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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA3D9F it is the complementary color #25C260. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA3D9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA3D9F shade: #DF3D9A, #F04FAD, #FF61C0, #FF73D3 and #FF85E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA3D9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA3D9F shade: #DA3D9F, #C92B8C, #B81979, #A70766 and #960053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA3D9F shade: #DA3E9F, #DA3E75, #DA3E4B and #DA3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA3D9F shade: #DA3E9F, #DA3EC9, #C03EDA, #963EDA and #6C3EDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA3D9F shade matches the following richer shades: #DA3E9F and #EC2BA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA3D9F shade: #DA3E9F, #C7509B, #B56396, #A27591 and #90888D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA3D9F shade: #C03EDA, #DA3ECA, #DA3EA1, #DA3E77 and #DA3E4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA3D9F shade: #A61F73, #C8268B, #DA3E9F, #E060B0 and #E783C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA3D9F shade: #DA3D9F, #DA963E and #3EDAD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA3D9F shade: #DA3D9F, #A1DA3E and #3EA1DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA3D9F shade: #DA3D9F, #DA963E, #3EDA77 and #3E81DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA3D9F shade: #DA3D9F, #DAC53E, #3EDA77 and #3E53DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 27 / 15

HEX #DA3D9F

RGB 218 61 159

HSL 322.55, 0.68%, 0.55%

LAB 52.67, 68.56, -18.43

 

Complementary color

CMYK 81 / 0 / 51 / 24

HEX #25C260

RGB 37 194 96

HSL 142.55, 0.68%, 0.45%

LAB 69.34, -60.09, 38.23

 

CMYK 0 / 73 / 31 / 13

HEX #DF3D9A

RGB 223 61 154

HSL 325.56, 0.72%, 0.56%

LAB 53.34, 69.25, -14.38

 

CMYK 0 / 67 / 28 / 6

HEX #F04FAD

RGB 240 79 173

HSL 324.97, 0.84%, 0.63%

LAB 59.1, 69.64, -16.49

 

CMYK 0 / 62 / 25 / 0

HEX #FF61C0

RGB 255 97 192

HSL 323.92, 1%, 0.69%

LAB 64.66, 69.08, -18.72

 

CMYK 0 / 55 / 17 / 0

HEX #FF73D3

RGB 255 115 211

HSL 318.86, 1%, 0.73%

LAB 68.19, 63.96, -24.02

 

CMYK 0 / 48 / 10 / 0

HEX #FF85E6

RGB 255 133 230

HSL 312.3, 1%, 0.76%

LAB 72.06, 58.47, -28.6

 

CMYK 0 / 72 / 27 / 15

HEX #DA3D9F

RGB 218 61 159

HSL 322.55, 0.68%, 0.55%

LAB 52.67, 68.56, -18.43

 

CMYK 0 / 79 / 30 / 21

HEX #C92B8C

RGB 201 43 140

HSL 323.16, 0.65%, 0.48%

LAB 47.03, 67.58, -15.96

 

CMYK 0 / 86 / 34 / 28

HEX #B81979

RGB 184 25 121

HSL 323.77, 0.76%, 0.41%

LAB 41.64, 65.68, -12.81

 

CMYK 0 / 96 / 39 / 35

HEX #A70766

RGB 167 7 102

HSL 324.38, 0.92%, 0.34%

LAB 36.61, 62.55, -8.78

 

CMYK 0 / 100 / 45 / 41

HEX #960053

RGB 150 0 83

HSL 326.8, 1%, 0.29%

LAB 32.05, 57.81, -3.66

 

CMYK 0 / 72 / 27 / 15

HEX #DA3E9F

RGB 218 62 159

HSL 322.69, 0.68%, 0.55%

LAB 52.79, 68.23, -18.25

 

CMYK 0 / 72 / 46 / 15

HEX #DA3E75

RGB 218 62 117

HSL 338.85, 0.68%, 0.55%

LAB 51.42, 63.79, 4.81

 

