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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9332A it is the complementary color #26CCD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9332A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9332A shade: #DE3325, #EF4538, #FF574B, #FF695E and #FF7B71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9332A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9332A shade: #D9332A, #C82117, #B70F04, #A60000 and #950000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9332A shade: #D9332A and #D92A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9332A shade: #D9332A, #D9622A, #D9912A, #D9C12A and #C2D92A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9332A shade matches the following richer shades: #D9332A and #ED2116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9332A shade: #D9332A, #C5453E, #B15753, #9C6967 and #887C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9332A shade: #D92A7F, #D92A50, #D9332A, #D9612A and #D9902A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9332A shade: #96211A, #BA2820, #D9332A, #DF554D and #E57670

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9332A shade: #D9332A, #ADD92A and #2A67D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9332A shade: #D9332A, #2AD933 and #332AD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9332A shade: #D9332A, #ADD92A, #2AD0D9 and #562AD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9332A shade: #D9332A, #79D92A, #2AD0D9 and #8A2AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 81 / 15

HEX #D9332A

RGB 217 51 42

HSL 3.09, 0.7%, 0.51%

LAB 48.62, 62.72, 45.29

 

Complementary color

CMYK 82 / 4 / 0 / 16

HEX #26CCD5

RGB 38 204 213

HSL 183.09, 0.7%, 0.49%

LAB 75.08, -36.25, -15.98

 

CMYK 0 / 77 / 83 / 13

HEX #DE3325

RGB 222 51 37

HSL 4.54, 0.74%, 0.51%

LAB 49.53, 64.06, 49.02

 

CMYK 0 / 71 / 77 / 6

HEX #EF4538

RGB 239 69 56

HSL 4.26, 0.85%, 0.58%

LAB 54.96, 63.89, 45.68

 

CMYK 0 / 66 / 71 / 0

HEX #FF574B

RGB 255 87 75

HSL 4, 1%, 0.65%

LAB 60.41, 62.96, 42.26

 

CMYK 0 / 59 / 63 / 0

HEX #FF695E

RGB 255 105 94

HSL 4.1, 1%, 0.68%

LAB 63.48, 56.43, 35.49

 

CMYK 0 / 52 / 56 / 0

HEX #FF7B71

RGB 255 123 113

HSL 4.23, 1%, 0.72%

LAB 66.99, 49.39, 29.42

 

CMYK 0 / 76 / 81 / 15

HEX #D9332A

RGB 217 51 42

HSL 3.09, 0.7%, 0.51%

LAB 48.62, 62.72, 45.29

 

CMYK 0 / 84 / 89 / 22

HEX #C82117

RGB 200 33 23

HSL 3.39, 0.79%, 0.44%

LAB 43.4, 62.24, 48.69

 

CMYK 0 / 92 / 98 / 28

HEX #B70F04

RGB 183 15 4

HSL 3.69, 0.96%, 0.37%

LAB 38.58, 60.74, 51.05

 

CMYK 0 / 100 / 100 / 35

HEX #A60000

RGB 166 0 0

HSL 0, 1%, 0.33%

LAB 34.2, 58.09, 48.45

 

CMYK 0 / 100 / 100 / 42

HEX #950000

RGB 149 0 0

HSL 0, 1%, 0.29%

LAB 30.37, 53.66, 44.07

 

CMYK 0 / 76 / 81 / 15

HEX #D9332A

RGB 217 51 42

HSL 3.09, 0.7%, 0.51%

LAB 48.62, 62.72, 45.29

 

CMYK 0 / 81 / 81 / 15

HEX #D92A2A

RGB 217 42 42

HSL 0, 0.7%, 0.51%

LAB 47.72, 65.25, 44.41

 

CMYK 0 / 76 / 81 / 15

HEX #D9332A

RGB 217 51 42

HSL 3.09, 0.7%, 0.51%

LAB 48.62, 62.72, 45.29

 

CMYK 0 / 55 / 81 / 15

HEX #D9622A

RGB 217 98 42

HSL 19.2, 0.7%, 0.51%

LAB 55.74, 43.62, 52.09

 

CMYK 0 / 33 / 81 / 15

HEX #D9912A

RGB 217 145 42

HSL 35.31, 0.7%, 0.51%

LAB 65.88, 19.12, 61.38

 

CMYK 0 / 11 / 81 / 15

HEX #D9C12A

RGB 217 193 42

HSL 51.77, 0.7%, 0.51%

LAB 77.91, -6.33, 71.99

 

CMYK 11 / 0 / 81 / 15

HEX #C2D92A

RGB 194 217 42

HSL 67.89, 0.7%, 0.51%

LAB 82.52, -27.93, 75.29

 

CMYK 0 / 76 / 81 / 15

HEX #D9332A

RGB 217 51 42

HSL 3.09, 0.7%, 0.51%

LAB 48.62, 62.72, 45.29

 

CMYK 0 / 86 / 91 / 7

HEX #ED2116

RGB 237 33 22

HSL 3.07, 0.86%, 0.51%

LAB 50.86, 72.26, 57.85

 

CMYK 0 / 76 / 81 / 15

HEX #D9332A

RGB 217 51 42

HSL 3.09, 0.7%, 0.51%

LAB 48.62, 62.72, 45.29

 

CMYK 0 / 65 / 69 / 23

HEX #C5453E

RGB 197 69 62

HSL 3.11, 0.54%, 0.51%

LAB 47.59, 50.57, 32.02

 

