%

LAB 56.51, 73.35, -45.99

 

CMYK 0 / 0 / 67 / 15

HEX #DADA47

RGB 218 218 71

HSL 60, 0.67%, 0.57%

LAB 84.74, -17.27, 68.82

 

CMYK 67 / 0 / 0 / 15

HEX #47DADA

RGB 71 218 218

HSL 180, 0.67%, 0.57%

LAB 79.92, -37.75, -11.34

 

CMYK 0 / 67 / 0 / 15

HEX #DA47D9

RGB 218 71 217

HSL 300.41, 0.67%, 0.57%

LAB 56.51, 73.35, -45.99

 

CMYK 0 / 54 / 67 / 15

HEX #DA6547

RGB 218 101 71

HSL 12.24, 0.67%, 0.57%

LAB 56.75, 43.79, 38.66

 

CMYK 67 / 0 / 67 / 15

HEX #47DA47

RGB 71 218 71

HSL 120, 0.67%, 0.57%

LAB 77.24, -66.05, 58.71

 

CMYK 67 / 13 / 0 / 15

HEX #47BDDA

RGB 71 189 218

HSL 191.84, 0.67%, 0.57%

LAB 71.42, -23.78, -24.19

 

CMYK 0 / 67 / 0 / 15

HEX #DA47D9

RGB 218 71 217

HSL 300.41, 0.67%, 0.57%

LAB 56.51, 73.35, -45.99

 

CMYK 0 / 33 / 67 / 15

HEX #DA9147

RGB 218 145 71

HSL 30.2, 0.67%, 0.57%

LAB 66.22, 20.84, 49.42

 

CMYK 67 / 0 / 67 / 15

HEX #47DA47

RGB 71 218 71

HSL 120, 0.67%, 0.57%

LAB 77.24, -66.05, 58.71

 

CMYK 67 / 33 / 0 / 15

HEX #4791DA

RGB 71 145 218

HSL 209.8, 0.67%, 0.57%

LAB 58.65, 0.2, -44.02

 

Description

Color code: HEX #DA47D9 | qconv.com Color code: HEX #DA47D9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 71 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 71 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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