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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9909E it is the complementary color #266F61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9909E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9909E shade: #DE9099, #EFA2AC, #FFB4BF, #FFC6D2 and #FFD8E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9909E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9909E shade: #D9909E, #C87E8B, #B76C78, #A65A65 and #954852

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9909E shade: #D9909E and #D99090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9909E shade: #D9909E, #D990B2, #D990C5, #D990D9 and #C590D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9909E shade matches the following richer shades: #D9909E, #E58497, #F1788F and #FD6C88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9909E shade: #D9909E, #CD9CA6, #C1A8AD, #B5B4B4 and #A9C0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9909E shade: #D990C5, #D990B2, #D9909F, #D99590 and #D9A890

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9909E shade: #C45368, #CE7283, #D9909E, #E3AFB9 and #EECED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9909E shade: #D9909E, #D9D990 and #90BCD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9909E shade: #D9909E, #9FD990 and #909FD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9909E shade: #D9909E, #D9D990, #90D9CA and #9090D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9909E shade: #D9909E, #C3D990, #90D9CA and #A690D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 27 / 15

HEX #D9909E

RGB 217 144 158

HSL 348.49, 0.49%, 0.71%

LAB 67.4, 29.51, 4.03

 

Complementary color

CMYK 66 / 0 / 13 / 56

HEX #266F61

RGB 38 111 97

HSL 168.49, 0.49%, 0.29%

LAB 42.22, -26.13, 1.16

 

CMYK 0 / 35 / 31 / 13

HEX #DE9099

RGB 222 144 153

HSL 353.08, 0.54%, 0.72%

LAB 67.86, 30.68, 7.56

 

CMYK 0 / 32 / 28 / 6

HEX #EFA2AC

RGB 239 162 172

HSL 352.21, 0.71%, 0.79%

LAB 74.3, 29.86, 6.51

 

CMYK 0 / 29 / 25 / 0

HEX #FFB4BF

RGB 255 180 191

HSL 351.2, 1%, 0.85%

LAB 80.55, 28.74, 5.38

 

CMYK 0 / 22 / 18 / 0

HEX #FFC6D2

RGB 255 198 210

HSL 347.37, 1%, 0.89%

LAB 85.15, 22.04, 1.85

 

CMYK 0 / 15 / 10 / 0

HEX #FFD8E5

RGB 255 216 229

HSL 340, 1%, 0.92%

LAB 89.87, 15.62, -1.32

 

CMYK 0 / 34 / 27 / 15

HEX #D9909E

RGB 217 144 158

HSL 348.49, 0.49%, 0.71%

LAB 67.4, 29.51, 4.03

 

CMYK 0 / 37 / 31 / 22

HEX #C87E8B

RGB 200 126 139

HSL 349.46, 0.4%, 0.64%

LAB 60.84, 30.36, 5.08

 

CMYK 0 / 41 / 34 / 28

HEX #B76C78

RGB 183 108 120

HSL 350.4, 0.34%, 0.57%

LAB 54.18, 31.28, 6.28

 

CMYK 0 / 46 / 39 / 35

HEX #A65A65

RGB 166 90 101

HSL 351.32, 0.3%, 0.5%

LAB 47.44, 32.28, 7.66

 

CMYK 0 / 52 / 45 / 42

HEX #954852

RGB 149 72 82

HSL 352.21, 0.35%, 0.43%

LAB 40.63, 33.34, 9.33

 

CMYK 0 / 34 / 27 / 15

HEX #D9909E

RGB 217 144 158

HSL 348.49, 0.49%, 0.71%

LAB 67.4, 29.51, 4.03

 

CMYK 0 / 34 / 34 / 15

HEX #D99090

RGB 217 144 144

HSL 0, 0.49%, 0.71%

LAB 67.06, 27.66, 11.39

 

CMYK 0 / 34 / 27 / 15

HEX #D9909E

RGB 217 144 158

HSL 348.49, 0.49%, 0.71%

LAB 67.4, 29.51, 4.03

 

CMYK 0 / 34 / 18 / 15

HEX #D990B2

RGB 217 144 178

HSL 332.05, 0.49%, 0.71%

LAB 67.96, 32.45, -6.38

 

CMYK 0 / 34 / 9 / 15

HEX #D990C5

RGB 217 144 197

HSL 316.44, 0.49%, 0.71%

LAB 68.55, 35.55, -16.09

 

CMYK 0 / 34 / 0 / 15

HEX #D990D9

RGB 217 144 217

HSL 300, 0.49%, 0.71%

LAB 69.26, 39.1, -26.12

 

CMYK 9 / 34 / 0 / 15

HEX #C590D9

RGB 197 144 217

HSL 283.56, 0.49%, 0.71%

LAB 67.15, 32.81, -29.55

 

CMYK 0 / 34 / 27 / 15

HEX #D9909E

RGB 217 144 158

HSL 348.49, 0.49%, 0.71%

LAB 67.4, 29.51, 4.03

 

CMYK 0 / 42 / 34 / 10

HEX #E58497

RGB 229 132 151

HSL 348.25, 0.65%, 0.71%

LAB 66.05, 39.31, 6.22

 

CMYK 0 / 50 / 41 / 5

HEX #F1788F

RGB 241 120 143

HSL 348.6, 0.81%, 0.71%

LAB 65.06, 48.66, 9.54

 

CMYK 0 / 57 / 46 / 1

HEX #FD6C88

RGB 253 108 136

HSL 348.41, 0.97%, 0.71%

LAB 64.47, 57.61, 12.96

 

CMYK 0 / 34 / 27 / 15

HEX #D9909E

RGB 217 144 158

HSL 348.49, 0.49%, 0.71%

LAB 67.4, 29.51, 4.03

 

