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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCCBD2 it is the complementary color #23342D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCCBD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCCBD2 shade: #E1CBCD, #F2DDE0 and #FFEFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCCBD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCCBD2 shade: #DCCBD2, #CBB9BF, #BAA7AC, #A99599 and #988386

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCCBD2 shade: #DCCAD2, #DCCACD and #DCCACA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCCBD2 shade: #DCCAD2, #DCCAD6, #DCCADB, #D8CADC and #D3CADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCCBD2 shade matches the following richer shades: #DCCAD2, #E3C3D0, #EABCCF, #F1B5CE and #F8AECD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCCBD2 shade: #DCCAD2, #D5D1D3, #CED9D4, #C7E0D5 and #C0E7D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCCBD2 shade: #DCCADB, #DCCAD6, #DCCAD2, #DCCACD and #DCCDCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCCBD2 shade: #BB99A7, #CBB2BC, #DCCAD2, #ECE3E7 and #FDFCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCCBD2 shade: #DCCBD2, #DCD8CA and #CAD9DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCCBD2 shade: #DCCBD2, #D2DCCA and #CAD2DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCCBD2 shade: #DCCBD2, #DCD8CA, #CADCD5 and #CACEDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCCBD2 shade: #DCCBD2, #DADCCA, #CADCD5 and #CCCADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 5 / 14

HEX #DCCBD2

RGB 220 203 210

HSL 335.29, 0.2%, 0.83%

LAB 83.22, 7.13, -1.34

 

Complementary color

CMYK 33 / 0 / 13 / 80

HEX #23342D

RGB 35 52 45

HSL 155.29, 0.2%, 0.17%

LAB 20.05, -8.83, 2.19

 

CMYK 0 / 10 / 9 / 12

HEX #E1CBCD

RGB 225 203 205

HSL 354.55, 0.27%, 0.84%

LAB 83.51, 8.01, 1.8

 

CMYK 0 / 9 / 7 / 5

HEX #F2DDE0

RGB 242 221 224

HSL 351.43, 0.45%, 0.91%

LAB 89.85, 7.7, 1.14

 

CMYK 0 / 6 / 5 / 0

HEX #FFEFF3

RGB 255 239 243

HSL 345, 1%, 0.97%

LAB 95.77, 6.06, 0

 

CMYK 0 / 8 / 5 / 14

HEX #DCCBD2

RGB 220 203 210

HSL 335.29, 0.2%, 0.83%

LAB 83.22, 7.13, -1.34

 

CMYK 0 / 9 / 6 / 20

HEX #CBB9BF

RGB 203 185 191

HSL 340, 0.15%, 0.76%

LAB 76.77, 7.43, -0.72

 

CMYK 0 / 10 / 8 / 27

HEX #BAA7AC

RGB 186 167 172

HSL 344.21, 0.12%, 0.69%

LAB 70.21, 7.75, -0.07

 

CMYK 0 / 12 / 9 / 34

HEX #A99599

RGB 169 149 153

HSL 348, 0.1%, 0.62%

LAB 63.53, 8.11, 0.61

 

CMYK 0 / 14 / 12 / 40

HEX #988386

RGB 152 131 134

HSL 351.43, 0.09%, 0.55%

LAB 56.71, 8.51, 1.33

 

CMYK 0 / 8 / 5 / 14

HEX #DCCAD2

RGB 220 202 210

HSL 333.33, 0.2%, 0.83%

LAB 82.97, 7.65, -1.71

 

CMYK 0 / 8 / 7 / 14

HEX #DCCACD

RGB 220 202 205

HSL 350, 0.2%, 0.83%

LAB 82.84, 6.79, 0.77

 

CMYK 0 / 8 / 8 / 14

HEX #DCCACA

RGB 220 202 202

HSL 0, 0.2%, 0.83%

LAB 82.76, 6.27, 2.26

 

