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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA3EA2 it is the complementary color #25C15D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA3EA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA3EA2 shade: #DF3E9D, #F050B0, #FF62C3, #FF74D6 and #FF86E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA3EA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA3EA2 shade: #DA3EA2, #C92C8F, #B81A7C, #A70869 and #960056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA3EA2 shade: #DA3EA2, #DA3E78, #DA3E4E and #DA3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA3EA2 shade: #DA3EA2, #DA3ECC, #BE3EDA, #943EDA and #693EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA3EA2 shade matches the following richer shades: #DA3EA2 and #EC2BA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA3EA2 shade: #DA3EA2, #C7509D, #B56397, #A27592 and #90888D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA3EA2 shade: #BD3EDA, #DA3ECD, #DA3EA3, #DA3E7A and #DA3E50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA3EA2 shade: #A61F75, #C8268E, #DA3EA2, #E060B2 and #E783C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA3EA2 shade: #DA3EA2, #DA943E and #3EDAD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA3EA2 shade: #DA3EA2, #A3DA3E and #3EA3DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA3EA2 shade: #DA3EA2, #DA943E, #3EDA74 and #3E84DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA3EA2 shade: #DA3EA2, #DAC23E, #3EDA74 and #3E55DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 26 / 15

HEX #DA3EA2

RGB 218 62 162

HSL 321.54, 0.68%, 0.55%

LAB 52.9, 68.6, -19.84

 

Complementary color

CMYK 81 / 0 / 52 / 24

HEX #25C15D

RGB 37 193 93

HSL 141.54, 0.68%, 0.45%

LAB 68.98, -60.21, 39.26

 

CMYK 0 / 72 / 30 / 13

HEX #DF3E9D

RGB 223 62 157

HSL 324.6, 0.72%, 0.56%

LAB 53.57, 69.27, -15.81

 

CMYK 0 / 67 / 27 / 6

HEX #F050B0

RGB 240 80 176

HSL 324, 0.84%, 0.63%

LAB 59.34, 69.63, -17.86

 

CMYK 0 / 62 / 24 / 0

HEX #FF62C3

RGB 255 98 195

HSL 322.93, 1%, 0.69%

LAB 64.91, 69.05, -20.03

 

CMYK 0 / 55 / 16 / 0

HEX #FF74D6

RGB 255 116 214

HSL 317.7, 1%, 0.73%

LAB 68.46, 63.95, -25.26

 

CMYK 0 / 47 / 9 / 0

HEX #FF86E9

RGB 255 134 233

HSL 310.91, 1%, 0.76%

LAB 72.36, 58.47, -29.79

 

CMYK 0 / 72 / 26 / 15

HEX #DA3EA2

RGB 218 62 162

HSL 321.54, 0.68%, 0.55%

LAB 52.9, 68.6, -19.84

 

CMYK 0 / 78 / 29 / 21

HEX #C92C8F

RGB 201 44 143

HSL 322.17, 0.64%, 0.48%

LAB 47.24, 67.65, -17.44

 

CMYK 0 / 86 / 33 / 28

HEX #B81A7C

RGB 184 26 124

HSL 322.78, 0.75%, 0.41%

LAB 41.82, 65.81, -14.39

 

CMYK 0 / 95 / 37 / 35

HEX #A70869

RGB 167 8 105

HSL 323.4, 0.91%, 0.34%

LAB 36.76, 62.73, -10.46

 

CMYK 0 / 100 / 43 / 41

HEX #960056

RGB 150 0 86

HSL 325.6, 1%, 0.29%

LAB 32.16, 58.08, -5.47

 

CMYK 0 / 72 / 26 / 15

HEX #DA3EA2

RGB 218 62 162

HSL 321.54, 0.68%, 0.55%

LAB 52.9, 68.6, -19.84

 

CMYK 0 / 72 / 45 / 15

HEX #DA3E78

RGB 218 62 120

HSL 337.69, 0.68%, 0.55%

LAB 51.5, 64.06, 3.12

 

