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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA03B0 it is the complementary color #25FC4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA03B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA03B0 shade: #DF03AB, #F015BE, #FF27D1, #FF39E4 and #FF4BF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA03B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA03B0 shade: #DA03B0, #C9009D, #B8008A, #A70077 and #960064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA03B0 shade: #D803AE, #D80375, #D8033B and #D80303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA03B0 shade: #D803AE, #C803D8, #8E03D8, #5503D8 and #1C03D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA03B0 shade matches the following richer shades: #D803AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA03B0 shade: #D803AE, #C615A3, #B42698, #A2388E and #914A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA03B0 shade: #8D03D8, #C603D8, #D803B1, #D80378 and #D8033F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA03B0 shade: #86026C, #AF028D, #D803AE, #FB09CB and #FB31D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA03B0 shade: #DA03B0, #D85403 and #03D8A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA03B0 shade: #DA03B0, #B1D803 and #03B1D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA03B0 shade: #DA03B0, #D85403, #03D82A and #0386D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA03B0 shade: #DA03B0, #D89403, #03D82A and #0346D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 19 / 15

HEX #DA03B0

RGB 218 3 176

HSL 311.72, 0.97%, 0.43%

LAB 49.62, 81.51, -33.17

 

Complementary color

CMYK 85 / 0 / 69 / 1

HEX #25FC4F

RGB 37 252 79

HSL 131.72, 0.97%, 0.57%

LAB 87.28, -80.14, 66.17

 

CMYK 0 / 99 / 23 / 13

HEX #DF03AB

RGB 223 3 171

HSL 314.18, 0.97%, 0.44%

LAB 50.33, 81.85, -29.05

 

CMYK 0 / 91 / 21 / 6

HEX #F015BE

RGB 240 21 190

HSL 313.7, 0.88%, 0.51%

LAB 54.84, 85.77, -32.89

 

CMYK 0 / 85 / 18 / 0

HEX #FF27D1

RGB 255 39 209

HSL 312.78, 1%, 0.58%

LAB 59.26, 88.35, -36.69

 

CMYK 0 / 78 / 11 / 0

HEX #FF39E4

RGB 255 57 228

HSL 308.18, 1%, 0.61%

LAB 61.47, 87, -43.97

 

CMYK 0 / 71 / 3 / 0

HEX #FF4BF7

RGB 255 75 247

HSL 302.67, 1%, 0.65%

LAB 64.17, 84.66, -50.29

 

CMYK 0 / 99 / 19 / 15

HEX #DA03B0

RGB 218 3 176

HSL 311.72, 0.97%, 0.43%

LAB 49.62, 81.51, -33.17

 

CMYK 0 / 100 / 22 / 21

HEX #C9009D

RGB 201 0 157

HSL 313.13, 1%, 0.39%

LAB 45.43, 76.3, -28.66

 

CMYK 0 / 100 / 25 / 28

HEX #B8008A

RGB 184 0 138

HSL 315, 1%, 0.36%

LAB 41.26, 70.78, -23.88

 

CMYK 0 / 100 / 29 / 35

HEX #A70077

RGB 167 0 119

HSL 317.25, 1%, 0.33%

LAB 37.02, 65.19, -18.92

 

CMYK 0 / 100 / 33 / 41

HEX #960064

RGB 150 0 100

HSL 320, 1%, 0.29%

LAB 32.71, 59.51, -13.74

 

CMYK 0 / 99 / 19 / 15

HEX #D803AE

RGB 216 3 174

HSL 311.83, 0.97%, 0.43%

LAB 49.15, 80.9, -32.75

 

CMYK 0 / 99 / 46 / 15

HEX #D80375

RGB 216 3 117

HSL 327.89, 0.97%, 0.43%

LAB 46.91, 75.09, -1.8

 

CMYK 0 / 99 / 73 / 15

HEX #D8033B

RGB 216 3 59

HSL 344.23, 0.97%, 0.43%

LAB 45.61, 71.61, 32.32

 

CMYK 0 / 99 / 99 / 15

HEX #D80303

RGB 216 3 3

HSL 0, 0.97%, 0.43%

LAB 45.18, 70.44, 58.38

 

CMYK 0 / 99 / 19 / 15

HEX #D803AE

RGB 216 3 174

HSL 311.83, 0.97%, 0.43%

LAB 49.15, 80.9, -32.75

 

CMYK 7 / 99 / 0 / 15

HEX #C803D8

RGB 200 3 216

HSL 295.49, 0.97%, 0.43%

LAB 48.64, 83.97, -58.15

 

CMYK 34 / 99 / 0 / 15

HEX #8E03D8

RGB 142 3 216

HSL 279.15, 0.97%, 0.43%

LAB 39.2, 76.27, -73.93

 

CMYK 61 / 99 / 0 / 15

HEX #5503D8

RGB 85 3 216

HSL 263.1, 0.97%, 0.43%

LAB 31.7, 71.46, -86.55

 

CMYK 87 / 99 / 0 / 15

HEX #1C03D8

RGB 28 3 216

HSL 247.04, 0.97%, 0.43%

LAB 27.49, 69.54, -93.68

 

CMYK 0 / 99 / 19 / 15

HEX #D803AE

RGB 216 3 174

HSL 311.83, 0.97%, 0.43%

LAB 49.15, 80.9, -32.75

 

CMYK 0 / 99 / 19 / 15

HEX #D803AE

RGB 216 3 174

HSL 311.83, 0.97%, 0.43%

LAB 49.15, 80.9, -32.75

 

