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Color name
HEX #DCA151

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DCA151 it is the complementary color #235EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DCA151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DCA151 shade: #E1A14C, #F2B35F, #FFC572, #FFD785 and #FFE998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DCA151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DCA151 shade: #DCA151, #CB8F3E, #BA7D2B, #A96B18 and #985905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DCA151 shade: #DCA150, #DC7B50, #DC5550 and #DC5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DCA151 shade: #DCA150, #DCC650, #CCDC50, #A6DC50 and #80DC50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DCA151 shade matches the following richer shades: #DCA150, #EDA33F and #FEA62E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DCA151 shade: #DCA150, #CB9E61, #BA9B72, #A99983 and #989694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DCA151 shade: #DC5550, #DC7A50, #DC9F50, #DCC550 and #CEDC50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DCA151 shade: #B67824, #D58E2D, #DCA150, #E3B372 and #EAC695

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DCA151 shade: #DCA151, #71DC50 and #6750DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DCA151 shade: #DCA151, #50DC9F and #9F50DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DCA151 shade: #DCA151, #71DC50, #508DDC and #BB50DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DCA151 shade: #DCA151, #50DC59, #508DDC and #DC50D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 63 / 14

HEX #DCA151

RGB 220 161 81

HSL 34.53, 0.67%, 0.59%

LAB 70.39, 13.69, 49.33

 

Complementary color

CMYK 80 / 46 / 0 / 32

HEX #235EAE

RGB 35 94 174

HSL 214.53, 0.67%, 0.41%

LAB 40.28, 10.58, -48.09

 

CMYK 0 / 28 / 66 / 12

HEX #E1A14C

RGB 225 161 76

HSL 34.23, 0.71%, 0.59%

LAB 70.88, 15.49, 52.41

 

CMYK 0 / 26 / 61 / 5

HEX #F2B35F

RGB 242 179 95

HSL 34.29, 0.85%, 0.66%

LAB 77.25, 14.23, 51.08

 

CMYK 0 / 23 / 55 / 0

HEX #FFC572

RGB 255 197 114

HSL 35.32, 1%, 0.72%

LAB 83.13, 11.52, 49.14

 

CMYK 0 / 16 / 48 / 0

HEX #FFD785

RGB 255 215 133

HSL 40.33, 1%, 0.76%

LAB 87.75, 3.83, 45.47

 

CMYK 0 / 9 / 40 / 0

HEX #FFE998

RGB 255 233 152

HSL 47.18, 1%, 0.8%

LAB 92.49, -3.45, 42.06

 

CMYK 0 / 27 / 63 / 14

HEX #DCA151

RGB 220 161 81

HSL 34.53, 0.67%, 0.59%

LAB 70.39, 13.69, 49.33

 

CMYK 0 / 30 / 69 / 20

HEX #CB8F3E

RGB 203 143 62

HSL 34.47, 0.58%, 0.52%

LAB 63.91, 15.04, 50.63

 

CMYK 0 / 33 / 77 / 27

HEX #BA7D2B

RGB 186 125 43

HSL 34.41, 0.62%, 0.45%

LAB 57.35, 16.61, 51.7

 

CMYK 0 / 37 / 86 / 34

HEX #A96B18

RGB 169 107 24

HSL 34.34, 0.75%, 0.38%

LAB 50.71, 18.46, 52.11

 

CMYK 0 / 41 / 97 / 40

HEX #985905

RGB 152 89 5

HSL 34.29, 0.94%, 0.31%

LAB 43.99, 20.62, 51.18

 

CMYK 0 / 27 / 64 / 14

HEX #DCA150

RGB 220 161 80

HSL 34.71, 0.67%, 0.59%

LAB 70.37, 13.63, 49.8

 

CMYK 0 / 44 / 64 / 14

HEX #DC7B50

RGB 220 123 80

HSL 18.43, 0.67%, 0.59%

LAB 61.62, 33.92, 39.65

 

