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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D934C0 it is the complementary color #26CB3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D934C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D934C0 shade: #DE34BB, #EF46CE, #FF58E1, #FF6AF4 and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D934C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D934C0 shade: #D934C0, #C822AD, #B7109A, #A60087 and #950074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D934C0 shade: #D835BF, #D83593, #D83568, #D8353C and #D83535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D934C0 shade: #D835BF, #C535D8, #9935D8, #6D35D8 and #4135D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D934C0 shade matches the following richer shades: #D835BF and #EC22CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D934C0 shade: #D835BF, #C549B2, #B15CA4, #9E6F97 and #8B8389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D934C0 shade: #9A35D8, #C535D8, #D835C0, #D83594 and #D83569

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D934C0 shade: #9D1E8A, #C024A8, #D835BF, #DF58CA and #E57AD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D934C0 shade: #D934C0, #D86E35 and #35D8AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D934C0 shade: #D934C0, #C0D835 and #35C0D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D934C0 shade: #D934C0, #D86E35, #35D84E and #359FD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D934C0 shade: #D934C0, #D89F35, #35D84E and #356ED8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 12 / 15

HEX #D934C0

RGB 217 52 192

HSL 309.09, 0.68%, 0.53%

LAB 52.96, 75.42, -37.28

 

Complementary color

CMYK 81 / 0 / 69 / 20

HEX #26CB3F

RGB 38 203 63

HSL 129.09, 0.68%, 0.47%

LAB 71.88, -66.98, 55.95

 

CMYK 0 / 77 / 16 / 13

HEX #DE34BB

RGB 222 52 187

HSL 312.35, 0.72%, 0.54%

LAB 53.57, 75.82, -33.37

 

CMYK 0 / 71 / 14 / 6

HEX #EF46CE

RGB 239 70 206

HSL 311.72, 0.84%, 0.61%

LAB 59.15, 76.81, -35.37

 

CMYK 0 / 65 / 12 / 0

HEX #FF58E1

RGB 255 88 225

HSL 310.78, 1%, 0.67%

LAB 64.7, 77.01, -37.22

 

CMYK 0 / 58 / 4 / 0

HEX #FF6AF4

RGB 255 106 244

HSL 304.43, 1%, 0.71%

LAB 68.09, 72.84, -42.45

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 76 / 12 / 15

HEX #D934C0

RGB 217 52 192

HSL 309.09, 0.68%, 0.53%

LAB 52.96, 75.42, -37.28

 

CMYK 0 / 83 / 14 / 22

HEX #C822AD

RGB 200 34 173

HSL 309.76, 0.71%, 0.46%

LAB 47.55, 73.69, -34.89

 

CMYK 0 / 91 / 16 / 28

HEX #B7109A

RGB 183 16 154

HSL 310.42, 0.84%, 0.39%

LAB 42.42, 70.88, -31.82

 

CMYK 0 / 100 / 19 / 35

HEX #A60087

RGB 166 0 135

HSL 311.2, 1%, 0.33%

LAB 37.58, 66.92, -28.03

 

CMYK 0 / 100 / 22 / 42

HEX #950074

RGB 149 0 116

HSL 313.29, 1%, 0.29%

LAB 33.24, 61.19, -23.17

 

CMYK 0 / 75 / 12 / 15

HEX #D835BF

RGB 216 53 191

HSL 309.2, 0.68%, 0.53%

LAB 52.85, 74.78, -36.89

 

CMYK 0 / 75 / 32 / 15

HEX #D83593

RGB 216 53 147

HSL 325.4, 0.68%, 0.53%

LAB 50.98, 69.19, -13.91

 

CMYK 0 / 75 / 52 / 15

HEX #D83568

RGB 216 53 104

HSL 341.23, 0.68%, 0.53%

LAB 49.67, 65.1, 10.14

 

CMYK 0 / 75 / 72 / 15

HEX #D8353C

RGB 216 53 60

HSL 357.42, 0.68%, 0.53%

LAB 48.85, 62.45, 35.51

 

CMYK 0 / 75 / 75 / 15

HEX #D83535

RGB 216 53 53

HSL 0, 0.68%, 0.53%

LAB 48.76, 62.17, 39.41

 

CMYK 0 / 75 / 12 / 15

HEX #D835BF

RGB 216 53 191

HSL 309.2, 0.68%, 0.53%

LAB 52.85, 74.78, -36.89

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 29 / 75 / 0 / 15

HEX #9935D8

RGB 153 53 216

HSL 276.81, 0.68%, 0.53%

LAB 44.63, 66.57, -65

 

CMYK 50 / 75 / 0 / 15

HEX #6D35D8

RGB 109 53 216

HSL 260.61, 0.68%, 0.53%

LAB 39.17, 59.49, -74.14

 

CMYK 70 / 75 / 0 / 15

HEX #4135D8

RGB 65 53 216

HSL 244.42, 0.68%, 0.53%

LAB 35.26, 54.26, -80.71

 

CMYK 0 / 75 / 12 / 15

HEX #D835BF

RGB 216 53 191

HSL 309.2, 0.68%, 0.53%

LAB 52.85, 74.78, -36.89

 

CMYK 0 / 86 / 13 / 7

HEX #EC22CD

RGB 236 34 205

HSL 309.21, 0.84%, 0.53%

LAB 55.47, 85.04, -40.6

 

CMYK 0 / 75 / 12 / 15

HEX #D835BF

RGB 216 53 191

HSL 309.2, 0.68%, 0.53%

LAB 52.85, 74.78, -36.89

 

