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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA38BF it is the complementary color #25C740. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA38BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA38BF shade: #DF38BA, #F04ACD, #FF5CE0, #FF6EF3 and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA38BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA38BF shade: #DA38BF, #C926AC, #B81499, #A70286 and #960073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA38BF shade: #DA38BF, #DA3894, #DA3868, #DA383C and #DA3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA38BF shade: #DA38BF, #C938DA, #9E38DA, #7238DA and #4738DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA38BF shade matches the following richer shades: #DA38BF and #ED25CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA38BF shade: #DA38BF, #C74BB3, #B45EA6, #A17199 and #8E848D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA38BF shade: #9F38DA, #CA38DA, #DA38BF, #DA3894 and #DA3869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA38BF shade: #A21D8C, #C524AA, #DA38BF, #E15BCA and #E77ED5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA38BF shade: #DA38BF, #DA7438 and #38DAB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA38BF shade: #DA38BF, #BFDA38 and #38BFDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA38BF shade: #DA38BF, #DA7438, #38DA53 and #389FDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA38BF shade: #DA38BF, #DAA438, #38DA53 and #386EDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

Complementary color

CMYK 81 / 0 / 68 / 22

HEX #25C740

RGB 37 199 64

HSL 130, 0.69%, 0.46%

LAB 70.6, -65.77, 54.18

 

CMYK 0 / 75 / 17 / 13

HEX #DF38BA

RGB 223 56 186

HSL 313.29, 0.72%, 0.55%

LAB 54.09, 74.77, -31.96

 

CMYK 0 / 69 / 15 / 6

HEX #F04ACD

RGB 240 74 205

HSL 312.65, 0.85%, 0.62%

LAB 59.74, 75.57, -33.87

 

CMYK 0 / 64 / 12 / 0

HEX #FF5CE0

RGB 255 92 224

HSL 311.41, 1%, 0.68%

LAB 65.2, 75.38, -35.89

 

CMYK 0 / 57 / 5 / 0

HEX #FF6EF3

RGB 255 110 243

HSL 304.97, 1%, 0.72%

LAB 68.67, 70.99, -41.01

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

CMYK 0 / 81 / 14 / 21

HEX #C926AC

RGB 201 38 172

HSL 310.67, 0.68%, 0.47%

LAB 47.98, 72.86, -33.6

 

CMYK 0 / 89 / 17 / 28

HEX #B81499

RGB 184 20 153

HSL 311.34, 0.8%, 0.4%

LAB 42.75, 70.37, -30.68

 

CMYK 0 / 99 / 20 / 35

HEX #A70286

RGB 167 2 134

HSL 312, 0.98%, 0.33%

LAB 37.81, 66.76, -27.05

 

CMYK 0 / 100 / 23 / 41

HEX #960073

RGB 150 0 115

HSL 314, 1%, 0.29%

LAB 33.4, 61.26, -22.28

 

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

CMYK 0 / 74 / 32 / 15

HEX #DA3894

RGB 218 56 148

HSL 325.93, 0.69%, 0.54%

LAB 51.69, 68.89, -13.39

 

CMYK 0 / 74 / 52 / 15

HEX #DA3868

RGB 218 56 104

HSL 342.22, 0.69%, 0.54%

LAB 50.37, 64.71, 11.18

 

CMYK 0 / 74 / 72 / 15

HEX #DA383C

RGB 218 56 60

HSL 358.52, 0.69%, 0.54%

LAB 49.57, 62.08, 36.44

 

CMYK 0 / 74 / 74 / 15

HEX #DA3838

RGB 218 56 56

HSL 0, 0.69%, 0.54%

LAB 49.52, 61.92, 38.66

 

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

CMYK 8 / 74 / 0 / 15

HEX #C938DA

RGB 201 56 218

HSL 293.7, 0.69%, 0.54%

LAB 52.18, 74.95, -53.6

 

CMYK 28 / 74 / 0 / 15

HEX #9E38DA

RGB 158 56 218

HSL 277.78, 0.69%, 0.54%

LAB 45.85, 66.76, -64.12

 

CMYK 48 / 74 / 0 / 15

HEX #7238DA

RGB 114 56 218

HSL 261.48, 0.69%, 0.54%

LAB 40.36, 59.39, -73.31

 

CMYK 67 / 74 / 0 / 15

HEX #4738DA

RGB 71 56 218

HSL 245.56, 0.69%, 0.54%

LAB 36.42, 53.9, -79.92

 

