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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9E235 it is the complementary color #261DCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9E235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9E235 shade: #DEE230, #EFF443, #FFFF56, #FFFF69 and #FFFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9E235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9E235 shade: #D9E235, #C8D022, #B7BE0F, #A6AC00 and #959A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9E235 shade: #D9E236, #E2BC36, #E28E36, #E26036 and #E23636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9E235 shade: #D9E236, #AAE236, #7CE236, #4EE236 and #36E24C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9E235 shade matches the following richer shades: #D9E236 and #E9F423

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9E235 shade: #D9E236, #C8CF48, #B8BD5B, #A7AA6D and #969880

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9E235 shade: #E28F36, #E2BD36, #D9E236, #ABE236 and #7DE236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9E235 shade: #A5AD18, #C8D11D, #D9E236, #E0E75A and #E6EC7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9E235 shade: #D9E235, #36E261 and #A636E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9E235 shade: #D9E235, #36D9E2 and #E236D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9E235 shade: #D9E235, #36E261, #3E36E2 and #E236B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9E235 shade: #D9E235, #36E294, #3E36E2 and #E23683

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 77 / 11

HEX #D9E235

RGB 217 226 53

HSL 63.12, 0.75%, 0.55%

LAB 86.7, -22.39, 76.64

 

Complementary color

CMYK 81 / 86 / 0 / 21

HEX #261DCA

RGB 38 29 202

HSL 243.12, 0.75%, 0.45%

LAB 28.26, 59.35, -84.24

 

CMYK 2 / 0 / 79 / 11

HEX #DEE230

RGB 222 226 48

HSL 61.35, 0.75%, 0.54%

LAB 87.06, -20.5, 78.5

 

CMYK 2 / 0 / 73 / 4

HEX #EFF443

RGB 239 244 67

HSL 61.69, 0.89%, 0.61%

LAB 93.21, -21.46, 78.97

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 4 / 0 / 77 / 11

HEX #D9E235

RGB 217 226 53

HSL 63.12, 0.75%, 0.55%

LAB 86.7, -22.39, 76.64

 

CMYK 4 / 0 / 84 / 18

HEX #C8D022

RGB 200 208 34

HSL 62.76, 0.72%, 0.47%

LAB 80.46, -21.35, 75.62

 

CMYK 4 / 0 / 92 / 25

HEX #B7BE0F

RGB 183 190 15

HSL 62.4, 0.85%, 0.4%

LAB 74.14, -20.12, 73.42

 

CMYK 3 / 0 / 100 / 33

HEX #A6AC00

RGB 166 172 0

HSL 62.09, 1%, 0.34%

LAB 67.73, -18.69, 69.76

 

CMYK 3 / 0 / 100 / 40

HEX #959A00

RGB 149 154 0

HSL 61.95, 1%, 0.3%

LAB 61.22, -17.04, 64.34

 

CMYK 4 / 0 / 76 / 11

HEX #D9E236

RGB 217 226 54

HSL 63.14, 0.75%, 0.55%

LAB 86.71, -22.35, 76.35

 

CMYK 0 / 17 / 76 / 11

HEX #E2BC36

RGB 226 188 54

HSL 46.74, 0.75%, 0.55%

LAB 77.52, 0.56, 68.18

 

CMYK 0 / 37 / 76 / 11

HEX #E28E36

RGB 226 142 54

HSL 30.7, 0.75%, 0.55%

LAB 66.35, 24.97, 57.53

 

CMYK 0 / 58 / 76 / 11

HEX #E26036

RGB 226 96 54

HSL 14.65, 0.75%, 0.55%

LAB 56.88, 48.33, 48.02

 

CMYK 0 / 76 / 76 / 11

HEX #E23636

RGB 226 54 54

HSL 0, 0.75%, 0.55%

LAB 50.77, 64.84, 41.58

 

CMYK 4 / 0 / 76 / 11

HEX #D9E236

RGB 217 226 54

HSL 63.14, 0.75%, 0.55%

LAB 86.71, -22.35, 76.35

 

CMYK 25 / 0 / 76 / 11

HEX #AAE236

RGB 170 226 54

HSL 79.53, 0.75%, 0.55%

LAB 83.55, -41.02, 72.29

 

CMYK 45 / 0 / 76 / 11

HEX #7CE236

RGB 124 226 54

HSL 95.58, 0.75%, 0.55%

LAB 81.26, -56.88, 69.31

 

CMYK 65 / 0 / 76 / 11

HEX #4EE236

RGB 78 226 54

HSL 111.63, 0.75%, 0.55%

LAB 79.77, -68.62, 67.36

 

CMYK 76 / 0 / 66 / 11

HEX #36E24C

RGB 54 226 76

HSL 127.67, 0.75%, 0.55%

LAB 79.44, -70.87, 59

 

CMYK 4 / 0 / 76 / 11

HEX #D9E236

RGB 217 226 54

HSL 63.14, 0.75%, 0.55%

LAB 86.71, -22.35, 76.35

 

CMYK 5 / 0 / 86 / 4

HEX #E9F423

RGB 233 244 35

HSL 63.16, 0.9%, 0.55%

LAB 92.64, -24.93, 86.48

 

CMYK 4 / 0 / 76 / 11

HEX #D9E236

RGB 217 226 54

HSL 63.14, 0.75%, 0.55%

LAB 86.71, -22.35, 76.35

 

CMYK 3 / 0 / 65 / 19

HEX #C8CF48

RGB 200 207 72

HSL 63.11, 0.58%, 0.55%

LAB 80.39, -19.24, 63.56

 