CMYK 0 / 89 / 18 / 22

HEX #C615A3

RGB 198 21 163

HSL 311.86, 0.81%, 0.43%

LAB 45.89, 74.3, -31.58

 

CMYK 0 / 79 / 16 / 29

HEX #B42698

RGB 180 38 152

HSL 311.83, 0.65%, 0.43%

LAB 43.3, 65.55, -29.28

 

CMYK 0 / 65 / 12 / 36

HEX #A2388E

RGB 162 56 142

HSL 311.32, 0.49%, 0.43%

LAB 41.94, 53.46, -25.56

 

CMYK 0 / 49 / 10 / 43

HEX #914A83

RGB 145 74 131

HSL 311.83, 0.32%, 0.43%

LAB 42.09, 37.94, -18.85

 

CMYK 35 / 99 / 0 / 15

HEX #8D03D8

RGB 141 3 216

HSL 278.87, 0.97%, 0.43%

LAB 39.05, 76.16, -74.18

 

CMYK 8 / 99 / 0 / 15

HEX #C603D8

RGB 198 3 216

HSL 294.93, 0.97%, 0.43%

LAB 48.3, 83.67, -58.72

 

CMYK 0 / 99 / 18 / 15

HEX #D803B1

RGB 216 3 177

HSL 310.99, 0.97%, 0.43%

LAB 49.3, 81.26, -34.29

 

CMYK 0 / 99 / 44 / 15

HEX #D80378

RGB 216 3 120

HSL 327.04, 0.97%, 0.43%

LAB 47, 75.34, -3.51

 

CMYK 0 / 99 / 71 / 15

HEX #D8033F

RGB 216 3 63

HSL 343.1, 0.97%, 0.43%

LAB 45.67, 71.77, 29.96

 

CMYK 0 / 99 / 19 / 47

HEX #86026C

RGB 134 2 108

HSL 311.82, 0.97%, 0.27%

LAB 29.9, 56.84, -23.52

 

CMYK 0 / 99 / 19 / 31

HEX #AF028D

RGB 175 2 141

HSL 311.79, 0.98%, 0.35%

LAB 39.72, 69.19, -28.26

 

CMYK 0 / 99 / 19 / 15

HEX #D803AE

RGB 216 3 174

HSL 311.83, 0.97%, 0.43%

LAB 49.15, 80.9, -32.75

 

CMYK 0 / 96 / 19 / 2

HEX #FB09CB

RGB 251 9 203

HSL 311.9, 0.97%, 0.51%

LAB 57.09, 90.35, -36.72

 

CMYK 0 / 80 / 16 / 2

HEX #FB31D4

RGB 251 49 212

HSL 311.58, 0.96%, 0.59%

LAB 59.4, 85.95, -38.24

 

CMYK 0 / 99 / 19 / 15

HEX #DA03B0

RGB 218 3 176

HSL 311.72, 0.97%, 0.43%

LAB 49.62, 81.51, -33.17

 

CMYK 0 / 61 / 99 / 15

HEX #D85403

RGB 216 84 3

HSL 22.82, 0.97%, 0.43%

LAB 52.89, 49.09, 62.17

 

CMYK 99 / 0 / 22 / 15

HEX #03D8A9

RGB 3 216 169

HSL 166.76, 0.97%, 0.43%

LAB 77.28, -55.12, 10.86

 

CMYK 0 / 99 / 19 / 15

HEX #DA03B0

RGB 218 3 176

HSL 311.72, 0.97%, 0.43%

LAB 49.62, 81.51, -33.17

 

CMYK 18 / 0 / 99 / 15

HEX #B1D803

RGB 177 216 3

HSL 70.99, 0.97%, 0.43%

LAB 81, -35.14, 79.73

 

CMYK 99 / 18 / 0 / 15

HEX #03B1D8

RGB 3 177 216

HSL 190.99, 0.97%, 0.43%

LAB 66.84, -23.77, -30.2

 

CMYK 0 / 99 / 19 / 15

HEX #DA03B0

RGB 218 3 176

HSL 311.72, 0.97%, 0.43%

LAB 49.62, 81.51, -33.17

 

CMYK 0 / 61 / 99 / 15

HEX #D85403

RGB 216 84 3

HSL 22.82, 0.97%, 0.43%

LAB 52.89, 49.09, 62.17

 

CMYK 99 / 0 / 81 / 15

HEX #03D82A

RGB 3 216 42

HSL 130.99, 0.97%, 0.43%

LAB 75.64, -74.58, 66.61

 

CMYK 99 / 38 / 0 / 15

HEX #0386D8

RGB 3 134 216

HSL 203.1, 0.97%, 0.43%

LAB 54.06, 0.1, -50.26

 

CMYK 0 / 99 / 19 / 15

HEX #DA03B0

RGB 218 3 176

HSL 311.72, 0.97%, 0.43%

LAB 49.62, 81.51, -33.17

 

CMYK 0 / 31 / 99 / 15

HEX #D89403

RGB 216 148 3

HSL 40.85, 0.97%, 0.43%

LAB 66.36, 16.33, 70.65

 

CMYK 99 / 0 / 81 / 15

HEX #03D82A

RGB 3 216 42

HSL 130.99, 0.97%, 0.43%

LAB 75.64, -74.58, 66.61

 

CMYK 99 / 68 / 0 / 15

HEX #0346D8

RGB 3 70 216

HSL 221.13, 0.97%, 0.43%

LAB 36.66, 40.92, -78.46

 

Description

Color code: HEX #DA03B0 | qconv.com Color code: HEX #DA03B0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 3 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 3 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 19 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 19% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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