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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8ED6B it is the complementary color #271294. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8ED6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8ED6B shade: #DDED66, #EEFF79, #FFFF8C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8ED6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8ED6B shade: #D8ED6B, #C7DB58, #B6C945, #A5B732 and #94A51F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8ED6B shade: #D7EC69, #ECDE69, #ECBA69, #EC9769 and #EC7469

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8ED6B shade: #D7EC69, #B3EC69, #90EC69, #6DEC69 and #69EC88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8ED6B shade matches the following richer shades: #D7EC69 and #E0FA5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8ED6B shade: #D7EC69, #CEDE76, #C4D184, #BBC392 and #B2B69F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8ED6B shade: #ECBA69, #ECDD69, #D8EC69, #B5EC69 and #92EC69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8ED6B shade: #C3E31F, #CDE744, #D7EC69, #E1F18D and #EAF5B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8ED6B shade: #D8ED6B, #69EC97 and #CB69EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8ED6B shade: #D8ED6B, #69D8EC and #EC69D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8ED6B shade: #D8ED6B, #69EC97, #7C69EC and #EC69BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8ED6B shade: #D8ED6B, #69ECBE, #7C69EC and #EC6997

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 55 / 7

HEX #D8ED6B

RGB 216 237 107

HSL 69.69, 0.78%, 0.67%

LAB 89.97, -24.86, 59.59

 

Complementary color

CMYK 74 / 88 / 0 / 42

HEX #271294

RGB 39 18 148

HSL 249.69, 0.78%, 0.33%

LAB 20.05, 48, -65.42

 

CMYK 7 / 0 / 57 / 7

HEX #DDED66

RGB 221 237 102

HSL 67.11, 0.79%, 0.66%

LAB 90.28, -23.29, 62.22

 

CMYK 7 / 0 / 53 / 0

HEX #EEFF79

RGB 238 255 121

HSL 67.61, 1%, 0.74%

LAB 96.44, -23.71, 61.25

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 9 / 0 / 55 / 7

HEX #D8ED6B

RGB 216 237 107

HSL 69.69, 0.78%, 0.67%

LAB 89.97, -24.86, 59.59

 

CMYK 9 / 0 / 60 / 14

HEX #C7DB58

RGB 199 219 88

HSL 69.16, 0.65%, 0.6%

LAB 83.71, -24.43, 60.5

 

CMYK 9 / 0 / 66 / 21

HEX #B6C945

RGB 182 201 69

HSL 68.64, 0.55%, 0.53%

LAB 77.37, -23.89, 61.2

 

CMYK 10 / 0 / 73 / 28

HEX #A5B732

RGB 165 183 50

HSL 68.12, 0.57%, 0.46%

LAB 70.94, -23.22, 61.49

 

CMYK 10 / 0 / 81 / 35

HEX #94A51F

RGB 148 165 31

HSL 67.61, 0.68%, 0.38%

LAB 64.41, -22.36, 61.04

 

CMYK 9 / 0 / 56 / 7

HEX #D7EC69

RGB 215 236 105

HSL 69.62, 0.78%, 0.67%

LAB 89.61, -24.93, 60.04

 

CMYK 0 / 6 / 56 / 7

HEX #ECDE69

RGB 236 222 105

HSL 53.59, 0.78%, 0.67%

LAB 87.53, -9.7, 58.11

 

CMYK 0 / 21 / 56 / 7

HEX #ECBA69

RGB 236 186 105

HSL 37.1, 0.78%, 0.67%

LAB 78.44, 8.81, 47.47

 

CMYK 0 / 36 / 56 / 7

HEX #EC9769

RGB 236 151 105

HSL 21.07, 0.78%, 0.67%

LAB 70.17, 27.34, 37.32

 

CMYK 0 / 51 / 56 / 7

HEX #EC7469

RGB 236 116 105

HSL 5.04, 0.78%, 0.67%

LAB 62.8, 45.35, 27.89

 

CMYK 9 / 0 / 56 / 7

HEX #D7EC69

RGB 215 236 105

HSL 69.62, 0.78%, 0.67%

LAB 89.61, -24.93, 60.04

 

CMYK 24 / 0 / 56 / 7

HEX #B3EC69

RGB 179 236 105

HSL 86.11, 0.78%, 0.67%

LAB 87.29, -38.54, 56.78

 

CMYK 39 / 0 / 56 / 7

HEX #90EC69

RGB 144 236 105

HSL 102.14, 0.78%, 0.67%

LAB 85.47, -50.46, 54.2

 

CMYK 54 / 0 / 56 / 7

HEX #6DEC69

RGB 109 236 105

HSL 118.17, 0.78%, 0.67%

LAB 84.1, -60.4, 52.25

 

CMYK 56 / 0 / 42 / 7

HEX #69EC88

RGB 105 236 136

HSL 134.2, 0.78%, 0.67%

LAB 84.37, -57.09, 37.8

 

CMYK 9 / 0 / 56 / 7

HEX #D7EC69

RGB 215 236 105

HSL 69.62, 0.78%, 0.67%

LAB 89.61, -24.93, 60.04

 

CMYK 10 / 0 / 64 / 2

HEX #E0FA5B

RGB 224 250 91

HSL 69.81, 0.94%, 0.67%

LAB 93.87, -29.01, 70.71

 

CMYK 9 / 0 / 56 / 7

HEX #D7EC69

RGB 215 236 105

HSL 69.62, 0.78%, 0.67%

LAB 89.61, -24.93, 60.04

 