CMYK 0 / 24 / 19 / 20

HEX #CD9CA6

RGB 205 156 166

HSL 347.76, 0.33%, 0.71%

LAB 69.12, 19.75, 1.88

 

CMYK 0 / 13 / 10 / 24

HEX #C1A8AD

RGB 193 168 173

HSL 348, 0.17%, 0.71%

LAB 71.12, 9.92, 0.77

 

CMYK 0 / 1 / 1 / 29

HEX #B5B4B4

RGB 181 180 180

HSL 0, 0.01%, 0.71%

LAB 73.39, 0.36, 0.12

 

CMYK 12 / 0 / 2 / 25

HEX #A9C0BC

RGB 169 192 188

HSL 169.57, 0.15%, 0.71%

LAB 75.92, -8.59, -0.64

 

CMYK 0 / 34 / 9 / 15

HEX #D990C5

RGB 217 144 197

HSL 316.44, 0.49%, 0.71%

LAB 68.55, 35.55, -16.09

 

CMYK 0 / 34 / 18 / 15

HEX #D990B2

RGB 217 144 178

HSL 332.05, 0.49%, 0.71%

LAB 67.96, 32.45, -6.38

 

CMYK 0 / 34 / 27 / 15

HEX #D9909F

RGB 217 144 159

HSL 347.67, 0.49%, 0.71%

LAB 67.43, 29.65, 3.5

 

CMYK 0 / 31 / 34 / 15

HEX #D99590

RGB 217 149 144

HSL 4.11, 0.49%, 0.71%

LAB 68.21, 24.97, 13.01

 

CMYK 0 / 23 / 34 / 15

HEX #D9A890

RGB 217 168 144

HSL 19.73, 0.49%, 0.71%

LAB 72.74, 14.7, 19.32

 

CMYK 0 / 58 / 47 / 23

HEX #C45368

RGB 196 83 104

HSL 348.85, 0.49%, 0.55%

LAB 50.6, 47.05, 10.95

 

CMYK 0 / 45 / 36 / 19

HEX #CE7283

RGB 206 114 131

HSL 348.91, 0.48%, 0.63%

LAB 58.78, 37.96, 6.85

 

CMYK 0 / 34 / 27 / 15

HEX #D9909E

RGB 217 144 158

HSL 348.49, 0.49%, 0.71%

LAB 67.4, 29.51, 4.03

 

CMYK 0 / 23 / 19 / 11

HEX #E3AFB9

RGB 227 175 185

HSL 348.46, 0.48%, 0.79%

LAB 76.37, 20.43, 2.23

 

CMYK 0 / 13 / 11 / 7

HEX #EECED4

RGB 238 206 212

HSL 348.75, 0.48%, 0.87%

LAB 85.54, 12.16, 1.16

 

CMYK 0 / 34 / 27 / 15

HEX #D9909E

RGB 217 144 158

HSL 348.49, 0.49%, 0.71%

LAB 67.4, 29.51, 4.03

 

CMYK 0 / 0 / 34 / 15

HEX #D9D990

RGB 217 217 144

HSL 60, 0.49%, 0.71%

LAB 85.2, -10.97, 36.03

 

CMYK 34 / 13 / 0 / 15

HEX #90BCD9

RGB 144 188 217

HSL 203.84, 0.49%, 0.71%

LAB 74.13, -7.62, -19.24

 

CMYK 0 / 34 / 27 / 15

HEX #D9909E

RGB 217 144 158

HSL 348.49, 0.49%, 0.71%

LAB 67.4, 29.51, 4.03

 

CMYK 27 / 0 / 34 / 15

HEX #9FD990

RGB 159 217 144

HSL 107.67, 0.49%, 0.71%

LAB 81.3, -32.17, 30.17

 

CMYK 34 / 27 / 0 / 15

HEX #909FD9

RGB 144 159 217

HSL 227.67, 0.49%, 0.71%

LAB 66.32, 8.36, -31.2

 

CMYK 0 / 34 / 27 / 15

HEX #D9909E

RGB 217 144 158

HSL 348.49, 0.49%, 0.71%

LAB 67.4, 29.51, 4.03

 

CMYK 0 / 0 / 34 / 15

HEX #D9D990

RGB 217 217 144

HSL 60, 0.49%, 0.71%

LAB 85.2, -10.97, 36.03

 

CMYK 34 / 0 / 7 / 15

HEX #90D9CA

RGB 144 217 202

HSL 167.67, 0.49%, 0.71%

LAB 81.74, -25.97, 0.16

 

CMYK 34 / 34 / 0 / 15

HEX #9090D9

RGB 144 144 217

HSL 240, 0.49%, 0.71%

LAB 62.41, 16.96, -37.27

 

CMYK 0 / 34 / 27 / 15

HEX #D9909E

RGB 217 144 158

HSL 348.49, 0.49%, 0.71%

LAB 67.4, 29.51, 4.03

 

CMYK 10 / 0 / 34 / 15

HEX #C3D990

RGB 195 217 144

HSL 78.08, 0.49%, 0.71%

LAB 83.57, -19.32, 33.59

 

CMYK 34 / 0 / 7 / 15

HEX #90D9CA

RGB 144 217 202

HSL 167.67, 0.49%, 0.71%

LAB 81.74, -25.97, 0.16

 

CMYK 24 / 34 / 0 / 15

HEX #A690D9

RGB 166 144 217

HSL 258.08, 0.49%, 0.71%

LAB 64.21, 23.32, -34.33

 

Description

Color code: HEX #D9909E | qconv.com Color code: HEX #D9909E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 144 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 144 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 27 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 27% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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