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Color name
HEX #DCC340

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCC340 it is the complementary color #233CBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCC340. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCC340 shade: #E1C33B, #F2D54E, #FFE761, #FFF974 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCC340. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCC340 shade: #DCC340, #CBB12D, #BA9F1A, #A98D07 and #987B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCC340 shade: #DCC341, #DC9941, #DC6F41, #DC4641 and #DC4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCC340 shade: #DCC341, #CBDC41, #A1DC41, #77DC41 and #4EDC41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCC340 shade matches the following richer shades: #DCC341 and #EECF2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCC340 shade: #DCC341, #CAB753, #B7AA65, #A59E77 and #939289

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCC340 shade: #DC6F41, #DC9941, #DCC241, #CCDC41 and #A3DC41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCC340 shade: #AB951F, #CEB325, #DCC341, #E2CE64 and #E9D987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCC340 shade: #DCC340, #41DC46 and #8441DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCC340 shade: #DCC340, #41DCC2 and #C241DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCC340 shade: #DCC340, #41DC46, #415BDC and #DC41D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCC340 shade: #DCC340, #41DC74, #415BDC and #DC41A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 71 / 14

HEX #DCC340

RGB 220 195 64

HSL 50.38, 0.69%, 0.56%

LAB 78.82, -5.2, 65.61

 

Complementary color

CMYK 82 / 69 / 0 / 25

HEX #233CBF

RGB 35 60 191

HSL 230.38, 0.69%, 0.44%

LAB 32.59, 39.37, -70.61

 

CMYK 0 / 13 / 74 / 12

HEX #E1C33B

RGB 225 195 59

HSL 49.16, 0.73%, 0.56%

LAB 79.24, -3.29, 68.02

 

CMYK 0 / 12 / 68 / 5

HEX #F2D54E

RGB 242 213 78

HSL 49.39, 0.86%, 0.63%

LAB 85.51, -4.42, 67.57

 

CMYK 0 / 9 / 62 / 0

HEX #FFE761

RGB 255 231 97

HSL 50.89, 1%, 0.69%

LAB 91.36, -7.01, 66.31

 

CMYK 0 / 2 / 55 / 0

HEX #FFF974

RGB 255 249 116

HSL 57.41, 1%, 0.73%

LAB 96.11, -14.58, 63.41

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 11 / 71 / 14

HEX #DCC340

RGB 220 195 64

HSL 50.38, 0.69%, 0.56%

LAB 78.82, -5.2, 65.61

 

CMYK 0 / 13 / 78 / 20

HEX #CBB12D

RGB 203 177 45

HSL 50.13, 0.64%, 0.49%

LAB 72.45, -3.99, 65.74

 

CMYK 0 / 15 / 86 / 27

HEX #BA9F1A

RGB 186 159 26

HSL 49.88, 0.75%, 0.42%

LAB 65.99, -2.57, 64.99

 

CMYK 0 / 17 / 96 / 34

HEX #A98D07

RGB 169 141 7

HSL 49.63, 0.92%, 0.35%

LAB 59.43, -0.88, 62.79

 

CMYK 0 / 19 / 100 / 40

HEX #987B00

RGB 152 123 0

HSL 48.55, 1%, 0.3%

LAB 52.78, 1.11, 58.39

 

CMYK 0 / 11 / 70 / 14

HEX #DCC341

RGB 220 195 65

HSL 50.32, 0.69%, 0.56%

LAB 78.83, -5.15, 65.24

 

CMYK 0 / 30 / 70 / 14

HEX #DC9941

RGB 220 153 65

HSL 34.06, 0.69%, 0.56%

LAB 68.3, 17.06, 54.5

 

CMYK 0 / 50 / 70 / 14

HEX #DC6F41

RGB 220 111 65

HSL 17.81, 0.69%, 0.56%

LAB 58.94, 39.25, 44.41

 

CMYK 0 / 68 / 70 / 14

HEX #DC4641

RGB 220 70 65

HSL 1.94, 0.69%, 0.56%

LAB 51.81, 57.92, 36.28

 

CMYK 0 / 70 / 70 / 14

HEX #DC4141

RGB 220 65 65

HSL 0, 0.69%, 0.56%

LAB 51.13, 59.8, 35.48

 

CMYK 0 / 11 / 70 / 14

HEX #DCC341

RGB 220 195 65

HSL 50.32, 0.69%, 0.56%

LAB 78.83, -5.15, 65.24

 

CMYK 8 / 0 / 70 / 14

HEX #CBDC41

RGB 203 220 65

HSL 66.58, 0.69%, 0.56%

LAB 84.1, -24.71, 69.97

 

CMYK 27 / 0 / 70 / 14

HEX #A1DC41

RGB 161 220 65

HSL 82.84, 0.69%, 0.56%

LAB 81.37, -41.16, 66.35

 

CMYK 46 / 0 / 70 / 14

HEX #77DC41

RGB 119 220 65

HSL 99.1, 0.69%, 0.56%

LAB 79.32, -55.4, 63.62

 

CMYK 65 / 0 / 70 / 14

HEX #4EDC41

RGB 78 220 65

HSL 114.97, 0.69%, 0.56%

LAB 77.99, -65.86, 61.82

 

CMYK 0 / 11 / 70 / 14

HEX #DCC341

RGB 220 195 65

HSL 50.32, 0.69%, 0.56%

LAB 78.83, -5.15, 65.24

 

CMYK 0 / 13 / 80 / 7

HEX #EECF2F

RGB 238 207 47

HSL 50.26, 0.85%, 0.56%

LAB 83.45, -4.34, 76.13

 

CMYK 0 / 11 / 70 / 14

HEX #DCC341

RGB 220 195 65

HSL 50.32, 0.69%, 0.56%

LAB 78.83, -5.15, 65.24

 

