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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA2B73 it is the complementary color #25D48C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA2B73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA2B73 shade: #DF2B6E, #F03D81, #FF4F94, #FF61A7 and #FF73BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA2B73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA2B73 shade: #DA2B73, #C91960, #B8074D, #A7003A and #960027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA2B73 shade: #D92A72, #D92A43 and #D92A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA2B73 shade: #D92A72, #D92AA1, #D92AD0, #B22AD9 and #832AD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA2B73 shade matches the following richer shades: #D92A72 and #ED166E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA2B73 shade: #D92A72, #C53E76, #B15379, #9C677D and #887B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA2B73 shade: #D92AD0, #D92AA2, #D92A73, #D92A44 and #D93E2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA2B73 shade: #961A4D, #BA205F, #D92A72, #DF4D89 and #E570A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA2B73 shade: #DA2B73, #D9B32A and #2AB9D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA2B73 shade: #DA2B73, #73D92A and #2A73D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA2B73 shade: #DA2B73, #D9B32A, #2AD990 and #2A50D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA2B73 shade: #DA2B73, #CAD92A, #2AD990 and #392AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 47 / 15

HEX #DA2B73

RGB 218 43 115

HSL 335.31, 0.7%, 0.51%

LAB 49.34, 69.33, 3.02

 

Complementary color

CMYK 83 / 0 / 34 / 17

HEX #25D48C

RGB 37 212 140

HSL 155.31, 0.7%, 0.49%

LAB 75.68, -58.42, 23.99

 

CMYK 0 / 81 / 51 / 13

HEX #DF2B6E

RGB 223 43 110

HSL 337.67, 0.74%, 0.52%

LAB 50.15, 70.2, 7.35

 

CMYK 0 / 75 / 46 / 6

HEX #F03D81

RGB 240 61 129

HSL 337.21, 0.86%, 0.59%

LAB 55.53, 71.2, 4.04

 

CMYK 0 / 69 / 42 / 0

HEX #FF4F94

RGB 255 79 148

HSL 336.48, 1%, 0.65%

LAB 60.77, 71.04, 0.78

 

CMYK 0 / 62 / 35 / 0

HEX #FF61A7

RGB 255 97 167

HSL 333.42, 1%, 0.69%

LAB 63.84, 66.1, -5.69

 

CMYK 0 / 55 / 27 / 0

HEX #FF73BA

RGB 255 115 186

HSL 329.57, 1%, 0.73%

LAB 67.33, 60.58, -11.29

 

CMYK 0 / 80 / 47 / 15

HEX #DA2B73

RGB 218 43 115

HSL 335.31, 0.7%, 0.51%

LAB 49.34, 69.33, 3.02

 

CMYK 0 / 88 / 52 / 21

HEX #C91960

RGB 201 25 96

HSL 335.8, 0.78%, 0.44%

LAB 44.17, 67.47, 6.9

 

CMYK 0 / 96 / 58 / 28

HEX #B8074D

RGB 184 7 77

HSL 336.27, 0.93%, 0.37%

LAB 39.37, 64.46, 11.69

 

CMYK 0 / 100 / 65 / 35

HEX #A7003A

RGB 167 0 58

HSL 339.16, 1%, 0.33%

LAB 35.05, 60.02, 17.52

 

CMYK 0 / 100 / 74 / 41

HEX #960027

RGB 150 0 39

HSL 344.4, 1%, 0.29%

LAB 30.95, 54.87, 23.98

 

CMYK 0 / 81 / 47 / 15

HEX #D92A72

RGB 217 42 114

HSL 335.31, 0.7%, 0.51%

LAB 49.04, 69.24, 3.16

 

CMYK 0 / 81 / 69 / 15

HEX #D92A43

RGB 217 42 67

HSL 351.43, 0.7%, 0.51%

LAB 48.02, 66.19, 30.46

 

CMYK 0 / 81 / 81 / 15

HEX #D92A2A

RGB 217 42 42

HSL 0, 0.7%, 0.51%

LAB 47.72, 65.25, 44.41

 

CMYK 0 / 81 / 47 / 15

HEX #D92A72

RGB 217 42 114

HSL 335.31, 0.7%, 0.51%

LAB 49.04, 69.24, 3.16

 

CMYK 0 / 81 / 26 / 15

HEX #D92AA1

RGB 217 42 161

HSL 319.2, 0.7%, 0.51%

LAB 50.66, 74, -22.7

 

CMYK 0 / 81 / 4 / 15

HEX #D92AD0

RGB 217 42 208

HSL 303.09, 0.7%, 0.51%

LAB 52.91, 80.25, -46.58

 

CMYK 18 / 81 / 0 / 15

HEX #B22AD9

RGB 178 42 217

HSL 286.63, 0.7%, 0.51%

LAB 47.15, 74.61, -61.31

 

CMYK 40 / 81 / 0 / 15

HEX #832AD9

RGB 131 42 217

HSL 270.51, 0.7%, 0.51%

LAB 40.4, 67.19, -72.6

 

CMYK 0 / 81 / 47 / 15

HEX #D92A72

RGB 217 42 114

HSL 335.31, 0.7%, 0.51%

LAB 49.04, 69.24, 3.16

 

CMYK 0 / 91 / 54 / 7

HEX #ED166E

RGB 237 22 110

HSL 335.44, 0.86%, 0.51%

LAB 51.5, 77.48, 9.64

 

CMYK 0 / 81 / 47 / 15

HEX #D92A72

RGB 217 42 114

HSL 335.31, 0.7%, 0.51%

LAB 49.04, 69.24, 3.16

 

