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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D99BEB it is the complementary color #266414. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D99BEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D99BEB shade: #DE9BE6, #EFADF9, #FFBFFF, #FFD1FF and #FFE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D99BEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D99BEB shade: #D99BEB, #C889D8, #B777C5, #A665B2 and #95539F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D99BEB shade: #D898EA, #EA98E7, #EA98D1, #EA98BA and #EA98A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D99BEB shade: #D898EA, #C298EA, #AC98EA and #9898EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D99BEB shade matches the following richer shades: #D898EA, #DD8EF4 and #E384FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D99BEB shade: #D898EA, #D2A2E0, #CDACD6, #C8B6CD and #C2C0C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D99BEB shade: #AB98EA, #C198EA, #D798EA, #EA98E8 and #EA98D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D99BEB shade: #BE53DD, #CB76E3, #D898EA, #E5BBF1 and #F2DDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D99BEB shade: #D99BEB, #EA989B and #98EAB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D99BEB shade: #D99BEB, #EAD798 and #98EAD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D99BEB shade: #D99BEB, #EA989B, #ABEA98 and #98EAE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D99BEB shade: #D99BEB, #EAAE98, #ABEA98 and #98D4EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 34 / 0 / 8

HEX #D99BEB

RGB 217 155 235

HSL 286.5, 0.67%, 0.76%

LAB 72.36, 36.64, -31.24

 

Complementary color

CMYK 62 / 0 / 80 / 61

HEX #266414

RGB 38 100 20

HSL 106.5, 0.67%, 0.24%

LAB 37.07, -35.57, 36.85

 

CMYK 3 / 33 / 0 / 10

HEX #DE9BE6

RGB 222 155 230

HSL 293.6, 0.6%, 0.75%

LAB 72.68, 37.23, -27.96

 

CMYK 4 / 31 / 0 / 2

HEX #EFADF9

RGB 239 173 249

HSL 292.11, 0.86%, 0.83%

LAB 79.09, 36.55, -28.3

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 8 / 34 / 0 / 8

HEX #D99BEB

RGB 217 155 235

HSL 286.5, 0.67%, 0.76%

LAB 72.36, 36.64, -31.24

 

CMYK 7 / 37 / 0 / 15

HEX #C889D8

RGB 200 137 216

HSL 287.85, 0.5%, 0.69%

LAB 65.85, 37.36, -30.97

 

CMYK 7 / 40 / 0 / 23

HEX #B777C5

RGB 183 119 197

HSL 289.23, 0.4%, 0.62%

LAB 59.24, 38.12, -30.68

 

CMYK 7 / 43 / 0 / 30

HEX #A665B2

RGB 166 101 178

HSL 290.65, 0.33%, 0.55%

LAB 52.54, 38.9, -30.36

 

CMYK 6 / 48 / 0 / 38

HEX #95539F

RGB 149 83 159

HSL 292.11, 0.31%, 0.47%

LAB 45.74, 39.68, -29.98

 

CMYK 8 / 35 / 0 / 8

HEX #D898EA

RGB 216 152 234

HSL 286.83, 0.66%, 0.76%

LAB 71.55, 37.75, -31.95

 

CMYK 0 / 35 / 1 / 8

HEX #EA98E7

RGB 234 152 231

HSL 302.2, 0.66%, 0.76%

LAB 73.36, 42.74, -27.36

 

CMYK 0 / 35 / 11 / 8

HEX #EA98D1

RGB 234 152 209

HSL 318.29, 0.66%, 0.76%

LAB 72.6, 38.95, -16.45

 

CMYK 0 / 35 / 21 / 8

HEX #EA98BA

RGB 234 152 186

HSL 335.12, 0.66%, 0.76%

LAB 71.89, 35.34, -4.8

 

CMYK 0 / 35 / 30 / 8

HEX #EA98A4

RGB 234 152 164

HSL 351.22, 0.66%, 0.76%

LAB 71.3, 32.27, 6.55

 

CMYK 8 / 35 / 0 / 8

HEX #D898EA

RGB 216 152 234

HSL 286.83, 0.66%, 0.76%

LAB 71.55, 37.75, -31.95

 

CMYK 17 / 35 / 0 / 8

HEX #C298EA

RGB 194 152 234

HSL 270.73, 0.66%, 0.76%

LAB 69.37, 31.08, -35.49

 

CMYK 26 / 35 / 0 / 8

HEX #AC98EA

RGB 172 152 234

HSL 254.63, 0.66%, 0.76%

LAB 67.4, 24.62, -38.71

 

CMYK 35 / 35 / 0 / 8

HEX #9898EA

RGB 152 152 234

HSL 240, 0.66%, 0.76%

LAB 65.8, 19.03, -41.33

 

CMYK 8 / 35 / 0 / 8

HEX #D898EA

RGB 216 152 234

HSL 286.83, 0.66%, 0.76%

LAB 71.55, 37.75, -31.95

 

CMYK 9 / 42 / 0 / 4

HEX #DD8EF4

RGB 221 142 244

HSL 286.47, 0.82%, 0.76%

LAB 70.35, 46.52, -39.24

 

CMYK 11 / 48 / 0 / 0

HEX #E384FE

RGB 227 132 254

HSL 286.72, 0.98%, 0.76%

LAB 69.46, 55.29, -46.04

 

CMYK 8 / 35 / 0 / 8

HEX #D898EA

RGB 216 152 234

HSL 286.83, 0.66%, 0.76%

LAB 71.55, 37.75, -31.95

 