CMYK 0 / 63 / 10 / 23

HEX #C549B2

RGB 197 73 178

HSL 309.19, 0.52%, 0.53%

LAB 51.67, 61.32, -31.41

 

CMYK 0 / 48 / 7 / 31

HEX #B15CA4

RGB 177 92 164

HSL 309.18, 0.35%, 0.53%

LAB 51.48, 44.44, -23.74

 

CMYK 0 / 30 / 4 / 38

HEX #9E6F97

RGB 158 111 151

HSL 308.94, 0.2%, 0.53%

LAB 52.81, 25.34, -14.29

 

CMYK 0 / 6 / 1 / 45

HEX #8B8389

RGB 139 131 137

HSL 315, 0.03%, 0.53%

LAB 55.61, 4.16, -2.15

 

CMYK 29 / 75 / 0 / 15

HEX #9A35D8

RGB 154 53 216

HSL 277.18, 0.68%, 0.53%

LAB 44.76, 66.74, -64.77

 

CMYK 9 / 75 / 0 / 15

HEX #C535D8

RGB 197 53 216

HSL 293.01, 0.68%, 0.53%

LAB 51.12, 74.75, -54.19

 

CMYK 0 / 75 / 11 / 15

HEX #D835C0

RGB 216 53 192

HSL 308.83, 0.68%, 0.53%

LAB 52.9, 74.92, -37.4

 

CMYK 0 / 75 / 31 / 15

HEX #D83594

RGB 216 53 148

HSL 325.03, 0.68%, 0.53%

LAB 51.02, 69.3, -14.45

 

CMYK 0 / 75 / 51 / 15

HEX #D83569

RGB 216 53 105

HSL 340.86, 0.68%, 0.53%

LAB 49.7, 65.18, 9.57

 

CMYK 0 / 81 / 12 / 38

HEX #9D1E8A

RGB 157 30 138

HSL 308.98, 0.68%, 0.37%

LAB 37.72, 60.58, -29.79

 

CMYK 0 / 81 / 13 / 25

HEX #C024A8

RGB 192 36 168

HSL 309.23, 0.68%, 0.45%

LAB 46.04, 70.89, -34.4

 

CMYK 0 / 75 / 12 / 15

HEX #D835BF

RGB 216 53 191

HSL 309.2, 0.68%, 0.53%

LAB 52.85, 74.78, -36.89

 

CMYK 0 / 61 / 9 / 13

HEX #DF58CA

RGB 223 88 202

HSL 309.33, 0.68%, 0.61%

LAB 58.91, 65.59, -33.64

 

CMYK 0 / 47 / 7 / 10

HEX #E57AD5

RGB 229 122 213

HSL 308.97, 0.67%, 0.69%

LAB 66.04, 53.41, -28.72

 

CMYK 0 / 76 / 12 / 15

HEX #D934C0

RGB 217 52 192

HSL 309.09, 0.68%, 0.53%

LAB 52.96, 75.42, -37.28

 

CMYK 0 / 49 / 75 / 15

HEX #D86E35

RGB 216 110 53

HSL 20.98, 0.68%, 0.53%

LAB 58.04, 37.64, 49.23

 

CMYK 75 / 0 / 19 / 15

HEX #35D8AF

RGB 53 216 175

HSL 164.91, 0.68%, 0.53%

LAB 77.85, -50.44, 8.55

 

CMYK 0 / 76 / 12 / 15

HEX #D934C0

RGB 217 52 192

HSL 309.09, 0.68%, 0.53%

LAB 52.96, 75.42, -37.28

 

CMYK 11 / 0 / 75 / 15

HEX #C0D835

RGB 192 216 53

HSL 68.83, 0.68%, 0.53%

LAB 82.15, -27.85, 71.8

 

CMYK 75 / 11 / 0 / 15

HEX #35C0D8

RGB 53 192 216

HSL 188.83, 0.68%, 0.53%

LAB 71.84, -28.2, -22.5

 

CMYK 0 / 76 / 12 / 15

HEX #D934C0

RGB 217 52 192

HSL 309.09, 0.68%, 0.53%

LAB 52.96, 75.42, -37.28

 

CMYK 0 / 49 / 75 / 15

HEX #D86E35

RGB 216 110 53

HSL 20.98, 0.68%, 0.53%

LAB 58.04, 37.64, 49.23

 

CMYK 75 / 0 / 64 / 15

HEX #35D84E

RGB 53 216 78

HSL 129.2, 0.68%, 0.53%

LAB 76.33, -67.66, 54.76

 

CMYK 75 / 26 / 0 / 15

HEX #359FD8

RGB 53 159 216

HSL 200.98, 0.68%, 0.53%

LAB 62.09, -10.95, -37.54

 

CMYK 0 / 76 / 12 / 15

HEX #D934C0

RGB 217 52 192

HSL 309.09, 0.68%, 0.53%

LAB 52.96, 75.42, -37.28

 

CMYK 0 / 26 / 75 / 15

HEX #D89F35

RGB 216 159 53

HSL 39.02, 0.68%, 0.53%

LAB 69.22, 11.56, 60.32

 

CMYK 75 / 0 / 64 / 15

HEX #35D84E

RGB 53 216 78

HSL 129.2, 0.68%, 0.53%

LAB 76.33, -67.66, 54.76

 

CMYK 75 / 49 / 0 / 15

HEX #356ED8

RGB 53 110 216

HSL 219.02, 0.68%, 0.53%

LAB 48.09, 18.33, -59.78

 

Description

Color code: HEX #D934C0 | qconv.com Color code: HEX #D934C0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 52 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 52 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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