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Color name
HEX #D9525E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9525E it is the complementary color #26ADA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9525E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9525E shade: #DE5259, #EF646C, #FF767F, #FF8892 and #FF9AA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9525E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9525E shade: #D9525E, #C8404B, #B72E38, #A61C25 and #950A12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9525E shade: #D9535F and #D95353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9525E shade: #D9535F, #D95383, #D953A7, #D953CB and #C253D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9525E shade matches the following richer shades: #D9535F, #EA4251 and #FB3143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9525E shade: #D9535F, #C8646D, #B7757B, #A68689 and #959797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9525E shade: #D953A8, #D95384, #D95360, #D96953 and #D98D53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9525E shade: #B32733, #D1313F, #D9535F, #E0757E and #E8979E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9525E shade: #D9525E, #CBD953 and #5396D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9525E shade: #D9525E, #60D953 and #5360D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9525E shade: #D9525E, #CBD953, #53D9CB and #6053D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9525E shade: #D9525E, #A3D953, #53D9CB and #8953D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 57 / 15

HEX #D9525E

RGB 217 82 94

HSL 354.67, 0.64%, 0.59%

LAB 53.59, 53.75, 21.55

 

Complementary color

CMYK 78 / 0 / 7 / 32

HEX #26ADA1

RGB 38 173 161

HSL 174.67, 0.64%, 0.41%

LAB 64.06, -37.26, -3.88

 

CMYK 0 / 63 / 60 / 13

HEX #DE5259

RGB 222 82 89

HSL 357, 0.68%, 0.6%

LAB 54.33, 55.05, 25.6

 

CMYK 0 / 58 / 55 / 6

HEX #EF646C

RGB 239 100 108

HSL 356.55, 0.81%, 0.66%

LAB 60.38, 54.2, 23.08

 

CMYK 0 / 54 / 50 / 0

HEX #FF767F

RGB 255 118 127

HSL 356.06, 1%, 0.73%

LAB 66.33, 52.89, 20.69

 

CMYK 0 / 47 / 43 / 0

HEX #FF8892

RGB 255 136 146

HSL 354.96, 1%, 0.77%

LAB 70.14, 45.96, 15.28

 

CMYK 0 / 40 / 35 / 0

HEX #FF9AA5

RGB 255 154 165

HSL 353.47, 1%, 0.8%

LAB 74.25, 38.94, 10.54

 

CMYK 0 / 62 / 57 / 15

HEX #D9525E

RGB 217 82 94

HSL 354.67, 0.64%, 0.59%

LAB 53.59, 53.75, 21.55

 

CMYK 0 / 68 / 63 / 22

HEX #C8404B

RGB 200 64 75

HSL 355.15, 0.55%, 0.52%

LAB 47.56, 54.38, 24.41

 

CMYK 0 / 75 / 69 / 28

HEX #B72E38

RGB 183 46 56

HSL 355.62, 0.6%, 0.45%

LAB 41.7, 54.61, 27.87

 

CMYK 0 / 83 / 78 / 35

HEX #A61C25

RGB 166 28 37

HSL 356.09, 0.71%, 0.38%

LAB 36.12, 54.12, 32.03

 

CMYK 0 / 93 / 88 / 42

HEX #950A12

RGB 149 10 18

HSL 356.55, 0.87%, 0.31%

LAB 31, 52.45, 36.63

 

CMYK 0 / 62 / 56 / 15

HEX #D9535F

RGB 217 83 95

HSL 354.63, 0.64%, 0.59%

LAB 53.78, 53.39, 21.2

 

CMYK 0 / 62 / 62 / 15

HEX #D95353

RGB 217 83 83

HSL 0, 0.64%, 0.59%

LAB 53.56, 52.55, 27.95

 

CMYK 0 / 62 / 56 / 15

HEX #D9535F

RGB 217 83 95

HSL 354.63, 0.64%, 0.59%

LAB 53.78, 53.39, 21.2

 

CMYK 0 / 62 / 40 / 15

HEX #D95383

RGB 217 83 131

HSL 338.51, 0.64%, 0.59%

LAB 54.63, 56.65, 1.06

 

CMYK 0 / 62 / 23 / 15

HEX #D953A7

RGB 217 83 167

HSL 322.39, 0.64%, 0.59%

LAB 55.81, 60.99, -18.34

 

CMYK 0 / 62 / 6 / 15

HEX #D953CB

RGB 217 83 203

HSL 306.27, 0.64%, 0.59%

LAB 57.32, 66.28, -36.77

 

CMYK 11 / 62 / 0 / 15

HEX #C253D9

RGB 194 83 217

HSL 289.7, 0.64%, 0.59%

LAB 54.73, 63.05, -49.03

 

CMYK 0 / 62 / 56 / 15

HEX #D9535F

RGB 217 83 95

HSL 354.63, 0.64%, 0.59%

LAB 53.78, 53.39, 21.2

 

CMYK 0 / 72 / 65 / 8

HEX #EA4251

RGB 234 66 81

HSL 354.64, 0.8%, 0.59%

LAB 54.01, 64.52, 30.29

 

CMYK 0 / 80 / 73 / 2

HEX #FB3143

RGB 251 49 67

HSL 354.65, 0.96%, 0.59%

LAB 55.19, 73.68, 40.52

 

CMYK 0 / 62 / 56 / 15

HEX #D9535F

RGB 217 83 95

HSL 354.63, 0.64%, 0.59%

LAB 53.78, 53.39, 21.2

 

