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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8C126 it is the complementary color #273ED9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8C126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8C126 shade: #DDC121, #EED334, #FFE547, #FFF75A and #FFFF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8C126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8C126 shade: #D8C126, #C7AF13, #B69D00, #A58B00 and #947900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8C126 shade: #D8C126, #D89126, #D86126, #D83126 and #D82626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8C126 shade: #D8C126, #BFD826, #8FD826, #5FD826 and #2FD826

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8C126 shade matches the following richer shades: #D8C126 and #EDD011

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8C126 shade: #D8C126, #C4B23A, #AFA34F, #9A9364 and #868478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8C126 shade: #D86126, #D89126, #D8C026, #C0D826 and #91D826

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8C126 shade: #928319, #B5A220, #D8C126, #DECB49 and #E5D56C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8C126 shade: #D8C126, #26D832 and #7926D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8C126 shade: #D8C126, #26D8C0 and #C026D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8C126 shade: #D8C126, #26D832, #263ED8 and #D826CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8C126 shade: #D8C126, #26D867, #263ED8 and #D82697

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 82 / 15

HEX #D8C126

RGB 216 193 38

HSL 52.25, 0.7%, 0.5%

LAB 77.8, -6.88, 72.95

 

Complementary color

CMYK 82 / 71 / 0 / 15

HEX #273ED9

RGB 39 62 217

HSL 232.25, 0.7%, 0.5%

LAB 35.76, 47.58, -80.49

 

CMYK 0 / 13 / 85 / 13

HEX #DDC121

RGB 221 193 33

HSL 51.06, 0.74%, 0.5%

LAB 78.24, -4.85, 74.73

 

CMYK 0 / 11 / 78 / 7

HEX #EED334

RGB 238 211 52

HSL 51.29, 0.85%, 0.57%

LAB 84.49, -6.21, 75.6

 

CMYK 0 / 10 / 72 / 0

HEX #FFE547

RGB 255 229 71

HSL 51.52, 1%, 0.64%

LAB 90.67, -7.39, 75.67

 

CMYK 0 / 3 / 65 / 0

HEX #FFF75A

RGB 255 247 90

HSL 57.09, 1%, 0.68%

LAB 95.38, -15.3, 73.38

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 11 / 82 / 15

HEX #D8C126

RGB 216 193 38

HSL 52.25, 0.7%, 0.5%

LAB 77.8, -6.88, 72.95

 

CMYK 0 / 12 / 90 / 22

HEX #C7AF13

RGB 199 175 19

HSL 52, 0.83%, 0.43%

LAB 71.45, -5.4, 71.31

 

CMYK 0 / 14 / 100 / 29

HEX #B69D00

RGB 182 157 0

HSL 51.76, 1%, 0.36%

LAB 65.01, -3.72, 68.43

 

CMYK 0 / 16 / 100 / 35

HEX #A58B00

RGB 165 139 0

HSL 50.55, 1%, 0.32%

LAB 58.48, -1.73, 63.03

 

CMYK 0 / 18 / 100 / 42

HEX #947900

RGB 148 121 0

HSL 49.05, 1%, 0.29%

LAB 51.8, 0.35, 57.52

 

CMYK 0 / 11 / 82 / 15

HEX #D8C126

RGB 216 193 38

HSL 52.25, 0.7%, 0.5%

LAB 77.8, -6.88, 72.95

 

CMYK 0 / 33 / 82 / 15

HEX #D89126

RGB 216 145 38

HSL 36.07, 0.7%, 0.5%

LAB 65.74, 18.56, 62.6

 

CMYK 0 / 55 / 82 / 15

HEX #D86126

RGB 216 97 38

HSL 19.89, 0.7%, 0.5%

LAB 55.37, 43.6, 53.43

 

CMYK 0 / 77 / 82 / 15

HEX #D83126

RGB 216 49 38

HSL 3.71, 0.7%, 0.5%

LAB 48.18, 62.92, 46.86

 

CMYK 0 / 82 / 82 / 15

HEX #D82626

RGB 216 38 38

HSL 0, 0.7%, 0.5%

LAB 47.14, 65.85, 45.89

 

CMYK 0 / 11 / 82 / 15

HEX #D8C126

RGB 216 193 38

HSL 52.25, 0.7%, 0.5%

LAB 77.8, -6.88, 72.95

 

CMYK 12 / 0 / 82 / 15

HEX #BFD826

RGB 191 216 38

HSL 68.43, 0.7%, 0.5%

LAB 82.02, -28.81, 75.75

 

CMYK 34 / 0 / 82 / 15

HEX #8FD826

RGB 143 216 38

HSL 84.61, 0.7%, 0.5%

LAB 79.09, -47.34, 72.07

 

CMYK 56 / 0 / 82 / 15

HEX #5FD826

RGB 95 216 38

HSL 100.79, 0.7%, 0.5%

LAB 77.09, -62.25, 69.53

 

CMYK 78 / 0 / 82 / 15

HEX #2FD826

RGB 47 216 38

HSL 116.97, 0.7%, 0.5%

LAB 75.98, -71.57, 68.1

 

CMYK 0 / 11 / 82 / 15

HEX #D8C126

RGB 216 193 38

HSL 52.25, 0.7%, 0.5%

LAB 77.8, -6.88, 72.95

 

CMYK 0 / 12 / 93 / 7

HEX #EDD011

RGB 237 208 17

HSL 52.09, 0.87%, 0.5%

LAB 83.52, -5.91, 82.31

 

CMYK 0 / 11 / 82 / 15

HEX #D8C126

RGB 216 193 38

HSL 52.25, 0.7%, 0.5%

LAB 77.8, -6.88, 72.95

 