CMYK 0 / 72 / 66 / 15

HEX #DA3E4B

RGB 218 62 75

HSL 355, 0.68%, 0.55%

LAB 50.52, 60.76, 28.83

 

CMYK 0 / 72 / 72 / 15

HEX #DA3E3E

RGB 218 62 62

HSL 0, 0.68%, 0.55%

LAB 50.33, 60.12, 36.18

 

CMYK 0 / 72 / 27 / 15

HEX #DA3E9F

RGB 218 62 159

HSL 322.69, 0.68%, 0.55%

LAB 52.79, 68.23, -18.25

 

CMYK 0 / 72 / 8 / 15

HEX #DA3EC9

RGB 218 62 201

HSL 306.54, 0.68%, 0.55%

LAB 54.62, 73.92, -39.84

 

CMYK 12 / 72 / 0 / 15

HEX #C03EDA

RGB 192 62 218

HSL 290, 0.68%, 0.55%

LAB 51.51, 71.15, -54.75

 

CMYK 31 / 72 / 0 / 15

HEX #963EDA

RGB 150 62 218

HSL 273.85, 0.68%, 0.55%

LAB 45.62, 62.89, -64.54

 

CMYK 50 / 72 / 0 / 15

HEX #6C3EDA

RGB 108 62 218

HSL 257.69, 0.68%, 0.55%

LAB 40.73, 55.64, -72.73

 

CMYK 0 / 72 / 27 / 15

HEX #DA3E9F

RGB 218 62 159

HSL 322.69, 0.68%, 0.55%

LAB 52.79, 68.23, -18.25

 

CMYK 0 / 82 / 31 / 7

HEX #EC2BA4

RGB 236 43 164

HSL 322.38, 0.84%, 0.55%

LAB 54.28, 78.37, -18.63

 

CMYK 0 / 72 / 27 / 15

HEX #DA3E9F

RGB 218 62 159

HSL 322.69, 0.68%, 0.55%

LAB 52.79, 68.23, -18.25

 

CMYK 0 / 60 / 22 / 22

HEX #C7509B

RGB 199 80 155

HSL 322.18, 0.52%, 0.55%

LAB 52.11, 55.46, -17.19

 

CMYK 0 / 45 / 17 / 29

HEX #B56396

RGB 181 99 150

HSL 322.68, 0.36%, 0.55%

LAB 52.89, 39.74, -13.31

 

CMYK 0 / 28 / 10 / 36

HEX #A27591

RGB 162 117 145

HSL 322.67, 0.19%, 0.55%

LAB 54.5, 22.24, -8.2

 

CMYK 0 / 6 / 2 / 44

HEX #90888D

RGB 144 136 141

HSL 322.5, 0.03%, 0.55%

LAB 57.52, 3.94, -1.61

 

CMYK 12 / 72 / 0 / 15

HEX #C03EDA

RGB 192 62 218

HSL 290, 0.68%, 0.55%

LAB 51.51, 71.15, -54.75

 

CMYK 0 / 72 / 7 / 15

HEX #DA3ECA

RGB 218 62 202

HSL 306.15, 0.68%, 0.55%

LAB 54.67, 74.07, -40.34

 

CMYK 0 / 72 / 26 / 15

HEX #DA3EA1

RGB 218 62 161

HSL 321.92, 0.68%, 0.55%

LAB 52.87, 68.47, -19.31

 

CMYK 0 / 72 / 45 / 15

HEX #DA3E77

RGB 218 62 119

HSL 338.08, 0.68%, 0.55%

LAB 51.48, 63.97, 3.68

 

CMYK 0 / 72 / 65 / 15

HEX #DA3E4D

RGB 218 62 77

HSL 354.23, 0.68%, 0.55%

LAB 50.55, 60.88, 27.69

 