CMYK 0 / 61 / 64 / 14

HEX #DC5550

RGB 220 85 80

HSL 2.14, 0.67%, 0.59%

LAB 54.34, 52.5, 30.77

 

CMYK 0 / 64 / 64 / 14

HEX #DC5050

RGB 220 80 80

HSL 0, 0.67%, 0.59%

LAB 53.53, 54.66, 29.75

 

CMYK 0 / 27 / 64 / 14

HEX #DCA150

RGB 220 161 80

HSL 34.71, 0.67%, 0.59%

LAB 70.37, 13.63, 49.8

 

CMYK 0 / 10 / 64 / 14

HEX #DCC650

RGB 220 198 80

HSL 50.57, 0.67%, 0.59%

LAB 79.72, -5.86, 60.07

 

CMYK 7 / 0 / 64 / 14

HEX #CCDC50

RGB 204 220 80

HSL 66.86, 0.67%, 0.59%

LAB 84.28, -23.45, 64.53

 

CMYK 25 / 0 / 64 / 14

HEX #A6DC50

RGB 166 220 80

HSL 83.14, 0.67%, 0.59%

LAB 81.77, -38.28, 61.1

 

CMYK 42 / 0 / 64 / 14

HEX #80DC50

RGB 128 220 80

HSL 99.43, 0.67%, 0.59%

LAB 79.82, -51.42, 58.41

 

CMYK 0 / 27 / 64 / 14

HEX #DCA150

RGB 220 161 80

HSL 34.71, 0.67%, 0.59%

LAB 70.37, 13.63, 49.8

 

CMYK 0 / 31 / 73 / 7

HEX #EDA33F

RGB 237 163 63

HSL 34.48, 0.83%, 0.59%

LAB 72.6, 18.8, 60.39

 

CMYK 0 / 35 / 82 / 0

HEX #FEA62E

RGB 254 166 46

HSL 34.62, 0.99%, 0.59%

LAB 75.16, 23.71, 69.88

 

CMYK 0 / 27 / 64 / 14

HEX #DCA150

RGB 220 161 80

HSL 34.71, 0.67%, 0.59%

LAB 70.37, 13.63, 49.8

 

CMYK 0 / 22 / 52 / 20

HEX #CB9E61

RGB 203 158 97

HSL 34.53, 0.5%, 0.59%

LAB 68.03, 9.39, 38.06

 

CMYK 0 / 17 / 39 / 27

HEX #BA9B72

RGB 186 155 114

HSL 34.17, 0.34%, 0.59%

LAB 65.82, 5.72, 25.8

 

CMYK 0 / 9 / 22 / 34

HEX #A99983

RGB 169 153 131

HSL 34.74, 0.18%, 0.59%

LAB 64.04, 2.27, 13.71

 

CMYK 0 / 1 / 3 / 40

HEX #989694

RGB 152 150 148

HSL 30, 0.02%, 0.59%

LAB 62.19, 0.35, 1.3

 

CMYK 0 / 61 / 64 / 14

HEX #DC5550

RGB 220 85 80

HSL 2.14, 0.67%, 0.59%

LAB 54.34, 52.5, 30.77

 

CMYK 0 / 45 / 64 / 14

HEX #DC7A50

RGB 220 122 80

HSL 18, 0.67%, 0.59%

LAB 61.41, 34.44, 39.4

 

CMYK 0 / 28 / 64 / 14

HEX #DC9F50

RGB 220 159 80

HSL 33.86, 0.67%, 0.59%

LAB 69.89, 14.7, 49.25

 

CMYK 0 / 10 / 64 / 14

HEX #DCC550

RGB 220 197 80

HSL 50.14, 0.67%, 0.59%

LAB 79.46, -5.35, 59.79

 

CMYK 6 / 0 / 64 / 14

HEX #CEDC50

RGB 206 220 80

HSL 66, 0.67%, 0.59%

LAB 84.43, -22.64, 64.73

 