CMYK 0 / 50 / 46 / 22

HEX #C8646D

RGB 200 100 109

HSL 354.6, 0.48%, 0.59%

LAB 54.55, 40.58, 13.59

 

CMYK 0 / 36 / 33 / 28

HEX #B7757B

RGB 183 117 123

HSL 354.55, 0.31%, 0.59%

LAB 56.31, 26.73, 7.56

 

CMYK 0 / 19 / 17 / 35

HEX #A68689

RGB 166 134 137

HSL 354.38, 0.15%, 0.59%

LAB 58.94, 12.68, 3.01

 

CMYK 1 / 0 / 0 / 41

HEX #959797

RGB 149 151 151

HSL 180, 0.01%, 0.59%

LAB 62.3, -0.72, -0.26

 

CMYK 0 / 62 / 23 / 15

HEX #D953A8

RGB 217 83 168

HSL 321.94, 0.64%, 0.59%

LAB 55.85, 61.13, -18.86

 

CMYK 0 / 62 / 39 / 15

HEX #D95384

RGB 217 83 132

HSL 338.06, 0.64%, 0.59%

LAB 54.66, 56.76, 0.51

 

CMYK 0 / 62 / 56 / 15

HEX #D95360

RGB 217 83 96

HSL 354.18, 0.64%, 0.59%

LAB 53.8, 53.46, 20.64

 

CMYK 0 / 52 / 62 / 15

HEX #D96953

RGB 217 105 83

HSL 9.85, 0.64%, 0.59%

LAB 57.54, 42.18, 32.96

 

CMYK 0 / 35 / 62 / 15

HEX #D98D53

RGB 217 141 83

HSL 25.97, 0.64%, 0.59%

LAB 65.3, 23.33, 42.36

 

CMYK 0 / 78 / 72 / 30

HEX #B32733

RGB 179 39 51

HSL 354.86, 0.64%, 0.43%

LAB 40.04, 55.42, 28.73

 

CMYK 0 / 77 / 70 / 18

HEX #D1313F

RGB 209 49 63

HSL 354.75, 0.63%, 0.51%

LAB 47.12, 61.77, 31.38

 

CMYK 0 / 62 / 56 / 15

HEX #D9535F

RGB 217 83 95

HSL 354.63, 0.64%, 0.59%

LAB 53.78, 53.39, 21.2

 

CMYK 0 / 48 / 44 / 12

HEX #E0757E

RGB 224 117 126

HSL 354.95, 0.63%, 0.67%

LAB 61.72, 42.38, 14.22

 

CMYK 0 / 35 / 32 / 9

HEX #E8979E

RGB 232 151 158

HSL 354.81, 0.64%, 0.75%

LAB 70.7, 31.29, 8.99

 

CMYK 0 / 62 / 57 / 15

HEX #D9525E

RGB 217 82 94

HSL 354.67, 0.64%, 0.59%

LAB 53.59, 53.75, 21.55

 

CMYK 6 / 0 / 62 / 15

HEX #CBD953

RGB 203 217 83

HSL 66.27, 0.64%, 0.59%

LAB 83.41, -22.2, 62.36

 

CMYK 62 / 31 / 0 / 15

HEX #5396D9

RGB 83 150 217

HSL 210, 0.64%, 0.59%

LAB 60.48, -0.99, -40.55

 

CMYK 0 / 62 / 57 / 15

HEX #D9525E

RGB 217 82 94

HSL 354.67, 0.64%, 0.59%

LAB 53.59, 53.75, 21.55

 

CMYK 56 / 0 / 62 / 15

HEX #60D953

RGB 96 217 83

HSL 114.18, 0.64%, 0.59%

LAB 77.72, -59.06, 54.49

 

CMYK 62 / 56 / 0 / 15

HEX #5360D9

RGB 83 96 217

HSL 234.18, 0.64%, 0.59%

LAB 45.93, 31.82, -63.78

 

CMYK 0 / 62 / 57 / 15

HEX #D9525E

RGB 217 82 94

HSL 354.67, 0.64%, 0.59%

LAB 53.59, 53.75, 21.55

 

CMYK 6 / 0 / 62 / 15

HEX #CBD953

RGB 203 217 83

HSL 66.27, 0.64%, 0.59%

LAB 83.41, -22.2, 62.36

 

CMYK 62 / 0 / 6 / 15

HEX #53D9CB

RGB 83 217 203

HSL 173.73, 0.64%, 0.59%

LAB 79.49, -39.53, -3.94

 

CMYK 56 / 62 / 0 / 15

HEX #6053D9

RGB 96 83 217

HSL 245.82, 0.64%, 0.59%

LAB 43.77, 41.92, -67.23

 

CMYK 0 / 62 / 57 / 15

HEX #D9525E

RGB 217 82 94

HSL 354.67, 0.64%, 0.59%

LAB 53.59, 53.75, 21.55

 

CMYK 25 / 0 / 62 / 15

HEX #A3D953

RGB 163 217 83

HSL 84.18, 0.64%, 0.59%

LAB 80.76, -37.81, 58.71

 

CMYK 62 / 0 / 6 / 15

HEX #53D9CB

RGB 83 217 203

HSL 173.73, 0.64%, 0.59%

LAB 79.49, -39.53, -3.94

 

CMYK 37 / 62 / 0 / 15

HEX #8953D9

RGB 137 83 217

HSL 264.18, 0.64%, 0.59%

LAB 47.64, 49.98, -60.78

 

Description

Color code: HEX #D9525E | qconv.com Color code: HEX #D9525E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 82 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 82 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 57% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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