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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCF858 it is the complementary color #2307A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCF858. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCF858 shade: #E1F853, #F2FF66, #FFFF79, #FFFF8C and #FFFF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCF858. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCF858 shade: #DCF858, #CBE645, #BAD432, #A9C21F and #98B00C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCF858 shade: #DCF858, #F8E858, #F8BD58, #F89258 and #F86758

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCF858 shade: #DCF858, #B1F858, #86F858, #5BF858 and #58F881

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCF858 shade matches the following richer shades: #DCF858

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCF858 shade: #DCF858, #D3EA66, #C9DC74, #C0CD82 and #B7BF90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCF858 shade: #F8BD58, #F8E858, #DDF858, #B2F858 and #88F858

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCF858 shade: #CBF30A, #D3F630, #DCF858, #E4F980 and #ECFBA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCF858 shade: #DCF858, #58F893 and #D258F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCF858 shade: #DCF858, #58DDF8 and #F858DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCF858 shade: #DCF858, #58F893, #7358F8 and #F858BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCF858 shade: #DCF858, #58F8C2, #7358F8 and #F8588D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 65 / 3

HEX #DCF858

RGB 220 248 88

HSL 70.5, 0.92%, 0.66%

LAB 93.04, -29.83, 70.91

 

Complementary color

CMYK 79 / 96 / 0 / 35

HEX #2307A7

RGB 35 7 167

HSL 250.5, 0.92%, 0.34%

LAB 21.2, 56.4, -75.15

 

CMYK 9 / 0 / 67 / 3

HEX #E1F853

RGB 225 248 83

HSL 68.36, 0.92%, 0.65%

LAB 93.35, -28.17, 73.23

 

CMYK 5 / 0 / 60 / 0

HEX #F2FF66

RGB 242 255 102

HSL 65.1, 1%, 0.7%

LAB 96.56, -23.58, 69.57

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 11 / 0 / 65 / 3

HEX #DCF858

RGB 220 248 88

HSL 70.5, 0.92%, 0.66%

LAB 93.04, -29.83, 70.91

 

CMYK 12 / 0 / 70 / 10

HEX #CBE645

RGB 203 230 69

HSL 70.06, 0.76%, 0.59%

LAB 86.86, -29.24, 71.28

 

CMYK 12 / 0 / 76 / 17

HEX #BAD432

RGB 186 212 50

HSL 69.63, 0.65%, 0.51%

LAB 80.6, -28.53, 71.13

 

CMYK 13 / 0 / 84 / 24

HEX #A9C21F

RGB 169 194 31

HSL 69.2, 0.72%, 0.44%

LAB 74.26, -27.64, 70.16

 

CMYK 14 / 0 / 93 / 31

HEX #98B00C

RGB 152 176 12

HSL 68.78, 0.87%, 0.37%

LAB 67.84, -26.55, 67.89

 

CMYK 11 / 0 / 65 / 3

HEX #DCF858

RGB 220 248 88

HSL 70.5, 0.92%, 0.66%

LAB 93.04, -29.83, 70.91

 

CMYK 0 / 6 / 65 / 3

HEX #F8E858

RGB 248 232 88

HSL 54, 0.92%, 0.66%

LAB 90.95, -10.91, 69.39

 

CMYK 0 / 24 / 65 / 3

HEX #F8BD58

RGB 248 189 88

HSL 37.88, 0.92%, 0.66%

LAB 80.21, 11.02, 57.86

 

CMYK 0 / 41 / 65 / 3

HEX #F89258

RGB 248 146 88

HSL 21.75, 0.92%, 0.66%

LAB 70.33, 33.53, 46.68

 

CMYK 0 / 58 / 65 / 3

HEX #F86758

RGB 248 103 88

HSL 5.63, 0.92%, 0.66%

LAB 61.96, 54.57, 36.69

 

CMYK 11 / 0 / 65 / 3

HEX #DCF858

RGB 220 248 88

HSL 70.5, 0.92%, 0.66%

LAB 93.04, -29.83, 70.91

 

CMYK 29 / 0 / 65 / 3

HEX #B1F858

RGB 177 248 88

HSL 86.63, 0.92%, 0.66%

LAB 90.41, -45.92, 67.34

 

CMYK 46 / 0 / 65 / 3

HEX #86F858

RGB 134 248 88

HSL 102.75, 0.92%, 0.66%

LAB 88.4, -59.86, 64.59

 

CMYK 63 / 0 / 65 / 3

HEX #5BF858

RGB 91 248 88

HSL 118.88, 0.92%, 0.66%

LAB 87.03, -70.51, 62.7

 

CMYK 65 / 0 / 48 / 3

HEX #58F881

RGB 88 248 129

HSL 135.38, 0.92%, 0.66%

LAB 87.39, -66.14, 44.94

 

CMYK 11 / 0 / 65 / 3

HEX #DCF858

RGB 220 248 88

HSL 70.5, 0.92%, 0.66%

LAB 93.04, -29.83, 70.91

 

CMYK 11 / 0 / 65 / 3

HEX #DCF858

RGB 220 248 88

HSL 70.5, 0.92%, 0.66%

LAB 93.04, -29.83, 70.91

 

CMYK 10 / 0 / 56 / 8

HEX #D3EA66

RGB 211 234 102

HSL 70.45, 0.76%, 0.66%

LAB 88.76, -25.78, 60.32

 