CMYK 0 / 8 / 5 / 14

HEX #DCCAD2

RGB 220 202 210

HSL 333.33, 0.2%, 0.83%

LAB 82.97, 7.65, -1.71

 

CMYK 0 / 8 / 3 / 14

HEX #DCCAD6

RGB 220 202 214

HSL 320, 0.2%, 0.83%

LAB 83.08, 8.36, -3.69

 

CMYK 0 / 8 / 0 / 14

HEX #DCCADB

RGB 220 202 219

HSL 303.33, 0.2%, 0.83%

LAB 83.22, 9.27, -6.16

 

CMYK 2 / 8 / 0 / 14

HEX #D8CADC

RGB 216 202 220

HSL 286.67, 0.2%, 0.83%

LAB 82.92, 8.1, -7.17

 

CMYK 4 / 8 / 0 / 14

HEX #D3CADC

RGB 211 202 220

HSL 270, 0.2%, 0.83%

LAB 82.52, 6.42, -7.81

 

CMYK 0 / 8 / 5 / 14

HEX #DCCAD2

RGB 220 202 210

HSL 333.33, 0.2%, 0.83%

LAB 82.97, 7.65, -1.71

 

CMYK 0 / 14 / 8 / 11

HEX #E3C3D0

RGB 227 195 208

HSL 335.63, 0.36%, 0.83%

LAB 81.79, 13.46, -2.3

 

CMYK 0 / 20 / 12 / 8

HEX #EABCCF

RGB 234 188 207

HSL 335.22, 0.52%, 0.83%

LAB 80.72, 19.47, -3.26

 

CMYK 0 / 25 / 15 / 5

HEX #F1B5CE

RGB 241 181 206

HSL 335, 0.68%, 0.83%

LAB 79.73, 25.48, -4.1

 

CMYK 0 / 30 / 17 / 3

HEX #F8AECD

RGB 248 174 205

HSL 334.86, 0.84%, 0.83%

LAB 78.83, 31.46, -4.8

 

CMYK 0 / 8 / 5 / 14

HEX #DCCAD2

RGB 220 202 210

HSL 333.33, 0.2%, 0.83%

LAB 82.97, 7.65, -1.71

 

CMYK 0 / 2 / 1 / 16

HEX #D5D1D3

RGB 213 209 211

HSL 330, 0.05%, 0.83%

LAB 84.2, 1.73, -0.51

 

CMYK 5 / 0 / 2 / 15

HEX #CED9D4

RGB 206 217 212

HSL 152.73, 0.13%, 0.83%

LAB 85.76, -4.62, 1.17

 

CMYK 11 / 0 / 5 / 12

HEX #C7E0D5

RGB 199 224 213

HSL 153.6, 0.29%, 0.83%

LAB 87.12, -10.35, 2.57

 

CMYK 17 / 0 / 7 / 9

HEX #C0E7D7

RGB 192 231 215

HSL 155.38, 0.45%, 0.83%

LAB 88.57, -15.77, 3.57

 

CMYK 0 / 8 / 0 / 14

HEX #DCCADB

RGB 220 202 219

HSL 303.33, 0.2%, 0.83%

LAB 83.22, 9.27, -6.16

 

CMYK 0 / 8 / 3 / 14

HEX #DCCAD6

RGB 220 202 214

HSL 320, 0.2%, 0.83%

LAB 83.08, 8.36, -3.69

 

CMYK 0 / 8 / 5 / 14

HEX #DCCAD2

RGB 220 202 210

HSL 333.33, 0.2%, 0.83%

LAB 82.97, 7.65, -1.71

 

CMYK 0 / 8 / 7 / 14

HEX #DCCACD

RGB 220 202 205

HSL 350, 0.2%, 0.83%

LAB 82.84, 6.79, 0.77

 

CMYK 0 / 7 / 8 / 14

HEX #DCCDCA

RGB 220 205 202

HSL 10, 0.2%, 0.83%

LAB 83.52, 4.69, 3.36

 

