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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9DCD4 it is the complementary color #26232B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9DCD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9DCD4 shade: #DEDCCF, #EFEEE2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9DCD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9DCD4 shade: #D9DCD4, #C8CAC1, #B7B8AE, #A6A69B and #959488

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9DCD4 shade: #D9DCD4, #DBDCD4, #DCDBD4, #DCD9D4 and #DCD7D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9DCD4 shade: #D9DCD4, #D7DCD4, #D5DCD4, #D4DCD6 and #D4DCD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9DCD4 shade matches the following richer shades: #D9DCD4, #DBE2CE, #DCE8C8, #DEEFC2 and #DFF5BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9DCD4 shade: #D9DCD4, #D8D6DB, #D6D0E1, #D5CAE7 and #D3C3ED

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9DCD4 shade: #DCDBD4, #DBDCD4, #D9DCD4, #D7DCD4 and #D5DCD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9DCD4 shade: #B1B7A7, #C5CABE, #D9DCD4 and #EDEFEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9DCD4 shade: #D9DCD4, #D4DCD9 and #DCD4DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9DCD4 shade: #D9DCD4, #D4D9DC and #DCD4D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9DCD4 shade: #D9DCD4, #D4DCD9, #D7D4DC and #DCD4D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9DCD4 shade: #D9DCD4, #D4DCDB, #D7D4DC and #DCD4D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 4 / 14

HEX #D9DCD4

RGB 217 220 212

HSL 82.5, 0.1%, 0.85%

LAB 87.33, -2.44, 3.56

 

Complementary color

CMYK 12 / 19 / 0 / 83

HEX #26232B

RGB 38 35 43

HSL 262.5, 0.1%, 0.15%

LAB 14.34, 3.41, -4.8

 

CMYK 0 / 1 / 7 / 13

HEX #DEDCCF

RGB 222 220 207

HSL 52, 0.19%, 0.84%

LAB 87.59, -1.57, 6.61

 

CMYK 0 / 0 / 5 / 6

HEX #EFEEE2

RGB 239 238 226

HSL 55.38, 0.29%, 0.91%

LAB 93.88, -1.73, 5.91

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 1 / 0 / 4 / 14

HEX #D9DCD4

RGB 217 220 212

HSL 82.5, 0.1%, 0.85%

LAB 87.33, -2.44, 3.56

 

CMYK 1 / 0 / 4 / 21

HEX #C8CAC1

RGB 200 202 193

HSL 73.33, 0.08%, 0.77%

LAB 80.94, -2.31, 4.24

 

CMYK 1 / 0 / 5 / 28

HEX #B7B8AE

RGB 183 184 174

HSL 66, 0.07%, 0.7%

LAB 74.45, -2.17, 4.95

 

CMYK 0 / 0 / 7 / 35

HEX #A6A69B

RGB 166 166 155

HSL 60, 0.06%, 0.63%

LAB 67.83, -2.02, 5.69

HEX #A6A69B

CMYK 0 / 1 / 9 / 42

HEX #959488

RGB 149 148 136

HSL 55.38, 0.06%, 0.56%

LAB 61.09, -1.86, 6.47

HEX #959488

CMYK 1 / 0 / 4 / 14

HEX #D9DCD4

RGB 217 220 212

HSL 82.5, 0.1%, 0.85%

LAB 87.33, -2.44, 3.56

 

CMYK 0 / 0 / 4 / 14

HEX #DBDCD4

RGB 219 220 212

HSL 67.5, 0.1%, 0.85%

LAB 87.48, -1.75, 3.8

 

CMYK 0 / 0 / 4 / 14

HEX #DCDBD4

RGB 220 219 212

HSL 52.5, 0.1%, 0.85%

LAB 87.31, -0.89, 3.55

 

CMYK 0 / 1 / 4 / 14

HEX #DCD9D4

RGB 220 217 212

HSL 37.5, 0.1%, 0.85%

LAB 86.8, 0.14, 2.81

 

