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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA11D3 it is the complementary color #25EE2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA11D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA11D3 shade: #DF11CE, #F023E1, #FF35F4, #FF47FF and #FF59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA11D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA11D3 shade: #DA11D3, #C900C0, #B800AD, #A7009A and #960087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA11D3 shade: #DA10D3, #DA109C, #DA1066, #DA102F and #DA1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA11D3 shade: #DA10D3, #AA10DA, #7410DA, #3D10DA and #1010DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA11D3 shade matches the following richer shades: #DA10D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA11D3 shade: #DA10D3, #C723C1, #B436AF, #A1499E and #8E5C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA11D3 shade: #7510DA, #AB10DA, #DA10D3, #DA109D and #DA1067

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA11D3 shade: #8D0A88, #B30DAE, #DA10D3, #EE25E7 and #F14BEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA11D3 shade: #DA11D3, #DA3F10 and #10DA90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA11D3 shade: #DA11D3, #D3DA10 and #10D3DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA11D3 shade: #DA11D3, #DA3F10, #10DA17 and #10ABDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA11D3 shade: #DA11D3, #DA7C10, #10DA17 and #106EDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 3 / 15

HEX #DA11D3

RGB 218 17 211

HSL 302.09, 0.86%, 0.46%

LAB 51.85, 84.95, -49.97

 

Complementary color

CMYK 84 / 0 / 82 / 7

HEX #25EE2C

RGB 37 238 44

HSL 122.09, 0.86%, 0.54%

LAB 82.77, -78.64, 72.77

 

CMYK 0 / 92 / 8 / 13

HEX #DF11CE

RGB 223 17 206

HSL 304.95, 0.86%, 0.47%

LAB 52.45, 85.11, -46.1

 

CMYK 0 / 85 / 6 / 6

HEX #F023E1

RGB 240 35 225

HSL 304.39, 0.87%, 0.54%

LAB 57.23, 88.3, -49.14

 

CMYK 0 / 79 / 4 / 0

HEX #FF35F4

RGB 255 53 244

HSL 303.27, 1%, 0.6%

LAB 61.94, 90.17, -52.15

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FF

RGB 255 71 255

HSL 300, 1%, 0.64%

LAB 64.15, 87.09, -54.73

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 92 / 3 / 15

HEX #DA11D3

RGB 218 17 211

HSL 302.09, 0.86%, 0.46%

LAB 51.85, 84.95, -49.97

 

CMYK 0 / 100 / 4 / 21

HEX #C900C0

RGB 201 0 192

HSL 302.69, 1%, 0.39%

LAB 47.27, 80.85, -46.48

 

CMYK 0 / 100 / 6 / 28

HEX #B800AD

RGB 184 0 173

HSL 303.59, 1%, 0.36%

LAB 43.07, 75.31, -42.15

 

CMYK 0 / 100 / 8 / 35

HEX #A7009A

RGB 167 0 154

HSL 304.67, 1%, 0.33%

LAB 38.81, 69.67, -37.72

 

CMYK 0 / 100 / 10 / 41

HEX #960087

RGB 150 0 135

HSL 306, 1%, 0.29%

LAB 34.46, 63.92, -33.16

 

CMYK 0 / 93 / 3 / 15

HEX #DA10D3

RGB 218 16 211

HSL 302.08, 0.86%, 0.46%

LAB 51.81, 85.05, -50.03

 

CMYK 0 / 93 / 28 / 15

HEX #DA109C

RGB 218 16 156

HSL 318.42, 0.86%, 0.46%

LAB 49.1, 78.11, -22.12

 

CMYK 0 / 93 / 53 / 15

HEX #DA1066

RGB 218 16 102

HSL 334.46, 0.86%, 0.46%

LAB 47.28, 73.24, 8.06

 

CMYK 0 / 93 / 78 / 15

HEX #DA102F

RGB 218 16 47

HSL 350.79, 0.86%, 0.46%

LAB 46.29, 70.48, 40.26

 

CMYK 0 / 93 / 93 / 15

HEX #DA1010

RGB 218 16 16

HSL 0, 0.86%, 0.46%

LAB 46.06, 69.85, 55.06

 

CMYK 0 / 93 / 3 / 15

HEX #DA10D3

RGB 218 16 211

HSL 302.08, 0.86%, 0.46%

LAB 51.81, 85.05, -50.03

 

CMYK 22 / 93 / 0 / 15

HEX #AA10DA

RGB 170 16 218

HSL 285.74, 0.86%, 0.46%

LAB 44.2, 78.72, -66.72

 

CMYK 47 / 93 / 0 / 15

HEX #7410DA

RGB 116 16 218

HSL 269.7, 0.86%, 0.46%

LAB 36.26, 72.33, -80.04

 

CMYK 72 / 93 / 0 / 15

HEX #3D10DA

RGB 61 16 218

HSL 253.37, 0.86%, 0.46%

LAB 30.46, 68.52, -89.83

 

CMYK 93 / 93 / 0 / 15

HEX #1010DA

RGB 16 16 218

HSL 240, 0.86%, 0.46%

LAB 28.23, 67.33, -93.61

 

CMYK 0 / 93 / 3 / 15

HEX #DA10D3

RGB 218 16 211

HSL 302.08, 0.86%, 0.46%

LAB 51.81, 85.05, -50.03

 

CMYK 0 / 93 / 3 / 15

HEX #DA10D3

RGB 218 16 211

HSL 302.08, 0.86%, 0.46%

LAB 51.81, 85.05, -50.03

 