CMYK 0 / 69 / 40 / 23

HEX #C53E76

RGB 197 62 118

HSL 335.11, 0.54%, 0.51%

LAB 47.78, 57.84, -1.54

 

CMYK 0 / 53 / 32 / 31

HEX #B15379

RGB 177 83 121

HSL 335.74, 0.38%, 0.51%

LAB 48.15, 42.45, -3.18

 

CMYK 0 / 34 / 20 / 39

HEX #9C677D

RGB 156 103 125

HSL 335.09, 0.21%, 0.51%

LAB 49.8, 24.6, -3.47

 

CMYK 0 / 10 / 6 / 47

HEX #887B80

RGB 136 123 128

HSL 336.92, 0.05%, 0.51%

LAB 52.9, 5.91, -0.92

 

CMYK 0 / 81 / 4 / 15

HEX #D92AD0

RGB 217 42 208

HSL 303.09, 0.7%, 0.51%

LAB 52.91, 80.25, -46.58

 

CMYK 0 / 81 / 25 / 15

HEX #D92AA2

RGB 217 42 162

HSL 318.86, 0.7%, 0.51%

LAB 50.71, 74.12, -23.23

 

CMYK 0 / 81 / 47 / 15

HEX #D92A73

RGB 217 42 115

HSL 334.97, 0.7%, 0.51%

LAB 49.06, 69.33, 2.59

 

CMYK 0 / 81 / 69 / 15

HEX #D92A44

RGB 217 42 68

HSL 351.09, 0.7%, 0.51%

LAB 48.04, 66.23, 29.88

 

CMYK 0 / 71 / 81 / 15

HEX #D93E2A

RGB 217 62 42

HSL 6.86, 0.7%, 0.51%

LAB 49.93, 59.07, 46.57

 

CMYK 0 / 83 / 49 / 41

HEX #961A4D

RGB 150 26 77

HSL 335.32, 0.7%, 0.35%

LAB 33.48, 52.59, 2.36

 

CMYK 0 / 83 / 49 / 27

HEX #BA205F

RGB 186 32 95

HSL 335.45, 0.71%, 0.43%

LAB 41.69, 62.17, 3.58

 

CMYK 0 / 81 / 47 / 15

HEX #D92A72

RGB 217 42 114

HSL 335.31, 0.7%, 0.51%

LAB 49.04, 69.24, 3.16

 

CMYK 0 / 65 / 39 / 13

HEX #DF4D89

RGB 223 77 137

HSL 335.34, 0.7%, 0.59%

LAB 54.87, 61.58, -2.03

 

CMYK 0 / 51 / 30 / 10

HEX #E570A0

RGB 229 112 160

HSL 335.38, 0.69%, 0.67%

LAB 62.33, 50.5, -4.34

 

CMYK 0 / 80 / 47 / 15

HEX #DA2B73

RGB 218 43 115

HSL 335.31, 0.7%, 0.51%

LAB 49.34, 69.33, 3.02

 

CMYK 0 / 18 / 81 / 15

HEX #D9B32A

RGB 217 179 42

HSL 46.97, 0.7%, 0.51%

LAB 74.29, 0.95, 68.83

 

CMYK 81 / 15 / 0 / 15

HEX #2AB9D9

RGB 42 185 217

HSL 190.97, 0.7%, 0.51%

LAB 69.61, -25.48, -26.46

 

CMYK 0 / 80 / 47 / 15

HEX #DA2B73

RGB 218 43 115

HSL 335.31, 0.7%, 0.51%

LAB 49.34, 69.33, 3.02

 

CMYK 47 / 0 / 81 / 15

HEX #73D92A

RGB 115 217 42

HSL 94.97, 0.7%, 0.51%

LAB 78.13, -56.82, 69.71

 

CMYK 81 / 47 / 0 / 15

HEX #2A73D9

RGB 42 115 217

HSL 214.97, 0.7%, 0.51%

LAB 49.21, 14.38, -58.56

 

CMYK 0 / 80 / 47 / 15

HEX #DA2B73

RGB 218 43 115

HSL 335.31, 0.7%, 0.51%

LAB 49.34, 69.33, 3.02

 

CMYK 0 / 18 / 81 / 15

HEX #D9B32A

RGB 217 179 42

HSL 46.97, 0.7%, 0.51%

LAB 74.29, 0.95, 68.83

 

CMYK 81 / 0 / 34 / 15

HEX #2AD990

RGB 42 217 144

HSL 154.97, 0.7%, 0.51%

LAB 77.36, -58.97, 24.19

 

CMYK 81 / 63 / 0 / 15

HEX #2A50D9

RGB 42 80 217

HSL 226.97, 0.7%, 0.51%

LAB 39.98, 36.77, -73.55

 

CMYK 0 / 80 / 47 / 15

HEX #DA2B73

RGB 218 43 115

HSL 335.31, 0.7%, 0.51%

LAB 49.34, 69.33, 3.02

 

CMYK 7 / 0 / 81 / 15

HEX #CAD92A

RGB 202 217 42

HSL 65.14, 0.7%, 0.51%

LAB 83.1, -24.64, 76.02

 

CMYK 81 / 0 / 34 / 15

HEX #2AD990

RGB 42 217 144

HSL 154.97, 0.7%, 0.51%

LAB 77.36, -58.97, 24.19

 

CMYK 74 / 81 / 0 / 15

HEX #392AD9

RGB 57 42 217

HSL 245.14, 0.7%, 0.51%

LAB 33, 59.25, -85.05

 

Description

Color code: HEX #DA2B73 | qconv.com Color code: HEX #DA2B73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 43 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 43 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 47 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 47% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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