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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9C86D it is the complementary color #263792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9C86D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9C86D shade: #DEC868, #EFDA7B, #FFEC8E, #FFFEA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9C86D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9C86D shade: #D9C86D, #C8B65A, #B7A447, #A69234 and #958021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9C86D shade: #D9C86D, #D9AB6D, #D98D6D, #D9706D and #D96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9C86D shade: #D9C86D, #CDD96D, #AFD96D, #92D96D and #75D96D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9C86D shade matches the following richer shades: #D9C86D, #E8D25E and #F7DC4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9C86D shade: #D9C86D, #CABE7B, #BBB38A, #ACA999 and #9D9FA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9C86D shade: #D98D6D, #D9AA6D, #D9C76D, #CED96D and #B1D96D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9C86D shade: #C1AB31, #D0BC4C, #D9C86D, #E1D48D and #EAE0AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9C86D shade: #D9C86D, #6DD970 and #9B6DD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9C86D shade: #D9C86D, #6DD9C7 and #C76DD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9C86D shade: #D9C86D, #6DD970, #6D7FD9 and #D96DD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9C86D shade: #D9C86D, #6DD991, #6D7FD9 and #D96DB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 50 / 15

HEX #D9C86D

RGB 217 200 109

HSL 50.56, 0.59%, 0.64%

LAB 80.27, -5.95, 47.29

 

Complementary color

CMYK 74 / 62 / 0 / 43

HEX #263792

RGB 38 55 146

HSL 230.56, 0.59%, 0.36%

LAB 27.35, 26.19, -52.16

 

CMYK 0 / 10 / 53 / 13

HEX #DEC868

RGB 222 200 104

HSL 48.81, 0.64%, 0.64%

LAB 80.65, -4.33, 50.26

 

CMYK 0 / 9 / 49 / 6

HEX #EFDA7B

RGB 239 218 123

HSL 49.14, 0.78%, 0.71%

LAB 86.96, -4.99, 49.06

 

CMYK 0 / 7 / 44 / 0

HEX #FFEC8E

RGB 255 236 142

HSL 49.91, 1%, 0.78%

LAB 93.1, -5.95, 47.75

 

CMYK 0 / 0 / 37 / 0

HEX #FFFEA1

RGB 255 254 161

HSL 59.36, 1%, 0.82%

LAB 97.92, -12.9, 44.6

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 8 / 50 / 15

HEX #D9C86D

RGB 217 200 109

HSL 50.56, 0.59%, 0.64%

LAB 80.27, -5.95, 47.29

 

CMYK 0 / 9 / 55 / 22

HEX #C8B65A

RGB 200 182 90

HSL 50.18, 0.5%, 0.57%

LAB 73.85, -5.27, 48.49

 

CMYK 0 / 10 / 61 / 28

HEX #B7A447

RGB 183 164 71

HSL 49.82, 0.44%, 0.5%

LAB 67.33, -4.46, 49.61

 

CMYK 0 / 12 / 69 / 35

HEX #A69234

RGB 166 146 52

HSL 49.47, 0.52%, 0.43%

LAB 60.7, -3.47, 50.53

 

CMYK 0 / 14 / 78 / 42

HEX #958021

RGB 149 128 33

HSL 49.14, 0.64%, 0.36%

LAB 53.96, -2.25, 50.97

 

CMYK 0 / 8 / 50 / 15

HEX #D9C86D

RGB 217 200 109

HSL 50.56, 0.59%, 0.64%

LAB 80.27, -5.95, 47.29

 

CMYK 0 / 21 / 50 / 15

HEX #D9AB6D

RGB 217 171 109

HSL 34.44, 0.59%, 0.64%

LAB 72.88, 9.29, 38.19

 

CMYK 0 / 35 / 50 / 15

HEX #D98D6D

RGB 217 141 109

HSL 17.78, 0.59%, 0.64%

LAB 65.68, 25.44, 28.96

 

