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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCBB7E it is the complementary color #234481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCBB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCBB7E shade: #E1BB79, #F2CD8C, #FFDF9F, #FFF1B2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCBB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCBB7E shade: #DCBB7E, #CBA96B, #BA9758, #A98545 and #987332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCBB7E shade: #DBBB7E, #DBA27E, #DB897E and #DB7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCBB7E shade: #DBBB7E, #DBD47E, #CADB7E, #B1DB7E and #98DB7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCBB7E shade matches the following richer shades: #DBBB7E, #E9BF71 and #F6C364

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCBB7E shade: #DBBB7E, #CEB78C, #C1B399, #B4AFA6 and #A7ABB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCBB7E shade: #DB887E, #DBA07E, #DBB97E, #DBD27E and #CCDB7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCBB7E shade: #CA993E, #D3AA5E, #DBBB7E, #E4CC9F and #EDDDBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCBB7E shade: #DCBB7E, #8EDB7E and #947EDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCBB7E shade: #DCBB7E, #7EDBB9 and #B97EDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCBB7E shade: #DCBB7E, #8EDB7E, #7EA0DB and #CC7EDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCBB7E shade: #DCBB7E, #7EDB8B, #7EA0DB and #DB7ECF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 43 / 14

HEX #DCBB7E

RGB 220 187 126

HSL 38.94, 0.57%, 0.68%

LAB 77.44, 3.69, 35.24

 

Complementary color

CMYK 73 / 47 / 0 / 49

HEX #234481

RGB 35 68 129

HSL 218.94, 0.57%, 0.32%

LAB 29.6, 10.21, -37.99

 

CMYK 0 / 17 / 46 / 12

HEX #E1BB79

RGB 225 187 121

HSL 38.08, 0.63%, 0.68%

LAB 77.83, 5.2, 38.42

 

CMYK 0 / 15 / 42 / 5

HEX #F2CD8C

RGB 242 205 140

HSL 38.24, 0.8%, 0.75%

LAB 84.19, 4.51, 37.17

 

CMYK 0 / 13 / 38 / 0

HEX #FFDF9F

RGB 255 223 159

HSL 40, 1%, 0.81%

LAB 90.11, 2.37, 35.44

 

CMYK 0 / 5 / 30 / 0

HEX #FFF1B2

RGB 255 241 178

HSL 49.09, 1%, 0.85%

LAB 94.9, -4.5, 32.19

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 15 / 43 / 14

HEX #DCBB7E

RGB 220 187 126

HSL 38.94, 0.57%, 0.68%

LAB 77.44, 3.69, 35.24

 

CMYK 0 / 17 / 47 / 20

HEX #CBA96B

RGB 203 169 107

HSL 38.75, 0.48%, 0.61%

LAB 70.96, 4.39, 36.52

 

CMYK 0 / 19 / 53 / 27

HEX #BA9758

RGB 186 151 88

HSL 38.57, 0.42%, 0.54%

LAB 64.38, 5.21, 37.86

 

CMYK 0 / 21 / 59 / 34

HEX #A98545

RGB 169 133 69

HSL 38.4, 0.42%, 0.47%

LAB 57.69, 6.2, 39.24

 

CMYK 0 / 24 / 67 / 40

HEX #987332

RGB 152 115 50

HSL 38.24, 0.5%, 0.4%

LAB 50.88, 7.39, 40.58

 

CMYK 0 / 15 / 42 / 14

HEX #DBBB7E

RGB 219 187 126

HSL 39.35, 0.56%, 0.68%

LAB 77.34, 3.29, 35.1

 

CMYK 0 / 26 / 42 / 14

HEX #DBA27E

RGB 219 162 126

HSL 23.23, 0.56%, 0.68%

LAB 71.15, 16.63, 26.97

 

CMYK 0 / 37 / 42 / 14

HEX #DB897E

RGB 219 137 126

HSL 7.1, 0.56%, 0.68%

LAB 65.32, 30.08, 19.1

 