CMYK 0 / 82 / 3 / 22

HEX #C723C1

RGB 199 35 193

HSL 302.2, 0.7%, 0.46%

LAB 48.5, 76.13, -45.11

 

CMYK 0 / 70 / 3 / 29

HEX #B436AF

RGB 180 54 175

HSL 302.38, 0.54%, 0.46%

LAB 46.23, 64, -38.38

 

CMYK 0 / 55 / 2 / 37

HEX #A1499E

RGB 161 73 158

HSL 302.05, 0.38%, 0.46%

LAB 45.37, 48.17, -29.84

 

CMYK 0 / 35 / 1 / 44

HEX #8E5C8C

RGB 142 92 140

HSL 302.4, 0.21%, 0.46%

LAB 46.04, 28.57, -18.26

 

CMYK 46 / 93 / 0 / 15

HEX #7510DA

RGB 117 16 218

HSL 270, 0.86%, 0.46%

LAB 36.39, 72.43, -79.82

 

CMYK 22 / 93 / 0 / 15

HEX #AB10DA

RGB 171 16 218

HSL 286.04, 0.86%, 0.46%

LAB 44.36, 78.86, -66.45

 

CMYK 0 / 93 / 3 / 15

HEX #DA10D3

RGB 218 16 211

HSL 302.08, 0.86%, 0.46%

LAB 51.81, 85.05, -50.03

 

CMYK 0 / 93 / 28 / 15

HEX #DA109D

RGB 218 16 157

HSL 318.12, 0.86%, 0.46%

LAB 49.14, 78.22, -22.65

 

CMYK 0 / 93 / 53 / 15

HEX #DA1067

RGB 218 16 103

HSL 334.16, 0.86%, 0.46%

LAB 47.31, 73.31, 7.47

 

CMYK 0 / 93 / 4 / 45

HEX #8D0A88

RGB 141 10 136

HSL 302.29, 0.87%, 0.3%

LAB 33.26, 61.07, -35.8

 

CMYK 0 / 93 / 3 / 30

HEX #B30DAE

RGB 179 13 174

HSL 301.81, 0.86%, 0.38%

LAB 42.65, 73.31, -43.47

 

CMYK 0 / 93 / 3 / 15

HEX #DA10D3

RGB 218 16 211

HSL 302.08, 0.86%, 0.46%

LAB 51.81, 85.05, -50.03

 

CMYK 0 / 84 / 3 / 7

HEX #EE25E7

RGB 238 37 231

HSL 302.09, 0.86%, 0.54%

LAB 57.34, 88.44, -52.38

 

CMYK 0 / 69 / 2 / 5

HEX #F14BEB

RGB 241 75 235

HSL 302.17, 0.86%, 0.62%

LAB 61.42, 79.86, -48.11

 

CMYK 0 / 92 / 3 / 15

HEX #DA11D3

RGB 218 17 211

HSL 302.09, 0.86%, 0.46%

LAB 51.85, 84.95, -49.97

 

CMYK 0 / 71 / 93 / 15

HEX #DA3F10

RGB 218 63 16

HSL 13.96, 0.86%, 0.46%

LAB 50.09, 58.48, 57.58

 

CMYK 93 / 0 / 34 / 15

HEX #10DA90

RGB 16 218 144

HSL 158.02, 0.86%, 0.46%

LAB 77.44, -61.12, 24.26

 

CMYK 0 / 92 / 3 / 15

HEX #DA11D3

RGB 218 17 211

HSL 302.09, 0.86%, 0.46%

LAB 51.85, 84.95, -49.97

 

CMYK 3 / 0 / 93 / 15

HEX #D3DA10

RGB 211 218 16

HSL 62.08, 0.86%, 0.46%

LAB 83.98, -21.94, 81.83

 

CMYK 93 / 3 / 0 / 15

HEX #10D3DA

RGB 16 211 218

HSL 182.08, 0.86%, 0.46%

LAB 77.14, -39.15, -15.59

 

CMYK 0 / 92 / 3 / 15

HEX #DA11D3

RGB 218 17 211

HSL 302.09, 0.86%, 0.46%

LAB 51.85, 84.95, -49.97

 

CMYK 0 / 71 / 93 / 15

HEX #DA3F10

RGB 218 63 16

HSL 13.96, 0.86%, 0.46%

LAB 50.09, 58.48, 57.58

 

CMYK 93 / 0 / 89 / 15

HEX #10DA17

RGB 16 218 23

HSL 122.08, 0.86%, 0.46%

LAB 76.26, -75.45, 71.37

 

CMYK 93 / 22 / 0 / 15

HEX #10ABDA

RGB 16 171 218

HSL 193.96, 0.86%, 0.46%

LAB 65.2, -19.57, -33.84

 

CMYK 0 / 92 / 3 / 15

HEX #DA11D3

RGB 218 17 211

HSL 302.09, 0.86%, 0.46%

LAB 51.85, 84.95, -49.97

 

CMYK 0 / 43 / 93 / 15

HEX #DA7C10

RGB 218 124 16

HSL 32.08, 0.86%, 0.46%

LAB 61.1, 30.17, 65.09

 

CMYK 93 / 0 / 89 / 15

HEX #10DA17

RGB 16 218 23

HSL 122.08, 0.86%, 0.46%

LAB 76.26, -75.45, 71.37

 

CMYK 93 / 50 / 0 / 15

HEX #106EDA

RGB 16 110 218

HSL 212.08, 0.86%, 0.46%

LAB 47.4, 16.21, -62.07

 

Description

Color code: HEX #DA11D3 | qconv.com Color code: HEX #DA11D3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 17 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 17 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 3 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 3% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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