CMYK 0 / 9 / 59 / 21

HEX #CAB753

RGB 202 183 83

HSL 50.42, 0.53%, 0.56%

LAB 74.22, -5.49, 52.24

 

CMYK 0 / 7 / 45 / 28

HEX #B7AA65

RGB 183 170 101

HSL 50.49, 0.36%, 0.56%

LAB 69.3, -5.05, 37.14

 

CMYK 0 / 4 / 28 / 35

HEX #A59E77

RGB 165 158 119

HSL 50.87, 0.2%, 0.56%

LAB 64.79, -3.79, 21.34

 

CMYK 0 / 1 / 7 / 42

HEX #939289

RGB 147 146 137

HSL 54, 0.04%, 0.56%

LAB 60.4, -1.32, 4.89

 

CMYK 0 / 50 / 70 / 14

HEX #DC6F41

RGB 220 111 65

HSL 17.81, 0.69%, 0.56%

LAB 58.94, 39.25, 44.41

 

CMYK 0 / 30 / 70 / 14

HEX #DC9941

RGB 220 153 65

HSL 34.06, 0.69%, 0.56%

LAB 68.3, 17.06, 54.5

 

CMYK 0 / 12 / 70 / 14

HEX #DCC241

RGB 220 194 65

HSL 49.94, 0.69%, 0.56%

LAB 78.57, -4.63, 64.98

 

CMYK 7 / 0 / 70 / 14

HEX #CCDC41

RGB 204 220 65

HSL 66.19, 0.69%, 0.56%

LAB 84.18, -24.31, 70.07

 

CMYK 26 / 0 / 70 / 14

HEX #A3DC41

RGB 163 220 65

HSL 82.06, 0.69%, 0.56%

LAB 81.49, -40.42, 66.51

 

CMYK 0 / 13 / 82 / 33

HEX #AB951F

RGB 171 149 31

HSL 50.57, 0.69%, 0.4%

LAB 61.87, -3.79, 59.57

 

CMYK 0 / 13 / 82 / 19

HEX #CEB325

RGB 206 179 37

HSL 50.41, 0.7%, 0.48%

LAB 73.22, -4, 68.94

 

CMYK 0 / 11 / 70 / 14

HEX #DCC341

RGB 220 195 65

HSL 50.32, 0.69%, 0.56%

LAB 78.83, -5.15, 65.24

 

CMYK 0 / 9 / 56 / 11

HEX #E2CE64

RGB 226 206 100

HSL 50.48, 0.68%, 0.64%

LAB 82.5, -6.08, 54.39

 

CMYK 0 / 7 / 42 / 9

HEX #E9D987

RGB 233 217 135

HSL 50.2, 0.69%, 0.72%

LAB 86.35, -5.72, 42.3

 

CMYK 0 / 11 / 71 / 14

HEX #DCC340

RGB 220 195 64

HSL 50.38, 0.69%, 0.56%

LAB 78.82, -5.2, 65.61

 

CMYK 70 / 0 / 68 / 14

HEX #41DC46

RGB 65 220 70

HSL 121.94, 0.69%, 0.56%

LAB 77.73, -67.87, 59.57

 

CMYK 40 / 70 / 0 / 14

HEX #8441DC

RGB 132 65 220

HSL 265.94, 0.69%, 0.56%

LAB 44.02, 58.73, -68.39

 

CMYK 0 / 11 / 71 / 14

HEX #DCC340

RGB 220 195 64

HSL 50.38, 0.69%, 0.56%

LAB 78.82, -5.2, 65.61

 

CMYK 70 / 0 / 12 / 14

HEX #41DCC2

RGB 65 220 194

HSL 169.94, 0.69%, 0.56%

LAB 79.73, -45.88, 1.17

 

CMYK 12 / 70 / 0 / 14

HEX #C241DC

RGB 194 65 220

HSL 289.94, 0.69%, 0.56%

LAB 52.31, 70.85, -54.6

 

CMYK 0 / 11 / 71 / 14

HEX #DCC340

RGB 220 195 64

HSL 50.38, 0.69%, 0.56%

LAB 78.82, -5.2, 65.61

 

CMYK 70 / 0 / 68 / 14

HEX #41DC46

RGB 65 220 70

HSL 121.94, 0.69%, 0.56%

LAB 77.73, -67.87, 59.57

 

CMYK 70 / 59 / 0 / 14

HEX #415BDC

RGB 65 91 220

HSL 229.94, 0.69%, 0.56%

LAB 43.91, 33.31, -68.81

 

CMYK 0 / 70 / 2 / 14

HEX #DC41D7

RGB 220 65 215

HSL 301.94, 0.69%, 0.56%

LAB 55.99, 75.52, -45.65

 

CMYK 0 / 11 / 71 / 14

HEX #DCC340

RGB 220 195 64

HSL 50.38, 0.69%, 0.56%

LAB 78.82, -5.2, 65.61

 

CMYK 70 / 0 / 47 / 14

HEX #41DC74

RGB 65 220 116

HSL 139.74, 0.69%, 0.56%

LAB 78.21, -62.18, 39.58

 

CMYK 70 / 59 / 0 / 14

HEX #415BDC

RGB 65 91 220

HSL 229.94, 0.69%, 0.56%

LAB 43.91, 33.31, -68.81

 

CMYK 0 / 70 / 24 / 14

HEX #DC41A8

RGB 220 65 168

HSL 320.13, 0.69%, 0.56%

LAB 53.84, 68.83, -21.9

 

Description

Color code: HEX #DCC340 | qconv.com Color code: HEX #DCC340 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 195 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 195 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 71 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 71% 14% C M Y K

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Provide designers and agencies with accurate color values.

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