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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA47C0 it is the complementary color #25B83F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA47C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA47C0 shade: #DF47BB, #F059CE, #FF6BE1, #FF7DF4 and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA47C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA47C0 shade: #DA47C0, #C935AD, #B8239A, #A71187 and #960074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA47C0 shade: #DA47C0, #DA4799, #DA4771, #DA4749 and #DA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA47C0 shade: #DA47C0, #CD47DA, #A547DA, #7D47DA and #5647DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA47C0 shade matches the following richer shades: #DA47C0, #EC36CC and #FE24D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA47C0 shade: #DA47C0, #C959B5, #B76BA9, #A57D9E and #938E92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA47C0 shade: #A447DA, #CC47DA, #DA47C2, #DA479B and #DA4773

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA47C0 shade: #AD2295, #D029B2, #DA47C0, #E16ACC and #E88CD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA47C0 shade: #DA47C0, #DA7D47 and #47DAB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA47C0 shade: #DA47C0, #C2DA47 and #47C2DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA47C0 shade: #DA47C0, #DA7D47, #47DA60 and #47A4DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA47C0 shade: #DA47C0, #DAA947, #47DA60 and #4778DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 12 / 15

HEX #DA47C0

RGB 218 71 192

HSL 310.61, 0.67%, 0.57%

LAB 55.3, 69.5, -33.61

 

Complementary color

CMYK 80 / 0 / 66 / 28

HEX #25B83F

RGB 37 184 63

HSL 130.61, 0.67%, 0.43%

LAB 65.77, -61.15, 49.35

 

CMYK 0 / 68 / 16 / 13

HEX #DF47BB

RGB 223 71 187

HSL 314.21, 0.7%, 0.58%

LAB 55.87, 70.01, -29.78

 

CMYK 0 / 63 / 14 / 6

HEX #F059CE

RGB 240 89 206

HSL 313.51, 0.83%, 0.65%

LAB 61.76, 70.18, -31.28

 

CMYK 0 / 58 / 12 / 0

HEX #FF6BE1

RGB 255 107 225

HSL 312.16, 1%, 0.71%

LAB 67.44, 69.49, -32.97

 

CMYK 0 / 51 / 4 / 0

HEX #FF7DF4

RGB 255 125 244

HSL 305.08, 1%, 0.75%

LAB 71.19, 64.49, -37.63

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 67 / 12 / 15

HEX #DA47C0

RGB 218 71 192

HSL 310.61, 0.67%, 0.57%

LAB 55.3, 69.5, -33.61

 

CMYK 0 / 74 / 14 / 21

HEX #C935AD

RGB 201 53 173

HSL 311.35, 0.58%, 0.5%

LAB 49.47, 68.87, -31.86

 

CMYK 0 / 81 / 16 / 28

HEX #B8239A

RGB 184 35 154

HSL 312.08, 0.68%, 0.43%

LAB 43.84, 67.49, -29.58

 

CMYK 0 / 90 / 19 / 35

HEX #A71187

RGB 167 17 135

HSL 312.8, 0.82%, 0.36%

LAB 38.49, 65.03, -26.6

 

CMYK 0 / 100 / 23 / 41

HEX #960074

RGB 150 0 116

HSL 313.6, 1%, 0.29%

LAB 33.45, 61.39, -22.84

 

CMYK 0 / 67 / 12 / 15

HEX #DA47C0

RGB 218 71 192

HSL 310.61, 0.67%, 0.57%

LAB 55.3, 69.5, -33.61

 

CMYK 0 / 67 / 30 / 15

HEX #DA4799

RGB 218 71 153

HSL 326.53, 0.67%, 0.57%

LAB 53.72, 64.29, -13.29

 

CMYK 0 / 67 / 48 / 15

HEX #DA4771

RGB 218 71 113

HSL 342.86, 0.67%, 0.57%

LAB 52.51, 60.13, 8.77

 