CMYK 0 / 48 / 50 / 15

HEX #D9706D

RGB 217 112 109

HSL 1.67, 0.59%, 0.64%

LAB 59.38, 40.71, 20.6

 

CMYK 0 / 50 / 50 / 15

HEX #D96D6D

RGB 217 109 109

HSL 0, 0.59%, 0.64%

LAB 58.78, 42.23, 19.79

 

CMYK 0 / 8 / 50 / 15

HEX #D9C86D

RGB 217 200 109

HSL 50.56, 0.59%, 0.64%

LAB 80.27, -5.95, 47.29

 

CMYK 6 / 0 / 50 / 15

HEX #CDD96D

RGB 205 217 109

HSL 66.67, 0.59%, 0.64%

LAB 83.81, -19.34, 51.31

 

CMYK 19 / 0 / 50 / 15

HEX #AFD96D

RGB 175 217 109

HSL 83.33, 0.59%, 0.64%

LAB 81.75, -30.93, 48.34

 

CMYK 33 / 0 / 50 / 15

HEX #92D96D

RGB 146 217 109

HSL 99.44, 0.59%, 0.64%

LAB 80.09, -41.28, 45.94

 

CMYK 46 / 0 / 50 / 15

HEX #75D96D

RGB 117 217 109

HSL 115.56, 0.59%, 0.64%

LAB 78.76, -50.37, 44.01

 

CMYK 0 / 8 / 50 / 15

HEX #D9C86D

RGB 217 200 109

HSL 50.56, 0.59%, 0.64%

LAB 80.27, -5.95, 47.29

 

CMYK 0 / 9 / 59 / 9

HEX #E8D25E

RGB 232 210 94

HSL 50.43, 0.75%, 0.64%

LAB 84, -6.08, 58.95

 

CMYK 0 / 11 / 68 / 3

HEX #F7DC4F

RGB 247 220 79

HSL 50.36, 0.91%, 0.64%

LAB 87.74, -5.82, 69.59

 

CMYK 0 / 8 / 50 / 15

HEX #D9C86D

RGB 217 200 109

HSL 50.56, 0.59%, 0.64%

LAB 80.27, -5.95, 47.29

 

CMYK 0 / 6 / 39 / 21

HEX #CABE7B

RGB 202 190 123

HSL 50.89, 0.43%, 0.64%

LAB 76.57, -5.45, 35.35

 

CMYK 0 / 4 / 26 / 27

HEX #BBB38A

RGB 187 179 138

HSL 50.2, 0.26%, 0.64%

LAB 72.65, -3.72, 22.01

 

CMYK 0 / 2 / 11 / 33

HEX #ACA999

RGB 172 169 153

HSL 50.53, 0.1%, 0.64%

LAB 69.07, -1.77, 8.63

 

CMYK 7 / 5 / 0 / 34

HEX #9D9FA8

RGB 157 159 168

HSL 229.09, 0.06%, 0.64%

LAB 65.59, 1.07, -4.93

 

CMYK 0 / 35 / 50 / 15

HEX #D98D6D

RGB 217 141 109

HSL 17.78, 0.59%, 0.64%

LAB 65.68, 25.44, 28.96

 

CMYK 0 / 22 / 50 / 15

HEX #D9AA6D

RGB 217 170 109

HSL 33.89, 0.59%, 0.64%

LAB 72.63, 9.82, 37.87

 

CMYK 0 / 8 / 50 / 15

HEX #D9C76D

RGB 217 199 109

HSL 50, 0.59%, 0.64%

LAB 80.01, -5.43, 46.98

 

CMYK 5 / 0 / 50 / 15

HEX #CED96D

RGB 206 217 109

HSL 66.11, 0.59%, 0.64%

LAB 83.89, -18.94, 51.41

 

CMYK 18 / 0 / 50 / 15

HEX #B1D96D

RGB 177 217 109

HSL 82.22, 0.59%, 0.64%

LAB 81.88, -30.18, 48.53

 

