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Color name
HEX #D97D30

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D97D30 it is the complementary color #2682CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D97D30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D97D30 shade: #DE7D2B, #EF8F3E, #FFA151, #FFB364 and #FFC577

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D97D30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D97D30 shade: #D97D30, #C86B1D, #B7590A, #A64700 and #953500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D97D30 shade: #D97D30, #D94F30 and #D93030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D97D30 shade: #D97D30, #D9AA30, #D9D830, #ACD930 and #7ED930

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D97D30 shade matches the following richer shades: #D97D30 and #EC7B1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D97D30 shade: #D97D30, #C57E43, #B18057, #9D826B and #89847F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D97D30 shade: #D9303E, #D94F30, #D97C30, #D9A930 and #D9D630

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D97D30 shade: #9A551C, #BD6922, #D97D30, #DF9353 and #E5A875

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D97D30 shade: #D97D30, #6BD930 and #3830D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D97D30 shade: #D97D30, #30D97C and #7C30D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D97D30 shade: #D97D30, #6BD930, #308DD9 and #9D30D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D97D30 shade: #D97D30, #38D930, #308DD9 and #D030D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 78 / 15

HEX #D97D30

RGB 217 125 48

HSL 27.34, 0.69%, 0.52%

LAB 61.34, 30.03, 54.8

 

Complementary color

CMYK 82 / 37 / 0 / 19

HEX #2682CF

RGB 38 130 207

HSL 207.34, 0.69%, 0.48%

LAB 52.82, 0.98, -47.12

 

CMYK 0 / 44 / 81 / 13

HEX #DE7D2B

RGB 222 125 43

HSL 27.49, 0.73%, 0.52%

LAB 61.97, 31.91, 57.7

 

CMYK 0 / 40 / 74 / 6

HEX #EF8F3E

RGB 239 143 62

HSL 27.46, 0.85%, 0.59%

LAB 68.27, 30.14, 56.53

 

CMYK 0 / 37 / 68 / 0

HEX #FFA151

RGB 255 161 81

HSL 27.59, 1%, 0.66%

LAB 74.41, 28.15, 54.93

 

CMYK 0 / 30 / 61 / 0

HEX #FFB364

RGB 255 179 100

HSL 30.58, 1%, 0.7%

LAB 78.71, 19.89, 50.71

 

CMYK 0 / 23 / 53 / 0

HEX #FFC577

RGB 255 197 119

HSL 34.41, 1%, 0.73%

LAB 83.19, 11.92, 46.75

 

CMYK 0 / 42 / 78 / 15

HEX #D97D30

RGB 217 125 48

HSL 27.34, 0.69%, 0.52%

LAB 61.34, 30.03, 54.8

 

CMYK 0 / 47 / 86 / 22

HEX #C86B1D

RGB 200 107 29

HSL 27.37, 0.75%, 0.45%

LAB 54.95, 31.93, 55.65

 

CMYK 0 / 51 / 95 / 28

HEX #B7590A

RGB 183 89 10

HSL 27.4, 0.9%, 0.38%

LAB 48.55, 34.03, 55.28

 

CMYK 0 / 57 / 100 / 35

HEX #A64700

RGB 166 71 0

HSL 25.66, 1%, 0.33%

LAB 42.17, 36.27, 52.5

 

CMYK 0 / 64 / 100 / 42

HEX #953500

RGB 149 53 0

HSL 21.34, 1%, 0.29%

LAB 35.86, 38.42, 47.47

 

CMYK 0 / 42 / 78 / 15

HEX #D97D30

RGB 217 125 48

HSL 27.34, 0.69%, 0.52%

LAB 61.34, 30.03, 54.8

 

CMYK 0 / 64 / 78 / 15

HEX #D94F30

RGB 217 79 48

HSL 11.01, 0.69%, 0.52%

LAB 52.46, 52.54, 46.03

 

CMYK 0 / 78 / 78 / 15

HEX #D93030

RGB 217 48 48

HSL 0, 0.69%, 0.52%

LAB 48.36, 63.8, 41.81

 

CMYK 0 / 42 / 78 / 15

HEX #D97D30

RGB 217 125 48

HSL 27.34, 0.69%, 0.52%

LAB 61.34, 30.03, 54.8

 

CMYK 0 / 22 / 78 / 15

HEX #D9AA30

RGB 217 170 48

HSL 43.31, 0.69%, 0.52%

LAB 72.04, 5.92, 64.86

 

CMYK 0 / 0 / 78 / 15

HEX #D9D830

RGB 217 216 48

HSL 59.64, 0.69%, 0.52%

LAB 84.01, -17.7, 75.65

 

CMYK 21 / 0 / 78 / 15

HEX #ACD930

RGB 172 217 48

HSL 75.98, 0.69%, 0.52%

LAB 81.08, -36.51, 71.81

 

CMYK 42 / 0 / 78 / 15

HEX #7ED930

RGB 126 217 48

HSL 92.31, 0.69%, 0.52%

LAB 78.62, -53.09, 68.65

 

CMYK 0 / 42 / 78 / 15

HEX #D97D30

RGB 217 125 48

HSL 27.34, 0.69%, 0.52%

LAB 61.34, 30.03, 54.8

 

CMYK 0 / 48 / 88 / 7

HEX #EC7B1C

RGB 236 123 28

HSL 27.4, 0.85%, 0.52%

LAB 63.41, 38.2, 64.9

 

CMYK 0 / 42 / 78 / 15

HEX #D97D30

RGB 217 125 48

HSL 27.34, 0.69%, 0.52%

LAB 61.34, 30.03, 54.8

 

