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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA29C7 it is the complementary color #25D638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA29C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA29C7 shade: #DF29C2, #F03BD5, #FF4DE8, #FF5FFB and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA29C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA29C7 shade: #DA29C7, #C917B4, #B805A1, #A7008E and #96007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA29C7 shade: #DA29C7, #DA2997, #DA2968, #DA2938 and #DA2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA29C7 shade: #DA29C7, #BD29DA, #8E29DA, #5E29DA and #2E29DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA29C7 shade matches the following richer shades: #DA29C7 and #EE15D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA29C7 shade: #DA29C7, #C63DB7, #B251A7, #9E6598 and #897A88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA29C7 shade: #8D29DA, #BD29DA, #DA29C9, #DA2999 and #DA296A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA29C7 shade: #97198A, #BB1FAA, #DA29C7, #E04CD0 and #E66FD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA29C7 shade: #DA29C7, #DA5E29 and #29DAA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA29C7 shade: #DA29C7, #C9DA29 and #29C9DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA29C7 shade: #DA29C7, #DA5E29, #29DA3B and #29A5DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA29C7 shade: #DA29C7, #DA9329, #29DA3B and #2970DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 9 / 15

HEX #DA29C7

RGB 218 41 199

HSL 306.44, 0.71%, 0.51%

LAB 52.53, 79.37, -42

 

Complementary color

CMYK 83 / 0 / 74 / 16

HEX #25D638

RGB 37 214 56

HSL 126.44, 0.71%, 0.49%

LAB 75.31, -71, 62.05

 

CMYK 0 / 82 / 13 / 13

HEX #DF29C2

RGB 223 41 194

HSL 309.56, 0.74%, 0.52%

LAB 53.13, 79.68, -38.1

 

CMYK 0 / 75 / 11 / 6

HEX #F03BD5

RGB 240 59 213

HSL 308.95, 0.86%, 0.59%

LAB 58.47, 81.32, -40.39

 

CMYK 0 / 70 / 9 / 0

HEX #FF4DE8

RGB 255 77 232

HSL 307.75, 1%, 0.65%

LAB 63.67, 81.82, -42.75

 

CMYK 0 / 63 / 2 / 0

HEX #FF5FFB

RGB 255 95 251

HSL 301.5, 1%, 0.69%

LAB 66.83, 78.33, -48.29

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 81 / 9 / 15

HEX #DA29C7

RGB 218 41 199

HSL 306.44, 0.71%, 0.51%

LAB 52.53, 79.37, -42

 

CMYK 0 / 89 / 10 / 21

HEX #C917B4

RGB 201 23 180

HSL 307.08, 0.79%, 0.44%

LAB 47.4, 76.84, -39.24

 

CMYK 0 / 97 / 13 / 28

HEX #B805A1

RGB 184 5 161

HSL 307.71, 0.95%, 0.37%

LAB 42.57, 73.17, -35.78

 

CMYK 0 / 100 / 15 / 35

HEX #A7008E

RGB 167 0 142

HSL 308.98, 1%, 0.33%

LAB 38.14, 68.02, -31.45

 

CMYK 0 / 100 / 18 / 41

HEX #96007B

RGB 150 0 123

HSL 310.8, 1%, 0.29%

LAB 33.8, 62.28, -26.7

 

CMYK 0 / 81 / 9 / 15

HEX #DA29C7

RGB 218 41 199

HSL 306.44, 0.71%, 0.51%

LAB 52.53, 79.37, -42

 

CMYK 0 / 81 / 31 / 15

HEX #DA2997

RGB 218 41 151

HSL 322.71, 0.71%, 0.51%

LAB 50.36, 73.32, -17.2

 

CMYK 0 / 81 / 52 / 15

HEX #DA2968

RGB 218 41 104

HSL 338.64, 0.71%, 0.51%

LAB 48.87, 68.95, 9.07

 

CMYK 0 / 81 / 74 / 15

HEX #DA2938

RGB 218 41 56

HSL 354.92, 0.71%, 0.51%

LAB 47.98, 66.25, 36.93

 

CMYK 0 / 81 / 81 / 15

HEX #DA2929

RGB 218 41 41

HSL 0, 0.71%, 0.51%

LAB 47.82, 65.76, 45.1

 

CMYK 0 / 81 / 9 / 15

HEX #DA29C7

RGB 218 41 199

HSL 306.44, 0.71%, 0.51%

LAB 52.53, 79.37, -42

 

CMYK 13 / 81 / 0 / 15

HEX #BD29DA

RGB 189 41 218

HSL 290.17, 0.71%, 0.51%

LAB 48.84, 76.95, -59.06

 

CMYK 35 / 81 / 0 / 15

HEX #8E29DA

RGB 142 41 218

HSL 274.24, 0.71%, 0.51%

LAB 41.84, 69.33, -70.74

 

CMYK 57 / 81 / 0 / 15

HEX #5E29DA

RGB 94 41 218

HSL 257.97, 0.71%, 0.51%

LAB 36.04, 63.17, -80.49

 

CMYK 79 / 81 / 0 / 15

HEX #2E29DA

RGB 46 41 218

HSL 241.69, 0.71%, 0.51%

LAB 32.32, 59.34, -86.76

 

CMYK 0 / 81 / 9 / 15

HEX #DA29C7

RGB 218 41 199

HSL 306.44, 0.71%, 0.51%

LAB 52.53, 79.37, -42

 

CMYK 0 / 91 / 10 / 7

HEX #EE15D7

RGB 238 21 215

HSL 306.36, 0.86%, 0.51%

LAB 55.71, 88.53, -45.91

 

CMYK 0 / 81 / 9 / 15

HEX #DA29C7

RGB 218 41 199

HSL 306.44, 0.71%, 0.51%

LAB 52.53, 79.37, -42

 

