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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9D75D it is the complementary color #2628A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9D75D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9D75D shade: #DED758, #EFE96B, #FFFB7E, #FFFF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9D75D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9D75D shade: #D9D75D, #C8C54A, #B7B337, #A6A124 and #958F11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9D75D shade: #D9D75D, #D9B55D, #D9945D, #D9735D and #D95D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9D75D shade: #D9D75D, #B9D95D, #98D95D, #77D95D and #5DD965

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9D75D shade matches the following richer shades: #D9D75D, #E9E64D and #F9F63D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9D75D shade: #D9D75D, #C9C76D, #B9B87E, #A8A88E and #98989E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9D75D shade: #D9955D, #D9B65D, #D9D75D, #BAD95D and #99D95D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9D75D shade: #B9B62B, #D1CE3C, #D9D75D, #E1DF7F and #E8E7A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9D75D shade: #D9D75D, #5DD974 and #A55DD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9D75D shade: #D9D75D, #5DD9D7 and #D75DD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9D75D shade: #D9D75D, #5DD974, #5D5FD9 and #D95DC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9D75D shade: #D9D75D, #5DD999, #5D5FD9 and #D95D9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

Complementary color

CMYK 77 / 75 / 0 / 36

HEX #2628A2

RGB 38 40 162

HSL 239.03, 0.62%, 0.39%

LAB 25.38, 41.5, -65.18

 

CMYK 0 / 3 / 60 / 13

HEX #DED758

RGB 222 215 88

HSL 56.87, 0.67%, 0.61%

LAB 84.4, -13.12, 61.76

 

CMYK 0 / 3 / 55 / 6

HEX #EFE96B

RGB 239 233 107

HSL 57.27, 0.8%, 0.68%

LAB 90.64, -13.8, 60.82

 

CMYK 0 / 2 / 51 / 0

HEX #FFFB7E

RGB 255 251 126

HSL 58.14, 1%, 0.75%

LAB 96.72, -14.77, 59.65

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

CMYK 0 / 1 / 63 / 22

HEX #C8C54A

RGB 200 197 74

HSL 58.57, 0.53%, 0.54%

LAB 77.7, -14.12, 59.94

 

CMYK 0 / 2 / 70 / 28

HEX #B7B337

RGB 183 179 55

HSL 58.13, 0.54%, 0.47%

LAB 71.27, -13.28, 60.48

 

CMYK 0 / 3 / 78 / 35

HEX #A6A124

RGB 166 161 36

HSL 57.69, 0.64%, 0.4%

LAB 64.74, -12.24, 60.41

 

CMYK 0 / 4 / 89 / 42

HEX #958F11

RGB 149 143 17

HSL 57.27, 0.8%, 0.33%

LAB 58.11, -10.96, 59.21

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

CMYK 0 / 17 / 57 / 15

HEX #D9B55D

RGB 217 181 93

HSL 42.58, 0.62%, 0.61%

LAB 75.2, 2.63, 49.01

 

CMYK 0 / 32 / 57 / 15

HEX #D9945D

RGB 217 148 93

HSL 26.61, 0.62%, 0.61%

LAB 67.07, 20.3, 39.3

 

CMYK 0 / 47 / 57 / 15

HEX #D9735D

RGB 217 115 93

HSL 10.65, 0.62%, 0.61%

LAB 59.71, 37.83, 30.1

 

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

CMYK 15 / 0 / 57 / 15

HEX #B9D95D

RGB 185 217 93

HSL 75.48, 0.62%, 0.61%

LAB 82.23, -28.61, 56.42

 

CMYK 30 / 0 / 57 / 15

HEX #98D95D

RGB 152 217 93

HSL 91.45, 0.62%, 0.61%

LAB 80.23, -40.92, 53.6

 

CMYK 45 / 0 / 57 / 15

HEX #77D95D

RGB 119 217 93

HSL 107.42, 0.62%, 0.61%

LAB 78.66, -51.7, 51.38

 

CMYK 57 / 0 / 53 / 15

HEX #5DD965

RGB 93 217 101

HSL 123.87, 0.62%, 0.61%

LAB 77.81, -57.7, 46.46

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

CMYK 0 / 1 / 67 / 9

HEX #E9E64D

RGB 233 230 77

HSL 58.85, 0.78%, 0.61%

LAB 89.14, -16.67, 71.38

 

CMYK 0 / 1 / 76 / 2

HEX #F9F63D

RGB 249 246 61

HSL 59.04, 0.94%, 0.61%

LAB 94.48, -18.59, 82.26

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

CMYK 0 / 1 / 46 / 21

HEX #C9C76D

RGB 201 199 109

HSL 58.7, 0.46%, 0.61%

LAB 78.68, -11.94, 45.04

 