CMYK 0 / 11 / 75 / 24

HEX #C1AB31

RGB 193 171 49

HSL 50.83, 0.6%, 0.47%

LAB 69.95, -5.05, 61.72

 

CMYK 0 / 10 / 63 / 18

HEX #D0BC4C

RGB 208 188 76

HSL 50.91, 0.58%, 0.56%

LAB 76.01, -6.02, 57.49

 

CMYK 0 / 8 / 50 / 15

HEX #D9C86D

RGB 217 200 109

HSL 50.56, 0.59%, 0.64%

LAB 80.27, -5.95, 47.29

 

CMYK 0 / 6 / 37 / 12

HEX #E1D48D

RGB 225 212 141

HSL 50.71, 0.58%, 0.72%

LAB 84.49, -5.67, 36.76

 

CMYK 0 / 4 / 26 / 8

HEX #EAE0AE

RGB 234 224 174

HSL 50, 0.59%, 0.8%

LAB 88.86, -4.28, 25.76

 

CMYK 0 / 8 / 50 / 15

HEX #D9C86D

RGB 217 200 109

HSL 50.56, 0.59%, 0.64%

LAB 80.27, -5.95, 47.29

 

CMYK 50 / 0 / 48 / 15

HEX #6DD970

RGB 109 217 112

HSL 121.67, 0.59%, 0.64%

LAB 78.49, -52.19, 42.15

 

CMYK 29 / 50 / 0 / 15

HEX #9B6DD9

RGB 155 109 217

HSL 265.56, 0.59%, 0.64%

LAB 54.99, 40.08, -48.91

 

CMYK 0 / 8 / 50 / 15

HEX #D9C86D

RGB 217 200 109

HSL 50.56, 0.59%, 0.64%

LAB 80.27, -5.95, 47.29

 

CMYK 50 / 0 / 8 / 15

HEX #6DD9C7

RGB 109 217 199

HSL 170, 0.59%, 0.64%

LAB 80.18, -35.47, -0.7

 

CMYK 8 / 50 / 0 / 15

HEX #C76DD9

RGB 199 109 217

HSL 290, 0.59%, 0.64%

LAB 59.97, 52.01, -40.71

 

CMYK 0 / 8 / 50 / 15

HEX #D9C86D

RGB 217 200 109

HSL 50.56, 0.59%, 0.64%

LAB 80.27, -5.95, 47.29

 

CMYK 50 / 0 / 48 / 15

HEX #6DD970

RGB 109 217 112

HSL 121.67, 0.59%, 0.64%

LAB 78.49, -52.19, 42.15

 

CMYK 50 / 41 / 0 / 15

HEX #6D7FD9

RGB 109 127 217

HSL 230, 0.59%, 0.64%

LAB 55.52, 18.03, -48.29

 

CMYK 0 / 50 / 2 / 15

HEX #D96DD5

RGB 217 109 213

HSL 302.22, 0.59%, 0.64%

LAB 62.08, 56.29, -34.99

 

CMYK 0 / 8 / 50 / 15

HEX #D9C86D

RGB 217 200 109

HSL 50.56, 0.59%, 0.64%

LAB 80.27, -5.95, 47.29

 

CMYK 50 / 0 / 33 / 15

HEX #6DD991

RGB 109 217 145

HSL 140, 0.59%, 0.64%

LAB 79, -46.93, 26.16

 

CMYK 50 / 41 / 0 / 15

HEX #6D7FD9

RGB 109 127 217

HSL 230, 0.59%, 0.64%

LAB 55.52, 18.03, -48.29

 

CMYK 0 / 50 / 17 / 15

HEX #D96DB5

RGB 217 109 181

HSL 320, 0.59%, 0.64%

LAB 60.8, 51.07, -18.82

 

Description

Color code: HEX #D9C86D | qconv.com Color code: HEX #D9C86D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 200 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 200 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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