CMYK 0 / 34 / 80 / 29

HEX #B67824

RGB 182 120 36

HSL 34.52, 0.67%, 0.43%

LAB 55.59, 17.35, 52.69

 

CMYK 0 / 33 / 79 / 16

HEX #D58E2D

RGB 213 142 45

HSL 34.64, 0.67%, 0.51%

LAB 64.71, 19.12, 59.02

 

CMYK 0 / 27 / 64 / 14

HEX #DCA150

RGB 220 161 80

HSL 34.71, 0.67%, 0.59%

LAB 70.37, 13.63, 49.8

 

CMYK 0 / 21 / 50 / 11

HEX #E3B372

RGB 227 179 114

HSL 34.51, 0.67%, 0.67%

LAB 75.94, 9.58, 39.66

 

CMYK 0 / 15 / 36 / 8

HEX #EAC695

RGB 234 198 149

HSL 34.59, 0.67%, 0.75%

LAB 81.87, 6.01, 29.31

 

CMYK 0 / 27 / 63 / 14

HEX #DCA151

RGB 220 161 81

HSL 34.53, 0.67%, 0.59%

LAB 70.39, 13.69, 49.33

 

CMYK 49 / 0 / 64 / 14

HEX #71DC50

RGB 113 220 80

HSL 105.86, 0.67%, 0.59%

LAB 79.2, -55.93, 57.56

 

CMYK 53 / 64 / 0 / 14

HEX #6750DC

RGB 103 80 220

HSL 249.86, 0.67%, 0.59%

LAB 43.93, 45.78, -68.67

 

CMYK 0 / 27 / 63 / 14

HEX #DCA151

RGB 220 161 81

HSL 34.53, 0.67%, 0.59%

LAB 70.39, 13.69, 49.33

 

CMYK 64 / 0 / 28 / 14

HEX #50DC9F

RGB 80 220 159

HSL 153.86, 0.67%, 0.59%

LAB 79.27, -51.71, 19.08

 

CMYK 28 / 64 / 0 / 14

HEX #9F50DC

RGB 159 80 220

HSL 273.86, 0.67%, 0.59%

LAB 49.83, 57.01, -58.83

 

CMYK 0 / 27 / 63 / 14

HEX #DCA151

RGB 220 161 81

HSL 34.53, 0.67%, 0.59%

LAB 70.39, 13.69, 49.33

 

CMYK 49 / 0 / 64 / 14

HEX #71DC50

RGB 113 220 80

HSL 105.86, 0.67%, 0.59%

LAB 79.2, -55.93, 57.56

 

CMYK 64 / 36 / 0 / 14

HEX #508DDC

RGB 80 141 220

HSL 213.86, 0.67%, 0.59%

LAB 57.96, 4.73, -46.2

 

CMYK 15 / 64 / 0 / 14

HEX #BB50DC

RGB 187 80 220

HSL 285.86, 0.67%, 0.59%

LAB 53.46, 63.31, -52.81

 

CMYK 0 / 27 / 63 / 14

HEX #DCA151

RGB 220 161 81

HSL 34.53, 0.67%, 0.59%

LAB 70.39, 13.69, 49.33

 

CMYK 64 / 0 / 60 / 14

HEX #50DC59

RGB 80 220 89

HSL 123.86, 0.67%, 0.59%

LAB 78.24, -63.11, 52.34

 

CMYK 64 / 36 / 0 / 14

HEX #508DDC

RGB 80 141 220

HSL 213.86, 0.67%, 0.59%

LAB 57.96, 4.73, -46.2

 

CMYK 0 / 64 / 4 / 14

HEX #DC50D3

RGB 220 80 211

HSL 303.86, 0.67%, 0.59%

LAB 57.71, 69.49, -40.67

 

Description

Color code: HEX #DCA151 | qconv.com Color code: HEX #DCA151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 161 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 161 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 63 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 63% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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