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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9D195 it is the complementary color #262E6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9D195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9D195 shade: #DED190, #EFE3A3, #FFF5B6, #FFFFC9 and #FFFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9D195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9D195 shade: #D9D195, #C8BF82, #B7AD6F, #A69B5C and #958949

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9D195 shade: #D9D196, #D9BF96, #D9AD96, #D99A96 and #D99696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9D195 shade: #D9D196, #CED996, #BCD996, #AAD996 and #98D996

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9D195 shade matches the following richer shades: #D9D196, #E4DA8A, #F0E27E and #FBEB73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9D195 shade: #D9D196, #CDC8A1, #C2BFAD, #B6B6B8 and #AAADC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9D195 shade: #D9AC96, #D9BE96, #D9D096, #D0D996 and #BED996

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9D195 shade: #C3B659, #CEC477, #D9D196, #E4DEB4 and #EFEBD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9D195 shade: #D9D195, #96D99A and #B596D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9D195 shade: #D9D195, #96D9D0 and #D096D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9D195 shade: #D9D195, #96D99A, #969ED9 and #D996D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9D195 shade: #D9D195, #96D9AE, #969ED9 and #D996C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 31 / 15

HEX #D9D195

RGB 217 209 149

HSL 52.94, 0.47%, 0.72%

LAB 83.19, -6.29, 30.82

 

Complementary color

CMYK 64 / 57 / 0 / 58

HEX #262E6A

RGB 38 46 106

HSL 232.94, 0.47%, 0.28%

LAB 21.6, 17.14, -36.26

 

CMYK 0 / 6 / 35 / 13

HEX #DED190

RGB 222 209 144

HSL 50, 0.54%, 0.72%

LAB 83.52, -4.96, 33.91

 

CMYK 0 / 5 / 32 / 6

HEX #EFE3A3

RGB 239 227 163

HSL 50.53, 0.7%, 0.79%

LAB 89.83, -5.32, 32.79

 

CMYK 0 / 4 / 29 / 0

HEX #FFF5B6

RGB 255 245 182

HSL 51.78, 1%, 0.86%

LAB 95.97, -6.01, 31.61

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDC

RGB 255 255 220

HSL 60, 1%, 0.93%

LAB 99.2, -5.72, 16.75

 

CMYK 0 / 4 / 31 / 15

HEX #D9D195

RGB 217 209 149

HSL 52.94, 0.47%, 0.72%

LAB 83.19, -6.29, 30.82

 

CMYK 0 / 5 / 35 / 22

HEX #C8BF82

RGB 200 191 130

HSL 52.29, 0.39%, 0.65%

LAB 76.77, -5.95, 31.95

 

CMYK 0 / 5 / 39 / 28

HEX #B7AD6F

RGB 183 173 111

HSL 51.67, 0.33%, 0.58%

LAB 70.25, -5.55, 33.14

 

CMYK 0 / 7 / 45 / 35

HEX #A69B5C

RGB 166 155 92

HSL 51.08, 0.29%, 0.51%

LAB 63.61, -5.07, 34.39

 

CMYK 0 / 8 / 51 / 42

HEX #958949

RGB 149 137 73

HSL 50.53, 0.34%, 0.44%

LAB 56.84, -4.48, 35.67

 

CMYK 0 / 4 / 31 / 15

HEX #D9D196

RGB 217 209 150

HSL 52.84, 0.47%, 0.72%

LAB 83.21, -6.17, 30.32

 

CMYK 0 / 12 / 31 / 15

HEX #D9BF96

RGB 217 191 150

HSL 36.72, 0.47%, 0.72%

LAB 78.59, 3.2, 24.1

 

CMYK 0 / 20 / 31 / 15

HEX #D9AD96

RGB 217 173 150

HSL 20.6, 0.47%, 0.72%

LAB 74.09, 12.78, 17.92

 

CMYK 0 / 29 / 31 / 15

HEX #D99A96

RGB 217 154 150

HSL 3.58, 0.47%, 0.72%

LAB 69.52, 23.04, 11.52

 