CMYK 6 / 28 / 0 / 12

HEX #D2A2E0

RGB 210 162 224

HSL 286.45, 0.5%, 0.76%

LAB 72.84, 28.48, -24.55

 

CMYK 4 / 20 / 0 / 16

HEX #CDACD6

RGB 205 172 214

HSL 287.14, 0.34%, 0.76%

LAB 74.41, 19.43, -16.75

 

CMYK 2 / 11 / 0 / 20

HEX #C8B6CD

RGB 200 182 205

HSL 286.96, 0.19%, 0.76%

LAB 76.16, 10.57, -9.27

 

CMYK 1 / 2 / 0 / 24

HEX #C2C0C3

RGB 194 192 195

HSL 280, 0.02%, 0.76%

LAB 77.94, 1.25, -1.27

 

CMYK 27 / 35 / 0 / 8

HEX #AB98EA

RGB 171 152 234

HSL 253.9, 0.66%, 0.76%

LAB 67.32, 24.33, -38.85

 

CMYK 18 / 35 / 0 / 8

HEX #C198EA

RGB 193 152 234

HSL 270, 0.66%, 0.76%

LAB 69.28, 30.78, -35.65

 

CMYK 8 / 35 / 0 / 8

HEX #D798EA

RGB 215 152 234

HSL 286.1, 0.66%, 0.76%

LAB 71.45, 37.45, -32.12

 

CMYK 0 / 35 / 1 / 8

HEX #EA98E8

RGB 234 152 232

HSL 301.46, 0.66%, 0.76%

LAB 73.4, 42.92, -27.85

 

CMYK 0 / 35 / 10 / 8

HEX #EA98D2

RGB 234 152 210

HSL 317.56, 0.66%, 0.76%

LAB 72.63, 39.11, -16.95

 

CMYK 14 / 62 / 0 / 13

HEX #BE53DD

RGB 190 83 221

HSL 286.52, 0.67%, 0.6%

LAB 54.4, 62.88, -51.85

 

CMYK 11 / 48 / 0 / 11

HEX #CB76E3

RGB 203 118 227

HSL 286.79, 0.66%, 0.68%

LAB 62.68, 50.5, -42.02

 

CMYK 8 / 35 / 0 / 8

HEX #D898EA

RGB 216 152 234

HSL 286.83, 0.66%, 0.76%

LAB 71.55, 37.75, -31.95

 

CMYK 5 / 22 / 0 / 5

HEX #E5BBF1

RGB 229 187 241

HSL 286.67, 0.66%, 0.84%

LAB 81.04, 24.39, -21.1

 

CMYK 2 / 11 / 0 / 3

HEX #F2DDF8

RGB 242 221 248

HSL 286.67, 0.66%, 0.92%

LAB 90.49, 11.93, -10.51

 

CMYK 8 / 34 / 0 / 8

HEX #D99BEB

RGB 217 155 235

HSL 286.5, 0.67%, 0.76%

LAB 72.36, 36.64, -31.24

 

CMYK 0 / 35 / 34 / 8

HEX #EA989B

RGB 234 152 155

HSL 357.8, 0.66%, 0.76%

LAB 71.09, 31.12, 11.24

 

CMYK 35 / 0 / 22 / 8

HEX #98EAB6

RGB 152 234 182

HSL 141.95, 0.66%, 0.76%

LAB 86.45, -35.8, 17.48

 

CMYK 8 / 34 / 0 / 8

HEX #D99BEB

RGB 217 155 235

HSL 286.5, 0.67%, 0.76%

LAB 72.36, 36.64, -31.24

 

CMYK 0 / 8 / 35 / 8

HEX #EAD798

RGB 234 215 152

HSL 46.1, 0.66%, 0.76%

LAB 86.19, -2.44, 33.5

 

CMYK 35 / 0 / 8 / 8

HEX #98EAD7

RGB 152 234 215

HSL 166.1, 0.66%, 0.76%

LAB 87.21, -29.11, 1.31

 

CMYK 8 / 34 / 0 / 8

HEX #D99BEB

RGB 217 155 235

HSL 286.5, 0.67%, 0.76%

LAB 72.36, 36.64, -31.24

 

CMYK 0 / 35 / 34 / 8

HEX #EA989B

RGB 234 152 155

HSL 357.8, 0.66%, 0.76%

LAB 71.09, 31.12, 11.24

 

CMYK 27 / 0 / 35 / 8

HEX #ABEA98

RGB 171 234 152

HSL 106.1, 0.66%, 0.76%

LAB 86.88, -34.83, 33.63

 

CMYK 35 / 0 / 1 / 8

HEX #98EAE8

RGB 152 234 232

HSL 178.54, 0.66%, 0.76%

LAB 87.65, -25.29, -6.96

 

CMYK 8 / 34 / 0 / 8

HEX #D99BEB

RGB 217 155 235

HSL 286.5, 0.67%, 0.76%

LAB 72.36, 36.64, -31.24

 

CMYK 0 / 26 / 35 / 8

HEX #EAAE98

RGB 234 174 152

HSL 16.1, 0.66%, 0.76%

LAB 76.09, 19.05, 19.87

 

CMYK 27 / 0 / 35 / 8

HEX #ABEA98

RGB 171 234 152

HSL 106.1, 0.66%, 0.76%

LAB 86.88, -34.83, 33.63

 

CMYK 35 / 9 / 0 / 8

HEX #98D4EA

RGB 152 212 234

HSL 196.1, 0.66%, 0.76%

LAB 81.68, -13.81, -16.94

 

Description

Color code: HEX #D99BEB | qconv.com Color code: HEX #D99BEB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 155 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 155 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 34 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 34% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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