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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCAB74 it is the complementary color #23548B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCAB74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCAB74 shade: #E1AB6F, #F2BD82, #FFCF95, #FFE1A8 and #FFF3BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCAB74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCAB74 shade: #DCAB74, #CB9961, #BA874E, #A9753B and #986328

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCAB74 shade: #DCAB74, #DC8F74 and #DC7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCAB74 shade: #DCAB74, #DCC774, #D5DC74, #B9DC74 and #9DDC74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCAB74 shade matches the following richer shades: #DCAB74, #EAAC66 and #F8AC58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCAB74 shade: #DCAB74, #CEAA82, #C0A990, #B2A89E and #A4A8AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCAB74 shade: #DC7476, #DC8E74, #DCAA74, #DCC574 and #D7DC74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCAB74 shade: #CB8332, #D49753, #DCAB74, #E4BF95 and #ECD3B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCAB74 shade: #DCAB74, #91DC74 and #8074DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCAB74 shade: #DCAB74, #74DCAA and #AA74DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCAB74 shade: #DCAB74, #91DC74, #74A6DC and #BE74DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCAB74 shade: #DCAB74, #74DC76, #74A6DC and #DC74DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 47 / 14

HEX #DCAB74

RGB 220 171 116

HSL 31.73, 0.6%, 0.66%

LAB 73.29, 11.18, 35.12

 

Complementary color

CMYK 75 / 40 / 0 / 45

HEX #23548B

RGB 35 84 139

HSL 211.73, 0.6%, 0.34%

LAB 35.13, 3.43, -35.34

 

CMYK 0 / 24 / 51 / 12

HEX #E1AB6F

RGB 225 171 111

HSL 31.58, 0.66%, 0.66%

LAB 73.73, 12.75, 38.39

 

CMYK 0 / 22 / 46 / 5

HEX #F2BD82

RGB 242 189 130

HSL 31.61, 0.81%, 0.73%

LAB 80.11, 11.86, 37.04

 

CMYK 0 / 19 / 42 / 0

HEX #FFCF95

RGB 255 207 149

HSL 32.83, 1%, 0.79%

LAB 86.03, 9.52, 35.19

 

CMYK 0 / 12 / 34 / 0

HEX #FFE1A8

RGB 255 225 168

HSL 39.31, 1%, 0.83%

LAB 90.75, 2.38, 31.71

 

CMYK 0 / 5 / 27 / 0

HEX #FFF3BB

RGB 255 243 187

HSL 49.41, 1%, 0.87%

LAB 95.56, -4.37, 28.51

 

CMYK 0 / 22 / 47 / 14

HEX #DCAB74

RGB 220 171 116

HSL 31.73, 0.6%, 0.66%

LAB 73.29, 11.18, 35.12

 

CMYK 0 / 25 / 52 / 20

HEX #CB9961

RGB 203 153 97

HSL 31.7, 0.5%, 0.59%

LAB 66.78, 12.1, 36.5

 

CMYK 0 / 27 / 58 / 27

HEX #BA874E

RGB 186 135 78

HSL 31.67, 0.44%, 0.52%

LAB 60.17, 13.18, 37.97

 

CMYK 0 / 31 / 65 / 34

HEX #A9753B

RGB 169 117 59

HSL 31.64, 0.48%, 0.45%

LAB 53.46, 14.46, 39.48

 

CMYK 0 / 35 / 74 / 40

HEX #986328

RGB 152 99 40

HSL 31.61, 0.58%, 0.38%

LAB 46.65, 16, 40.92

 

CMYK 0 / 22 / 47 / 14

HEX #DCAB74

RGB 220 171 116

HSL 31.73, 0.6%, 0.66%

LAB 73.29, 11.18, 35.12

 

CMYK 0 / 35 / 47 / 14

HEX #DC8F74

RGB 220 143 116

HSL 15.58, 0.6%, 0.66%

LAB 66.61, 26.22, 26.42

 

CMYK 0 / 47 / 47 / 14

HEX #DC7474

RGB 220 116 116

HSL 0, 0.6%, 0.66%

LAB 60.75, 40.44, 18.52

 

CMYK 0 / 22 / 47 / 14

HEX #DCAB74

RGB 220 171 116

HSL 31.73, 0.6%, 0.66%

LAB 73.29, 11.18, 35.12

 

CMYK 0 / 10 / 47 / 14

HEX #DCC774

RGB 220 199 116

HSL 47.88, 0.6%, 0.66%

LAB 80.36, -3.57, 44.02

 

CMYK 3 / 0 / 47 / 14

HEX #D5DC74

RGB 213 220 116

HSL 64.04, 0.6%, 0.66%

LAB 85.3, -17, 49.91

 

CMYK 16 / 0 / 47 / 14

HEX #B9DC74

RGB 185 220 116

HSL 80.19, 0.6%, 0.66%

LAB 83.32, -27.85, 47.05

 

CMYK 29 / 0 / 47 / 14

HEX #9DDC74

RGB 157 220 116

HSL 96.35, 0.6%, 0.66%

LAB 81.63, -38.02, 44.59

 

CMYK 0 / 22 / 47 / 14

HEX #DCAB74

RGB 220 171 116

HSL 31.73, 0.6%, 0.66%

LAB 73.29, 11.18, 35.12

 

CMYK 0 / 26 / 56 / 8

HEX #EAAC66

RGB 234 172 102

HSL 31.82, 0.76%, 0.66%

LAB 74.8, 15.15, 44.52

 

CMYK 0 / 31 / 65 / 3

HEX #F8AC58

RGB 248 172 88

HSL 31.5, 0.92%, 0.66%

LAB 76.17, 19.94, 53.37

 