CMYK 0 / 31 / 31 / 15

HEX #D99696

RGB 217 150 150

HSL 0, 0.47%, 0.72%

LAB 68.58, 25.2, 10.19

 

CMYK 0 / 4 / 31 / 15

HEX #D9D196

RGB 217 209 150

HSL 52.84, 0.47%, 0.72%

LAB 83.21, -6.17, 30.32

 

CMYK 5 / 0 / 31 / 15

HEX #CED996

RGB 206 217 150

HSL 69.85, 0.47%, 0.72%

LAB 84.46, -14.41, 31.84

 

CMYK 13 / 0 / 31 / 15

HEX #BCD996

RGB 188 217 150

HSL 85.97, 0.47%, 0.72%

LAB 83.19, -21.09, 29.92

 

CMYK 22 / 0 / 31 / 15

HEX #AAD996

RGB 170 217 150

HSL 102.09, 0.47%, 0.72%

LAB 82.04, -27.5, 28.18

 

CMYK 30 / 0 / 31 / 15

HEX #98D996

RGB 152 217 150

HSL 118.21, 0.47%, 0.72%

LAB 81.02, -33.55, 26.63

 

CMYK 0 / 4 / 31 / 15

HEX #D9D196

RGB 217 209 150

HSL 52.84, 0.47%, 0.72%

LAB 83.21, -6.17, 30.32

 

CMYK 0 / 4 / 39 / 11

HEX #E4DA8A

RGB 228 218 138

HSL 53.33, 0.63%, 0.72%

LAB 86.24, -7.87, 40.58

 

CMYK 0 / 6 / 48 / 6

HEX #F0E27E

RGB 240 226 126

HSL 52.63, 0.79%, 0.72%

LAB 89.12, -8.35, 50.27

 

CMYK 0 / 6 / 54 / 2

HEX #FBEB73

RGB 251 235 115

HSL 52.94, 0.94%, 0.72%

LAB 92.2, -9.37, 59.29

 

CMYK 0 / 4 / 31 / 15

HEX #D9D196

RGB 217 209 150

HSL 52.84, 0.47%, 0.72%

LAB 83.21, -6.17, 30.32

 

CMYK 0 / 2 / 21 / 20

HEX #CDC8A1

RGB 205 200 161

HSL 53.18, 0.31%, 0.72%

LAB 80.1, -4.6, 20.17

 

CMYK 0 / 2 / 11 / 24

HEX #C2BFAD

RGB 194 191 173

HSL 51.43, 0.15%, 0.72%

LAB 77.13, -2.09, 9.45

 

CMYK 1 / 1 / 0 / 28

HEX #B6B6B8

RGB 182 182 184

HSL 240, 0.01%, 0.72%

LAB 74.1, 0.38, -1.02

 

CMYK 13 / 12 / 0 / 23

HEX #AAADC4

RGB 170 173 196

HSL 233.08, 0.18%, 0.72%

LAB 71.16, 3.59, -12.06

 

CMYK 0 / 21 / 31 / 15

HEX #D9AC96

RGB 217 172 150

HSL 19.7, 0.47%, 0.72%

LAB 73.84, 13.32, 17.58

 

CMYK 0 / 12 / 31 / 15

HEX #D9BE96

RGB 217 190 150

HSL 35.82, 0.47%, 0.72%

LAB 78.33, 3.72, 23.75

 

CMYK 0 / 4 / 31 / 15

HEX #D9D096

RGB 217 208 150

HSL 51.94, 0.47%, 0.72%

LAB 82.95, -5.65, 29.98

 

CMYK 4 / 0 / 31 / 15

HEX #D0D996

RGB 208 217 150

HSL 68.06, 0.47%, 0.72%

LAB 84.61, -13.66, 32.06

 

CMYK 12 / 0 / 31 / 15

HEX #BED996

RGB 190 217 150

HSL 84.18, 0.47%, 0.72%

LAB 83.32, -20.36, 30.12

 