CMYK 0 / 72 / 64 / 15

HEX #DA3E4E

RGB 218 62 78

HSL 353.85, 0.68%, 0.55%

LAB 50.57, 60.93, 27.11

 

CMYK 0 / 72 / 72 / 15

HEX #DA3E3E

RGB 218 62 62

HSL 0, 0.68%, 0.55%

LAB 50.33, 60.12, 36.18

 

CMYK 0 / 72 / 26 / 15

HEX #DA3EA2

RGB 218 62 162

HSL 321.54, 0.68%, 0.55%

LAB 52.9, 68.6, -19.84

 

CMYK 0 / 72 / 6 / 15

HEX #DA3ECC

RGB 218 62 204

HSL 305.38, 0.68%, 0.55%

LAB 54.77, 74.37, -41.33

 

CMYK 13 / 72 / 0 / 15

HEX #BE3EDA

RGB 190 62 218

HSL 289.23, 0.68%, 0.55%

LAB 51.21, 70.74, -55.24

 

CMYK 32 / 72 / 0 / 15

HEX #943EDA

RGB 148 62 218

HSL 273.08, 0.68%, 0.55%

LAB 45.36, 62.52, -64.98

 

CMYK 52 / 72 / 0 / 15

HEX #693EDA

RGB 105 62 218

HSL 256.54, 0.68%, 0.55%

LAB 40.43, 55.18, -73.23

 

CMYK 0 / 72 / 26 / 15

HEX #DA3EA2

RGB 218 62 162

HSL 321.54, 0.68%, 0.55%

LAB 52.9, 68.6, -19.84

 

CMYK 0 / 82 / 29 / 7

HEX #EC2BA7

RGB 236 43 167

HSL 321.45, 0.84%, 0.55%

LAB 54.4, 78.7, -20.22

 

CMYK 0 / 72 / 26 / 15

HEX #DA3EA2

RGB 218 62 162

HSL 321.54, 0.68%, 0.55%

LAB 52.9, 68.6, -19.84

 

CMYK 0 / 60 / 21 / 22

HEX #C7509D

RGB 199 80 157

HSL 321.18, 0.52%, 0.55%

LAB 52.19, 55.74, -18.26

 

CMYK 0 / 45 / 17 / 29

HEX #B56397

RGB 181 99 151

HSL 321.95, 0.36%, 0.55%

LAB 52.93, 39.9, -13.84

 

CMYK 0 / 28 / 10 / 36

HEX #A27592

RGB 162 117 146

HSL 321.33, 0.19%, 0.55%

LAB 54.53, 22.42, -8.74

 

CMYK 0 / 6 / 2 / 44

HEX #90888D

RGB 144 136 141

HSL 322.5, 0.03%, 0.55%

LAB 57.52, 3.94, -1.61

 

CMYK 13 / 72 / 0 / 15

HEX #BD3EDA

RGB 189 62 218

HSL 288.85, 0.68%, 0.55%

LAB 51.07, 70.54, -55.49

 

CMYK 0 / 72 / 6 / 15

HEX #DA3ECD

RGB 218 62 205

HSL 305, 0.68%, 0.55%

LAB 54.82, 74.52, -41.82

 

CMYK 0 / 72 / 25 / 15

HEX #DA3EA3

RGB 218 62 163

HSL 321.15, 0.68%, 0.55%

LAB 52.94, 68.72, -20.37

 

CMYK 0 / 72 / 44 / 15

HEX #DA3E7A

RGB 218 62 122

HSL 336.92, 0.68%, 0.55%

LAB 51.56, 64.25, 1.99

 

CMYK 0 / 72 / 63 / 15

HEX #DA3E50

RGB 218 62 80

HSL 353.08, 0.68%, 0.55%

LAB 50.61, 61.05, 25.97

 