CMYK 0 / 67 / 67 / 15

HEX #DA4749

RGB 218 71 73

HSL 359.18, 0.67%, 0.57%

LAB 51.72, 57.29, 31.49

 

CMYK 0 / 67 / 67 / 15

HEX #DA4747

RGB 218 71 71

HSL 0, 0.67%, 0.57%

LAB 51.69, 57.18, 32.61

 

CMYK 0 / 67 / 12 / 15

HEX #DA47C0

RGB 218 71 192

HSL 310.61, 0.67%, 0.57%

LAB 55.3, 69.5, -33.61

 

CMYK 6 / 67 / 0 / 15

HEX #CD47DA

RGB 205 71 218

HSL 294.69, 0.67%, 0.57%

LAB 54.6, 70.64, -49.7

 

CMYK 24 / 67 / 0 / 15

HEX #A547DA

RGB 165 71 218

HSL 278.37, 0.67%, 0.57%

LAB 48.97, 62, -59.04

 

CMYK 43 / 67 / 0 / 15

HEX #7D47DA

RGB 125 71 218

HSL 262.04, 0.67%, 0.57%

LAB 44.13, 54.04, -67.1

 

CMYK 61 / 67 / 0 / 15

HEX #5647DA

RGB 86 71 218

HSL 246.12, 0.67%, 0.57%

LAB 40.49, 47.57, -73.2

 

CMYK 0 / 67 / 12 / 15

HEX #DA47C0

RGB 218 71 192

HSL 310.61, 0.67%, 0.57%

LAB 55.3, 69.5, -33.61

 

CMYK 0 / 77 / 14 / 7

HEX #EC36CC

RGB 236 54 204

HSL 310.55, 0.83%, 0.57%

LAB 56.91, 80.59, -37.76

 

CMYK 0 / 86 / 15 / 0

HEX #FE24D7

RGB 254 36 215

HSL 310.73, 0.99%, 0.57%

LAB 59.19, 89.41, -40.22

 

CMYK 0 / 67 / 12 / 15

HEX #DA47C0

RGB 218 71 192

HSL 310.61, 0.67%, 0.57%

LAB 55.3, 69.5, -33.61

 

CMYK 0 / 56 / 10 / 21

HEX #C959B5

RGB 201 89 181

HSL 310.71, 0.51%, 0.57%

LAB 54.97, 55.87, -27.97

 

CMYK 0 / 42 / 8 / 28

HEX #B76BA9

RGB 183 107 169

HSL 311.05, 0.35%, 0.57%

LAB 55.53, 39.33, -20.36

 

CMYK 0 / 24 / 4 / 35

HEX #A57D9E

RGB 165 125 158

HSL 310.5, 0.18%, 0.57%

LAB 57.21, 21.15, -11.65

 

CMYK 0 / 3 / 1 / 42

HEX #938E92

RGB 147 142 146

HSL 312, 0.02%, 0.57%

LAB 59.55, 2.62, -1.47

 

CMYK 25 / 67 / 0 / 15

HEX #A447DA

RGB 164 71 218

HSL 277.96, 0.67%, 0.57%

LAB 48.84, 61.79, -59.26

 

CMYK 6 / 67 / 0 / 15

HEX #CC47DA

RGB 204 71 218

HSL 294.29, 0.67%, 0.57%

LAB 54.45, 70.41, -49.94

 

CMYK 0 / 67 / 11 / 15

HEX #DA47C2

RGB 218 71 194

HSL 309.8, 0.67%, 0.57%

LAB 55.39, 69.79, -34.62

 

CMYK 0 / 67 / 29 / 15

HEX #DA479B

RGB 218 71 155

HSL 325.71, 0.67%, 0.57%

LAB 53.79, 64.53, -14.36

 

CMYK 0 / 67 / 47 / 15

HEX #DA4773

RGB 218 71 115

HSL 342.04, 0.67%, 0.57%

LAB 52.56, 60.31, 7.64

 