CMYK 7 / 0 / 47 / 13

HEX #CEDE76

RGB 206 222 118

HSL 69.23, 0.61%, 0.67%

LAB 85.34, -20.54, 48.89

 

CMYK 6 / 0 / 37 / 18

HEX #C4D184

RGB 196 209 132

HSL 70.13, 0.46%, 0.67%

LAB 81.29, -16.47, 36.75

 

CMYK 4 / 0 / 25 / 24

HEX #BBC392

RGB 187 195 146

HSL 69.8, 0.29%, 0.67%

LAB 77.08, -10.96, 23.77

 

CMYK 2 / 0 / 13 / 29

HEX #B2B69F

RGB 178 182 159

HSL 70.43, 0.14%, 0.67%

LAB 73.17, -5.5, 11.23

 

CMYK 0 / 21 / 56 / 7

HEX #ECBA69

RGB 236 186 105

HSL 37.1, 0.78%, 0.67%

LAB 78.44, 8.81, 47.47

 

CMYK 0 / 6 / 56 / 7

HEX #ECDD69

RGB 236 221 105

HSL 53.13, 0.78%, 0.67%

LAB 87.27, -9.2, 57.81

 

CMYK 8 / 0 / 56 / 7

HEX #D8EC69

RGB 216 236 105

HSL 69.16, 0.78%, 0.67%

LAB 89.68, -24.54, 60.14

 

CMYK 23 / 0 / 56 / 7

HEX #B5EC69

RGB 181 236 105

HSL 85.19, 0.78%, 0.67%

LAB 87.4, -37.82, 56.94

 

CMYK 38 / 0 / 56 / 7

HEX #92EC69

RGB 146 236 105

HSL 101.22, 0.78%, 0.67%

LAB 85.57, -49.83, 54.33

 

CMYK 14 / 0 / 86 / 11

HEX #C3E31F

RGB 195 227 31

HSL 69.8, 0.78%, 0.51%

LAB 85.32, -32.51, 80.12

 

CMYK 11 / 0 / 71 / 9

HEX #CDE744

RGB 205 231 68

HSL 69.57, 0.77%, 0.59%

LAB 87.27, -28.97, 72.07

 

CMYK 9 / 0 / 56 / 7

HEX #D7EC69

RGB 215 236 105

HSL 69.62, 0.78%, 0.67%

LAB 89.61, -24.93, 60.04

 

CMYK 7 / 0 / 41 / 5

HEX #E1F18D

RGB 225 241 141

HSL 69.6, 0.78%, 0.75%

LAB 92.06, -20.1, 46.43

 

CMYK 4 / 0 / 27 / 4

HEX #EAF5B2

RGB 234 245 178

HSL 69.85, 0.77%, 0.83%

LAB 94.32, -14.25, 31.13

 

CMYK 9 / 0 / 55 / 7

HEX #D8ED6B

RGB 216 237 107

HSL 69.69, 0.78%, 0.67%

LAB 89.97, -24.86, 59.59

 

CMYK 56 / 0 / 36 / 7

HEX #69EC97

RGB 105 236 151

HSL 141.07, 0.78%, 0.67%

LAB 84.6, -54.59, 30.59

 

CMYK 14 / 56 / 0 / 7

HEX #CB69EC

RGB 203 105 236

HSL 284.89, 0.78%, 0.67%

LAB 60.65, 58.77, -50.22

 

CMYK 9 / 0 / 55 / 7

HEX #D8ED6B

RGB 216 237 107

HSL 69.69, 0.78%, 0.67%

LAB 89.97, -24.86, 59.59

 

CMYK 56 / 8 / 0 / 7

HEX #69D8EC

RGB 105 216 236

HSL 189.16, 0.78%, 0.67%

LAB 80.83, -26.19, -19.47

 

CMYK 0 / 56 / 8 / 7

HEX #EC69D8

RGB 236 105 216

HSL 309.16, 0.78%, 0.67%

LAB 64.07, 63.89, -33.37

 

CMYK 9 / 0 / 55 / 7

HEX #D8ED6B

RGB 216 237 107

HSL 69.69, 0.78%, 0.67%

LAB 89.97, -24.86, 59.59

 

CMYK 56 / 0 / 36 / 7

HEX #69EC97

RGB 105 236 151

HSL 141.07, 0.78%, 0.67%

LAB 84.6, -54.59, 30.59

 

CMYK 47 / 56 / 0 / 7

HEX #7C69EC

RGB 124 105 236

HSL 248.7, 0.78%, 0.67%

LAB 52.34, 40.13, -63.99

 

CMYK 0 / 56 / 19 / 7

HEX #EC69BE

RGB 236 105 190

HSL 321.07, 0.78%, 0.67%

LAB 63.06, 59.99, -20.27

 

CMYK 9 / 0 / 55 / 7

HEX #D8ED6B

RGB 216 237 107

HSL 69.69, 0.78%, 0.67%

LAB 89.97, -24.86, 59.59

 

CMYK 56 / 0 / 19 / 7

HEX #69ECBE

RGB 105 236 190

HSL 158.93, 0.78%, 0.67%

LAB 85.36, -46.86, 11.51

 

CMYK 47 / 56 / 0 / 7

HEX #7C69EC

RGB 124 105 236

HSL 248.7, 0.78%, 0.67%

LAB 52.34, 40.13, -63.99

 

CMYK 0 / 56 / 36 / 7

HEX #EC6997

RGB 236 105 151

HSL 338.93, 0.78%, 0.67%

LAB 61.8, 55.01, 0.18

 

Description

Color code: HEX #D8ED6B | qconv.com Color code: HEX #D8ED6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 237 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 237 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 55 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 55% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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