CMYK 0 / 81 / 30 / 35

HEX #A61F75

RGB 166 31 117

HSL 321.78, 0.69%, 0.39%

LAB 38.5, 59.61, -15.41

 

CMYK 0 / 81 / 29 / 22

HEX #C8268E

RGB 200 38 142

HSL 321.48, 0.68%, 0.47%

LAB 46.47, 68.86, -18.03

 

CMYK 0 / 72 / 26 / 15

HEX #DA3EA2

RGB 218 62 162

HSL 321.54, 0.68%, 0.55%

LAB 52.9, 68.6, -19.84

 

CMYK 0 / 57 / 21 / 12

HEX #E060B2

RGB 224 96 178

HSL 321.56, 0.67%, 0.63%

LAB 59.37, 58.85, -19.2

 

CMYK 0 / 43 / 16 / 9

HEX #E783C3

RGB 231 131 195

HSL 321.6, 0.68%, 0.71%

LAB 67.4, 46.62, -16.56

 

CMYK 0 / 72 / 26 / 15

HEX #DA3EA2

RGB 218 62 162

HSL 321.54, 0.68%, 0.55%

LAB 52.9, 68.6, -19.84

 

CMYK 0 / 32 / 72 / 15

HEX #DA943E

RGB 218 148 62

HSL 33.08, 0.68%, 0.55%

LAB 66.85, 18.75, 54.26

 

CMYK 72 / 0 / 4 / 15

HEX #3EDAD2

RGB 62 218 210

HSL 176.92, 0.68%, 0.55%

LAB 79.51, -41.13, -7.7

 

CMYK 0 / 72 / 26 / 15

HEX #DA3EA2

RGB 218 62 162

HSL 321.54, 0.68%, 0.55%

LAB 52.9, 68.6, -19.84

 

CMYK 25 / 0 / 72 / 15

HEX #A3DA3E

RGB 163 218 62

HSL 81.15, 0.68%, 0.55%

LAB 80.89, -39.71, 66.98

 

CMYK 72 / 25 / 0 / 15

HEX #3EA3DA

RGB 62 163 218

HSL 201.15, 0.68%, 0.55%

LAB 63.57, -11.34, -36.32

 

CMYK 0 / 72 / 26 / 15

HEX #DA3EA2

RGB 218 62 162

HSL 321.54, 0.68%, 0.55%

LAB 52.9, 68.6, -19.84

 

CMYK 0 / 32 / 72 / 15

HEX #DA943E

RGB 218 148 62

HSL 33.08, 0.68%, 0.55%

LAB 66.85, 18.75, 54.26

 

CMYK 72 / 0 / 47 / 15

HEX #3EDA74

RGB 62 218 116

HSL 140.77, 0.68%, 0.55%

LAB 77.54, -61.95, 38.72

 

CMYK 72 / 39 / 0 / 15

HEX #3E84DA

RGB 62 132 218

HSL 213.08, 0.68%, 0.55%

LAB 54.65, 6.58, -50.38

 

CMYK 0 / 72 / 26 / 15

HEX #DA3EA2

RGB 218 62 162

HSL 321.54, 0.68%, 0.55%

LAB 52.9, 68.6, -19.84

 

CMYK 0 / 11 / 72 / 15

HEX #DAC23E

RGB 218 194 62

HSL 50.77, 0.68%, 0.55%

LAB 78.37, -5.63, 65.86

 

CMYK 72 / 0 / 47 / 15

HEX #3EDA74

RGB 62 218 116

HSL 140.77, 0.68%, 0.55%

LAB 77.54, -61.95, 38.72

 

CMYK 72 / 61 / 0 / 15

HEX #3E55DA

RGB 62 85 218

HSL 231.15, 0.68%, 0.55%

LAB 42.13, 35.99, -70.58

 

Description

Color code: HEX #DA3EA2 | qconv.com Color code: HEX #DA3EA2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 62 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 62 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 26 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 26% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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