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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9DEAB it is the complementary color #262154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9DEAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9DEAB shade: #DEDEA6, #EFF0B9, #FFFFCC, #FFFFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9DEAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9DEAB shade: #D9DEAB, #C8CC98, #B7BA85, #A6A872 and #95965F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9DEAB shade: #D9DEAA, #DED5AA, #DEC7AA, #DEB9AA and #DEABAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9DEAB shade: #D9DEAA, #CBDEAA, #BDDEAA, #AFDEAA and #AADEB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9DEAB shade matches the following richer shades: #D9DEAA, #E0E7A1, #E8F197 and #EFFA8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9DEAB shade: #D9DEAA, #D1D4B4, #C9CBBD, #C2C1C7 and #BAB8D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9DEAB shade: #DEC6AA, #DED4AA, #D9DEAA, #CCDEAA and #BEDEAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9DEAB shade: #BEC76F, #CBD28C, #D9DEAA, #E6E9C8 and #F3F5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9DEAB shade: #D9DEAB, #AADEB9 and #CDAADE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9DEAB shade: #D9DEAB, #AAD9DE and #DEAAD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9DEAB shade: #D9DEAB, #AADEB9, #AEAADE and #DEAACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9DEAB shade: #D9DEAB, #AADEC8, #AEAADE and #DEAAC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 23 / 13

HEX #D9DEAB

RGB 217 222 171

HSL 65.88, 0.44%, 0.77%

LAB 86.96, -9.98, 24.52

 

Complementary color

CMYK 55 / 61 / 0 / 67

HEX #262154

RGB 38 33 84

HSL 245.88, 0.44%, 0.23%

LAB 16.2, 18.2, -30.44

 

CMYK 0 / 0 / 25 / 13

HEX #DEDEA6

RGB 222 222 166

HSL 60, 0.46%, 0.76%

LAB 87.25, -8.81, 27.56

 

CMYK 0 / 0 / 23 / 6

HEX #EFF0B9

RGB 239 240 185

HSL 61.09, 0.65%, 0.83%

LAB 93.53, -9, 26.56

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAB

RGB 217 222 171

HSL 65.88, 0.44%, 0.77%

LAB 86.96, -9.98, 24.52

 

CMYK 2 / 0 / 25 / 20

HEX #C8CC98

RGB 200 204 152

HSL 64.62, 0.34%, 0.7%

LAB 80.59, -9.82, 25.53

 

CMYK 2 / 0 / 28 / 27

HEX #B7BA85

RGB 183 186 133

HSL 63.4, 0.28%, 0.63%

LAB 74.11, -9.64, 26.6

 

CMYK 1 / 0 / 32 / 34

HEX #A6A872

RGB 166 168 114

HSL 62.22, 0.24%, 0.55%

LAB 67.52, -9.42, 27.72

 

CMYK 1 / 0 / 37 / 41

HEX #95965F

RGB 149 150 95

HSL 61.09, 0.22%, 0.48%

LAB 60.81, -9.15, 28.92

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAA

RGB 217 222 170

HSL 65.77, 0.44%, 0.77%

LAB 86.95, -10.12, 25.01

 

CMYK 0 / 4 / 23 / 13

HEX #DED5AA

RGB 222 213 170

HSL 49.62, 0.44%, 0.77%

LAB 85.01, -3.68, 22.41

 

CMYK 0 / 10 / 23 / 13

HEX #DEC7AA

RGB 222 199 170

HSL 33.46, 0.44%, 0.77%

LAB 81.44, 3.6, 17.48

 

CMYK 0 / 17 / 23 / 13

HEX #DEB9AA

RGB 222 185 170

HSL 17.31, 0.44%, 0.77%

LAB 77.95, 11.01, 12.57

 

CMYK 0 / 23 / 23 / 13

HEX #DEABAA

RGB 222 171 170

HSL 1.15, 0.44%, 0.77%

LAB 74.55, 18.51, 7.72

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAA

RGB 217 222 170

HSL 65.77, 0.44%, 0.77%

LAB 86.95, -10.12, 25.01

 

CMYK 9 / 0 / 23 / 13

HEX #CBDEAA

RGB 203 222 170

HSL 81.92, 0.44%, 0.77%

LAB 85.93, -15.23, 23.45

 

CMYK 15 / 0 / 23 / 13

HEX #BDDEAA

RGB 189 222 170

HSL 98.08, 0.44%, 0.77%

LAB 84.98, -20.21, 21.99

 

CMYK 21 / 0 / 23 / 13

HEX #AFDEAA

RGB 175 222 170

HSL 114.23, 0.44%, 0.77%

LAB 84.1, -25.02, 20.64

 

CMYK 23 / 0 / 19 / 13

HEX #AADEB3

RGB 170 222 179

HSL 130.38, 0.44%, 0.77%

LAB 83.99, -25.12, 15.73

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAA

RGB 217 222 170

HSL 65.77, 0.44%, 0.77%

LAB 86.95, -10.12, 25.01

 

CMYK 3 / 0 / 30 / 9

HEX #E0E7A1

RGB 224 231 161

HSL 66, 0.59%, 0.77%

LAB 89.66, -13.23, 33.37

 

CMYK 4 / 0 / 37 / 5

HEX #E8F197

RGB 232 241 151

HSL 66, 0.76%, 0.77%

LAB 92.71, -16.35, 42.47

 

