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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8A760 it is the complementary color #27589F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8A760. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8A760 shade: #DDA75B, #EEB96E, #FFCB81, #FFDD94 and #FFEFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8A760. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8A760 shade: #D8A760, #C7954D, #B6833A, #A57127 and #945F14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8A760 shade: #D8A65E, #D8855E, #D8655E and #D85E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8A760 shade: #D8A65E, #D8C75E, #C8D85E, #A7D85E and #86D85E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8A760 shade matches the following richer shades: #D8A65E, #E8A94E and #F8AC3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8A760 shade: #D8A65E, #C8A36E, #B8A07F, #A79D8F and #979A9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8A760 shade: #D8645E, #D8855E, #D8A55E, #D8C65E and #CAD85E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8A760 shade: #B87F2C, #D0943D, #D8A65E, #E0B880 and #E8CBA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8A760 shade: #D8A760, #79D85E and #755ED8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8A760 shade: #D8A760, #5ED8A5 and #A55ED8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8A760 shade: #D8A760, #79D85E, #5E91D8 and #BD5ED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8A760 shade: #D8A760, #5ED868, #5E91D8 and #D85ECE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 56 / 15

HEX #D8A760

RGB 216 167 96

HSL 35.5, 0.61%, 0.61%

LAB 71.61, 9.89, 43.25

 

Complementary color

CMYK 75 / 45 / 0 / 38

HEX #27589F

RGB 39 88 159

HSL 215.5, 0.61%, 0.39%

LAB 37.69, 9.14, -43.33

 

CMYK 0 / 24 / 59 / 13

HEX #DDA75B

RGB 221 167 91

HSL 35.08, 0.66%, 0.61%

LAB 72.07, 11.59, 46.43

 

CMYK 0 / 22 / 54 / 7

HEX #EEB96E

RGB 238 185 110

HSL 35.16, 0.79%, 0.68%

LAB 78.46, 10.56, 45.06

 

CMYK 0 / 20 / 49 / 0

HEX #FFCB81

RGB 255 203 129

HSL 35.24, 1%, 0.75%

LAB 84.77, 9.66, 43.72

 

CMYK 0 / 13 / 42 / 0

HEX #FFDD94

RGB 255 221 148

HSL 40.93, 1%, 0.79%

LAB 89.44, 2.22, 40.13

 

CMYK 0 / 6 / 35 / 0

HEX #FFEFA7

RGB 255 239 167

HSL 49.09, 1%, 0.83%

LAB 94.22, -4.81, 36.82

 

CMYK 0 / 23 / 56 / 15

HEX #D8A760

RGB 216 167 96

HSL 35.5, 0.61%, 0.61%

LAB 71.61, 9.89, 43.25

 

CMYK 0 / 25 / 61 / 22

HEX #C7954D

RGB 199 149 77

HSL 35.41, 0.52%, 0.54%

LAB 65.1, 10.99, 44.64

 

CMYK 0 / 28 / 68 / 29

HEX #B6833A

RGB 182 131 58

HSL 35.32, 0.52%, 0.47%

LAB 58.49, 12.28, 45.98

 

CMYK 0 / 32 / 76 / 35

HEX #A57127

RGB 165 113 39

HSL 35.24, 0.62%, 0.4%

LAB 51.79, 13.82, 47.1

 

CMYK 0 / 36 / 86 / 42

HEX #945F14

RGB 148 95 20

HSL 35.16, 0.76%, 0.33%

LAB 44.98, 15.67, 47.55

 

CMYK 0 / 23 / 56 / 15

HEX #D8A65E

RGB 216 166 94

HSL 35.41, 0.61%, 0.61%

LAB 71.34, 10.27, 43.93

 

CMYK 0 / 38 / 56 / 15

HEX #D8855E

RGB 216 133 94

HSL 19.18, 0.61%, 0.61%

LAB 63.49, 28.03, 34.32

 