CMYK 0 / 51 / 53 / 31

HEX #B15753

RGB 177 87 83

HSL 2.55, 0.38%, 0.51%

LAB 47.99, 36.21, 19.48

 

CMYK 0 / 33 / 34 / 39

HEX #9C6967

RGB 156 105 103

HSL 2.26, 0.21%, 0.51%

LAB 49.68, 20.18, 9.45

 

CMYK 0 / 9 / 10 / 47

HEX #887C7B

RGB 136 124 123

HSL 4.62, 0.05%, 0.51%

LAB 53.04, 4.39, 2.2

 

CMYK 0 / 81 / 41 / 15

HEX #D92A7F

RGB 217 42 127

HSL 330.86, 0.7%, 0.51%

LAB 49.42, 70.4, -4.18

 

CMYK 0 / 81 / 63 / 15

HEX #D92A50

RGB 217 42 80

HSL 346.97, 0.7%, 0.51%

LAB 48.24, 66.86, 22.88

 

CMYK 0 / 76 / 81 / 15

HEX #D9332A

RGB 217 51 42

HSL 3.09, 0.7%, 0.51%

LAB 48.62, 62.72, 45.29

 

CMYK 0 / 55 / 81 / 15

HEX #D9612A

RGB 217 97 42

HSL 18.86, 0.7%, 0.51%

LAB 55.55, 44.1, 51.91

 

CMYK 0 / 34 / 81 / 15

HEX #D9902A

RGB 217 144 42

HSL 34.97, 0.7%, 0.51%

LAB 65.64, 19.65, 61.17

 

CMYK 0 / 78 / 83 / 41

HEX #96211A

RGB 150 33 26

HSL 3.39, 0.7%, 0.35%

LAB 33.24, 47.41, 34.4

 

CMYK 0 / 78 / 83 / 27

HEX #BA2820

RGB 186 40 32

HSL 3.12, 0.71%, 0.43%

LAB 41.31, 56.52, 41.42

 

CMYK 0 / 76 / 81 / 15

HEX #D9332A

RGB 217 51 42

HSL 3.09, 0.7%, 0.51%

LAB 48.62, 62.72, 45.29

 

CMYK 0 / 62 / 65 / 13

HEX #DF554D

RGB 223 85 77

HSL 3.29, 0.7%, 0.59%

LAB 54.78, 53.35, 33.15

 

CMYK 0 / 48 / 51 / 10

HEX #E57670

RGB 229 118 112

HSL 3.08, 0.69%, 0.67%

LAB 62.33, 42.37, 23.14

 

CMYK 0 / 76 / 81 / 15

HEX #D9332A

RGB 217 51 42

HSL 3.09, 0.7%, 0.51%

LAB 48.62, 62.72, 45.29

 

CMYK 20 / 0 / 81 / 15

HEX #ADD92A

RGB 173 217 42

HSL 75.09, 0.7%, 0.51%

LAB 81.11, -36.36, 73.51

 

CMYK 81 / 53 / 0 / 15

HEX #2A67D9

RGB 42 103 217

HSL 219.09, 0.7%, 0.51%

LAB 45.91, 22.02, -63.89

 

CMYK 0 / 76 / 81 / 15

HEX #D9332A

RGB 217 51 42

HSL 3.09, 0.7%, 0.51%

LAB 48.62, 62.72, 45.29

 

CMYK 81 / 0 / 76 / 15

HEX #2AD933

RGB 42 217 51

HSL 123.09, 0.7%, 0.51%

LAB 76.29, -71.7, 64.68

 

CMYK 76 / 81 / 0 / 15

HEX #332AD9

RGB 51 42 217

HSL 243.09, 0.7%, 0.51%

LAB 32.63, 58.87, -85.66

 

CMYK 0 / 76 / 81 / 15

HEX #D9332A

RGB 217 51 42

HSL 3.09, 0.7%, 0.51%

LAB 48.62, 62.72, 45.29

 

CMYK 20 / 0 / 81 / 15

HEX #ADD92A

RGB 173 217 42

HSL 75.09, 0.7%, 0.51%

LAB 81.11, -36.36, 73.51

 

CMYK 81 / 4 / 0 / 15

HEX #2AD0D9

RGB 42 208 217

HSL 183.09, 0.7%, 0.51%

LAB 76.44, -36.59, -16.07

 

CMYK 60 / 81 / 0 / 15

HEX #562AD9

RGB 86 42 217

HSL 255.09, 0.7%, 0.51%

LAB 35.29, 61.68, -81.18

 

CMYK 0 / 76 / 81 / 15

HEX #D9332A

RGB 217 51 42

HSL 3.09, 0.7%, 0.51%

LAB 48.62, 62.72, 45.29

 

CMYK 44 / 0 / 81 / 15

HEX #79D92A

RGB 121 217 42

HSL 92.91, 0.7%, 0.51%

LAB 78.38, -54.97, 70.03

 

CMYK 81 / 4 / 0 / 15

HEX #2AD0D9

RGB 42 208 217

HSL 183.09, 0.7%, 0.51%

LAB 76.44, -36.59, -16.07

 

CMYK 36 / 81 / 0 / 15

HEX #8A2AD9

RGB 138 42 217

HSL 272.91, 0.7%, 0.51%

LAB 41.33, 68.2, -71.04

 

Description

Color code: HEX #D9332A | qconv.com Color code: HEX #D9332A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 51 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 51 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 81 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 81% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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