CMYK 4 / 0 / 43 / 2

HEX #EFFA8E

RGB 239 250 142

HSL 66.11, 0.92%, 0.77%

LAB 95.44, -19.02, 50.39

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAA

RGB 217 222 170

HSL 65.77, 0.44%, 0.77%

LAB 86.95, -10.12, 25.01

 

CMYK 1 / 0 / 15 / 17

HEX #D1D4B4

RGB 209 212 180

HSL 65.63, 0.27%, 0.77%

LAB 83.93, -6.46, 15.51

 

CMYK 1 / 0 / 7 / 20

HEX #C9CBBD

RGB 201 203 189

HSL 68.57, 0.12%, 0.77%

LAB 81.18, -3.18, 6.73

 

CMYK 3 / 3 / 0 / 22

HEX #C2C1C7

RGB 194 193 199

HSL 250, 0.05%, 0.77%

LAB 78.31, 1.47, -2.89

 

CMYK 11 / 12 / 0 / 18

HEX #BAB8D0

RGB 186 184 208

HSL 245, 0.2%, 0.77%

LAB 75.62, 5.38, -11.82

 

CMYK 0 / 11 / 23 / 13

HEX #DEC6AA

RGB 222 198 170

HSL 32.31, 0.44%, 0.77%

LAB 81.19, 4.12, 17.12

 

CMYK 0 / 5 / 23 / 13

HEX #DED4AA

RGB 222 212 170

HSL 48.46, 0.44%, 0.77%

LAB 84.75, -3.16, 22.06

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAA

RGB 217 222 170

HSL 65.77, 0.44%, 0.77%

LAB 86.95, -10.12, 25.01

 

CMYK 8 / 0 / 23 / 13

HEX #CCDEAA

RGB 204 222 170

HSL 80.77, 0.44%, 0.77%

LAB 86, -14.87, 23.56

 

CMYK 14 / 0 / 23 / 13

HEX #BEDEAA

RGB 190 222 170

HSL 96.92, 0.44%, 0.77%

LAB 85.04, -19.86, 22.09

 

CMYK 5 / 0 / 44 / 22

HEX #BEC76F

RGB 190 199 111

HSL 66.14, 0.44%, 0.61%

LAB 77.84, -16.15, 42.84

 

CMYK 3 / 0 / 33 / 18

HEX #CBD28C

RGB 203 210 140

HSL 66, 0.44%, 0.69%

LAB 82.21, -13.3, 33.96

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAA

RGB 217 222 170

HSL 65.77, 0.44%, 0.77%

LAB 86.95, -10.12, 25.01

 

CMYK 1 / 0 / 14 / 9

HEX #E6E9C8

RGB 230 233 200

HSL 65.45, 0.43%, 0.85%

LAB 91.36, -6.54, 15.72

 

CMYK 1 / 0 / 7 / 4

HEX #F3F5E5

RGB 243 245 229

HSL 67.5, 0.44%, 0.93%

LAB 96, -3.41, 7.46

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAB

RGB 217 222 171

HSL 65.88, 0.44%, 0.77%

LAB 86.96, -9.98, 24.52

 

CMYK 23 / 0 / 17 / 13

HEX #AADEB9

RGB 170 222 185

HSL 137.31, 0.44%, 0.77%

LAB 84.12, -24.03, 12.76

 

CMYK 8 / 23 / 0 / 13

HEX #CDAADE

RGB 205 170 222

HSL 280.38, 0.44%, 0.77%

LAB 74.19, 22.1, -21.44

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAB

RGB 217 222 171

HSL 65.88, 0.44%, 0.77%

LAB 86.96, -9.98, 24.52

 

CMYK 23 / 2 / 0 / 13

HEX #AAD9DE

RGB 170 217 222

HSL 185.77, 0.44%, 0.77%

LAB 83.68, -14.06, -7.46

 

CMYK 0 / 23 / 2 / 13

HEX #DEAAD9

RGB 222 170 217

HSL 305.77, 0.44%, 0.77%

LAB 75.63, 26.74, -16.38

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAB

RGB 217 222 171

HSL 65.88, 0.44%, 0.77%

LAB 86.96, -9.98, 24.52

 

CMYK 23 / 0 / 17 / 13

HEX #AADEB9

RGB 170 222 185

HSL 137.31, 0.44%, 0.77%

LAB 84.12, -24.03, 12.76

 

CMYK 22 / 23 / 0 / 13

HEX #AEAADE

RGB 174 170 222

HSL 244.62, 0.44%, 0.77%

LAB 71.57, 12.28, -25.68

 

CMYK 0 / 23 / 7 / 13

HEX #DEAACF

RGB 222 170 207

HSL 317.31, 0.44%, 0.77%

LAB 75.32, 24.96, -11.4

 

CMYK 2 / 0 / 23 / 13

HEX #D9DEAB

RGB 217 222 171

HSL 65.88, 0.44%, 0.77%

LAB 86.96, -9.98, 24.52

 

CMYK 23 / 0 / 10 / 13

HEX #AADEC8

RGB 170 222 200

HSL 154.62, 0.44%, 0.77%

LAB 84.46, -21.16, 5.34

 

CMYK 22 / 23 / 0 / 13

HEX #AEAADE

RGB 174 170 222

HSL 244.62, 0.44%, 0.77%

LAB 71.57, 12.28, -25.68

 

CMYK 0 / 23 / 14 / 13

HEX #DEAAC0

RGB 222 170 192

HSL 334.62, 0.44%, 0.77%

LAB 74.88, 22.43, -3.84

 

Description

Color code: HEX #D9DEAB | qconv.com Color code: HEX #D9DEAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 222 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 222 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 23 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 23% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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