CMYK 0 / 80 / 14 / 32

HEX #AD2295

RGB 173 34 149

HSL 310.36, 0.67%, 0.41%

LAB 41.53, 64.64, -30.32

 

CMYK 0 / 80 / 14 / 18

HEX #D029B2

RGB 208 41 178

HSL 310.78, 0.67%, 0.49%

LAB 49.75, 74.43, -34.27

 

CMYK 0 / 67 / 12 / 15

HEX #DA47C0

RGB 218 71 192

HSL 310.61, 0.67%, 0.57%

LAB 55.3, 69.5, -33.61

 

CMYK 0 / 53 / 9 / 12

HEX #E16ACC

RGB 225 106 204

HSL 310.59, 0.66%, 0.65%

LAB 62.23, 58.47, -29.6

 

CMYK 0 / 40 / 7 / 9

HEX #E88CD8

RGB 232 140 216

HSL 310.43, 0.67%, 0.73%

LAB 70.08, 45.73, -24.15

 

CMYK 0 / 67 / 12 / 15

HEX #DA47C0

RGB 218 71 192

HSL 310.61, 0.67%, 0.57%

LAB 55.3, 69.5, -33.61

 

CMYK 0 / 43 / 67 / 15

HEX #DA7D47

RGB 218 125 71

HSL 22.04, 0.67%, 0.57%

LAB 61.68, 31.52, 44.34

 

CMYK 67 / 0 / 16 / 15

HEX #47DAB8

RGB 71 218 184

HSL 166.12, 0.67%, 0.57%

LAB 79.01, -46.68, 5.46

 

CMYK 0 / 67 / 12 / 15

HEX #DA47C0

RGB 218 71 192

HSL 310.61, 0.67%, 0.57%

LAB 55.3, 69.5, -33.61

 

CMYK 11 / 0 / 67 / 15

HEX #C2DA47

RGB 194 218 71

HSL 69.8, 0.67%, 0.57%

LAB 82.95, -27.07, 66.43

 

CMYK 67 / 11 / 0 / 15

HEX #47C2DA

RGB 71 194 218

HSL 189.8, 0.67%, 0.57%

LAB 72.88, -26.29, -21.95

 

CMYK 0 / 67 / 12 / 15

HEX #DA47C0

RGB 218 71 192

HSL 310.61, 0.67%, 0.57%

LAB 55.3, 69.5, -33.61

 

CMYK 0 / 43 / 67 / 15

HEX #DA7D47

RGB 218 125 71

HSL 22.04, 0.67%, 0.57%

LAB 61.68, 31.52, 44.34

 

CMYK 67 / 0 / 56 / 15

HEX #47DA60

RGB 71 218 96

HSL 130.2, 0.67%, 0.57%

LAB 77.48, -63.31, 48.25

 

CMYK 67 / 25 / 0 / 15

HEX #47A4DA

RGB 71 164 218

HSL 202.04, 0.67%, 0.57%

LAB 64.12, -10.58, -35.44

 

CMYK 0 / 67 / 12 / 15

HEX #DA47C0

RGB 218 71 192

HSL 310.61, 0.67%, 0.57%

LAB 55.3, 69.5, -33.61

 

CMYK 0 / 22 / 67 / 15

HEX #DAA947

RGB 218 169 71

HSL 40, 0.67%, 0.57%

LAB 72.05, 7.95, 55.73

 

CMYK 67 / 0 / 56 / 15

HEX #47DA60

RGB 71 218 96

HSL 130.2, 0.67%, 0.57%

LAB 77.48, -63.31, 48.25

 

CMYK 67 / 45 / 0 / 15

HEX #4778DA

RGB 71 120 218

HSL 220, 0.67%, 0.57%

LAB 51.65, 15.26, -55.15

 

Description

Color code: HEX #DA47C0 | qconv.com Color code: HEX #DA47C0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 71 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 71 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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