CMYK 0 / 42 / 42 / 14

HEX #DB7E7E

RGB 219 126 126

HSL 0, 0.56%, 0.68%

LAB 62.92, 35.9, 15.78

 

CMYK 0 / 15 / 42 / 14

HEX #DBBB7E

RGB 219 187 126

HSL 39.35, 0.56%, 0.68%

LAB 77.34, 3.29, 35.1

 

CMYK 0 / 3 / 42 / 14

HEX #DBD47E

RGB 219 212 126

HSL 55.48, 0.56%, 0.68%

LAB 83.78, -9.64, 43.3

 

CMYK 8 / 0 / 42 / 14

HEX #CADB7E

RGB 202 219 126

HSL 70.97, 0.56%, 0.68%

LAB 84.34, -19.79, 43.71

 

CMYK 19 / 0 / 42 / 14

HEX #B1DB7E

RGB 177 219 126

HSL 87.1, 0.56%, 0.68%

LAB 82.66, -29.21, 41.23

 

CMYK 31 / 0 / 42 / 14

HEX #98DB7E

RGB 152 219 126

HSL 103.23, 0.56%, 0.68%

LAB 81.21, -38.01, 39.09

 

CMYK 0 / 15 / 42 / 14

HEX #DBBB7E

RGB 219 187 126

HSL 39.35, 0.56%, 0.68%

LAB 77.34, 3.29, 35.1

 

CMYK 0 / 18 / 52 / 9

HEX #E9BF71

RGB 233 191 113

HSL 39, 0.73%, 0.68%

LAB 79.49, 5.62, 44.7

 

CMYK 0 / 21 / 59 / 4

HEX #F6C364

RGB 246 195 100

HSL 39.04, 0.89%, 0.68%

LAB 81.59, 7.85, 53.82

 

CMYK 0 / 15 / 42 / 14

HEX #DBBB7E

RGB 219 187 126

HSL 39.35, 0.56%, 0.68%

LAB 77.34, 3.29, 35.1

 

CMYK 0 / 11 / 32 / 19

HEX #CEB78C

RGB 206 183 140

HSL 39.09, 0.4%, 0.68%

LAB 75.38, 1.86, 24.91

 

CMYK 0 / 7 / 21 / 24

HEX #C1B399

RGB 193 179 153

HSL 39, 0.24%, 0.68%

LAB 73.47, 0.76, 15.09

 

CMYK 0 / 3 / 8 / 29

HEX #B4AFA6

RGB 180 175 166

HSL 38.57, 0.09%, 0.68%

LAB 71.63, 0.17, 5.23

 

CMYK 7 / 4 / 0 / 30

HEX #A7ABB3

RGB 167 171 179

HSL 220, 0.07%, 0.68%

LAB 69.89, 0.16, -4.6

 

CMYK 0 / 38 / 42 / 14

HEX #DB887E

RGB 219 136 126

HSL 6.45, 0.56%, 0.68%

LAB 65.1, 30.61, 18.79

 

CMYK 0 / 27 / 42 / 14

HEX #DBA07E

RGB 219 160 126

HSL 21.94, 0.56%, 0.68%

LAB 70.67, 17.71, 26.33

 

CMYK 0 / 16 / 42 / 14

HEX #DBB97E

RGB 219 185 126

HSL 38.06, 0.56%, 0.68%

LAB 76.84, 4.34, 34.45

 

CMYK 0 / 4 / 42 / 14

HEX #DBD27E

RGB 219 210 126

HSL 54.19, 0.56%, 0.68%

LAB 83.26, -8.63, 42.64

 

CMYK 7 / 0 / 42 / 14

HEX #CCDB7E

RGB 204 219 126

HSL 69.68, 0.56%, 0.68%

LAB 84.49, -19.02, 43.93

 