CMYK 0 / 81 / 31 / 35

HEX #A61F73

RGB 166 31 115

HSL 322.67, 0.69%, 0.39%

LAB 38.42, 59.37, -14.28

 

CMYK 0 / 81 / 31 / 22

HEX #C8268B

RGB 200 38 139

HSL 322.59, 0.68%, 0.47%

LAB 46.35, 68.52, -16.4

 

CMYK 0 / 72 / 27 / 15

HEX #DA3E9F

RGB 218 62 159

HSL 322.69, 0.68%, 0.55%

LAB 52.79, 68.23, -18.25

 

CMYK 0 / 57 / 21 / 12

HEX #E060B0

RGB 224 96 176

HSL 322.5, 0.67%, 0.63%

LAB 59.29, 58.57, -18.16

 

CMYK 0 / 43 / 16 / 9

HEX #E783C1

RGB 231 131 193

HSL 322.8, 0.68%, 0.71%

LAB 67.33, 46.31, -15.55

 

CMYK 0 / 72 / 27 / 15

HEX #DA3D9F

RGB 218 61 159

HSL 322.55, 0.68%, 0.55%

LAB 52.67, 68.56, -18.43

 

CMYK 0 / 31 / 72 / 15

HEX #DA963E

RGB 218 150 62

HSL 33.85, 0.68%, 0.55%

LAB 67.33, 17.67, 54.75

 

CMYK 72 / 0 / 2 / 15

HEX #3EDAD5

RGB 62 218 213

HSL 178.08, 0.68%, 0.55%

LAB 79.6, -40.3, -9.17

 

CMYK 0 / 72 / 27 / 15

HEX #DA3D9F

RGB 218 61 159

HSL 322.55, 0.68%, 0.55%

LAB 52.67, 68.56, -18.43

 

CMYK 26 / 0 / 72 / 15

HEX #A1DA3E

RGB 161 218 62

HSL 81.92, 0.68%, 0.55%

LAB 80.78, -40.46, 66.82

 

CMYK 72 / 26 / 0 / 15

HEX #3EA1DA

RGB 62 161 218

HSL 201.92, 0.68%, 0.55%

LAB 62.99, -10.23, -37.23

 

CMYK 0 / 72 / 27 / 15

HEX #DA3D9F

RGB 218 61 159

HSL 322.55, 0.68%, 0.55%

LAB 52.67, 68.56, -18.43

 

CMYK 0 / 31 / 72 / 15

HEX #DA963E

RGB 218 150 62

HSL 33.85, 0.68%, 0.55%

LAB 67.33, 17.67, 54.75

 

CMYK 72 / 0 / 45 / 15

HEX #3EDA77

RGB 62 218 119

HSL 141.92, 0.68%, 0.55%

LAB 77.58, -61.46, 37.29

 

CMYK 72 / 41 / 0 / 15

HEX #3E81DA

RGB 62 129 218

HSL 214.23, 0.68%, 0.55%

LAB 53.8, 8.4, -51.73

 

CMYK 0 / 72 / 27 / 15

HEX #DA3D9F

RGB 218 61 159

HSL 322.55, 0.68%, 0.55%

LAB 52.67, 68.56, -18.43

 

CMYK 0 / 10 / 72 / 15

HEX #DAC53E

RGB 218 197 62

HSL 51.92, 0.68%, 0.55%

LAB 79.15, -7.17, 66.62

 

CMYK 72 / 0 / 45 / 15

HEX #3EDA77

RGB 62 218 119

HSL 141.92, 0.68%, 0.55%

LAB 77.58, -61.46, 37.29

 

CMYK 72 / 62 / 0 / 15

HEX #3E53DA

RGB 62 83 218

HSL 231.92, 0.68%, 0.55%

LAB 41.65, 37.24, -71.37

 

Description

Color code: HEX #DA3D9F | qconv.com Color code: HEX #DA3D9F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 61 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 61 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 27 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 27% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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