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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCBB36 it is the complementary color #2344C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCBB36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCBB36 shade: #E1BB31, #F2CD44, #FFDF57, #FFF16A and #FFFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCBB36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCBB36 shade: #DCBB36, #CBA923, #BA9710, #A98500 and #987300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCBB36 shade: #DBBB37, #DB8E37, #DB6237 and #DB3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCBB36 shade: #DBBB37, #D0DB37, #A3DB37, #77DB37 and #4BDB37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCBB36 shade matches the following richer shades: #DBBB37 and #EEC624

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCBB36 shade: #DBBB37, #C8AF4A, #B5A45D, #A29870 and #8F8D83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCBB36 shade: #DB6337, #DB8F37, #DBBA37, #D0DB37 and #A5DB37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCBB36 shade: #A3891C, #C7A623, #DBBB37, #E1C75A and #E8D37D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCBB36 shade: #DCBB36, #37DB37 and #7937DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCBB36 shade: #DCBB36, #37DBBA and #BA37DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCBB36 shade: #DCBB36, #37DB37, #3758DB and #DB37DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCBB36 shade: #DCBB36, #37DB68, #3758DB and #DB37AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 75 / 14

HEX #DCBB36

RGB 220 187 54

HSL 48.07, 0.7%, 0.54%

LAB 76.69, -1.5, 67.2

 

Complementary color

CMYK 83 / 66 / 0 / 21

HEX #2344C9

RGB 35 68 201

HSL 228.07, 0.7%, 0.46%

LAB 35.42, 37.98, -71.82

 

CMYK 0 / 17 / 78 / 12

HEX #E1BB31

RGB 225 187 49

HSL 47.05, 0.75%, 0.54%

LAB 77.14, 0.46, 69.47

 

CMYK 0 / 15 / 72 / 5

HEX #F2CD44

RGB 242 205 68

HSL 47.24, 0.87%, 0.61%

LAB 83.42, -0.83, 69.32

 

CMYK 0 / 13 / 66 / 0

HEX #FFDF57

RGB 255 223 87

HSL 48.57, 1%, 0.67%

LAB 89.26, -3.59, 68.21

 

CMYK 0 / 5 / 58 / 0

HEX #FFF16A

RGB 255 241 106

HSL 54.36, 1%, 0.71%

LAB 93.97, -11.38, 65.35

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 15 / 75 / 14

HEX #DCBB36

RGB 220 187 54

HSL 48.07, 0.7%, 0.54%

LAB 76.69, -1.5, 67.2

 

CMYK 0 / 17 / 83 / 20

HEX #CBA923

RGB 203 169 35

HSL 47.86, 0.71%, 0.47%

LAB 70.31, -0.11, 66.9

 

CMYK 0 / 19 / 91 / 27

HEX #BA9710

RGB 186 151 16

HSL 47.65, 0.84%, 0.4%

LAB 63.84, 1.53, 65.43

 

CMYK 0 / 21 / 100 / 34

HEX #A98500

RGB 169 133 0

HSL 47.22, 1%, 0.33%

LAB 57.28, 3.43, 62.38

 

CMYK 0 / 24 / 100 / 40

HEX #987300

RGB 152 115 0

HSL 45.39, 1%, 0.3%

LAB 50.61, 5.64, 56.89

 

CMYK 0 / 15 / 75 / 14

HEX #DBBB37

RGB 219 187 55

HSL 48.29, 0.69%, 0.54%

LAB 76.6, -1.89, 66.74

 

CMYK 0 / 35 / 75 / 14

HEX #DB8E37

RGB 219 142 55

HSL 31.83, 0.69%, 0.54%

LAB 65.5, 22.07, 55.98

 

CMYK 0 / 55 / 75 / 14

HEX #DB6237

RGB 219 98 55

HSL 15.73, 0.69%, 0.54%

LAB 56.16, 44.85, 46.43

 

CMYK 0 / 75 / 75 / 14

HEX #DB3737

RGB 219 55 55

HSL 0, 0.69%, 0.54%

LAB 49.58, 62.5, 39.34

 

CMYK 0 / 15 / 75 / 14

HEX #DBBB37

RGB 219 187 55

HSL 48.29, 0.69%, 0.54%

LAB 76.6, -1.89, 66.74

 

CMYK 5 / 0 / 75 / 14

HEX #D0DB37

RGB 208 219 55

HSL 64.02, 0.69%, 0.54%

LAB 84.15, -22.64, 73.45

 

CMYK 26 / 0 / 75 / 14

HEX #A3DB37

RGB 163 219 55

HSL 80.49, 0.69%, 0.54%

LAB 81.14, -40.53, 69.55

 

CMYK 46 / 0 / 75 / 14

HEX #77DB37

RGB 119 219 55

HSL 96.59, 0.69%, 0.54%

LAB 78.96, -55.67, 66.7

 

CMYK 66 / 0 / 75 / 14

HEX #4BDB37

RGB 75 219 55

HSL 112.68, 0.69%, 0.54%

LAB 77.54, -66.88, 64.83

 

CMYK 0 / 15 / 75 / 14

HEX #DBBB37

RGB 219 187 55

HSL 48.29, 0.69%, 0.54%

LAB 76.6, -1.89, 66.74

 

CMYK 0 / 17 / 85 / 7

HEX #EEC624

RGB 238 198 36

HSL 48.12, 0.86%, 0.54%

LAB 81.12, -0.03, 77.04

 

CMYK 0 / 15 / 75 / 14

HEX #DBBB37

RGB 219 187 55

HSL 48.29, 0.69%, 0.54%

LAB 76.6, -1.89, 66.74

 