CMYK 0 / 36 / 66 / 23

HEX #C57E43

RGB 197 126 67

HSL 27.23, 0.53%, 0.52%

LAB 59.16, 22.06, 42.78

 

CMYK 0 / 28 / 51 / 31

HEX #B18057

RGB 177 128 87

HSL 27.33, 0.37%, 0.52%

LAB 57.53, 14.03, 29.63

 

CMYK 0 / 17 / 32 / 38

HEX #9D826B

RGB 157 130 107

HSL 27.6, 0.2%, 0.52%

LAB 56.28, 6.82, 16.33

 

CMYK 0 / 4 / 7 / 46

HEX #89847F

RGB 137 132 127

HSL 30, 0.04%, 0.52%

LAB 55.43, 0.93, 3.36

 

CMYK 0 / 78 / 71 / 15

HEX #D9303E

RGB 217 48 62

HSL 355.03, 0.69%, 0.52%

LAB 48.53, 64.33, 34.02

 

CMYK 0 / 64 / 78 / 15

HEX #D94F30

RGB 217 79 48

HSL 11.01, 0.69%, 0.52%

LAB 52.46, 52.54, 46.03

 

CMYK 0 / 43 / 78 / 15

HEX #D97C30

RGB 217 124 48

HSL 26.98, 0.69%, 0.52%

LAB 61.12, 30.56, 54.59

 

CMYK 0 / 22 / 78 / 15

HEX #D9A930

RGB 217 169 48

HSL 42.96, 0.69%, 0.52%

LAB 71.79, 6.45, 64.63

 

CMYK 0 / 1 / 78 / 15

HEX #D9D630

RGB 217 214 48

HSL 58.93, 0.69%, 0.52%

LAB 83.47, -16.71, 75.18

 

CMYK 0 / 45 / 82 / 40

HEX #9A551C

RGB 154 85 28

HSL 27.14, 0.69%, 0.36%

LAB 43.43, 24.33, 43.37

 

CMYK 0 / 44 / 82 / 26

HEX #BD6922

RGB 189 105 34

HSL 27.48, 0.7%, 0.44%

LAB 52.99, 28.56, 51.45

 

CMYK 0 / 42 / 78 / 15

HEX #D97D30

RGB 217 125 48

HSL 27.34, 0.69%, 0.52%

LAB 61.34, 30.03, 54.8

 

CMYK 0 / 34 / 63 / 13

HEX #DF9353

RGB 223 147 83

HSL 27.43, 0.69%, 0.6%

LAB 67.41, 22.59, 45.02

 

CMYK 0 / 27 / 49 / 10

HEX #E5A875

RGB 229 168 117

HSL 27.32, 0.68%, 0.68%

LAB 73.51, 16.52, 35.07

 

CMYK 0 / 42 / 78 / 15

HEX #D97D30

RGB 217 125 48

HSL 27.34, 0.69%, 0.52%

LAB 61.34, 30.03, 54.8

 

CMYK 51 / 0 / 78 / 15

HEX #6BD930

RGB 107 217 48

HSL 99.05, 0.69%, 0.52%

LAB 77.85, -58.86, 67.65

 

CMYK 74 / 78 / 0 / 15

HEX #3830D9

RGB 56 48 217

HSL 242.84, 0.69%, 0.52%

LAB 33.91, 56.35, -83.54

 

CMYK 0 / 42 / 78 / 15

HEX #D97D30

RGB 217 125 48

HSL 27.34, 0.69%, 0.52%

LAB 61.34, 30.03, 54.8

 

CMYK 78 / 0 / 43 / 15

HEX #30D97C

RGB 48 217 124

HSL 146.98, 0.69%, 0.52%

LAB 77.11, -62.14, 34.13

 

CMYK 43 / 78 / 0 / 15

HEX #7C30D9

RGB 124 48 217

HSL 266.98, 0.69%, 0.52%

LAB 40.26, 64, -72.85

 

CMYK 0 / 42 / 78 / 15

HEX #D97D30

RGB 217 125 48

HSL 27.34, 0.69%, 0.52%

LAB 61.34, 30.03, 54.8

 

CMYK 51 / 0 / 78 / 15

HEX #6BD930

RGB 107 217 48

HSL 99.05, 0.69%, 0.52%

LAB 77.85, -58.86, 67.65

 

CMYK 78 / 35 / 0 / 15

HEX #308DD9

RGB 48 141 217

HSL 206.98, 0.69%, 0.52%

LAB 56.77, -0.88, -46.48

 

CMYK 28 / 78 / 0 / 15

HEX #9D30D9

RGB 157 48 217

HSL 278.7, 0.69%, 0.52%

LAB 44.65, 69.23, -65.51

 

CMYK 0 / 42 / 78 / 15

HEX #D97D30

RGB 217 125 48

HSL 27.34, 0.69%, 0.52%

LAB 61.34, 30.03, 54.8

 

CMYK 74 / 0 / 78 / 15

HEX #38D930

RGB 56 217 48

HSL 117.16, 0.69%, 0.52%

LAB 76.48, -70.05, 65.87

 

CMYK 78 / 35 / 0 / 15

HEX #308DD9

RGB 48 141 217

HSL 206.98, 0.69%, 0.52%

LAB 56.77, -0.88, -46.48

 

CMYK 4 / 78 / 0 / 15

HEX #D030D9

RGB 208 48 217

HSL 296.8, 0.69%, 0.52%

LAB 52.44, 78.44, -52.56

 

Description

Color code: HEX #D97D30 | qconv.com Color code: HEX #D97D30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 125 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 125 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 78 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 78% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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