CMYK 0 / 53 / 56 / 15

HEX #D8655E

RGB 216 101 94

HSL 3.44, 0.61%, 0.61%

LAB 56.8, 44.58, 25.74

 

CMYK 0 / 56 / 56 / 15

HEX #D85E5E

RGB 216 94 94

HSL 0, 0.61%, 0.61%

LAB 55.49, 47.96, 24.04

 

CMYK 0 / 23 / 56 / 15

HEX #D8A65E

RGB 216 166 94

HSL 35.41, 0.61%, 0.61%

LAB 71.34, 10.27, 43.93

 

CMYK 0 / 8 / 56 / 15

HEX #D8C75E

RGB 216 199 94

HSL 51.64, 0.61%, 0.61%

LAB 79.76, -7.08, 53.79

 

CMYK 7 / 0 / 56 / 15

HEX #C8D85E

RGB 200 216 94

HSL 67.87, 0.61%, 0.61%

LAB 83.02, -22.12, 57.15

 

CMYK 23 / 0 / 56 / 15

HEX #A7D85E

RGB 167 216 94

HSL 84.1, 0.61%, 0.61%

LAB 80.81, -34.92, 54.05

 

CMYK 38 / 0 / 56 / 15

HEX #86D85E

RGB 134 216 94

HSL 100.33, 0.61%, 0.61%

LAB 79.03, -46.51, 51.54

 

CMYK 0 / 23 / 56 / 15

HEX #D8A65E

RGB 216 166 94

HSL 35.41, 0.61%, 0.61%

LAB 71.34, 10.27, 43.93

 

CMYK 0 / 27 / 66 / 9

HEX #E8A94E

RGB 232 169 78

HSL 35.45, 0.77%, 0.61%

LAB 73.6, 14.29, 54.68

 

CMYK 0 / 31 / 75 / 3

HEX #F8AC3E

RGB 248 172 62

HSL 35.48, 0.93%, 0.61%

LAB 75.95, 18.62, 64.53

 

CMYK 0 / 23 / 56 / 15

HEX #D8A65E

RGB 216 166 94

HSL 35.41, 0.61%, 0.61%

LAB 71.34, 10.27, 43.93

 

CMYK 0 / 19 / 45 / 22

HEX #C8A36E

RGB 200 163 110

HSL 35.33, 0.45%, 0.61%

LAB 69.18, 6.68, 32.61

 

CMYK 0 / 13 / 31 / 28

HEX #B8A07F

RGB 184 160 127

HSL 34.74, 0.29%, 0.61%

LAB 67.18, 3.81, 20.47

 

CMYK 0 / 6 / 14 / 35

HEX #A79D8F

RGB 167 157 143

HSL 35, 0.12%, 0.61%

LAB 65.21, 1.21, 8.63

 

CMYK 5 / 3 / 0 / 38

HEX #979A9F

RGB 151 154 159

HSL 217.5, 0.04%, 0.61%

LAB 63.5, -0.09, -3

 

CMYK 0 / 54 / 56 / 15

HEX #D8645E

RGB 216 100 94

HSL 2.95, 0.61%, 0.61%

LAB 56.61, 45.07, 25.49

 

CMYK 0 / 38 / 56 / 15

HEX #D8855E

RGB 216 133 94

HSL 19.18, 0.61%, 0.61%

LAB 63.49, 28.03, 34.32

 

CMYK 0 / 24 / 56 / 15

HEX #D8A55E

RGB 216 165 94

HSL 34.92, 0.61%, 0.61%

LAB 71.09, 10.8, 43.63

 

CMYK 0 / 8 / 56 / 15

HEX #D8C65E

RGB 216 198 94

HSL 51.15, 0.61%, 0.61%

LAB 79.5, -6.57, 53.49

 

CMYK 6 / 0 / 56 / 15

HEX #CAD85E

RGB 202 216 94

HSL 66.89, 0.61%, 0.61%

LAB 83.17, -21.32, 57.35

 

