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Color name
HEX #D9796C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9796C it is the complementary color #268693. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9796C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9796C shade: #DE7967, #EF8B7A, #FF9D8D, #FFAFA0 and #FFC1B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9796C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9796C shade: #D9796C, #C86759, #B75546, #A64333 and #953120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9796C shade: #D9796D and #D96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9796C shade: #D9796D, #D9976D, #D9B46D, #D9D16D and #C3D96D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9796C shade matches the following richer shades: #D9796D, #E86E5E and #F7634F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9796C shade: #D9796D, #CA857B, #BB908A, #AC9B99 and #9DA7A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9796C shade: #D96D9A, #D96D7D, #D9796D, #D9966D and #D9B36D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9796C shade: #C14331, #D05C4C, #D9796D, #E1978D and #EAB5AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9796C shade: #D9796C, #B7D96D and #6D8BD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9796C shade: #D9796C, #6DD979 and #796DD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9796C shade: #D9796C, #B7D96D, #6DCCD9 and #8F6DD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9796C shade: #D9796C, #96D96D, #6DCCD9 and #AF6DD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 50 / 15

HEX #D9796C

RGB 217 121 108

HSL 7.16, 0.59%, 0.64%

LAB 61.23, 35.98, 23.65

 

Complementary color

CMYK 74 / 9 / 0 / 42

HEX #268693

RGB 38 134 147

HSL 187.16, 0.59%, 0.36%

LAB 51.35, -22.56, -14.91

 

CMYK 0 / 45 / 54 / 13

HEX #DE7967

RGB 222 121 103

HSL 9.08, 0.64%, 0.64%

LAB 61.81, 37.44, 27.36

 

CMYK 0 / 42 / 49 / 6

HEX #EF8B7A

RGB 239 139 122

HSL 8.72, 0.79%, 0.71%

LAB 68.18, 36.26, 25.62

 

CMYK 0 / 38 / 45 / 0

HEX #FF9D8D

RGB 255 157 141

HSL 8.42, 1%, 0.78%

LAB 74.38, 34.79, 23.88

 

CMYK 0 / 31 / 37 / 0

HEX #FFAFA0

RGB 255 175 160

HSL 9.47, 1%, 0.81%

LAB 78.73, 27.44, 19.55

 

CMYK 0 / 24 / 30 / 0

HEX #FFC1B3

RGB 255 193 179

HSL 11.05, 1%, 0.85%

LAB 83.26, 20.32, 15.68

 

CMYK 0 / 44 / 50 / 15

HEX #D9796C

RGB 217 121 108

HSL 7.16, 0.59%, 0.64%

LAB 61.23, 35.98, 23.65

 

CMYK 0 / 49 / 56 / 22

HEX #C86759

RGB 200 103 89

HSL 7.57, 0.5%, 0.57%

LAB 54.76, 37.2, 25.52

 

CMYK 0 / 54 / 62 / 28

HEX #B75546

RGB 183 85 70

HSL 7.96, 0.45%, 0.5%

LAB 48.27, 38.49, 27.68

 

CMYK 0 / 60 / 69 / 35

HEX #A64333

RGB 166 67 51

HSL 8.35, 0.53%, 0.43%

LAB 41.78, 39.81, 30.21

 

CMYK 0 / 67 / 79 / 42

HEX #953120

RGB 149 49 32

HSL 8.72, 0.65%, 0.35%

LAB 35.38, 41.03, 33.15

 

CMYK 0 / 44 / 50 / 15

HEX #D9796D

RGB 217 121 109

HSL 6.67, 0.59%, 0.64%

LAB 61.25, 36.07, 23.11

 

CMYK 0 / 50 / 50 / 15

HEX #D96D6D

RGB 217 109 109

HSL 0, 0.59%, 0.64%

LAB 58.78, 42.23, 19.79

 

CMYK 0 / 44 / 50 / 15

HEX #D9796D

RGB 217 121 109

HSL 6.67, 0.59%, 0.64%

LAB 61.25, 36.07, 23.11

 

CMYK 0 / 30 / 50 / 15

HEX #D9976D

RGB 217 151 109

HSL 23.33, 0.59%, 0.64%

LAB 68.01, 20.05, 31.99

 

CMYK 0 / 17 / 50 / 15

HEX #D9B46D

RGB 217 180 109

HSL 39.44, 0.59%, 0.64%

LAB 75.14, 4.5, 41.01

 

CMYK 0 / 4 / 50 / 15

HEX #D9D16D

RGB 217 209 109

HSL 55.56, 0.59%, 0.64%

LAB 82.62, -10.54, 50.12

 

CMYK 10 / 0 / 50 / 15

HEX #C3D96D

RGB 195 217 109

HSL 72.22, 0.59%, 0.64%

LAB 83.09, -23.27, 50.27

 

CMYK 0 / 44 / 50 / 15

HEX #D9796D

RGB 217 121 109

HSL 6.67, 0.59%, 0.64%

LAB 61.25, 36.07, 23.11

 

CMYK 0 / 53 / 59 / 9

HEX #E86E5E

RGB 232 110 94

HSL 6.96, 0.75%, 0.64%

LAB 60.88, 46.01, 31.48

 

CMYK 0 / 60 / 68 / 3

HEX #F7634F

RGB 247 99 79

HSL 7.14, 0.91%, 0.64%

LAB 61.01, 55.51, 40.45

 

CMYK 0 / 44 / 50 / 15

HEX #D9796D

RGB 217 121 109

HSL 6.67, 0.59%, 0.64%

LAB 61.25, 36.07, 23.11

 