CMYK 3 / 0 / 52 / 26

HEX #B8BD5B

RGB 184 189 91

HSL 63.06, 0.43%, 0.55%

LAB 74.41, -15.45, 48.32

 

CMYK 2 / 0 / 36 / 33

HEX #A7AA6D

RGB 167 170 109

HSL 62.95, 0.26%, 0.55%

LAB 68.07, -10.7, 31.12

 

CMYK 1 / 0 / 16 / 40

HEX #969880

RGB 150 152 128

HSL 65, 0.1%, 0.55%

LAB 62.08, -5.05, 12.4

 

CMYK 0 / 37 / 76 / 11

HEX #E28F36

RGB 226 143 54

HSL 31.05, 0.75%, 0.55%

LAB 66.58, 24.44, 57.76

 

CMYK 0 / 16 / 76 / 11

HEX #E2BD36

RGB 226 189 54

HSL 47.09, 0.75%, 0.55%

LAB 77.77, 0.04, 68.42

 

CMYK 4 / 0 / 76 / 11

HEX #D9E236

RGB 217 226 54

HSL 63.14, 0.75%, 0.55%

LAB 86.71, -22.35, 76.35

 

CMYK 24 / 0 / 76 / 11

HEX #ABE236

RGB 171 226 54

HSL 79.19, 0.75%, 0.55%

LAB 83.61, -40.64, 72.36

 

CMYK 45 / 0 / 76 / 11

HEX #7DE236

RGB 125 226 54

HSL 95.23, 0.75%, 0.55%

LAB 81.3, -56.57, 69.36

 

CMYK 5 / 0 / 86 / 32

HEX #A5AD18

RGB 165 173 24

HSL 63.22, 0.76%, 0.39%

LAB 67.99, -19.22, 66.34

 

CMYK 4 / 0 / 86 / 18

HEX #C8D11D

RGB 200 209 29

HSL 63, 0.76%, 0.47%

LAB 80.72, -21.96, 76.88

 

CMYK 4 / 0 / 76 / 11

HEX #D9E236

RGB 217 226 54

HSL 63.14, 0.75%, 0.55%

LAB 86.71, -22.35, 76.35

 

CMYK 3 / 0 / 61 / 9

HEX #E0E75A

RGB 224 231 90

HSL 62.98, 0.75%, 0.63%

LAB 88.8, -20.05, 65.72

 

CMYK 3 / 0 / 47 / 7

HEX #E6EC7E

RGB 230 236 126

HSL 63.27, 0.74%, 0.71%

LAB 90.93, -17.24, 52.28

 

CMYK 4 / 0 / 77 / 11

HEX #D9E235

RGB 217 226 53

HSL 63.12, 0.75%, 0.55%

LAB 86.7, -22.39, 76.64

 

CMYK 76 / 0 / 57 / 11

HEX #36E261

RGB 54 226 97

HSL 135, 0.75%, 0.55%

LAB 79.64, -68.51, 50.26

 

CMYK 27 / 76 / 0 / 11

HEX #A636E2

RGB 166 54 226

HSL 279.07, 0.75%, 0.55%

LAB 47.28, 70.56, -66.31

 

CMYK 4 / 0 / 77 / 11

HEX #D9E235

RGB 217 226 53

HSL 63.12, 0.75%, 0.55%

LAB 86.7, -22.39, 76.64

 

CMYK 76 / 4 / 0 / 11

HEX #36D9E2

RGB 54 217 226

HSL 183.14, 0.75%, 0.55%

LAB 79.56, -37, -16.19

 

CMYK 0 / 76 / 4 / 11

HEX #E236D9

RGB 226 54 217

HSL 303.14, 0.75%, 0.55%

LAB 55.9, 80.37, -46.86

 

CMYK 4 / 0 / 77 / 11

HEX #D9E235

RGB 217 226 53

HSL 63.12, 0.75%, 0.55%

LAB 86.7, -22.39, 76.64

 

CMYK 76 / 0 / 57 / 11

HEX #36E261

RGB 54 226 97

HSL 135, 0.75%, 0.55%

LAB 79.64, -68.51, 50.26

 

CMYK 73 / 76 / 0 / 11

HEX #3E36E2

RGB 62 54 226

HSL 242.79, 0.75%, 0.55%

LAB 36.28, 56.56, -84.77

 

CMYK 0 / 76 / 19 / 11

HEX #E236B7

RGB 226 54 183

HSL 315, 0.75%, 0.55%

LAB 54.27, 75.63, -29.91

 

CMYK 4 / 0 / 77 / 11

HEX #D9E235

RGB 217 226 53

HSL 63.12, 0.75%, 0.55%

LAB 86.7, -22.39, 76.64

 

CMYK 76 / 0 / 35 / 11

HEX #36E294

RGB 54 226 148

HSL 152.79, 0.75%, 0.55%

LAB 80.36, -60.17, 26.21

 

CMYK 73 / 76 / 0 / 11

HEX #3E36E2

RGB 62 54 226

HSL 242.79, 0.75%, 0.55%

LAB 36.28, 56.56, -84.77

 

CMYK 0 / 76 / 42 / 11

HEX #E23683

RGB 226 54 131

HSL 333.14, 0.75%, 0.55%

LAB 52.34, 69.8, -2.11

 

Description

Color code: HEX #D9E235 | qconv.com Color code: HEX #D9E235 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 226 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 226 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 77 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 77% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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