CMYK 0 / 69 / 8 / 22

HEX #C63DB7

RGB 198 61 183

HSL 306.57, 0.55%, 0.51%

LAB 50.41, 66.96, -36.28

 

CMYK 0 / 54 / 6 / 30

HEX #B251A7

RGB 178 81 167

HSL 306.8, 0.39%, 0.51%

LAB 49.67, 50.75, -28.3

 

CMYK 0 / 36 / 4 / 38

HEX #9E6598

RGB 158 101 152

HSL 306.32, 0.23%, 0.51%

LAB 50.5, 31.22, -18.39

 

CMYK 0 / 11 / 1 / 46

HEX #897A88

RGB 137 122 136

HSL 304, 0.06%, 0.51%

LAB 52.97, 8.42, -5.5

 

CMYK 35 / 81 / 0 / 15

HEX #8D29DA

RGB 141 41 218

HSL 273.9, 0.71%, 0.51%

LAB 41.71, 69.19, -70.97

 

CMYK 13 / 81 / 0 / 15

HEX #BD29DA

RGB 189 41 218

HSL 290.17, 0.71%, 0.51%

LAB 48.84, 76.95, -59.06

 

CMYK 0 / 81 / 8 / 15

HEX #DA29C9

RGB 218 41 201

HSL 305.76, 0.71%, 0.51%

LAB 52.63, 79.66, -42.99

 

CMYK 0 / 81 / 30 / 15

HEX #DA2999

RGB 218 41 153

HSL 322.03, 0.71%, 0.51%

LAB 50.44, 73.54, -18.27

 

CMYK 0 / 81 / 51 / 15

HEX #DA296A

RGB 218 41 106

HSL 337.97, 0.71%, 0.51%

LAB 48.92, 69.11, 7.92

 

CMYK 0 / 83 / 9 / 41

HEX #97198A

RGB 151 25 138

HSL 306.19, 0.72%, 0.35%

LAB 36.19, 60.54, -32.27

 

CMYK 0 / 83 / 9 / 27

HEX #BB1FAA

RGB 187 31 170

HSL 306.54, 0.72%, 0.43%

LAB 44.87, 71.28, -37.49

 

CMYK 0 / 81 / 9 / 15

HEX #DA29C7

RGB 218 41 199

HSL 306.44, 0.71%, 0.51%

LAB 52.53, 79.37, -42

 

CMYK 0 / 66 / 7 / 12

HEX #E04CD0

RGB 224 76 208

HSL 306.49, 0.7%, 0.59%

LAB 57.63, 71.5, -39.05

 

CMYK 0 / 52 / 6 / 10

HEX #E66FD9

RGB 230 111 217

HSL 306.55, 0.7%, 0.67%

LAB 64.32, 59.66, -33.61

 

CMYK 0 / 81 / 9 / 15

HEX #DA29C7

RGB 218 41 199

HSL 306.44, 0.71%, 0.51%

LAB 52.53, 79.37, -42

 

CMYK 0 / 57 / 81 / 15

HEX #DA5E29

RGB 218 94 41

HSL 17.97, 0.71%, 0.51%

LAB 55.15, 45.88, 52.04

 

CMYK 81 / 0 / 24 / 15

HEX #29DAA5

RGB 41 218 165

HSL 162.03, 0.71%, 0.51%

LAB 78.07, -54.84, 14.14

 

CMYK 0 / 81 / 9 / 15

HEX #DA29C7

RGB 218 41 199

HSL 306.44, 0.71%, 0.51%

LAB 52.53, 79.37, -42

 

CMYK 8 / 0 / 81 / 15

HEX #C9DA29

RGB 201 218 41

HSL 65.76, 0.71%, 0.51%

LAB 83.3, -25.56, 76.41

 

CMYK 81 / 8 / 0 / 15

HEX #29C9DA

RGB 41 201 218

HSL 185.76, 0.71%, 0.51%

LAB 74.39, -33.08, -19.72

 

CMYK 0 / 81 / 9 / 15

HEX #DA29C7

RGB 218 41 199

HSL 306.44, 0.71%, 0.51%

LAB 52.53, 79.37, -42

 

CMYK 0 / 57 / 81 / 15

HEX #DA5E29

RGB 218 94 41

HSL 17.97, 0.71%, 0.51%

LAB 55.15, 45.88, 52.04

 

CMYK 81 / 0 / 73 / 15

HEX #29DA3B

RGB 41 218 59

HSL 126.1, 0.71%, 0.51%

LAB 76.64, -71.53, 62.37

 

CMYK 81 / 24 / 0 / 15

HEX #29A5DA

RGB 41 165 218

HSL 197.97, 0.71%, 0.51%

LAB 63.71, -14.79, -36.14

 

CMYK 0 / 81 / 9 / 15

HEX #DA29C7

RGB 218 41 199

HSL 306.44, 0.71%, 0.51%

LAB 52.53, 79.37, -42

 

CMYK 0 / 33 / 81 / 15

HEX #DA9329

RGB 218 147 41

HSL 35.93, 0.71%, 0.51%

LAB 66.47, 18.44, 62.3

 

CMYK 81 / 0 / 73 / 15

HEX #29DA3B

RGB 41 218 59

HSL 126.1, 0.71%, 0.51%

LAB 76.64, -71.53, 62.37

 

CMYK 81 / 49 / 0 / 15

HEX #2970DA

RGB 41 112 218

HSL 215.93, 0.71%, 0.51%

LAB 48.41, 16.56, -60.41

 

Description

Color code: HEX #DA29C7 | qconv.com Color code: HEX #DA29C7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 41 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 41 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 9 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 9% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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