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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA20FD it is the complementary color #25DF02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA20FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA20FD shade: #DF20F8, #F032FF, #FF44FF, #FF56FF and #FF68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA20FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA20FD shade: #DA20FD, #C90EEA, #B800D7, #A700C4 and #9600B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA20FD shade: #D920FC, #FC20E4, #FC20A8, #FC206D and #FC2032

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA20FD shade: #D920FC, #9E20FC, #6320FC, #2820FC and #2020FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA20FD shade matches the following richer shades: #D920FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA20FD shade: #D920FC, #CD32EA, #C145D8, #B457C6 and #A869B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA20FD shade: #6220FC, #9D20FC, #D820FC, #FC20E6 and #FC20AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA20FD shade: #A902C9, #CB02F1, #D920FC, #E049FD and #E772FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA20FD shade: #DA20FD, #FC2820 and #20FC80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA20FD shade: #DA20FD, #FCD820 and #20FCD8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA20FD shade: #DA20FD, #FC2820, #45FC20 and #20F5FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA20FD shade: #DA20FD, #FC6A20, #45FC20 and #20B3FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 87 / 0 / 1

HEX #DA20FD

RGB 218 32 253

HSL 290.5, 0.98%, 0.56%

LAB 55.1, 89.35, -68.44

 

Complementary color

CMYK 83 / 0 / 99 / 13

HEX #25DF02

RGB 37 223 2

HSL 110.5, 0.98%, 0.44%

LAB 77.98, -75.74, 75.27

 

CMYK 10 / 87 / 0 / 3

HEX #DF20F8

RGB 223 32 248

HSL 293.06, 0.94%, 0.55%

LAB 55.58, 89.33, -64.85

 

CMYK 6 / 80 / 0 / 0

HEX #F032FF

RGB 240 50 255

HSL 295.61, 1%, 0.6%

LAB 59.91, 89.76, -61.63

 

CMYK 0 / 73 / 0 / 0

HEX #FF44FF

RGB 255 68 255

HSL 300, 1%, 0.63%

LAB 63.85, 87.96, -55.22

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 14 / 87 / 0 / 1

HEX #DA20FD

RGB 218 32 253

HSL 290.5, 0.98%, 0.56%

LAB 55.1, 89.35, -68.44

 

CMYK 14 / 94 / 0 / 8

HEX #C90EEA

RGB 201 14 234

HSL 291, 0.89%, 0.49%

LAB 50.3, 86.07, -65.69

 

CMYK 14 / 100 / 0 / 16

HEX #B800D7

RGB 184 0 215

HSL 291.35, 1%, 0.42%

LAB 45.77, 81.72, -62.35

 

CMYK 15 / 100 / 0 / 23

HEX #A700C4

RGB 167 0 196

HSL 291.12, 1%, 0.38%

LAB 41.53, 76.17, -58.34

 

CMYK 15 / 100 / 0 / 31

HEX #9600B1

RGB 150 0 177

HSL 290.85, 1%, 0.35%

LAB 37.22, 70.51, -54.26

 

CMYK 14 / 87 / 0 / 1

HEX #D920FC

RGB 217 32 252

HSL 290.45, 0.97%, 0.56%

LAB 54.88, 89.04, -68.26

 

CMYK 0 / 87 / 10 / 1

HEX #FC20E4

RGB 252 32 228

HSL 306.55, 0.97%, 0.56%

LAB 59.28, 91.33, -47.46

 

CMYK 0 / 87 / 33 / 1

HEX #FC20A8

RGB 252 32 168

HSL 322.91, 0.97%, 0.56%

LAB 56.64, 84.32, -17.12

 

CMYK 0 / 87 / 57 / 1

HEX #FC206D

RGB 252 32 109

HSL 339, 0.97%, 0.56%

LAB 54.9, 79.49, 15.43

 

CMYK 0 / 87 / 80 / 1

HEX #FC2032

RGB 252 32 50

HSL 355.09, 0.97%, 0.56%

LAB 53.98, 76.87, 48.65

 

CMYK 14 / 87 / 0 / 1

HEX #D920FC

RGB 217 32 252

HSL 290.45, 0.97%, 0.56%

LAB 54.88, 89.04, -68.26

 

CMYK 37 / 87 / 0 / 1

HEX #9E20FC

RGB 158 32 252

HSL 274.36, 0.97%, 0.56%

LAB 46.08, 80.91, -82.96

 

CMYK 61 / 87 / 0 / 1

HEX #6320FC

RGB 99 32 252

HSL 258.27, 0.97%, 0.56%

LAB 39.09, 75.15, -94.73

 

CMYK 84 / 87 / 0 / 1

HEX #2820FC

RGB 40 32 252

HSL 242.18, 0.97%, 0.56%

LAB 35.03, 72.21, -101.6

 

CMYK 87 / 87 / 0 / 1

HEX #2020FC

RGB 32 32 252

HSL 240, 0.97%, 0.56%

LAB 34.74, 72.02, -102.09

 

CMYK 14 / 87 / 0 / 1

HEX #D920FC

RGB 217 32 252

HSL 290.45, 0.97%, 0.56%

LAB 54.88, 89.04, -68.26

 

CMYK 14 / 87 / 0 / 1

HEX #D920FC

RGB 217 32 252

HSL 290.45, 0.97%, 0.56%

LAB 54.88, 89.04, -68.26

 

CMYK 12 / 79 / 0 / 8

HEX #CD32EA

RGB 205 50 234

HSL 290.54, 0.81%, 0.56%

LAB 53.17, 80.17, -61.04

 