CMYK 0 / 22 / 47 / 14

HEX #DCAB74

RGB 220 171 116

HSL 31.73, 0.6%, 0.66%

LAB 73.29, 11.18, 35.12

 

CMYK 0 / 17 / 37 / 19

HEX #CEAA82

RGB 206 170 130

HSL 31.58, 0.44%, 0.66%

LAB 71.88, 7.57, 25.56

 

CMYK 0 / 12 / 25 / 25

HEX #C0A990

RGB 192 169 144

HSL 31.25, 0.28%, 0.66%

LAB 70.59, 4.43, 15.97

 

CMYK 0 / 6 / 11 / 30

HEX #B2A89E

RGB 178 168 158

HSL 30, 0.11%, 0.66%

LAB 69.43, 1.85, 6.44

 

CMYK 5 / 2 / 0 / 33

HEX #A4A8AC

RGB 164 168 172

HSL 210, 0.05%, 0.66%

LAB 68.66, -0.63, -2.56

 

CMYK 0 / 47 / 46 / 14

HEX #DC7476

RGB 220 116 118

HSL 358.85, 0.6%, 0.66%

LAB 60.79, 40.63, 17.44

 

CMYK 0 / 35 / 47 / 14

HEX #DC8E74

RGB 220 142 116

HSL 15, 0.6%, 0.66%

LAB 66.38, 26.76, 26.11

 

CMYK 0 / 23 / 47 / 14

HEX #DCAA74

RGB 220 170 116

HSL 31.15, 0.6%, 0.66%

LAB 73.04, 11.71, 34.8

 

CMYK 0 / 10 / 47 / 14

HEX #DCC574

RGB 220 197 116

HSL 46.73, 0.6%, 0.66%

LAB 79.85, -2.54, 43.38

 

CMYK 2 / 0 / 47 / 14

HEX #D7DC74

RGB 215 220 116

HSL 62.88, 0.6%, 0.66%

LAB 85.45, -16.21, 50.13

 

CMYK 0 / 35 / 75 / 20

HEX #CB8332

RGB 203 131 50

HSL 31.76, 0.6%, 0.5%

LAB 60.92, 21, 52.93

 

CMYK 0 / 29 / 61 / 17

HEX #D49753

RGB 212 151 83

HSL 31.63, 0.6%, 0.58%

LAB 67.09, 15.85, 44.33

 

CMYK 0 / 22 / 47 / 14

HEX #DCAB74

RGB 220 171 116

HSL 31.73, 0.6%, 0.66%

LAB 73.29, 11.18, 35.12

 

CMYK 0 / 16 / 35 / 11

HEX #E4BF95

RGB 228 191 149

HSL 31.9, 0.59%, 0.74%

LAB 79.57, 7.35, 26.13

 

CMYK 0 / 11 / 23 / 7

HEX #ECD3B6

RGB 236 211 182

HSL 32.22, 0.59%, 0.82%

LAB 85.91, 4.25, 17.54

 

CMYK 0 / 22 / 47 / 14

HEX #DCAB74

RGB 220 171 116

HSL 31.73, 0.6%, 0.66%

LAB 73.29, 11.18, 35.12

 

CMYK 34 / 0 / 47 / 14

HEX #91DC74

RGB 145 220 116

HSL 103.27, 0.6%, 0.66%

LAB 81, -42.08, 43.67

 

CMYK 42 / 47 / 0 / 14

HEX #8074DC

RGB 128 116 220

HSL 246.92, 0.6%, 0.66%

LAB 54.29, 29.99, -51.86

 

CMYK 0 / 22 / 47 / 14

HEX #DCAB74

RGB 220 171 116

HSL 31.73, 0.6%, 0.66%

LAB 73.29, 11.18, 35.12

 

CMYK 47 / 0 / 23 / 14

HEX #74DCAA

RGB 116 220 170

HSL 151.15, 0.6%, 0.66%

LAB 80.63, -41.65, 15.37

 

CMYK 23 / 47 / 0 / 14

HEX #AA74DC

RGB 170 116 220

HSL 271.15, 0.6%, 0.66%

LAB 58.23, 40.94, -45.35

 

CMYK 0 / 22 / 47 / 14

HEX #DCAB74

RGB 220 171 116

HSL 31.73, 0.6%, 0.66%

LAB 73.29, 11.18, 35.12

 

CMYK 34 / 0 / 47 / 14

HEX #91DC74

RGB 145 220 116

HSL 103.27, 0.6%, 0.66%

LAB 81, -42.08, 43.67

 

CMYK 47 / 25 / 0 / 14

HEX #74A6DC

RGB 116 166 220

HSL 211.15, 0.6%, 0.66%

LAB 66.64, -2.1, -32.5

 

CMYK 14 / 47 / 0 / 14

HEX #BE74DC

RGB 190 116 220

HSL 282.69, 0.6%, 0.66%

LAB 60.43, 46.49, -41.74

 

CMYK 0 / 22 / 47 / 14

HEX #DCAB74

RGB 220 171 116

HSL 31.73, 0.6%, 0.66%

LAB 73.29, 11.18, 35.12

 

CMYK 47 / 0 / 46 / 14

HEX #74DC76

RGB 116 220 118

HSL 121.15, 0.6%, 0.66%

LAB 79.73, -50.65, 40.84

 

CMYK 47 / 25 / 0 / 14

HEX #74A6DC

RGB 116 166 220

HSL 211.15, 0.6%, 0.66%

LAB 66.64, -2.1, -32.5

 

CMYK 0 / 47 / 1 / 14

HEX #DC74DA

RGB 220 116 218

HSL 301.15, 0.6%, 0.66%

LAB 63.97, 54.61, -34.81

 

Description

Color code: HEX #DCAB74 | qconv.com Color code: HEX #DCAB74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 171 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 171 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 47 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 47% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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