CMYK 0 / 7 / 54 / 24

HEX #C3B659

RGB 195 182 89

HSL 52.64, 0.47%, 0.56%

LAB 73.4, -7.45, 48.33

 

CMYK 0 / 5 / 42 / 19

HEX #CEC477

RGB 206 196 119

HSL 53.1, 0.47%, 0.64%

LAB 78.42, -7.38, 39.83

 

CMYK 0 / 4 / 31 / 15

HEX #D9D196

RGB 217 209 150

HSL 52.84, 0.47%, 0.72%

LAB 83.21, -6.17, 30.32

 

CMYK 0 / 3 / 21 / 11

HEX #E4DEB4

RGB 228 222 180

HSL 52.5, 0.47%, 0.8%

LAB 87.98, -4.65, 21.38

 

CMYK 0 / 2 / 12 / 6

HEX #EFEBD2

RGB 239 235 210

HSL 51.72, 0.48%, 0.88%

LAB 92.76, -2.81, 12.61

 

CMYK 0 / 4 / 31 / 15

HEX #D9D195

RGB 217 209 149

HSL 52.94, 0.47%, 0.72%

LAB 83.19, -6.29, 30.82

 

CMYK 31 / 0 / 29 / 15

HEX #96D99A

RGB 150 217 154

HSL 123.58, 0.47%, 0.72%

LAB 80.98, -33.54, 24.48

 

CMYK 17 / 31 / 0 / 15

HEX #B596D9

RGB 181 150 217

HSL 267.76, 0.47%, 0.72%

LAB 67.01, 24.5, -29.89

 

CMYK 0 / 4 / 31 / 15

HEX #D9D195

RGB 217 209 149

HSL 52.94, 0.47%, 0.72%

LAB 83.19, -6.29, 30.82

 

CMYK 31 / 0 / 4 / 15

HEX #96D9D0

RGB 150 217 208

HSL 171.94, 0.47%, 0.72%

LAB 82.2, -22.96, -2.33

 

CMYK 4 / 31 / 0 / 15

HEX #D096D9

RGB 208 150 217

HSL 291.94, 0.47%, 0.72%

LAB 69.63, 33.01, -25.63

 

CMYK 0 / 4 / 31 / 15

HEX #D9D195

RGB 217 209 149

HSL 52.94, 0.47%, 0.72%

LAB 83.19, -6.29, 30.82

 

CMYK 31 / 0 / 29 / 15

HEX #96D99A

RGB 150 217 154

HSL 123.58, 0.47%, 0.72%

LAB 80.98, -33.54, 24.48

 

CMYK 31 / 27 / 0 / 15

HEX #969ED9

RGB 150 158 217

HSL 232.84, 0.47%, 0.72%

LAB 66.48, 10.64, -30.91

 

CMYK 0 / 31 / 2 / 15

HEX #D996D4

RGB 217 150 212

HSL 304.48, 0.47%, 0.72%

LAB 70.4, 34.97, -21.62

 

CMYK 0 / 4 / 31 / 15

HEX #D9D195

RGB 217 209 149

HSL 52.94, 0.47%, 0.72%

LAB 83.19, -6.29, 30.82

 

CMYK 31 / 0 / 20 / 15

HEX #96D9AE

RGB 150 217 174

HSL 141.49, 0.47%, 0.72%

LAB 81.38, -29.97, 14.54

 

CMYK 31 / 27 / 0 / 15

HEX #969ED9

RGB 150 158 217

HSL 232.84, 0.47%, 0.72%

LAB 66.48, 10.64, -30.91

 

CMYK 0 / 31 / 12 / 15

HEX #D996C0

RGB 217 150 192

HSL 322.39, 0.47%, 0.72%

LAB 69.73, 31.48, -11.54

 

Description

Color code: HEX #D9D195 | qconv.com Color code: HEX #D9D195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 209 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 209 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 31 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 31% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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