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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D927E7 it is the complementary color #26D818. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D927E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D927E7 shade: #DE27E2, #EF39F5, #FF4BFF, #FF5DFF and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D927E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D927E7 shade: #D927E7, #C815D4, #B703C1, #A600AE and #95009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D927E7 shade: #D927E7, #E727C1, #E7278D, #E72759 and #E72727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D927E7 shade: #D927E7, #A527E7, #7127E7, #3D27E7 and #2727E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D927E7 shade matches the following richer shades: #D927E7 and #E913FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D927E7 shade: #D927E7, #C83AD3, #B74EC0, #A761AC and #967499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D927E7 shade: #7027E7, #A327E7, #D727E7, #E727C3 and #E72790

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D927E7 shade: #9E12A9, #C016CE, #D927E7, #DF4CEB and #E671EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D927E7 shade: #D927E7, #E73D27 and #27E78A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D927E7 shade: #D927E7, #E7D727 and #27E7D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D927E7 shade: #D927E7, #E73D27, #37E727 and #27D0E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D927E7 shade: #D927E7, #E77727, #37E727 and #2797E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 83 / 0 / 9

HEX #D927E7

RGB 217 39 231

HSL 295.63, 0.8%, 0.53%

LAB 54, 84.38, -57.91

 

Complementary color

CMYK 82 / 0 / 89 / 15

HEX #26D818

RGB 38 216 24

HSL 115.63, 0.8%, 0.47%

LAB 75.82, -73.2, 70.89

 

CMYK 2 / 83 / 0 / 11

HEX #DE27E2

RGB 222 39 226

HSL 298.72, 0.76%, 0.52%

LAB 54.52, 84.49, -54.2

 

CMYK 2 / 77 / 0 / 4

HEX #EF39F5

RGB 239 57 245

HSL 298.09, 0.9%, 0.59%

LAB 59.77, 86.34, -56.32

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 6 / 83 / 0 / 9

HEX #D927E7

RGB 217 39 231

HSL 295.63, 0.8%, 0.53%

LAB 54, 84.38, -57.91

 

CMYK 6 / 90 / 0 / 17

HEX #C815D4

RGB 200 21 212

HSL 296.23, 0.82%, 0.46%

LAB 48.97, 81.63, -55.33

 

CMYK 5 / 98 / 0 / 24

HEX #B703C1

RGB 183 3 193

HSL 296.84, 0.97%, 0.38%

LAB 44.21, 77.81, -52.13

 

CMYK 5 / 100 / 0 / 32

HEX #A600AE

RGB 166 0 174

HSL 297.24, 1%, 0.34%

LAB 39.85, 72.47, -48.09

 

CMYK 4 / 100 / 0 / 39

HEX #95009B

RGB 149 0 155

HSL 297.68, 1%, 0.3%

LAB 35.51, 66.75, -43.79

 

CMYK 6 / 83 / 0 / 9

HEX #D927E7

RGB 217 39 231

HSL 295.63, 0.8%, 0.53%

LAB 54, 84.38, -57.91

 

CMYK 0 / 83 / 16 / 9

HEX #E727C1

RGB 231 39 193

HSL 311.88, 0.8%, 0.53%

LAB 54.33, 81.58, -35.54

 

CMYK 0 / 83 / 39 / 9

HEX #E7278D

RGB 231 39 141

HSL 328.13, 0.8%, 0.53%

LAB 52.25, 75.75, -8.14

 

CMYK 0 / 83 / 61 / 9

HEX #E72759

RGB 231 39 89

HSL 344.38, 0.8%, 0.53%

LAB 50.88, 71.77, 21.37

 

CMYK 0 / 83 / 83 / 9

HEX #E72727

RGB 231 39 39

HSL 0, 0.8%, 0.53%

LAB 50.2, 69.75, 49.28

 

CMYK 6 / 83 / 0 / 9

HEX #D927E7

RGB 217 39 231

HSL 295.63, 0.8%, 0.53%

LAB 54, 84.38, -57.91

 

CMYK 29 / 83 / 0 / 9

HEX #A527E7

RGB 165 39 231

HSL 279.38, 0.8%, 0.53%

LAB 45.93, 75.98, -71.34

 

CMYK 51 / 83 / 0 / 9

HEX #7127E7

RGB 113 39 231

HSL 263.13, 0.8%, 0.53%

LAB 39.12, 69.2, -82.77

 

CMYK 74 / 83 / 0 / 9

HEX #3D27E7

RGB 61 39 231

HSL 246.88, 0.8%, 0.53%

LAB 34.42, 64.78, -90.7

 

CMYK 83 / 83 / 0 / 9

HEX #2727E7

RGB 39 39 231

HSL 240, 0.8%, 0.53%

LAB 33.25, 63.72, -92.69

 

CMYK 6 / 83 / 0 / 9

HEX #D927E7

RGB 217 39 231

HSL 295.63, 0.8%, 0.53%

LAB 54, 84.38, -57.91

 

CMYK 7 / 92 / 0 / 2

HEX #E913FA

RGB 233 19 250

HSL 295.58, 0.96%, 0.53%

LAB 56.77, 92.87, -63.96

 

CMYK 6 / 83 / 0 / 9

HEX #D927E7

RGB 217 39 231

HSL 295.63, 0.8%, 0.53%

LAB 54, 84.38, -57.91

 

CMYK 5 / 73 / 0 / 17

HEX #C83AD3

RGB 200 58 211

HSL 295.69, 0.63%, 0.53%

LAB 51.85, 72.94, -50.15

 

