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Color name
HEX #D9B125

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9B125 it is the complementary color #264EDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9B125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9B125 shade: #DEB120, #EFC333, #FFD546, #FFE759 and #FFF96C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9B125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9B125 shade: #D9B125, #C89F12, #B78D00, #A67B00 and #956900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9B125 shade: #DAB124, #DA8024, #DA5024 and #DA2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9B125 shade: #DAB124, #D1DA24, #A0DA24, #6FDA24 and #3EDA24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9B125 shade matches the following richer shades: #DAB124 and #EEBD10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9B125 shade: #DAB124, #C5A639, #B09A4E, #9C8F62 and #878377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9B125 shade: #DA4F24, #DA7F24, #DAAF24, #D3DA24 and #A3DA24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9B125 shade: #937819, #B6951E, #DAB124, #E0BE48 and #E5CA6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9B125 shade: #D9B125, #2BDA24 and #6724DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9B125 shade: #D9B125, #24DAAF and #AF24DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9B125 shade: #D9B125, #2BDA24, #244FDA and #D324DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9B125 shade: #D9B125, #24DA55, #244FDA and #DA24A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 83 / 15

HEX #D9B125

RGB 217 177 37

HSL 46.67, 0.71%, 0.5%

LAB 73.76, 1.86, 69.83

 

Complementary color

CMYK 83 / 64 / 0 / 15

HEX #264EDA

RGB 38 78 218

HSL 226.67, 0.71%, 0.5%

LAB 39.45, 38.09, -75

 

CMYK 0 / 20 / 86 / 13

HEX #DEB120

RGB 222 177 32

HSL 45.79, 0.75%, 0.5%

LAB 74.24, 3.9, 71.74

 

CMYK 0 / 18 / 79 / 6

HEX #EFC333

RGB 239 195 51

HSL 45.96, 0.85%, 0.57%

LAB 80.53, 2.37, 72.39

 

CMYK 0 / 16 / 73 / 0

HEX #FFD546

RGB 255 213 70

HSL 46.38, 1%, 0.64%

LAB 86.65, 0.63, 72.14

 

CMYK 0 / 9 / 65 / 0

HEX #FFE759

RGB 255 231 89

HSL 51.33, 1%, 0.67%

LAB 91.29, -7.49, 69.53

 

CMYK 0 / 2 / 58 / 0

HEX #FFF96C

RGB 255 249 108

HSL 57.55, 1%, 0.71%

LAB 96.04, -15.15, 66.78

 

CMYK 0 / 18 / 83 / 15

HEX #D9B125

RGB 217 177 37

HSL 46.67, 0.71%, 0.5%

LAB 73.76, 1.86, 69.83

 

CMYK 0 / 21 / 91 / 22

HEX #C89F12

RGB 200 159 18

HSL 46.48, 0.83%, 0.43%

LAB 67.37, 3.52, 68.39

 

CMYK 0 / 23 / 100 / 28

HEX #B78D00

RGB 183 141 0

HSL 46.23, 1%, 0.36%

LAB 60.88, 5.41, 65.59

 

CMYK 0 / 26 / 100 / 35

HEX #A67B00

RGB 166 123 0

HSL 44.46, 1%, 0.33%

LAB 54.32, 7.63, 60.18

 

CMYK 0 / 30 / 100 / 42

HEX #956900

RGB 149 105 0

HSL 42.28, 1%, 0.29%

LAB 47.61, 9.96, 54.68

 

CMYK 0 / 19 / 83 / 15

HEX #DAB124

RGB 218 177 36

HSL 46.48, 0.72%, 0.5%

LAB 73.85, 2.26, 70.22

 

CMYK 0 / 41 / 83 / 15

HEX #DA8024

RGB 218 128 36

HSL 30.33, 0.72%, 0.5%

LAB 62.06, 28.46, 60.19

 

CMYK 0 / 63 / 83 / 15

HEX #DA5024

RGB 218 80 36

HSL 14.51, 0.72%, 0.5%

LAB 52.7, 52.09, 52.03

 

CMYK 0 / 83 / 83 / 15

HEX #DA2424

RGB 218 36 36

HSL 0, 0.72%, 0.5%

LAB 47.36, 66.82, 47.26

 

CMYK 0 / 19 / 83 / 15

HEX #DAB124

RGB 218 177 36

HSL 46.48, 0.72%, 0.5%

LAB 73.85, 2.26, 70.22

 

CMYK 4 / 0 / 83 / 15

HEX #D1DA24

RGB 209 218 36

HSL 62.97, 0.72%, 0.5%

LAB 83.87, -22.39, 78.31

 

CMYK 27 / 0 / 83 / 15

HEX #A0DA24

RGB 160 218 36

HSL 79.12, 0.72%, 0.5%

LAB 80.6, -42.02, 74.22

 

CMYK 49 / 0 / 83 / 15

HEX #6FDA24

RGB 111 218 36

HSL 95.27, 0.72%, 0.5%

LAB 78.26, -58.64, 71.26

 

CMYK 72 / 0 / 83 / 15

HEX #3EDA24

RGB 62 218 36

HSL 111.43, 0.72%, 0.5%

LAB 76.86, -70.04, 69.48

 

CMYK 0 / 19 / 83 / 15

HEX #DAB124

RGB 218 177 36

HSL 46.48, 0.72%, 0.5%

LAB 73.85, 2.26, 70.22

 

CMYK 0 / 21 / 93 / 7

HEX #EEBD10

RGB 238 189 16

HSL 46.76, 0.87%, 0.5%

LAB 78.82, 4.28, 78.99

 

CMYK 0 / 19 / 83 / 15

HEX #DAB124

RGB 218 177 36

HSL 46.48, 0.72%, 0.5%

LAB 73.85, 2.26, 70.22

 