CMYK 0 / 9 / 70 / 23

HEX #C4B23A

RGB 196 178 58

HSL 52.17, 0.54%, 0.5%

LAB 72.15, -6.99, 60.58

 

CMYK 0 / 7 / 55 / 31

HEX #AFA34F

RGB 175 163 79

HSL 52.5, 0.38%, 0.5%

LAB 66.42, -6.76, 44.58

 

CMYK 0 / 5 / 35 / 40

HEX #9A9364

RGB 154 147 100

HSL 52.22, 0.21%, 0.5%

LAB 60.48, -4.82, 25.85

 

CMYK 0 / 1 / 10 / 47

HEX #868478

RGB 134 132 120

HSL 51.43, 0.06%, 0.5%

LAB 55, -1.5, 6.74

 

CMYK 0 / 55 / 82 / 15

HEX #D86126

RGB 216 97 38

HSL 19.89, 0.7%, 0.5%

LAB 55.37, 43.6, 53.43

 

CMYK 0 / 33 / 82 / 15

HEX #D89126

RGB 216 145 38

HSL 36.07, 0.7%, 0.5%

LAB 65.74, 18.56, 62.6

 

CMYK 0 / 11 / 82 / 15

HEX #D8C026

RGB 216 192 38

HSL 51.91, 0.7%, 0.5%

LAB 77.54, -6.36, 72.73

 

CMYK 11 / 0 / 82 / 15

HEX #C0D826

RGB 192 216 38

HSL 68.09, 0.7%, 0.5%

LAB 82.09, -28.4, 75.84

 

CMYK 33 / 0 / 82 / 15

HEX #91D826

RGB 145 216 38

HSL 83.93, 0.7%, 0.5%

LAB 79.2, -46.63, 72.2

 

CMYK 0 / 10 / 83 / 43

HEX #928319

RGB 146 131 25

HSL 52.56, 0.71%, 0.34%

LAB 54.46, -5.6, 54

 

CMYK 0 / 10 / 82 / 29

HEX #B5A220

RGB 181 162 32

HSL 52.35, 0.7%, 0.42%

LAB 66.34, -6.23, 63.52

 

CMYK 0 / 11 / 82 / 15

HEX #D8C126

RGB 216 193 38

HSL 52.25, 0.7%, 0.5%

LAB 77.8, -6.88, 72.95

 

CMYK 0 / 9 / 67 / 13

HEX #DECB49

RGB 222 203 73

HSL 52.35, 0.69%, 0.58%

LAB 81.14, -7.98, 64.51

 

CMYK 0 / 7 / 53 / 10

HEX #E5D56C

RGB 229 213 108

HSL 52.07, 0.7%, 0.66%

LAB 84.65, -7.78, 53.24

 

CMYK 0 / 11 / 82 / 15

HEX #D8C126

RGB 216 193 38

HSL 52.25, 0.7%, 0.5%

LAB 77.8, -6.88, 72.95

 

CMYK 82 / 0 / 77 / 15

HEX #26D832

RGB 38 216 50

HSL 124.04, 0.7%, 0.5%

LAB 75.92, -71.91, 64.62

 

CMYK 44 / 82 / 0 / 15

HEX #7926D8

RGB 121 38 216

HSL 267.98, 0.7%, 0.5%

LAB 38.57, 66.94, -75.07

 

CMYK 0 / 11 / 82 / 15

HEX #D8C126

RGB 216 193 38

HSL 52.25, 0.7%, 0.5%

LAB 77.8, -6.88, 72.95

 

CMYK 82 / 0 / 11 / 15

HEX #26D8C0

RGB 38 216 192

HSL 171.91, 0.7%, 0.5%

LAB 78.07, -47.53, -0.24

 

CMYK 11 / 82 / 0 / 15

HEX #C026D8

RGB 192 38 216

HSL 291.91, 0.7%, 0.5%

LAB 48.95, 77.85, -57.73

 

CMYK 0 / 11 / 82 / 15

HEX #D8C126

RGB 216 193 38

HSL 52.25, 0.7%, 0.5%

LAB 77.8, -6.88, 72.95

 

CMYK 82 / 0 / 77 / 15

HEX #26D832

RGB 38 216 50

HSL 124.04, 0.7%, 0.5%

LAB 75.92, -71.91, 64.62

 

CMYK 82 / 71 / 0 / 15

HEX #263ED8

RGB 38 62 216

HSL 231.91, 0.7%, 0.5%

LAB 35.63, 47.17, -80.15

 

CMYK 0 / 82 / 6 / 15

HEX #D826CC

RGB 216 38 204

HSL 304.04, 0.7%, 0.5%

LAB 52.22, 80.34, -45.38

 

CMYK 0 / 11 / 82 / 15

HEX #D8C126

RGB 216 193 38

HSL 52.25, 0.7%, 0.5%

LAB 77.8, -6.88, 72.95

 

CMYK 82 / 0 / 52 / 15

HEX #26D867

RGB 38 216 103

HSL 141.91, 0.7%, 0.5%

LAB 76.38, -66.26, 43.51

 

CMYK 82 / 71 / 0 / 15

HEX #263ED8

RGB 38 62 216

HSL 231.91, 0.7%, 0.5%

LAB 35.63, 47.17, -80.15

 

CMYK 0 / 82 / 30 / 15

HEX #D82697

RGB 216 38 151

HSL 321.91, 0.7%, 0.5%

LAB 49.76, 73.55, -18.15

 

Description

Color code: HEX #D8C126 | qconv.com Color code: HEX #D8C126 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 193 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 193 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 82 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 82% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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