CMYK 11 / 68 / 0 / 15

HEX #C145D8

RGB 193 69 216

HSL 290.61, 0.65%, 0.56%

LAB 52.46, 68.42, -52.09

 

CMYK 9 / 56 / 0 / 22

HEX #B457C6

RGB 180 87 198

HSL 290.27, 0.49%, 0.56%

LAB 52.51, 54.08, -41.83

 

CMYK 7 / 42 / 0 / 29

HEX #A869B4

RGB 168 105 180

HSL 290.4, 0.33%, 0.56%

LAB 53.73, 37.72, -29.65

 

CMYK 61 / 87 / 0 / 1

HEX #6220FC

RGB 98 32 252

HSL 258, 0.97%, 0.56%

LAB 39, 75.08, -94.89

 

CMYK 38 / 87 / 0 / 1

HEX #9D20FC

RGB 157 32 252

HSL 274.09, 0.97%, 0.56%

LAB 45.95, 80.79, -83.19

 

CMYK 14 / 87 / 0 / 1

HEX #D820FC

RGB 216 32 252

HSL 290.18, 0.97%, 0.56%

LAB 54.72, 88.88, -68.52

 

CMYK 0 / 87 / 9 / 1

HEX #FC20E6

RGB 252 32 230

HSL 306, 0.97%, 0.56%

LAB 59.38, 91.6, -48.42

 

CMYK 0 / 87 / 32 / 1

HEX #FC20AC

RGB 252 32 172

HSL 321.82, 0.97%, 0.56%

LAB 56.79, 84.73, -19.23

 

CMYK 16 / 99 / 0 / 21

HEX #A902C9

RGB 169 2 201

HSL 290.35, 0.98%, 0.4%

LAB 42.3, 77.09, -60

 

CMYK 16 / 99 / 0 / 5

HEX #CB02F1

RGB 203 2 241

HSL 290.46, 0.98%, 0.48%

LAB 50.79, 88.43, -68.83

 

CMYK 14 / 87 / 0 / 1

HEX #D920FC

RGB 217 32 252

HSL 290.45, 0.97%, 0.56%

LAB 54.88, 89.04, -68.26

 

CMYK 11 / 71 / 0 / 1

HEX #E049FD

RGB 224 73 253

HSL 290.33, 0.98%, 0.64%

LAB 59.62, 79.96, -61.13

 

CMYK 9 / 55 / 0 / 1

HEX #E772FD

RGB 231 114 253

HSL 290.5, 0.97%, 0.72%

LAB 66.61, 64.84, -49.96

 

CMYK 14 / 87 / 0 / 1

HEX #DA20FD

RGB 218 32 253

HSL 290.5, 0.98%, 0.56%

LAB 55.1, 89.35, -68.44

 

CMYK 0 / 84 / 87 / 1

HEX #FC2820

RGB 252 40 32

HSL 2.18, 0.97%, 0.56%

LAB 54.36, 75.01, 57.69

 

CMYK 87 / 0 / 49 / 1

HEX #20FC80

RGB 32 252 128

HSL 146.18, 0.97%, 0.56%

LAB 87.72, -74.57, 45.65

 

CMYK 14 / 87 / 0 / 1

HEX #DA20FD

RGB 218 32 253

HSL 290.5, 0.98%, 0.56%

LAB 55.1, 89.35, -68.44

 

CMYK 0 / 14 / 87 / 1

HEX #FCD820

RGB 252 216 32

HSL 50.18, 0.97%, 0.56%

LAB 86.95, -3.34, 83.14

 

CMYK 87 / 0 / 14 / 1

HEX #20FCD8

RGB 32 252 216

HSL 170.18, 0.97%, 0.56%

LAB 89.34, -56.43, 3.51

 

CMYK 14 / 87 / 0 / 1

HEX #DA20FD

RGB 218 32 253

HSL 290.5, 0.98%, 0.56%

LAB 55.1, 89.35, -68.44

 

CMYK 0 / 84 / 87 / 1

HEX #FC2820

RGB 252 40 32

HSL 2.18, 0.97%, 0.56%

LAB 54.36, 75.01, 57.69

 

CMYK 73 / 0 / 87 / 1

HEX #45FC20

RGB 69 252 32

HSL 109.91, 0.97%, 0.56%

LAB 87.48, -79.23, 79.7

 

CMYK 87 / 3 / 0 / 1

HEX #20F5FC

RGB 32 245 252

HSL 181.91, 0.97%, 0.56%

LAB 88.28, -43.65, -16.82

 

CMYK 14 / 87 / 0 / 1

HEX #DA20FD

RGB 218 32 253

HSL 290.5, 0.98%, 0.56%

LAB 55.1, 89.35, -68.44

 

CMYK 0 / 58 / 87 / 1

HEX #FC6A20

RGB 252 106 32

HSL 20.18, 0.97%, 0.56%

LAB 62.6, 52.52, 64.04

 

CMYK 73 / 0 / 87 / 1

HEX #45FC20

RGB 69 252 32

HSL 109.91, 0.97%, 0.56%

LAB 87.48, -79.23, 79.7

 

CMYK 87 / 29 / 0 / 1

HEX #20B3FC

RGB 32 179 252

HSL 199.91, 0.97%, 0.56%

LAB 69.17, -11.17, -46.22

 

Description

Color code: HEX #DA20FD | qconv.com Color code: HEX #DA20FD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 32 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 32 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 87 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 87% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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