CMYK 0 / 16 / 71 / 23

HEX #C5A639

RGB 197 166 57

HSL 46.71, 0.55%, 0.5%

LAB 69.07, -0.27, 57.93

 

CMYK 0 / 13 / 56 / 31

HEX #B09A4E

RGB 176 154 78

HSL 46.53, 0.39%, 0.5%

LAB 64.07, -1.58, 42.35

 

CMYK 0 / 8 / 37 / 39

HEX #9C8F62

RGB 156 143 98

HSL 46.55, 0.23%, 0.5%

LAB 59.52, -2.04, 25.72

 

CMYK 0 / 3 / 12 / 47

HEX #878377

RGB 135 131 119

HSL 45, 0.06%, 0.5%

LAB 54.78, -0.72, 7.02

 

CMYK 0 / 64 / 83 / 15

HEX #DA4F24

RGB 218 79 36

HSL 14.18, 0.72%, 0.5%

LAB 52.54, 52.52, 51.89

 

CMYK 0 / 42 / 83 / 15

HEX #DA7F24

RGB 218 127 36

HSL 30, 0.72%, 0.5%

LAB 61.84, 28.99, 60

 

CMYK 0 / 20 / 83 / 15

HEX #DAAF24

RGB 218 175 36

HSL 45.82, 0.72%, 0.5%

LAB 73.35, 3.32, 69.79

 

CMYK 3 / 0 / 83 / 15

HEX #D3DA24

RGB 211 218 36

HSL 62.31, 0.72%, 0.5%

LAB 84.03, -21.55, 78.5

 

CMYK 25 / 0 / 83 / 15

HEX #A3DA24

RGB 163 218 36

HSL 78.13, 0.72%, 0.5%

LAB 80.77, -40.88, 74.43

 

CMYK 0 / 18 / 83 / 42

HEX #937819

RGB 147 120 25

HSL 46.72, 0.71%, 0.34%

LAB 51.5, 1, 51.45

 

CMYK 0 / 18 / 84 / 29

HEX #B6951E

RGB 182 149 30

HSL 46.97, 0.72%, 0.42%

LAB 62.96, 1.14, 61.23

 

CMYK 0 / 19 / 83 / 15

HEX #DAB124

RGB 218 177 36

HSL 46.48, 0.72%, 0.5%

LAB 73.85, 2.26, 70.22

 

CMYK 0 / 15 / 68 / 12

HEX #E0BE48

RGB 224 190 72

HSL 46.58, 0.71%, 0.58%

LAB 77.96, -0.5, 61.69

 

CMYK 0 / 12 / 53 / 10

HEX #E5CA6B

RGB 229 202 107

HSL 46.72, 0.7%, 0.66%

LAB 81.82, -2.24, 50.36

 

CMYK 0 / 18 / 83 / 15

HEX #D9B125

RGB 217 177 37

HSL 46.67, 0.71%, 0.5%

LAB 73.76, 1.86, 69.83

 

CMYK 80 / 0 / 83 / 15

HEX #2BDA24

RGB 43 218 36

HSL 117.69, 0.72%, 0.5%

LAB 76.55, -72.74, 69.09

 

CMYK 53 / 83 / 0 / 15

HEX #6724DA

RGB 103 36 218

HSL 262.09, 0.72%, 0.5%

LAB 36.38, 65.96, -79.9

 

CMYK 0 / 18 / 83 / 15

HEX #D9B125

RGB 217 177 37

HSL 46.67, 0.71%, 0.5%

LAB 73.76, 1.86, 69.83

 

CMYK 83 / 0 / 20 / 15

HEX #24DAAF

RGB 36 218 175

HSL 165.82, 0.72%, 0.5%

LAB 78.24, -52.87, 9.07

 

CMYK 20 / 83 / 0 / 15

HEX #AF24DA

RGB 175 36 218

HSL 285.82, 0.72%, 0.5%

LAB 46.23, 75.82, -63.39

 

CMYK 0 / 18 / 83 / 15

HEX #D9B125

RGB 217 177 37

HSL 46.67, 0.71%, 0.5%

LAB 73.76, 1.86, 69.83

 

CMYK 80 / 0 / 83 / 15

HEX #2BDA24

RGB 43 218 36

HSL 117.69, 0.72%, 0.5%

LAB 76.55, -72.74, 69.09

 

CMYK 83 / 64 / 0 / 15

HEX #244FDA

RGB 36 79 218

HSL 225.82, 0.72%, 0.5%

LAB 39.63, 37.32, -74.71

 

CMYK 3 / 83 / 0 / 15

HEX #D324DA

RGB 211 36 218

HSL 297.69, 0.72%, 0.5%

LAB 52.03, 81.92, -53.75

 

CMYK 0 / 18 / 83 / 15

HEX #D9B125

RGB 217 177 37

HSL 46.67, 0.71%, 0.5%

LAB 73.76, 1.86, 69.83

 

CMYK 83 / 0 / 61 / 15

HEX #24DA55

RGB 36 218 85

HSL 136.15, 0.72%, 0.5%

LAB 76.78, -69.48, 52.22

 

CMYK 83 / 64 / 0 / 15

HEX #244FDA

RGB 36 79 218

HSL 225.82, 0.72%, 0.5%

LAB 39.63, 37.32, -74.71

 

CMYK 0 / 83 / 22 / 15

HEX #DA24A9

RGB 218 36 169

HSL 316.15, 0.72%, 0.5%

LAB 50.72, 76.51, -27.33

 

Description

Color code: HEX #D9B125 | qconv.com Color code: HEX #D9B125 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 177 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 177 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 83% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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