CMYK 5 / 59 / 0 / 25

HEX #B74EC0

RGB 183 78 192

HSL 295.26, 0.48%, 0.53%

LAB 51.06, 57.93, -40.63

 

CMYK 3 / 44 / 0 / 33

HEX #A761AC

RGB 167 97 172

HSL 296, 0.31%, 0.53%

LAB 51.55, 40.18, -28.41

 

CMYK 2 / 24 / 0 / 40

HEX #967499

RGB 150 116 153

HSL 295.14, 0.15%, 0.53%

LAB 53.25, 20.04, -14.88

 

CMYK 52 / 83 / 0 / 9

HEX #7027E7

RGB 112 39 231

HSL 262.81, 0.8%, 0.53%

LAB 39.01, 69.09, -82.96

 

CMYK 29 / 83 / 0 / 9

HEX #A327E7

RGB 163 39 231

HSL 278.75, 0.8%, 0.53%

LAB 45.64, 75.68, -71.83

 

CMYK 7 / 83 / 0 / 9

HEX #D727E7

RGB 215 39 231

HSL 295, 0.8%, 0.53%

LAB 53.67, 84.04, -58.45

 

CMYK 0 / 83 / 16 / 9

HEX #E727C3

RGB 231 39 195

HSL 311.25, 0.8%, 0.53%

LAB 54.43, 81.84, -36.54

 

CMYK 0 / 83 / 38 / 9

HEX #E72790

RGB 231 39 144

HSL 327.19, 0.8%, 0.53%

LAB 52.35, 76.04, -9.79

 

CMYK 7 / 89 / 0 / 34

HEX #9E12A9

RGB 158 18 169

HSL 295.63, 0.81%, 0.37%

LAB 38.84, 68.17, -46.81

 

CMYK 7 / 89 / 0 / 19

HEX #C016CE

RGB 192 22 206

HSL 295.43, 0.81%, 0.45%

LAB 47.28, 79.24, -54.66

 

CMYK 6 / 83 / 0 / 9

HEX #D927E7

RGB 217 39 231

HSL 295.63, 0.8%, 0.53%

LAB 54, 84.38, -57.91

 

CMYK 5 / 68 / 0 / 8

HEX #DF4CEB

RGB 223 76 235

HSL 295.47, 0.8%, 0.61%

LAB 58.84, 75.62, -52.37

 

CMYK 4 / 53 / 0 / 6

HEX #E671EF

RGB 230 113 239

HSL 295.71, 0.8%, 0.69%

LAB 65.64, 62.51, -43.78

 

CMYK 6 / 83 / 0 / 9

HEX #D927E7

RGB 217 39 231

HSL 295.63, 0.8%, 0.53%

LAB 54, 84.38, -57.91

 

CMYK 0 / 74 / 83 / 9

HEX #E73D27

RGB 231 61 39

HSL 6.88, 0.8%, 0.53%

LAB 52.37, 63.66, 51.24

 

CMYK 83 / 0 / 40 / 9

HEX #27E78A

RGB 39 231 138

HSL 150.94, 0.8%, 0.53%

LAB 81.52, -65.41, 32.82

 

CMYK 6 / 83 / 0 / 9

HEX #D927E7

RGB 217 39 231

HSL 295.63, 0.8%, 0.53%

LAB 54, 84.38, -57.91

 

CMYK 0 / 7 / 83 / 9

HEX #E7D727

RGB 231 215 39

HSL 55, 0.8%, 0.53%

LAB 84.86, -11.57, 79.17

 

CMYK 83 / 0 / 7 / 9

HEX #27E7D7

RGB 39 231 215

HSL 175, 0.8%, 0.53%

LAB 83.17, -47.61, -4.98

 

CMYK 6 / 83 / 0 / 9

HEX #D927E7

RGB 217 39 231

HSL 295.63, 0.8%, 0.53%

LAB 54, 84.38, -57.91

 

CMYK 0 / 74 / 83 / 9

HEX #E73D27

RGB 231 61 39

HSL 6.88, 0.8%, 0.53%

LAB 52.37, 63.66, 51.24

 

CMYK 76 / 0 / 83 / 9

HEX #37E727

RGB 55 231 39

HSL 115, 0.8%, 0.53%

LAB 80.8, -74.86, 72.28

 

CMYK 83 / 10 / 0 / 9

HEX #27D0E7

RGB 39 208 231

HSL 187.19, 0.8%, 0.53%

LAB 76.87, -32.54, -22.96

 

CMYK 6 / 83 / 0 / 9

HEX #D927E7

RGB 217 39 231

HSL 295.63, 0.8%, 0.53%

LAB 54, 84.38, -57.91

 

CMYK 0 / 48 / 83 / 9

HEX #E77727

RGB 231 119 39

HSL 25, 0.8%, 0.53%

LAB 61.94, 38.5, 59.69

 

CMYK 76 / 0 / 83 / 9

HEX #37E727

RGB 55 231 39

HSL 115, 0.8%, 0.53%

LAB 80.8, -74.86, 72.28

 

CMYK 83 / 35 / 0 / 9

HEX #2797E7

RGB 39 151 231

HSL 205, 0.8%, 0.53%

LAB 60.19, -2.47, -48.87

 

Description

Color code: HEX #D927E7 | qconv.com Color code: HEX #D927E7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 39 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 39 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 83 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 83% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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