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

CMYK 0 / 84 / 14 / 7

HEX #ED25CC

RGB 237 37 204

HSL 309.9, 0.85%, 0.54%

LAB 55.77, 84.57, -39.53

 

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

CMYK 0 / 62 / 10 / 22

HEX #C74BB3

RGB 199 75 179

HSL 309.68, 0.53%, 0.54%

LAB 52.32, 61.17, -30.95

 

CMYK 0 / 48 / 8 / 29

HEX #B45EA6

RGB 180 94 166

HSL 309.77, 0.36%, 0.54%

LAB 52.36, 44.69, -23.52

 

CMYK 0 / 30 / 5 / 37

HEX #A17199

RGB 161 113 153

HSL 310, 0.2%, 0.54%

LAB 53.69, 25.63, -14.09

 

CMYK 0 / 7 / 1 / 44

HEX #8E848D

RGB 142 132 141

HSL 306, 0.04%, 0.54%

LAB 56.26, 5.48, -3.48

 

CMYK 27 / 74 / 0 / 15

HEX #9F38DA

RGB 159 56 218

HSL 278.15, 0.69%, 0.54%

LAB 45.99, 66.94, -63.89

 

CMYK 7 / 74 / 0 / 15

HEX #CA38DA

RGB 202 56 218

HSL 294.07, 0.69%, 0.54%

LAB 52.34, 75.15, -53.34

 

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

CMYK 0 / 74 / 32 / 15

HEX #DA3894

RGB 218 56 148

HSL 325.93, 0.69%, 0.54%

LAB 51.69, 68.89, -13.39

 

CMYK 0 / 74 / 52 / 15

HEX #DA3869

RGB 218 56 105

HSL 341.85, 0.69%, 0.54%

LAB 50.4, 64.79, 10.61

 

CMYK 0 / 82 / 14 / 36

HEX #A21D8C

RGB 162 29 140

HSL 309.92, 0.7%, 0.37%

LAB 38.64, 62.22, -29.5

 

CMYK 0 / 82 / 14 / 23

HEX #C524AA

RGB 197 36 170

HSL 310.06, 0.69%, 0.46%

LAB 47.02, 72.21, -33.98

 

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

CMYK 0 / 60 / 10 / 12

HEX #E15BCA

RGB 225 91 202

HSL 310.3, 0.69%, 0.62%

LAB 59.67, 64.86, -32.45

 

CMYK 0 / 45 / 8 / 9

HEX #E77ED5

RGB 231 126 213

HSL 310.29, 0.69%, 0.7%

LAB 67.06, 52.02, -27.13

 

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

CMYK 0 / 47 / 74 / 15

HEX #DA7438

RGB 218 116 56

HSL 22.22, 0.69%, 0.54%

LAB 59.6, 35.47, 49.49

 

CMYK 74 / 0 / 17 / 15

HEX #38DAB4

RGB 56 218 180

HSL 165.93, 0.69%, 0.54%

LAB 78.62, -49.68, 7

 

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

CMYK 12 / 0 / 74 / 15

HEX #BFDA38

RGB 191 218 56

HSL 70, 0.69%, 0.54%

LAB 82.65, -29.07, 71.3

 

CMYK 74 / 12 / 0 / 15

HEX #38BFDA

RGB 56 191 218

HSL 190, 0.69%, 0.54%

LAB 71.67, -26.75, -23.84

 

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

CMYK 0 / 47 / 74 / 15

HEX #DA7438

RGB 218 116 56

HSL 22.22, 0.69%, 0.54%

LAB 59.6, 35.47, 49.49

 

CMYK 74 / 0 / 62 / 15

HEX #38DA53

RGB 56 218 83

HSL 130, 0.69%, 0.54%

LAB 77.05, -67.33, 53.46

 

CMYK 74 / 27 / 0 / 15

HEX #389FDA

RGB 56 159 218

HSL 201.85, 0.69%, 0.54%

LAB 62.25, -9.9, -38.39

 

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

CMYK 0 / 25 / 74 / 15

HEX #DAA438

RGB 218 164 56

HSL 40, 0.69%, 0.54%

LAB 70.69, 9.87, 60.65

 

CMYK 74 / 0 / 62 / 15

HEX #38DA53

RGB 56 218 83

HSL 130, 0.69%, 0.54%

LAB 77.05, -67.33, 53.46

 

CMYK 74 / 50 / 0 / 15

HEX #386EDA

RGB 56 110 218

HSL 220, 0.69%, 0.54%

LAB 48.33, 19.43, -60.52

 

Description

Color code: HEX #DA38BF | qconv.com Color code: HEX #DA38BF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 56 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 56 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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