CMYK 0 / 2 / 4 / 14

HEX #DCD7D4

RGB 220 215 212

HSL 22.5, 0.1%, 0.85%

LAB 86.29, 1.18, 2.07

 

CMYK 1 / 0 / 4 / 14

HEX #D9DCD4

RGB 217 220 212

HSL 82.5, 0.1%, 0.85%

LAB 87.33, -2.44, 3.56

 

CMYK 2 / 0 / 4 / 14

HEX #D7DCD4

RGB 215 220 212

HSL 97.5, 0.1%, 0.85%

LAB 87.19, -3.12, 3.33

 

CMYK 3 / 0 / 4 / 14

HEX #D5DCD4

RGB 213 220 212

HSL 112.5, 0.1%, 0.85%

LAB 87.04, -3.8, 3.09

 

CMYK 4 / 0 / 3 / 14

HEX #D4DCD6

RGB 212 220 214

HSL 135, 0.1%, 0.85%

LAB 87.02, -3.78, 2

 

CMYK 4 / 0 / 2 / 14

HEX #D4DCD8

RGB 212 220 216

HSL 150, 0.1%, 0.85%

LAB 87.07, -3.42, 1.01

 

CMYK 1 / 0 / 4 / 14

HEX #D9DCD4

RGB 217 220 212

HSL 82.5, 0.1%, 0.85%

LAB 87.33, -2.44, 3.56

 

CMYK 3 / 0 / 9 / 11

HEX #DBE2CE

RGB 219 226 206

HSL 81, 0.26%, 0.85%

LAB 88.88, -5.86, 8.96

 

CMYK 5 / 0 / 14 / 9

HEX #DCE8C8

RGB 220 232 200

HSL 82.5, 0.41%, 0.85%

LAB 90.37, -9.55, 14.22

 

CMYK 7 / 0 / 19 / 6

HEX #DEEFC2

RGB 222 239 194

HSL 82.67, 0.58%, 0.85%

LAB 92.2, -13.29, 19.92

 

CMYK 9 / 0 / 23 / 4

HEX #DFF5BC

RGB 223 245 188

HSL 83.16, 0.74%, 0.85%

LAB 93.72, -16.8, 25.11

 

CMYK 1 / 0 / 4 / 14

HEX #D9DCD4

RGB 217 220 212

HSL 82.5, 0.1%, 0.85%

LAB 87.33, -2.44, 3.56

 

CMYK 1 / 2 / 0 / 14

HEX #D8D6DB

RGB 216 214 219

HSL 264, 0.06%, 0.85%

LAB 85.91, 1.59, -2.23

 

CMYK 5 / 8 / 0 / 12

HEX #D6D0E1

RGB 214 208 225

HSL 261.18, 0.22%, 0.85%

LAB 84.4, 5.19, -7.65

 

CMYK 8 / 13 / 0 / 9

HEX #D5CAE7

RGB 213 202 231

HSL 262.76, 0.38%, 0.85%

LAB 83, 9.21, -12.95

 

CMYK 11 / 18 / 0 / 7

HEX #D3C3ED

RGB 211 195 237

HSL 262.86, 0.54%, 0.85%

LAB 81.29, 13.5, -18.74

 

CMYK 0 / 0 / 4 / 14

HEX #DCDBD4

RGB 220 219 212

HSL 52.5, 0.1%, 0.85%

LAB 87.31, -0.89, 3.55

 

CMYK 0 / 0 / 4 / 14

HEX #DBDCD4

RGB 219 220 212

HSL 67.5, 0.1%, 0.85%

LAB 87.48, -1.75, 3.8

 

CMYK 1 / 0 / 4 / 14

HEX #D9DCD4

RGB 217 220 212

HSL 82.5, 0.1%, 0.85%

LAB 87.33, -2.44, 3.56

 

CMYK 2 / 0 / 4 / 14

HEX #D7DCD4

RGB 215 220 212

HSL 97.5, 0.1%, 0.85%

LAB 87.19, -3.12, 3.33

 