CMYK 0 / 18 / 11 / 27

HEX #BB99A7

RGB 187 153 167

HSL 335.29, 0.2%, 0.67%

LAB 66.62, 14.96, -2.54

 

CMYK 0 / 12 / 7 / 20

HEX #CBB2BC

RGB 203 178 188

HSL 336, 0.19%, 0.75%

LAB 74.93, 10.68, -1.78

 

CMYK 0 / 8 / 5 / 14

HEX #DCCAD2

RGB 220 202 210

HSL 333.33, 0.2%, 0.83%

LAB 82.97, 7.65, -1.71

 

CMYK 0 / 4 / 2 / 7

HEX #ECE3E7

RGB 236 227 231

HSL 333.33, 0.19%, 0.91%

LAB 91.03, 3.75, -0.87

 

CMYK 0 / 0 / 0 / 1

HEX #FDFCFC

RGB 253 252 252

HSL 0, 0.2%, 0.99%

LAB 99.04, 0.34, 0.11

 

CMYK 0 / 8 / 5 / 14

HEX #DCCBD2

RGB 220 203 210

HSL 335.29, 0.2%, 0.83%

LAB 83.22, 7.13, -1.34

 

CMYK 0 / 2 / 8 / 14

HEX #DCD8CA

RGB 220 216 202

HSL 46.67, 0.2%, 0.83%

LAB 86.3, -1.05, 7.37

 

CMYK 8 / 1 / 0 / 14

HEX #CAD9DC

RGB 202 217 220

HSL 190, 0.2%, 0.83%

LAB 85.68, -4.44, -3.21

 

CMYK 0 / 8 / 5 / 14

HEX #DCCBD2

RGB 220 203 210

HSL 335.29, 0.2%, 0.83%

LAB 83.22, 7.13, -1.34

 

CMYK 5 / 0 / 8 / 14

HEX #D2DCCA

RGB 210 220 202

HSL 93.33, 0.2%, 0.83%

LAB 86.58, -6.59, 7.67

 

CMYK 8 / 5 / 0 / 14

HEX #CAD2DC

RGB 202 210 220

HSL 213.33, 0.2%, 0.83%

LAB 83.87, -0.79, -5.88

 

CMYK 0 / 8 / 5 / 14

HEX #DCCBD2

RGB 220 203 210

HSL 335.29, 0.2%, 0.83%

LAB 83.22, 7.13, -1.34

 

CMYK 0 / 2 / 8 / 14

HEX #DCD8CA

RGB 220 216 202

HSL 46.67, 0.2%, 0.83%

LAB 86.3, -1.05, 7.37

 

CMYK 8 / 0 / 3 / 14

HEX #CADCD5

RGB 202 220 213

HSL 156.67, 0.2%, 0.83%

LAB 86.28, -7.32, 1.37

 

CMYK 8 / 6 / 0 / 14

HEX #CACEDC

RGB 202 206 220

HSL 226.67, 0.2%, 0.83%

LAB 82.84, 1.31, -7.4

 

CMYK 0 / 8 / 5 / 14

HEX #DCCBD2

RGB 220 203 210

HSL 335.29, 0.2%, 0.83%

LAB 83.22, 7.13, -1.34

 

CMYK 1 / 0 / 8 / 14

HEX #DADCCA

RGB 218 220 202

HSL 66.67, 0.2%, 0.83%

LAB 87.17, -3.81, 8.6

 

CMYK 8 / 0 / 3 / 14

HEX #CADCD5

RGB 202 220 213

HSL 156.67, 0.2%, 0.83%

LAB 86.28, -7.32, 1.37

 

CMYK 7 / 8 / 0 / 14

HEX #CCCADC

RGB 204 202 220

HSL 246.67, 0.2%, 0.83%

LAB 81.97, 4.09, -8.68

 

Description

Color code: HEX #DCCBD2 | qconv.com Color code: HEX #DCCBD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 203 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 203 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 5 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 5% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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