CMYK 0 / 34 / 39 / 21

HEX #CA857B

RGB 202 133 123

HSL 7.59, 0.43%, 0.64%

LAB 62.31, 25.31, 16.31

 

CMYK 0 / 23 / 26 / 27

HEX #BB908A

RGB 187 144 138

HSL 7.35, 0.26%, 0.64%

LAB 63.63, 15.34, 9.44

 

CMYK 0 / 10 / 11 / 33

HEX #AC9B99

RGB 172 155 153

HSL 6.32, 0.1%, 0.64%

LAB 65.37, 5.89, 3.31

 

CMYK 7 / 1 / 0 / 34

HEX #9DA7A8

RGB 157 167 168

HSL 185.45, 0.06%, 0.64%

LAB 67.75, -3.32, -1.74

 

CMYK 0 / 50 / 29 / 15

HEX #D96D9A

RGB 217 109 154

HSL 335, 0.59%, 0.64%

LAB 59.91, 47.24, -4.65

 

CMYK 0 / 50 / 42 / 15

HEX #D96D7D

RGB 217 109 125

HSL 351.11, 0.59%, 0.64%

LAB 59.13, 43.81, 11.02

 

CMYK 0 / 44 / 50 / 15

HEX #D9796D

RGB 217 121 109

HSL 6.67, 0.59%, 0.64%

LAB 61.25, 36.07, 23.11

 

CMYK 0 / 31 / 50 / 15

HEX #D9966D

RGB 217 150 109

HSL 22.78, 0.59%, 0.64%

LAB 67.78, 20.59, 31.69

 

CMYK 0 / 18 / 50 / 15

HEX #D9B36D

RGB 217 179 109

HSL 38.89, 0.59%, 0.64%

LAB 74.89, 5.03, 40.69

 

CMYK 0 / 65 / 75 / 24

HEX #C14331

RGB 193 67 49

HSL 7.5, 0.6%, 0.47%

LAB 46.41, 49.43, 37.86

 

CMYK 0 / 56 / 63 / 18

HEX #D05C4C

RGB 208 92 76

HSL 7.27, 0.58%, 0.56%

LAB 53.58, 44.77, 31.7

 

CMYK 0 / 44 / 50 / 15

HEX #D9796D

RGB 217 121 109

HSL 6.67, 0.59%, 0.64%

LAB 61.25, 36.07, 23.11

 

CMYK 0 / 33 / 37 / 12

HEX #E1978D

RGB 225 151 141

HSL 7.14, 0.58%, 0.72%

LAB 69.51, 26.58, 16.64

 

CMYK 0 / 23 / 26 / 8

HEX #EAB5AE

RGB 234 181 174

HSL 7, 0.59%, 0.8%

LAB 78.23, 18.19, 10.96

 

CMYK 0 / 44 / 50 / 15

HEX #D9796C

RGB 217 121 108

HSL 7.16, 0.59%, 0.64%

LAB 61.23, 35.98, 23.65

 

CMYK 16 / 0 / 50 / 15

HEX #B7D96D

RGB 183 217 109

HSL 78.89, 0.59%, 0.64%

LAB 82.27, -27.9, 49.09

 

CMYK 50 / 36 / 0 / 15

HEX #6D8BD9

RGB 109 139 217

HSL 223.33, 0.59%, 0.64%

LAB 58.72, 10.88, -43.23

 

CMYK 0 / 44 / 50 / 15

HEX #D9796C

RGB 217 121 108

HSL 7.16, 0.59%, 0.64%

LAB 61.23, 35.98, 23.65

 

CMYK 50 / 0 / 44 / 15

HEX #6DD979

RGB 109 217 121

HSL 126.67, 0.59%, 0.64%

LAB 78.61, -50.9, 37.88

 

CMYK 44 / 50 / 0 / 15

HEX #796DD9

RGB 121 109 217

HSL 246.67, 0.59%, 0.64%

LAB 51.85, 31.61, -54.09

 

CMYK 0 / 44 / 50 / 15

HEX #D9796C

RGB 217 121 108

HSL 7.16, 0.59%, 0.64%

LAB 61.23, 35.98, 23.65

 

CMYK 16 / 0 / 50 / 15

HEX #B7D96D

RGB 183 217 109

HSL 78.89, 0.59%, 0.64%

LAB 82.27, -27.9, 49.09

 

CMYK 50 / 6 / 0 / 15

HEX #6DCCD9

RGB 109 204 217

HSL 187.22, 0.59%, 0.64%

LAB 76.95, -24.63, -15.14

 

CMYK 34 / 50 / 0 / 15

HEX #8F6DD9

RGB 143 109 217

HSL 258.89, 0.59%, 0.64%

LAB 53.8, 36.98, -50.87

 

CMYK 0 / 44 / 50 / 15

HEX #D9796C

RGB 217 121 108

HSL 7.16, 0.59%, 0.64%

LAB 61.23, 35.98, 23.65

 

CMYK 31 / 0 / 50 / 15

HEX #96D96D

RGB 150 217 109

HSL 97.22, 0.59%, 0.64%

LAB 80.3, -39.92, 46.24

 

CMYK 50 / 6 / 0 / 15

HEX #6DCCD9

RGB 109 204 217

HSL 187.22, 0.59%, 0.64%

LAB 76.95, -24.63, -15.14

 

CMYK 19 / 50 / 0 / 15

HEX #AF6DD9

RGB 175 109 217

HSL 276.67, 0.59%, 0.64%

LAB 57.13, 45.43, -45.36

 

Description

Color code: HEX #D9796C | qconv.com Color code: HEX #D9796C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 121 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 121 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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