CMYK 0 / 13 / 63 / 22

HEX #C8AF4A

RGB 200 175 74

HSL 48.1, 0.53%, 0.54%

LAB 71.85, -2.76, 53.66

 

CMYK 0 / 9 / 49 / 29

HEX #B5A45D

RGB 181 164 93

HSL 48.41, 0.37%, 0.54%

LAB 67.4, -3.48, 38.87

 

CMYK 0 / 6 / 31 / 36

HEX #A29870

RGB 162 152 112

HSL 48, 0.21%, 0.54%

LAB 62.77, -2.7, 22.42

 

CMYK 0 / 1 / 8 / 44

HEX #8F8D83

RGB 143 141 131

HSL 50, 0.05%, 0.54%

LAB 58.53, -1.13, 5.59

 

CMYK 0 / 55 / 75 / 14

HEX #DB6337

RGB 219 99 55

HSL 16.1, 0.69%, 0.54%

LAB 56.35, 44.36, 46.63

 

CMYK 0 / 35 / 75 / 14

HEX #DB8F37

RGB 219 143 55

HSL 32.2, 0.69%, 0.54%

LAB 65.73, 21.53, 56.21

 

CMYK 0 / 15 / 75 / 14

HEX #DBBA37

RGB 219 186 55

HSL 47.93, 0.69%, 0.54%

LAB 76.35, -1.37, 66.49

 

CMYK 5 / 0 / 75 / 14

HEX #D0DB37

RGB 208 219 55

HSL 64.02, 0.69%, 0.54%

LAB 84.15, -22.64, 73.45

 

CMYK 25 / 0 / 75 / 14

HEX #A5DB37

RGB 165 219 55

HSL 79.76, 0.69%, 0.54%

LAB 81.26, -39.78, 69.71

 

CMYK 0 / 16 / 83 / 36

HEX #A3891C

RGB 163 137 28

HSL 48.44, 0.71%, 0.37%

LAB 57.81, -0.98, 56.64

 

CMYK 0 / 17 / 82 / 22

HEX #C7A623

RGB 199 166 35

HSL 47.93, 0.7%, 0.46%

LAB 69.14, -0.28, 65.74

 

CMYK 0 / 15 / 75 / 14

HEX #DBBB37

RGB 219 187 55

HSL 48.29, 0.69%, 0.54%

LAB 76.6, -1.89, 66.74

 

CMYK 0 / 12 / 60 / 12

HEX #E1C75A

RGB 225 199 90

HSL 48.44, 0.69%, 0.62%

LAB 80.51, -3.63, 56.68

 

CMYK 0 / 9 / 46 / 9

HEX #E8D37D

RGB 232 211 125

HSL 48.22, 0.7%, 0.7%

LAB 84.6, -4.05, 45.04

 

CMYK 0 / 15 / 75 / 14

HEX #DCBB36

RGB 220 187 54

HSL 48.07, 0.7%, 0.54%

LAB 76.69, -1.5, 67.2

 

CMYK 75 / 0 / 75 / 14

HEX #37DB37

RGB 55 219 55

HSL 120, 0.69%, 0.54%

LAB 77.13, -70.34, 64.29

 

CMYK 45 / 75 / 0 / 14

HEX #7937DB

RGB 121 55 219

HSL 264.15, 0.69%, 0.54%

LAB 41.08, 61.15, -72.68

 

CMYK 0 / 15 / 75 / 14

HEX #DCBB36

RGB 220 187 54

HSL 48.07, 0.7%, 0.54%

LAB 76.69, -1.5, 67.2

 

CMYK 75 / 0 / 15 / 14

HEX #37DBBA

RGB 55 219 186

HSL 167.93, 0.69%, 0.54%

LAB 79.05, -48.72, 4.42

 

CMYK 15 / 75 / 0 / 14

HEX #BA37DB

RGB 186 55 219

HSL 287.93, 0.69%, 0.54%

LAB 49.84, 72.53, -58.05

 

CMYK 0 / 15 / 75 / 14

HEX #DCBB36

RGB 220 187 54

HSL 48.07, 0.7%, 0.54%

LAB 76.69, -1.5, 67.2

 

CMYK 75 / 0 / 75 / 14

HEX #37DB37

RGB 55 219 55

HSL 120, 0.69%, 0.54%

LAB 77.13, -70.34, 64.29

 

CMYK 75 / 60 / 0 / 14

HEX #3758DB

RGB 55 88 219

HSL 227.93, 0.69%, 0.54%

LAB 42.62, 33.66, -70.36

 

CMYK 0 / 75 / 0 / 14

HEX #DB37DB

RGB 219 55 219

HSL 300, 0.69%, 0.54%

LAB 54.98, 78.99, -49.54

 

CMYK 0 / 15 / 75 / 14

HEX #DCBB36

RGB 220 187 54

HSL 48.07, 0.7%, 0.54%

LAB 76.69, -1.5, 67.2

 

CMYK 75 / 0 / 53 / 14

HEX #37DB68

RGB 55 219 104

HSL 137.93, 0.69%, 0.54%

LAB 77.56, -65.12, 44.54

 

CMYK 75 / 60 / 0 / 14

HEX #3758DB

RGB 55 88 219

HSL 227.93, 0.69%, 0.54%

LAB 42.62, 33.66, -70.36

 

CMYK 0 / 75 / 22 / 14

HEX #DB37AA

RGB 219 55 170

HSL 317.93, 0.69%, 0.54%

LAB 52.61, 72.06, -24.98

 

Description

Color code: HEX #DCBB36 | qconv.com Color code: HEX #DCBB36 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 187 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 187 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 75 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 75% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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