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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9B5EE it is the complementary color #264A11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9B5EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9B5EE shade: #DEB5E9, #EFC7FC, #FFD9FF, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9B5EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9B5EE shade: #D9B5EE, #C8A3DB, #B791C8, #A67FB5 and #956DA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9B5EE shade: #D8B4EE, #E8B4EE, #EEB4E4, #EEB4D4 and #EEB4C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9B5EE shade: #D8B4EE, #C9B4EE, #B9B4EE and #B4B4EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9B5EE shade matches the following richer shades: #D8B4EE, #DAACF5 and #DCA5FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9B5EE shade: #D8B4EE, #D6BBE6, #D4C3DF, #D2CAD7 and #D0D1D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9B5EE shade: #B9B4EE, #C8B4EE, #D7B4EE, #E7B4EE and #EEB4E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9B5EE shade: #B670DE, #C792E6, #D8B4EE, #E9D5F5 and #FBF7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9B5EE shade: #D9B5EE, #EEB4BE and #B4EEC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9B5EE shade: #D9B5EE, #EED7B4 and #B4EED7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9B5EE shade: #D9B5EE, #EEB4BE, #CAEEB4 and #B4EEE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9B5EE shade: #D9B5EE, #EEBAB4, #CAEEB4 and #B4E7EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 24 / 0 / 7

HEX #D9B5EE

RGB 217 181 238

HSL 277.89, 0.63%, 0.82%

LAB 78.45, 23.18, -23.54

 

Complementary color

CMYK 49 / 0 / 77 / 71

HEX #264A11

RGB 38 74 17

HSL 97.89, 0.63%, 0.18%

LAB 27.71, -24.48, 28.66

 

CMYK 5 / 22 / 0 / 9

HEX #DEB5E9

RGB 222 181 233

HSL 287.31, 0.54%, 0.81%

LAB 78.73, 23.81, -20.37

 

CMYK 5 / 21 / 0 / 1

HEX #EFC7FC

RGB 239 199 252

HSL 285.28, 0.9%, 0.88%

LAB 85.11, 23.3, -20.72

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 9 / 24 / 0 / 7

HEX #D9B5EE

RGB 217 181 238

HSL 277.89, 0.63%, 0.82%

LAB 78.45, 23.18, -23.54

 

CMYK 9 / 26 / 0 / 14

HEX #C8A3DB

RGB 200 163 219

HSL 279.64, 0.44%, 0.75%

LAB 71.95, 23.72, -23.25

 

CMYK 9 / 28 / 0 / 22

HEX #B791C8

RGB 183 145 200

HSL 281.45, 0.33%, 0.68%

LAB 65.35, 24.3, -22.97

 

CMYK 8 / 30 / 0 / 29

HEX #A67FB5

RGB 166 127 181

HSL 283.33, 0.27%, 0.6%

LAB 58.62, 24.93, -22.69

 

CMYK 8 / 33 / 0 / 36

HEX #956DA2

RGB 149 109 162

HSL 285.28, 0.22%, 0.53%

LAB 51.76, 25.62, -22.41

 

CMYK 9 / 24 / 0 / 7

HEX #D8B4EE

RGB 216 180 238

HSL 277.24, 0.63%, 0.82%

LAB 78.12, 23.41, -24.05

 

CMYK 3 / 24 / 0 / 7

HEX #E8B4EE

RGB 232 180 238

HSL 293.79, 0.63%, 0.82%

LAB 79.6, 28.53, -21.66

 

CMYK 0 / 24 / 4 / 7

HEX #EEB4E4

RGB 238 180 228

HSL 310.34, 0.63%, 0.82%

LAB 79.85, 28.67, -15.83

 

CMYK 0 / 24 / 11 / 7

HEX #EEB4D4

RGB 238 180 212

HSL 326.9, 0.63%, 0.82%

LAB 79.37, 25.94, -7.91

 

CMYK 0 / 24 / 18 / 7

HEX #EEB4C4

RGB 238 180 196

HSL 343.45, 0.63%, 0.82%

LAB 78.93, 23.39, 0.1

 

CMYK 9 / 24 / 0 / 7

HEX #D8B4EE

RGB 216 180 238

HSL 277.24, 0.63%, 0.82%

LAB 78.12, 23.41, -24.05

 

CMYK 16 / 24 / 0 / 7

HEX #C9B4EE

RGB 201 180 238

HSL 261.72, 0.63%, 0.82%

LAB 76.82, 18.68, -26.15

 

CMYK 22 / 24 / 0 / 7

HEX #B9B4EE

RGB 185 180 238

HSL 245.17, 0.63%, 0.82%

LAB 75.53, 13.78, -28.23

 

CMYK 24 / 24 / 0 / 7

HEX #B4B4EE

RGB 180 180 238

HSL 240, 0.63%, 0.82%

LAB 75.15, 12.28, -28.85

 

CMYK 9 / 24 / 0 / 7

HEX #D8B4EE

RGB 216 180 238

HSL 277.24, 0.63%, 0.82%

LAB 78.12, 23.41, -24.05

 

CMYK 11 / 30 / 0 / 4

HEX #DAACF5

RGB 218 172 245

HSL 277.81, 0.78%, 0.82%

LAB 76.68, 29.78, -30.01

 

CMYK 13 / 35 / 0 / 1

HEX #DCA5FC

RGB 220 165 252

HSL 277.93, 0.94%, 0.82%

LAB 75.55, 35.6, -35.52

 

CMYK 9 / 24 / 0 / 7

HEX #D8B4EE

RGB 216 180 238

HSL 277.24, 0.63%, 0.82%

LAB 78.12, 23.41, -24.05

 