CMYK 0 / 31 / 76 / 28

HEX #B87F2C

RGB 184 127 44

HSL 35.57, 0.61%, 0.45%

LAB 57.61, 14.67, 51.45

 

CMYK 0 / 29 / 71 / 18

HEX #D0943D

RGB 208 148 61

HSL 35.51, 0.61%, 0.53%

LAB 65.69, 14.42, 53.14

 

CMYK 0 / 23 / 56 / 15

HEX #D8A65E

RGB 216 166 94

HSL 35.41, 0.61%, 0.61%

LAB 71.34, 10.27, 43.93

 

CMYK 0 / 18 / 43 / 12

HEX #E0B880

RGB 224 184 128

HSL 35, 0.61%, 0.69%

LAB 77.09, 7.09, 33.82

 

CMYK 0 / 13 / 31 / 9

HEX #E8CBA1

RGB 232 203 161

HSL 35.49, 0.61%, 0.77%

LAB 83.15, 4.09, 24.72

 

CMYK 0 / 23 / 56 / 15

HEX #D8A760

RGB 216 167 96

HSL 35.5, 0.61%, 0.61%

LAB 71.61, 9.89, 43.25

 

CMYK 44 / 0 / 56 / 15

HEX #79D85E

RGB 121 216 94

HSL 106.72, 0.61%, 0.61%

LAB 78.45, -50.59, 50.71

 

CMYK 46 / 56 / 0 / 15

HEX #755ED8

RGB 117 94 216

HSL 251.31, 0.61%, 0.61%

LAB 47.94, 39.26, -59.83

 

CMYK 0 / 23 / 56 / 15

HEX #D8A760

RGB 216 167 96

HSL 35.5, 0.61%, 0.61%

LAB 71.61, 9.89, 43.25

 

CMYK 56 / 0 / 24 / 15

HEX #5ED8A5

RGB 94 216 165

HSL 154.92, 0.61%, 0.61%

LAB 78.58, -46.04, 15.03

 

CMYK 24 / 56 / 0 / 15

HEX #A55ED8

RGB 165 94 216

HSL 274.92, 0.61%, 0.61%

LAB 52.91, 50.51, -51.58

 

CMYK 0 / 23 / 56 / 15

HEX #D8A760

RGB 216 167 96

HSL 35.5, 0.61%, 0.61%

LAB 71.61, 9.89, 43.25

 

CMYK 44 / 0 / 56 / 15

HEX #79D85E

RGB 121 216 94

HSL 106.72, 0.61%, 0.61%

LAB 78.45, -50.59, 50.71

 

CMYK 56 / 33 / 0 / 15

HEX #5E91D8

RGB 94 145 216

HSL 214.92, 0.61%, 0.61%

LAB 59.52, 3.74, -41.47

 

CMYK 13 / 56 / 0 / 15

HEX #BD5ED8

RGB 189 94 216

HSL 286.72, 0.61%, 0.61%

LAB 55.87, 56.56, -46.69

 

CMYK 0 / 23 / 56 / 15

HEX #D8A760

RGB 216 167 96

HSL 35.5, 0.61%, 0.61%

LAB 71.61, 9.89, 43.25

 

CMYK 56 / 0 / 52 / 15

HEX #5ED868

RGB 94 216 104

HSL 124.92, 0.61%, 0.61%

LAB 77.57, -56.7, 44.76

 

CMYK 56 / 33 / 0 / 15

HEX #5E91D8

RGB 94 145 216

HSL 214.92, 0.61%, 0.61%

LAB 59.52, 3.74, -41.47

 

CMYK 0 / 56 / 5 / 15

HEX #D85ECE

RGB 216 94 206

HSL 304.92, 0.61%, 0.61%

LAB 59.03, 61.8, -35.8

 

Description

Color code: HEX #D8A760 | qconv.com Color code: HEX #D8A760 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 167 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 167 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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