CMYK 0 / 1 / 32 / 27

HEX #B9B87E

RGB 185 184 126

HSL 58.98, 0.3%, 0.61%

LAB 73.61, -8.73, 29.66

 

CMYK 0 / 0 / 15 / 34

HEX #A8A88E

RGB 168 168 142

HSL 60, 0.13%, 0.61%

LAB 68.23, -4.56, 13.46

 

CMYK 4 / 4 / 0 / 38

HEX #98989E

RGB 152 152 158

HSL 240, 0.03%, 0.61%

LAB 63.01, 1.18, -3.15

 

CMYK 0 / 31 / 57 / 15

HEX #D9955D

RGB 217 149 93

HSL 27.1, 0.62%, 0.61%

LAB 67.3, 19.76, 39.59

 

CMYK 0 / 16 / 57 / 15

HEX #D9B65D

RGB 217 182 93

HSL 43.06, 0.62%, 0.61%

LAB 75.45, 2.1, 49.31

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

CMYK 14 / 0 / 57 / 15

HEX #BAD95D

RGB 186 217 93

HSL 75, 0.62%, 0.61%

LAB 82.3, -28.22, 56.51

 

CMYK 29 / 0 / 57 / 15

HEX #99D95D

RGB 153 217 93

HSL 90.97, 0.62%, 0.61%

LAB 80.29, -40.56, 53.68

 

CMYK 0 / 2 / 77 / 27

HEX #B9B62B

RGB 185 182 43

HSL 58.73, 0.62%, 0.45%

LAB 72.19, -14.49, 65.56

 

CMYK 0 / 1 / 71 / 18

HEX #D1CE3C

RGB 209 206 60

HSL 58.79, 0.62%, 0.53%

LAB 80.75, -15.62, 68.63

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

CMYK 0 / 1 / 44 / 12

HEX #E1DF7F

RGB 225 223 127

HSL 58.78, 0.62%, 0.69%

LAB 87.15, -12.69, 47.1

 

CMYK 0 / 0 / 31 / 9

HEX #E8E7A0

RGB 232 231 160

HSL 59.17, 0.61%, 0.77%

LAB 90.25, -10.35, 34.77

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

CMYK 57 / 0 / 47 / 15

HEX #5DD974

RGB 93 217 116

HSL 131.13, 0.62%, 0.61%

LAB 78, -55.61, 39.47

 

CMYK 24 / 57 / 0 / 15

HEX #A55DD9

RGB 165 93 217

HSL 274.84, 0.62%, 0.61%

LAB 52.77, 51.25, -52.37

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

CMYK 57 / 0 / 1 / 15

HEX #5DD9D7

RGB 93 217 215

HSL 179.03, 0.62%, 0.61%

LAB 80.1, -34.62, -9.41

 

CMYK 1 / 57 / 0 / 15

HEX #D75DD9

RGB 215 93 217

HSL 299.03, 0.62%, 0.61%

LAB 59.24, 63.84, -41.71

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

CMYK 57 / 0 / 47 / 15

HEX #5DD974

RGB 93 217 116

HSL 131.13, 0.62%, 0.61%

LAB 78, -55.61, 39.47

 

CMYK 57 / 56 / 0 / 15

HEX #5D5FD9

RGB 93 95 217

HSL 239.03, 0.62%, 0.61%

LAB 46.34, 34.19, -63.07

 

CMYK 0 / 57 / 11 / 15

HEX #D95DC2

RGB 217 93 194

HSL 311.13, 0.62%, 0.61%

LAB 58.49, 60.59, -29.81

 

CMYK 0 / 1 / 57 / 15

HEX #D9D75D

RGB 217 215 93

HSL 59.03, 0.62%, 0.61%

LAB 84.04, -14.83, 59.09

 

CMYK 57 / 0 / 29 / 15

HEX #5DD999

RGB 93 217 153

HSL 149.03, 0.62%, 0.61%

LAB 78.61, -49.15, 21.37

 

CMYK 57 / 56 / 0 / 15

HEX #5D5FD9

RGB 93 95 217

HSL 239.03, 0.62%, 0.61%

LAB 46.34, 34.19, -63.07

 

CMYK 0 / 57 / 28 / 15

HEX #D95D9D

RGB 217 93 157

HSL 329.03, 0.62%, 0.61%

LAB 57.09, 55.28, -10.58

 

Description

Color code: HEX #D9D75D | qconv.com Color code: HEX #D9D75D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 215 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 215 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 57% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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