CMYK 9 / 0 / 47 / 14

HEX #C9DC74

RGB 201 220 116

HSL 70.96, 0.6%, 0.66%

LAB 84.41, -21.71, 48.64

 

CMYK 6 / 0 / 37 / 20

HEX #C0CD82

RGB 192 205 130

HSL 70.4, 0.43%, 0.66%

LAB 79.89, -16.24, 35.89

 

CMYK 4 / 0 / 25 / 25

HEX #B7BF90

RGB 183 191 144

HSL 70.21, 0.27%, 0.66%

LAB 75.66, -10.69, 22.84

 

CMYK 0 / 24 / 65 / 3

HEX #F8BD58

RGB 248 189 88

HSL 37.88, 0.92%, 0.66%

LAB 80.21, 11.02, 57.86

 

CMYK 0 / 6 / 65 / 3

HEX #F8E858

RGB 248 232 88

HSL 54, 0.92%, 0.66%

LAB 90.95, -10.91, 69.39

 

CMYK 11 / 0 / 65 / 3

HEX #DDF858

RGB 221 248 88

HSL 70.13, 0.92%, 0.66%

LAB 93.11, -29.44, 71.01

 

CMYK 28 / 0 / 65 / 3

HEX #B2F858

RGB 178 248 88

HSL 86.25, 0.92%, 0.66%

LAB 90.46, -45.57, 67.41

 

CMYK 45 / 0 / 65 / 3

HEX #88F858

RGB 136 248 88

HSL 102, 0.92%, 0.66%

LAB 88.48, -59.27, 64.7

 

CMYK 16 / 0 / 96 / 5

HEX #CBF30A

RGB 203 243 10

HSL 70.3, 0.92%, 0.5%

LAB 90.24, -36.93, 86.95

 

CMYK 14 / 0 / 80 / 4

HEX #D3F630

RGB 211 246 48

HSL 70.61, 0.92%, 0.58%

LAB 91.67, -34.35, 82.23

 

CMYK 11 / 0 / 65 / 3

HEX #DCF858

RGB 220 248 88

HSL 70.5, 0.92%, 0.66%

LAB 93.04, -29.83, 70.91

 

CMYK 8 / 0 / 49 / 2

HEX #E4F980

RGB 228 249 128

HSL 70.41, 0.91%, 0.74%

LAB 94.23, -24.09, 55.29

 

CMYK 6 / 0 / 33 / 2

HEX #ECFBA7

RGB 236 251 167

HSL 70.71, 0.91%, 0.82%

LAB 95.84, -17.85, 38.68

 

CMYK 11 / 0 / 65 / 3

HEX #DCF858

RGB 220 248 88

HSL 70.5, 0.92%, 0.66%

LAB 93.04, -29.83, 70.91

 

CMYK 65 / 0 / 41 / 3

HEX #58F893

RGB 88 248 147

HSL 142.13, 0.92%, 0.66%

LAB 87.64, -63.3, 36.52

 

CMYK 15 / 65 / 0 / 3

HEX #D258F8

RGB 210 88 248

HSL 285.75, 0.92%, 0.66%

LAB 59.4, 70.44, -58.83

 

CMYK 11 / 0 / 65 / 3

HEX #DCF858

RGB 220 248 88

HSL 70.5, 0.92%, 0.66%

LAB 93.04, -29.83, 70.91

 

CMYK 65 / 11 / 0 / 3

HEX #58DDF8

RGB 88 221 248

HSL 190.13, 0.92%, 0.66%

LAB 82.14, -28.14, -23.91

 

CMYK 0 / 65 / 11 / 3

HEX #F858DD

RGB 248 88 221

HSL 310.13, 0.92%, 0.66%

LAB 63.47, 74.74, -36.98

 

CMYK 11 / 0 / 65 / 3

HEX #DCF858

RGB 220 248 88

HSL 70.5, 0.92%, 0.66%

LAB 93.04, -29.83, 70.91

 

CMYK 65 / 0 / 41 / 3

HEX #58F893

RGB 88 248 147

HSL 142.13, 0.92%, 0.66%

LAB 87.64, -63.3, 36.52

 

CMYK 54 / 65 / 0 / 3

HEX #7358F8

RGB 115 88 248

HSL 250.13, 0.92%, 0.66%

LAB 48.76, 51.57, -76.53

 

CMYK 0 / 65 / 24 / 3

HEX #F858BD

RGB 248 88 189

HSL 322.13, 0.92%, 0.66%

LAB 62.18, 70.35, -20.88

 

CMYK 11 / 0 / 65 / 3

HEX #DCF858

RGB 220 248 88

HSL 70.5, 0.92%, 0.66%

LAB 93.04, -29.83, 70.91

 

CMYK 65 / 0 / 22 / 3

HEX #58F8C2

RGB 88 248 194

HSL 159.75, 0.92%, 0.66%

LAB 88.5, -54.11, 13.82

 

CMYK 54 / 65 / 0 / 3

HEX #7358F8

RGB 115 88 248

HSL 250.13, 0.92%, 0.66%

LAB 48.76, 51.57, -76.53

 

CMYK 0 / 65 / 43 / 3

HEX #F8588D

RGB 248 88 141

HSL 340.13, 0.92%, 0.66%

LAB 60.66, 64.99, 4.54

 

Description

Color code: HEX #DCF858 | qconv.com Color code: HEX #DCF858 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 248 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 248 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 65 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 65% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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