CMYK 7 / 19 / 0 / 10

HEX #D6BBE6

RGB 214 187 230

HSL 277.67, 0.46%, 0.82%

LAB 79.36, 17.38, -17.87

 

CMYK 5 / 13 / 0 / 13

HEX #D4C3DF

RGB 212 195 223

HSL 276.43, 0.3%, 0.82%

LAB 80.94, 11.06, -11.76

 

CMYK 2 / 6 / 0 / 16

HEX #D2CAD7

RGB 210 202 215

HSL 276.92, 0.14%, 0.82%

LAB 82.3, 5.14, -5.47

 

CMYK 0 / 0 / 0 / 18

HEX #D0D1D0

RGB 208 209 208

HSL 120, 0.01%, 0.82%

LAB 83.74, -0.52, 0.37

 

CMYK 22 / 24 / 0 / 7

HEX #B9B4EE

RGB 185 180 238

HSL 245.17, 0.63%, 0.82%

LAB 75.53, 13.78, -28.23

 

CMYK 16 / 24 / 0 / 7

HEX #C8B4EE

RGB 200 180 238

HSL 260.69, 0.63%, 0.82%

LAB 76.74, 18.37, -26.28

 

CMYK 10 / 24 / 0 / 7

HEX #D7B4EE

RGB 215 180 238

HSL 276.21, 0.63%, 0.82%

LAB 78.03, 23.09, -24.19

 

CMYK 3 / 24 / 0 / 7

HEX #E7B4EE

RGB 231 180 238

HSL 292.76, 0.63%, 0.82%

LAB 79.5, 28.21, -21.81

 

CMYK 0 / 24 / 4 / 7

HEX #EEB4E5

RGB 238 180 229

HSL 309.31, 0.63%, 0.82%

LAB 79.88, 28.85, -16.32

 

CMYK 18 / 50 / 0 / 13

HEX #B670DE

RGB 182 112 222

HSL 278.18, 0.63%, 0.65%

LAB 58.8, 46.82, -45.5

 

CMYK 13 / 37 / 0 / 10

HEX #C792E6

RGB 199 146 230

HSL 277.86, 0.63%, 0.74%

LAB 68.32, 35.02, -34.89

 

CMYK 9 / 24 / 0 / 7

HEX #D8B4EE

RGB 216 180 238

HSL 277.24, 0.63%, 0.82%

LAB 78.12, 23.41, -24.05

 

CMYK 5 / 13 / 0 / 4

HEX #E9D5F5

RGB 233 213 245

HSL 277.5, 0.62%, 0.9%

LAB 87.73, 12.62, -13.13

 

CMYK 1 / 2 / 0 / 1

HEX #FBF7FD

RGB 251 247 253

HSL 280, 0.6%, 0.98%

LAB 97.68, 2.39, -2.41

 

CMYK 9 / 24 / 0 / 7

HEX #D9B5EE

RGB 217 181 238

HSL 277.89, 0.63%, 0.82%

LAB 78.45, 23.18, -23.54

 

CMYK 0 / 24 / 20 / 7

HEX #EEB4BE

RGB 238 180 190

HSL 349.66, 0.63%, 0.82%

LAB 78.77, 22.49, 3.13

 

CMYK 24 / 0 / 19 / 7

HEX #B4EEC0

RGB 180 238 192

HSL 132.41, 0.63%, 0.82%

LAB 89.23, -27.28, 16.4

 

CMYK 9 / 24 / 0 / 7

HEX #D9B5EE

RGB 217 181 238

HSL 277.89, 0.63%, 0.82%

LAB 78.45, 23.18, -23.54

 

CMYK 0 / 10 / 24 / 7

HEX #EED7B4

RGB 238 215 180

HSL 36.21, 0.63%, 0.82%

LAB 87.03, 2.64, 20.19

 

CMYK 24 / 0 / 10 / 7

HEX #B4EED7

RGB 180 238 215

HSL 156.21, 0.63%, 0.82%

LAB 89.75, -22.96, 5.17

 

CMYK 9 / 24 / 0 / 7

HEX #D9B5EE

RGB 217 181 238

HSL 277.89, 0.63%, 0.82%

LAB 78.45, 23.18, -23.54

 

CMYK 0 / 24 / 20 / 7

HEX #EEB4BE

RGB 238 180 190

HSL 349.66, 0.63%, 0.82%

LAB 78.77, 22.49, 3.13

 

CMYK 15 / 0 / 24 / 7

HEX #CAEEB4

RGB 202 238 180

HSL 97.24, 0.63%, 0.82%

LAB 90.32, -21.94, 24.31

 

CMYK 24 / 0 / 5 / 7

HEX #B4EEE3

RGB 180 238 227

HSL 168.62, 0.63%, 0.82%

LAB 90.04, -20.53, -0.66

 

CMYK 9 / 24 / 0 / 7

HEX #D9B5EE

RGB 217 181 238

HSL 277.89, 0.63%, 0.82%

LAB 78.45, 23.18, -23.54

 

CMYK 0 / 22 / 24 / 7

HEX #EEBAB4

RGB 238 186 180

HSL 6.21, 0.63%, 0.82%

LAB 79.95, 17.85, 10.22

 

CMYK 15 / 0 / 24 / 7

HEX #CAEEB4

RGB 202 238 180

HSL 97.24, 0.63%, 0.82%

LAB 90.32, -21.94, 24.31

 

CMYK 24 / 3 / 0 / 7

HEX #B4E7EE

RGB 180 231 238

HSL 187.24, 0.63%, 0.82%

LAB 88.46, -14.7, -8.75

 

Description

Color code: HEX #D9B5EE | qconv.com Color code: HEX #D9B5EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 181 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 181 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 24 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 24% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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