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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA151E it is the complementary color #25EAE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA151E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA151E shade: #DF1519, #F0272C, #FF393F, #FF4B52 and #FF5D65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA151E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA151E shade: #DA151E, #C9030B, #B80000, #A70000 and #960000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA151E shade: #DA151E and #DA1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA151E shade: #DA151E, #DA1553, #DA1588, #DA15BD and #C115DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA151E shade matches the following richer shades: #DA151E and #ED020C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA151E shade: #DA151E, #C62830, #B33C41, #9F4F53 and #8C6365

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA151E shade: #DA1588, #DA1553, #DA151F, #DA4015 and #DA7415

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA151E shade: #8F0E14, #B41119, #DA151E, #EA2E37 and #EE545B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA151E shade: #DA151E, #BCDA15 and #156EDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA151E shade: #DA151E, #1FDA15 and #151FDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA151E shade: #DA151E, #BCDA15, #15DAD0 and #3315DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA151E shade: #DA151E, #81DA15, #15DAD0 and #6E15DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 86 / 15

HEX #DA151E

RGB 218 21 30

HSL 357.26, 0.82%, 0.47%

LAB 46.36, 69.42, 49.36

 

Complementary color

CMYK 84 / 0 / 4 / 8

HEX #25EAE1

RGB 37 234 225

HSL 177.26, 0.82%, 0.53%

LAB 84.32, -46.26, -8.57

 

CMYK 0 / 91 / 89 / 13

HEX #DF1519

RGB 223 21 25

HSL 358.81, 0.83%, 0.48%

LAB 47.36, 70.61, 52.87

 

CMYK 0 / 84 / 82 / 6

HEX #F0272C

RGB 240 39 44

HSL 358.51, 0.87%, 0.55%

LAB 52.02, 72.29, 49.07

 

CMYK 0 / 78 / 75 / 0

HEX #FF393F

RGB 255 57 63

HSL 358.18, 1%, 0.61%

LAB 56.63, 72.56, 44.56

 

CMYK 0 / 71 / 68 / 0

HEX #FF4B52

RGB 255 75 82

HSL 357.67, 1%, 0.65%

LAB 58.88, 67.73, 36.56

 

CMYK 0 / 64 / 60 / 0

HEX #FF5D65

RGB 255 93 101

HSL 357.04, 1%, 0.68%

LAB 61.68, 61.97, 29.27

 

CMYK 0 / 90 / 86 / 15

HEX #DA151E

RGB 218 21 30

HSL 357.26, 0.82%, 0.47%

LAB 46.36, 69.42, 49.36

 

CMYK 0 / 99 / 95 / 21

HEX #C9030B

RGB 201 3 11

HSL 357.58, 0.97%, 0.4%

LAB 42.01, 66.77, 52.54

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 90 / 86 / 15

HEX #DA151E

RGB 218 21 30

HSL 357.26, 0.82%, 0.47%

LAB 46.36, 69.42, 49.36

 

CMYK 0 / 90 / 90 / 15

HEX #DA1515

RGB 218 21 21

HSL 0, 0.82%, 0.47%

LAB 46.31, 69.27, 53.32

 

CMYK 0 / 90 / 86 / 15

HEX #DA151E

RGB 218 21 30

HSL 357.26, 0.82%, 0.47%

LAB 46.36, 69.42, 49.36

 

CMYK 0 / 90 / 62 / 15

HEX #DA1553

RGB 218 21 83

HSL 341.12, 0.82%, 0.47%

LAB 47.06, 71.4, 19.51

 

CMYK 0 / 90 / 38 / 15

HEX #DA1588

RGB 218 21 136

HSL 324.97, 0.82%, 0.47%

LAB 48.54, 75.46, -10.95

 

CMYK 0 / 90 / 13 / 15

HEX #DA15BD

RGB 218 21 189

HSL 308.83, 0.82%, 0.47%

LAB 50.82, 81.5, -38.9

 

CMYK 11 / 90 / 0 / 15

HEX #C115DA

RGB 193 21 218

HSL 292.39, 0.82%, 0.47%

LAB 48.18, 81.46, -60.1

 

CMYK 0 / 90 / 86 / 15

HEX #DA151E

RGB 218 21 30

HSL 357.26, 0.82%, 0.47%

LAB 46.36, 69.42, 49.36

 

CMYK 0 / 99 / 95 / 7

HEX #ED020C

RGB 237 2 12

HSL 357.45, 0.98%, 0.47%

LAB 49.59, 75.73, 60.39

 

CMYK 0 / 90 / 86 / 15

HEX #DA151E

RGB 218 21 30

HSL 357.26, 0.82%, 0.47%

LAB 46.36, 69.42, 49.36

 

CMYK 0 / 80 / 76 / 22

HEX #C62830

RGB 198 40 48

HSL 356.96, 0.66%, 0.47%

LAB 43.85, 60.57, 35.88

 

CMYK 0 / 66 / 64 / 30

HEX #B33C41

RGB 179 60 65

HSL 357.48, 0.5%, 0.47%

LAB 43.06, 48.48, 23.93

 