CMYK 3 / 0 / 4 / 14

HEX #D5DCD4

RGB 213 220 212

HSL 112.5, 0.1%, 0.85%

LAB 87.04, -3.8, 3.09

 

CMYK 3 / 0 / 9 / 28

HEX #B1B7A7

RGB 177 183 167

HSL 82.5, 0.1%, 0.69%

LAB 73.55, -5.02, 7.41

 

CMYK 2 / 0 / 6 / 21

HEX #C5CABE

RGB 197 202 190

HSL 85, 0.1%, 0.77%

LAB 80.64, -3.89, 5.38

 

CMYK 1 / 0 / 4 / 14

HEX #D9DCD4

RGB 217 220 212

HSL 82.5, 0.1%, 0.85%

LAB 87.33, -2.44, 3.56

 

CMYK 1 / 0 / 2 / 6

HEX #EDEFEB

RGB 237 239 235

HSL 90, 0.11%, 0.93%

LAB 94.2, -1.37, 1.69

 

CMYK 1 / 0 / 4 / 14

HEX #D9DCD4

RGB 217 220 212

HSL 82.5, 0.1%, 0.85%

LAB 87.33, -2.44, 3.56

 

CMYK 4 / 0 / 1 / 14

HEX #D4DCD9

RGB 212 220 217

HSL 157.5, 0.1%, 0.85%

LAB 87.09, -3.24, 0.52

 

CMYK 0 / 4 / 0 / 14

HEX #DCD4DC

RGB 220 212 220

HSL 300, 0.1%, 0.85%

LAB 85.74, 4.17, -2.97

 

CMYK 1 / 0 / 4 / 14

HEX #D9DCD4

RGB 217 220 212

HSL 82.5, 0.1%, 0.85%

LAB 87.33, -2.44, 3.56

 

CMYK 4 / 1 / 0 / 14

HEX #D4D9DC

RGB 212 217 220

HSL 202.5, 0.1%, 0.85%

LAB 86.4, -1.13, -2.07

 

CMYK 0 / 4 / 1 / 14

HEX #DCD4D9

RGB 220 212 217

HSL 322.5, 0.1%, 0.85%

LAB 85.66, 3.63, -1.49

 

CMYK 1 / 0 / 4 / 14

HEX #D9DCD4

RGB 217 220 212

HSL 82.5, 0.1%, 0.85%

LAB 87.33, -2.44, 3.56

 

CMYK 4 / 0 / 1 / 14

HEX #D4DCD9

RGB 212 220 217

HSL 157.5, 0.1%, 0.85%

LAB 87.09, -3.24, 0.52

 

CMYK 2 / 4 / 0 / 14

HEX #D7D4DC

RGB 215 212 220

HSL 262.5, 0.1%, 0.85%

LAB 85.35, 2.49, -3.58

 

CMYK 0 / 4 / 2 / 14

HEX #DCD4D8

RGB 220 212 216

HSL 330, 0.1%, 0.85%

LAB 85.64, 3.45, -1

 

CMYK 1 / 0 / 4 / 14

HEX #D9DCD4

RGB 217 220 212

HSL 82.5, 0.1%, 0.85%

LAB 87.33, -2.44, 3.56

 

CMYK 4 / 0 / 0 / 14

HEX #D4DCDB

RGB 212 220 219

HSL 172.5, 0.1%, 0.85%

LAB 87.14, -2.87, -0.46

 

CMYK 2 / 4 / 0 / 14

HEX #D7D4DC

RGB 215 212 220

HSL 262.5, 0.1%, 0.85%

LAB 85.35, 2.49, -3.58

 

CMYK 0 / 4 / 3 / 14

HEX #DCD4D5

RGB 220 212 213

HSL 352.5, 0.1%, 0.85%

LAB 85.56, 2.92, 0.48

 

Description

Color code: HEX #D9DCD4 | qconv.com Color code: HEX #D9DCD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 220 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 220 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 4 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 4% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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