CMYK 0 / 24 / 69 / 21

HEX #CA993E

RGB 202 153 62

HSL 39, 0.57%, 0.52%

LAB 66.28, 9.17, 53.11

 

CMYK 0 / 19 / 55 / 17

HEX #D3AA5E

RGB 211 170 94

HSL 38.97, 0.57%, 0.6%

LAB 71.83, 6.03, 44.4

 

CMYK 0 / 15 / 42 / 14

HEX #DBBB7E

RGB 219 187 126

HSL 39.35, 0.56%, 0.68%

LAB 77.34, 3.29, 35.1

 

CMYK 0 / 11 / 30 / 11

HEX #E4CC9F

RGB 228 204 159

HSL 39.13, 0.56%, 0.76%

LAB 83.01, 1.78, 25.53

 

CMYK 0 / 7 / 19 / 7

HEX #EDDDBF

RGB 237 221 191

HSL 39.13, 0.56%, 0.84%

LAB 88.68, 0.74, 16.71

 

CMYK 0 / 15 / 43 / 14

HEX #DCBB7E

RGB 220 187 126

HSL 38.94, 0.57%, 0.68%

LAB 77.44, 3.69, 35.24

 

CMYK 35 / 0 / 42 / 14

HEX #8EDB7E

RGB 142 219 126

HSL 109.68, 0.56%, 0.68%

LAB 80.69, -41.3, 38.34

 

CMYK 32 / 42 / 0 / 14

HEX #947EDB

RGB 148 126 219

HSL 254.19, 0.56%, 0.68%

LAB 58.35, 29.02, -44.74

 

CMYK 0 / 15 / 43 / 14

HEX #DCBB7E

RGB 220 187 126

HSL 38.94, 0.57%, 0.68%

LAB 77.44, 3.69, 35.24

 

CMYK 42 / 0 / 16 / 14

HEX #7EDBB9

RGB 126 219 185

HSL 158.06, 0.56%, 0.68%

LAB 81.07, -35.49, 8.12

 

CMYK 16 / 42 / 0 / 14

HEX #B97EDB

RGB 185 126 219

HSL 278.06, 0.56%, 0.68%

LAB 61.96, 39.47, -38.83

 

CMYK 0 / 15 / 43 / 14

HEX #DCBB7E

RGB 220 187 126

HSL 38.94, 0.57%, 0.68%

LAB 77.44, 3.69, 35.24

 

CMYK 35 / 0 / 42 / 14

HEX #8EDB7E

RGB 142 219 126

HSL 109.68, 0.56%, 0.68%

LAB 80.69, -41.3, 38.34

 

CMYK 42 / 27 / 0 / 14

HEX #7EA0DB

RGB 126 160 219

HSL 218.06, 0.56%, 0.68%

LAB 65.51, 3.47, -33.65

 

CMYK 7 / 42 / 0 / 14

HEX #CC7EDB

RGB 204 126 219

HSL 290.32, 0.56%, 0.68%

LAB 64.06, 45.05, -35.39

 

CMYK 0 / 15 / 43 / 14

HEX #DCBB7E

RGB 220 187 126

HSL 38.94, 0.57%, 0.68%

LAB 77.44, 3.69, 35.24

 

CMYK 42 / 0 / 37 / 14

HEX #7EDB8B

RGB 126 219 139

HSL 128.39, 0.56%, 0.68%

LAB 80.16, -44.22, 30.93

 

CMYK 42 / 27 / 0 / 14

HEX #7EA0DB

RGB 126 160 219

HSL 218.06, 0.56%, 0.68%

LAB 65.51, 3.47, -33.65

 

CMYK 0 / 42 / 5 / 14

HEX #DB7ECF

RGB 219 126 207

HSL 307.74, 0.56%, 0.68%

LAB 65.35, 47.36, -26.55

 

Description

Color code: HEX #DCBB7E | qconv.com Color code: HEX #DCBB7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 187 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 187 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 43 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 43% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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