CMYK 0 / 50 / 48 / 38

HEX #9F4F53

RGB 159 79 83

HSL 357, 0.34%, 0.47%

LAB 43.64, 33.53, 13.12

 

CMYK 0 / 29 / 28 / 45

HEX #8C6365

RGB 140 99 101

HSL 357.07, 0.17%, 0.47%

LAB 46.23, 16.9, 5.48

 

CMYK 0 / 90 / 38 / 15

HEX #DA1588

RGB 218 21 136

HSL 324.97, 0.82%, 0.47%

LAB 48.54, 75.46, -10.95

 

CMYK 0 / 90 / 62 / 15

HEX #DA1553

RGB 218 21 83

HSL 341.12, 0.82%, 0.47%

LAB 47.06, 71.4, 19.51

 

CMYK 0 / 90 / 86 / 15

HEX #DA151F

RGB 218 21 31

HSL 356.95, 0.82%, 0.47%

LAB 46.37, 69.44, 48.88

 

CMYK 0 / 71 / 90 / 15

HEX #DA4015

RGB 218 64 21

HSL 13.1, 0.82%, 0.47%

LAB 50.25, 58.19, 56.06

 

CMYK 0 / 47 / 90 / 15

HEX #DA7415

RGB 218 116 21

HSL 28.93, 0.82%, 0.47%

LAB 59.39, 34.43, 62.69

 

CMYK 0 / 90 / 86 / 44

HEX #8F0E14

RGB 143 14 20

HSL 357.21, 0.82%, 0.31%

LAB 29.92, 50.15, 34.09

 

CMYK 0 / 91 / 86 / 29

HEX #B41119

RGB 180 17 25

HSL 357.06, 0.83%, 0.39%

LAB 38.15, 59.95, 41.75

 

CMYK 0 / 90 / 86 / 15

HEX #DA151E

RGB 218 21 30

HSL 357.26, 0.82%, 0.47%

LAB 46.36, 69.42, 49.36

 

CMYK 0 / 80 / 76 / 8

HEX #EA2E37

RGB 234 46 55

HSL 357.13, 0.82%, 0.55%

LAB 51.52, 69.37, 42.28

 

CMYK 0 / 65 / 62 / 7

HEX #EE545B

RGB 238 84 91

HSL 357.27, 0.82%, 0.63%

LAB 57.34, 59.56, 28.86

 

CMYK 0 / 90 / 86 / 15

HEX #DA151E

RGB 218 21 30

HSL 357.26, 0.82%, 0.47%

LAB 46.36, 69.42, 49.36

 

CMYK 14 / 0 / 90 / 15

HEX #BCDA15

RGB 188 218 21

HSL 69.14, 0.82%, 0.47%

LAB 82.32, -31.38, 79.16

 

CMYK 90 / 50 / 0 / 15

HEX #156EDA

RGB 21 110 218

HSL 212.89, 0.82%, 0.47%

LAB 47.46, 16.44, -61.97

 

CMYK 0 / 90 / 86 / 15

HEX #DA151E

RGB 218 21 30

HSL 357.26, 0.82%, 0.47%

LAB 46.36, 69.42, 49.36

 

CMYK 86 / 0 / 90 / 15

HEX #1FDA15

RGB 31 218 21

HSL 116.95, 0.82%, 0.47%

LAB 76.37, -74.52, 71.82

 

CMYK 90 / 86 / 0 / 15

HEX #151FDA

RGB 21 31 218

HSL 236.95, 0.82%, 0.47%

LAB 29.91, 62.67, -90.79

 

CMYK 0 / 90 / 86 / 15

HEX #DA151E

RGB 218 21 30

HSL 357.26, 0.82%, 0.47%

LAB 46.36, 69.42, 49.36

 

CMYK 14 / 0 / 90 / 15

HEX #BCDA15

RGB 188 218 21

HSL 69.14, 0.82%, 0.47%

LAB 82.32, -31.38, 79.16

 

CMYK 90 / 0 / 5 / 15

HEX #15DAD0

RGB 21 218 208

HSL 176.95, 0.82%, 0.47%

LAB 78.96, -44.99, -7.5

 

CMYK 77 / 90 / 0 / 15

HEX #3315DA

RGB 51 21 218

HSL 249.14, 0.82%, 0.47%

LAB 30.16, 66.88, -90.35

 

CMYK 0 / 90 / 86 / 15

HEX #DA151E

RGB 218 21 30

HSL 357.26, 0.82%, 0.47%

LAB 46.36, 69.42, 49.36

 

CMYK 41 / 0 / 90 / 15

HEX #81DA15

RGB 129 218 21

HSL 87.11, 0.82%, 0.47%

LAB 78.96, -53.48, 75.04

 

CMYK 90 / 0 / 5 / 15

HEX #15DAD0

RGB 21 218 208

HSL 176.95, 0.82%, 0.47%

LAB 78.96, -44.99, -7.5

 

CMYK 50 / 90 / 0 / 15

HEX #6E15DA

RGB 110 21 218

HSL 267.11, 0.82%, 0.47%

LAB 35.82, 70.81, -80.8

 

Description

Color code: HEX #DA151E | qconv.com Color code: HEX #DA151E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 21 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 21 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 86 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 86% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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